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BLACK MOTH

Silver Moth (Stuart Braithwaite Of Mogwai, Elisabeth Elektra & Evi Vine)

Black Bay

    A leap of faith reaps extraordinary rewards on ‘Black Bay’, an album of depth, atmosphere and daring from the collective known as Silver Moth. Recorded under unusual circumstances, ‘Black Bay’ is the sound of seven storied musicians yielding to shared goals, a policy of trust in action. Between hushed incantations and molten guitars, 15-minute noise-rock epics and healing psalms, the record is a testament to connectivity and receptivity: to a union of disparate minds committing to something greater than the sum of its parts.

    Stuart Braithwaite of Mogwai, Elisabeth Elektra, Evi Vine, Steven Hill, members of Abrasive Trees, Burning House and Prosthetic Head convened to improvise the album in early 2021, inspired by a Twitter exchange between Abrasive Trees guitarist/songwriter Matthew Rochford, musician Elisabeth Elektra and fellow artist Nick Hudson about the Isle of Lewis. A couple of Zoom meetings would subsequently lead to Rochford, Elektra, Vine, Braithwaite, Hill, drummer Ash Babb and cellist Ben Roberts visiting the dramatic location of Great Bernera’s Black Bay Studios on the Isle of Lewis in the Outer Hebrides, where they tracked the songs in just four days: a testament to the musicians’ focused openness to their shared mission and environment.

    This is an album of elemental force and evocative poise, its controlled power focused around the ego-free chemistry between the players. By abandoning all certainties, Silver Moth have found something truly special on ‘Black Bay’.

    STAFF COMMENTS

    Barry says: A stunning debut LP from Silver Moth here displaying every bit of the influence from the myriad heads of the collective, forging brittle ballads and thundering gothic waves from haunting vocals and hypnotic post-rock instrumentals.

    TRACK LISTING

    1 Henry
    2 The Eternal
    3 Mother Tongue
    4 Gaelic Psalms
    5 Hello Doom
    6 Sedna

    Black Moth Super Rainbow

    Panic Blooms

      The long overdue 6th album by Black Moth Super Rainbow. "Panic Blooms" is a fucked up and bleeding account of depression and the shadow side of human frailty, full of gorgeous warped melodies that exist as their own genre, somewhere between late 90s Warp Records, dub, and chopped and screwed codeine drip. It’s not drug music, it’s dragged music, oozing through the muck of the present moment, past mutating the present, demon melodies filtered through the vain search for light. This is why Pitchfork claimed BMSR mastered the balance between the grotesque and beautiful. Spin hailed their “consistently great records of mind-altering, sugar-coated, vocoder-heavy psychedelic pop.” Stereogum saluted their “excellent haze.” Encoded in a syrupy fog, TOBACCO’s lines stab with more ferocity than ever before. From the first track, the knives are out and slashing with chimerical violent imagery: mouths bleeding from razor blades stashed in tangerines and the ominous sensation of feeling haunted. There are sunset curses and diseased plants, sunburn fevers and doomsday downgrades, pink apocalyptic suns and sinister omens. It’s reminiscent of the phrase used to describe surrealism: as beautiful as the chance encounter of a sewing machine and an umbrella on an operating table.

      TRACK LISTING

      1. Panic Blooms
      2. Baby's In The Void
      3. Rip On Through
      4. One More Ear
      5. Bad Fuckin Times
      6. New Breeze
      7. Aerosol Weather
      8. June July 28
      9. Bottomless Face
      10. Permanent Hole
      11. To The Beat Of A Creeper
      12. We Might Come Back
      13. Harmlessly
      14. Backwash
      15. Sunset Curses
      16. Mr No One

      Re-issue of the debut album.

      Black Moth are four super talented individuals, Harriet Bevan - vocals, Jim Swainston - guitar, Dave Vachon - bass, and Dom McCready, battering the crap out of his drums. Formed 2 years ago out of the ashes of Leeds garage rockers The Bacchae, the band were seduced by the brutal and hypnotic lure of the riff, to emerge translucent skinned and bleary eyed from their cocoon as the ferocious kick-ass heavy rock outfit that is Black Moth (see attached scan). Taking a powerful chunk of influence from proto-punk acts such as Iggy and the Stooges, Motorhead and early Alice Cooper as well as a sliver of 90s grunge and stoner rock and a big dose of doom, Black Moth draw out the darker elements and combine them with the heaving riffs of heavy metal giants, Pentagram and Black Sabbath, with "hooks so sharp you could hang a corpse on them".

      They also look to more current acts such as the Melvins, Sleep and Electric Wizard for inspiration, though singer, Harriet Bevan, still maintains a vocal style that evokes the haunting psychedelia of Grace Slick and psych-Satanist, Jinx Dawson from Coven: the woman responsible for the "sign of the horns" in rock'n'roll. They're also a big part of the burgeoning Leeds heavy rock scene alongside Pulled Apart By Horses, Kong, Hawk Eyes and Gentlemen's Pistorls, it looks like it's about to break. Songs that the band have honed and crafted in the mighty maelstrom that is the Leeds heavy rock scene, have been rippin’ ‘em up live not only in Yorkshire but everywhere they’ve played. Now all they needed was to be brought to vivid screaming life on record. Enter Mr Jim Sclavunos, the multi talented Grinderman and Bad Seed, not to mention the superbaaad connoisseur of the mixing console, fresh from producing the storming second Jim Jones Revue album. One of their shows was all it took. ”Black Moth reminds me of my misspent youth” he said. And judging by the all out assault that he’s crafted with the Moth, he must have been a very bad boy indeed. The Killing Jar is their debut from New Heavy Sounds and it rocks like a bastard.

      TRACK LISTING

      The Articulate Dead
      Blackbirds Fall
      Banished But Blameless
      Spit Out Your Teeth
      The Plague Of Our Age
      Chicken Shit
      Blind Faith
      Plastic Blaze
      Land Of The Sky
      Honey Lung


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