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BEINGS

Beings

There Is A Garden

    Beings are... Zoh Amba, Steve Gunn, Shazad Ismaily & Jim White.

    On Beings’ There Is A Garden, shapeshifting melodies highlight each players’ voice. In one second, the album may sound hectic, teeming with craggy, unpredictable melodies, but by the time the next track rolls around, it’ll transform into a psychedelic reverie or blossom into a sprawling drone. For Beings, the NYC-based supergroup quartet of Zoh Amba, Steve Gunn, Shahzad Ismaily, and Jim White, the music fl­ows naturally: It’s an ever-transforming organism built on the quartet’s openness and willingness to explore, together.

    TRACK LISTING

    1. Small Vows
    2. Flowers That Talk
    3. God Dances In Your Eyes
    4. In The Garden
    5. Face Of Silence
    6. Sun Greeted
    7. Happy To Be
    8. Morning Star
    9. Do Come Again

    Thought Beings

    Neon Beach

      With music inspired by Afro-Carribean, Hawaiian, and Japanese influences mixed with Synthwave, Synthpop, and colorful 80's nostalgia Neon Beach is The band's third studio album 'Neon Beach' is based on a short story written by the main producer. It is a story of holograms and simulations emanating from a neurological program called Neon Beach. It is a dystopian story dressed in a utopian world as heard in the flashy 80s Pop Music and dark esoteric lyrics on the album. Thought Beings embrace ancient esoteric mysteries by dressing them up in brightly colored 80s fashion and making them palatable to the world. 'Neon Beach' is no different in its attempt to tell a deeply introspective story while dancing by the ocean in the neon lights. This album is fun, colorful, unapologetically retro, and full of ancient secrets.

      TRACK LISTING

      LP
      SIDE A

      1. Neon Beach
      2. Satellite
      3. Digital Hideaway
      4. Mystery School
      5. Paradise

      SIDE B
      1. Sundown
      2. Feel Alive
      3. Rain
      4. Fortress

      CD-R
      1. Neon Beach
      2. Satellite
      3. Digital Hideaway
      4. Mystery School
      5. Paradise
      6. Sundown
      7. Feel Alive
      8. Rain
      9. Fortress

      A new project by Chicago-based drummer/producer Makaya McCraven. An addendum to his critically-acclaimed 2018 release Universal Beings, which The New York Times said "affirms the drummer and beatsmith's position as a major figure in creative music," Universal Beings E&F Sides presents fourteen new pieces of organic beat music cut from the original sessions, prepared and produced by Makaya as a soundtrack to the Universal Beings documentary film.

      Directed by Mark Pallman, the Universal Beings documentary follows Makaya to Los Angeles, Chicago, London and New York City for a behind the scenes look into the making of the artists breakthrough album, taking the viewer through the story of Makaya's life, his process and the community of musicians that helped bring this project to life. The Universal Beings documentary and Universal Beings E&F Sides album will be released on International Anthem.

      Named one of the best jazz albums of 2018 by The New York Times, Rolling Stone, NPR, Stereogum, Billboard, SPIN, The Wall Street Journal, The Chicago Tribune, and more, Universal Beings was recorded at four sessions in New York, Chicago, London and Los Angeles, and features some of the best "new" jazz players from those hot bed cities: Brandee Younger, Tomeka Reid, Dezron Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson - all of whom are on the forthcoming Universal Beings E&F Sides.

      TRACK LISTING

      A1. Everybody Cool
      A2. Half Steppin'
      A3. Mak Attack
      A4. The Hunt
      A5. Beat Science
      A6. Dadada
      A7. Isms
      B8. Traveling Space
      B9. Kings And Queens
      B10. The Loneliness
      B11. Her Name
      B12. Universal Beings Pt 2
      B13. Butterss Fly
      B14. The Way Home

      Lanterns On The Lake

      Beings

        Two years on from the critically acclaimed Until The Colours Run, Lanterns On The Lake return with their third full-length record Beings. It marks another leap in the band’s development as they expand their range, pushing the envelope of their signature atmospheric rock and scaling new heights of absorbing song-craft.

        Work on Beings began in February 2014, hard on the heels of successful tours of Europe and North America. It proved to be a productive period. “The ideas came effortlessly and in abundance,” vocalist Hazel Wilde says of the writing process. “At first we had no expectations, no prescribed ideas of how we wanted the songs to turn out. We were just writing and playing together because that’s what we’d always done.”

        This was made possible by their setup, working in splendid isolation; writing, rehearsing and recording in their Newcastle rehearsal room meant the results were undiluted by outside influence. Imaginatively produced and mixed by guitarist Paul Gregory, it’s also his experience that helped yield such compelling results. This allows Beings to move seamlessly from airy, chiming beauty to dense, forbidding soundscapes - sometimes in the same song - while still feeling like the product of a cohesive unit, retaining the band’s spark. “We wanted it to be more raw,” Wilde says of the record. “At its darkest points, we wanted it to feel like you’d dived into the deepest part our dreams and were taking a look around. At its lightest we wanted it to feel like you were coming up for air.”

        Opening song ‘Of Dust and Matter’ strikes just such a balance. The band’s most sinister moment yet, it prowls out of a burble of radio static and feedback, propelled by ominous piano chords as its menacing pulse builds to a tumbling climax of almost discordant, warped guitar parts and the fractured drumming of Ol Ketteringham. “In my greatness I vowed to destroy all I am,” Wilde sings. “It brings out the best in me.”

        It’s an interesting early lyric, and it soon becomes apparent that this is a braver, more headstrong Lanterns on the Lake, a band now less about floating on water than racing across land, eager and with points to prove. Often their melancholy necessarily turns to action. “Fractured lives like faultlines, unto the breach my friends if you will” is Wilde’s call to arms on ‘Faultlines’, a critique of austerity, as the band turn in a cavalry charge with her voice as the clarion call.

        Wilde's lyrics also shudder with evocative and often surprisingly dark imagery in songs that attempt to understand the world around her, built from charged moments of universal insight. “There is a sense of the need to connect to something; the need to find meaning,” she says of the material. “There’s such frustrating injustice in the world, yet this feels like a time of disconnection where we’re encouraged to celebrate the shallow side of culture. This record carries that sense of yearning for something greater.”

        This gives Beings immediacy, depth and resonance as it touches on community, love, culture, politics and self-examination, and our own place and limitations within each. “I want to walk with the brave, give me a good day, I want to feel human” Wilde sings on the graceful ‘I’ll Stall Them’, exploring the importance of connection, kinship and reconciliation.

        Beings is the engrossing product of a band operating in total harmony to the point where their music creates its own idiosyncratic world whilst also distilling outside concerns into it. The horizons open to Lanterns on the Lake are now as broad as the sweep of these beautiful songs.

        STAFF COMMENTS

        Andy says: Starker, darker but still really beutiful, the Lanterns'third is an engrossing listen.


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