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JAMES

"A Louder Silence" is the London-based producer and multi-instrumentalist’s first proper release; his two earlier singles feature on the record, after gaining support from Gilles Peterson’s Worldwide FM with a live airing and interview in 2017, plus continued backing from XLR8R, Stamp the Wax, and BBC Radio 6 Music DJ’s.

The album is both spacious and thought-provoking, energetic yet restrained, brimming with nuanced electronic instrumentals, dubby synths, and jazz breaks - creating an array of rich textures, complemented occasionally by James’ own soulful vocals.

While James’ early unreleased work was singularly electronic, "A Louder Silence" focuses on analog synths and warm acoustic instruments, all played by his own hand. It’s the product of a two-year spell in James’ home studio, with additional live drums recorded with Jim Macrae at London’s Old Paradise Audio.

James’ rich musical influences are laced through the release. Encouraged by his mother, a classically trained pianist, he learned to play the cello and developed a deep understanding of rhythm and melody that informs his approach to writing electronic music. James plays the piano he grew up listening to in “Mumma Don’t Tell” and samples an indefinable percussive element to drive forward “Suns Of Gold.” “Night and Day” sees cello plucks and long melodic strokes interlink with a grooving synth line. He also field records the atmospheric Moroccan sea in “Red Sea.” Inspiration stems from the experimentation of modern day electronic producers, fused with the Jazz, Classical, Blues, and Soul music that soundtracked his youth.

Central to the album is the idea of space. James recalls the early advice of his uncle, a jazz guitarist, who features on “Uncle Blue”:'I remember him saying to me: 'What goes in comes out' James says. 'Every detail should be a worthy detail; sometimes nothing is better than something.' Moments of blissful, structured intensity are juxtaposed with stillness and near silence -dark and light; loud and quiet. This also forms the foundation for the album title: "A Louder Silence" reflects the dichotomy of finding pockets of stillness in a noisy world.


TRACK LISTING

1. Alpine
2. Time
3. Suns Of Gold
4. Argonaut
5. Mumma Don’t Tell
6. Uncle Blue
7. Night And Day
8. Salaninam
9. Red Sea
10. Osho

“The idea for UNIFORM CLARITY came from UNIFORM DISTORTION,” says James, “an album of intentional chaos/dirt: literal and figurative distortion of lyrics and sound meant to echo and hopefully shed some light on the twisted times and distortion of the truth in which we now live. UNIFORM CLARITY is meant to illuminate the other side – raw and real, but very clear, much like in the early days of recording where all you could hear was the truth because there were no ways to manipulate recordings in the studio. Working with Shawn Everett, we created a document style recording of these songs- just vocals, guitar and the space itself- no special FX. A crystal clear illustration of the flawed beauty of what a song starts off as or sometimes remains- a thought. a seed. a light from the womb of the universe brought to life down here on earth."

TRACK LISTING

1 Just A Fool
2 You Get To Rome
3 Out Of Time
4 Throwback
5 No Secrets
6 Yes To Everything
7 No Use Waiting
8 All In Your Head
9 Better Late Than Never
10 Over And Over
11 Too Good To Be True
12 It Will Work Out
13 Flash In The Pan

James White And The Blacks

Sax Maniac (Redux)

The New York No Wave legend returns to record store shelves everywhere! Long out of print, it’s only right James Chance (White) was back where he belongs, this time it is in the shape of a lovingly packaged reissue of one of his masterpieces - 1982’s Sax Maniac LP.

Currently at the forefront of the popular music conciousness, fresh from a guest performance with Franz Ferdinand on prime time US televisions ‘Late Show with Stephen Colbert’, this fantastic Redux version of one of JAMES’ most revered records showcases his anarchic saxophone and deconstructionist approach to rock ‘n’ roll through avant garde arrangements and a blending of contemporary jazz with a true punk ethos.

To go alongside the music are four incredible photographic prints of JAMES CHANCE and Anya Philips by Edo Bertolgio, the director of the now classic movie Downtown 81, which starred Jean-Michel Basquiet and a memorable performance by the James White And The Blacks era band heard here on this record. Drenched in an infinite cool, Sax Maniac is a true document of downtown New Yorks’ underground music and art scene in the early 80’s.

This limited edition Redux version of this incredible LP is remastered and contains a bonus track featuring fellow no-wave legend Arto Lindsay (DNA, The Lounge Lizards). It comes on heavy 180g limited coloured vinyl with free download. The record is encased in a clear PVC sleeve with the logo printed on the font, inside it contains 4 x photographic prints of images by the great Edo Bertoglio (Downtown 81, Jean-Michel Basquiet) allowing you to use whichever image you desire as the front cover! It also boasts newly written liner notes by the legendary James Chance himself. So get yourself a slice of hot sax - only while stocks last.


TRACK LISTING

1. Irresistible Impulse
2. That Old Black Magic*
3. Disco Jaded
4. Money To Burn
5. Sax Maniac
6. Sax Machine
7. The Twitch
8. Hyp No Tease (Bonus Demo)

Jim James third studio album ‘Uniform Distortion’ follows on from his previous success from being frontman of My Morning Jacket.Uniform Distortion was produced by Jim James and Kevin Ratterman at Louisville, KY’s La La Land, with Ratterman also serving as recording engineer. All songs were written by James, who is backed on the album by bassist Seth Kauffman (Floating Action) and longtime touring drummer Dave Givan, with backing vocals provided throughout by Dear Lemon Trees’ Leslie Stevens, Jamie Drake and Kathleen Grace. “The name of my new record is Uniform Distortion because I feel like there is this blanket distortion on society/media and the way we gather our ‘news and important information. More and more of us are feeling lost and looking for new ways out of this distortion and back to the truth…and finding hope in places like the desert where I write this now...finding hope in the land and in the water and in old books offering new ideas and most importantly in each other and love.” says James. Uniform Distortion is James’ finest work to date filled with compassion and brimming with meaningful ideology. 

STAFF COMMENTS

Andy says: Jim James does things differently on his solo records and this one's no exception. Raw, playful and rocking, but still with melodies galore, which other massive alt-rock stars keep things this fresh!

TRACK LISTING

1. Just A Fool
2. You Get To Rome
3. Out Of Time
4. Throwback
5. No Secrets
6. Yes To Everything
7. No Use Waiting
8. All In Your Head
9. Better Late Than Never
10. Over And Over
11. Too Good To Be True

James Hunter had already established himself as a permanent fixture in the world of rhythm and soul with his five previous albums, each more poignant and well-executed than the last. However, "Whatever It Takes" has buried them all. His voice has never been more compelling, his songs never more elegantly crafted. Recorded to tape at Daptone's Penrose Studios in Riverside, California, Bosco Mann's production elevates Hunter's arrangements to the altitude they deserve.

The needle drops on "I Don't Wanna Be Without You." Saxophones grabbing your collar, pulling you close. Moving you over the undulating curves of a rhumba. The coquettish bubbling of the organ. James words curl casually into your ear, When we met, I was pretty well set in my ways... There is an effortless intimacy here. The casual confidence of a song-smith who has honed his craft beyond reproach. Not just the lyrics, but the melodies, the harmonies, the rhythms, phrasing, all locking into perfect synchronicity. A unified devotion serving only their master's voice. And his voice. Almost violently tender, plucking lyrics off a seemingly endless vine and feeding them to you with the eager patience of a lover.

There is a common theme here. It's not a record about infidelity, shallow seductions, fleeting backdoor trysts, or any of the other common clichés of R&B. These are poetic testaments to truer love. Loyalty, devotion, humility, and the inevitable regret of those who take love for granted. Clearly inspired by his new bride, Hunter is singing about the preciousness of a love he plans to keep, Whatever It Takes. James Hunter has certainly paid his dues. Over the span of 30 years, he’s worked on the railway, busked in the streets of London, provided backup vocals and guitar for Van Morrison, played clubs and theatres all over the world, written scores of original songs, and recorded some of the most original and honest rhythm & soul albums of the last two decades.

Jim James

Tribute To

Tribute To is a collection of George Harrison songs recorded by Jim after George’s death. “All I had was that eight track at our studio and right after George died I just went up there and sat in a room and played those songs to try and deal with the emotions I felt from his passing and pay tribute to him” said Jim James.

Spin described the EP as “spare and somber – just that windy Americana tenor against a squeaky acoustic guitar … Many of us remember where we were when Harrison died; now we hear when James began to heal.”


This re-issue includes a bonus track, a cover of "If Not For You".

TRACK LISTING

Long, Long, Long
Behind That Locked Door
Love You To
If Not For You
My Sweet Lord
Ballad Of Sir Frankie Crisp (Let It Roll)
All Things Must Pass

James

Gold Mother - Vinyl Reissue

Double Vinyl re-press with download code.
180g black vinyl.
First time available on vinyl with this specific track-list.


TRACK LISTING

1.Come Home (Flood Mix)
2.Lose Control
3.Government Walls
4.God Only Knows
5.You Can't Tell How Much Suffering (On A Face That's Always Smiling)
6.How Was It For You?
7.Sit Down
8.Walking The Ghost
9.Gold Mother
10.Top Of The World
11.Come Home (Album Version)
12.Crescendo
13.Hang On

James

Whiplash - Vinyl Reissue

Double Vinyl re-press with download code.
180g black vinyl.
Double LP of the original album.

TRACK LISTING

1. Tomorrow
2. Los A Friend
3. Waltzing Along
4. She's A Star
5. Greenpeace
6. Go To The Bank
7. Play Dead
8. Avalanche
9. Homeboy
10. Watering Hole
11. Blue Pastures

James

Millionaires - Vinyl Reissue

Double Vinyl with download code.
180g black vinyl.
First time available on vinyl. 

TRACK LISTING

1. Crash
2. Just Like Fred Astaire
3. I Know What I'm Here For
4. Shooting My Mouth Off
5. We're Going To Miss You
6. Strangers
7. Hello
8. Afro Lover
9. Surprise
10. Dumb Jam
11. Someone's Got Ity In For Me
12. Vervaceous

James

Pleased To Meet You - Vinyl Reissue

Double Vinyl with download.
180g black vinyl.
First time available on vinyl. 

TRACK LISTING

1. Space
2. Falling Down
3. English Beefcake
4. Junkie
5. Pleased To Meet You
6. The Shining
7. Senorita
8. Gaudi
9. What Is It Good For
10. Give It Away
11. Fine
12. Getting Away With It (All Messed Up)
13. Alaskan Pipeline

Jim James

Tribute To 2

After releasing the politically charged solo album ‘Eternally Even’ in 2016, My Morning Jacket frontman Jim James returns with ‘Tribute To 2’, a collection of cover songs that reverberate with hope.

Unlike his 2009 mini album of songs by George Harrison and the Beatles, ‘Tribute To’, which was recorded on an eight-track, reel-toreel tape recorder in the days following Harrison’s passing, the 11 songs of ‘Tribute To 2’ were recorded over a period of years, in different places, with different gear and varied instrumentation. James explains, “These are some of my favourite covers - songs I recorded trying to bring myself peace during a rough time or trying to make myself laugh or just have fun. I hope others can relate and enjoy the journey during these tough times and hopefully in times of peace and love as well!”

James Holden & The Animal Spirits

The Animal Spirits

Let electronics guru James Holden and his newly-expanded band The Animal Spirits transport us to a magical other world with this third album: a bold new set of synth-led folk-trance standards, fusing elements of psychedelia, krautrock, world and spiritual jazz with Holden's usual propulsive melodic vigour into his most ambitious - but also most accessible - work to date.

The synth-and-drum core of Holden's Inheritors-era live touring outfit has picked up several members along the way, incorporating saxophone, cornet, recorder and cosmic percussion, all recorded live together in one room under the direction of band leader Holden to produce a genre-blending new form of universal music that feels inherently fluid and alive.

STAFF COMMENTS

Barry says: Holden, and his newly inherited (pun intended) band segue away from the dense, fractured electronic excursions of yesteryear, into a genre-bending percussive world-music odyssey. Progressive, multi-layered and incredibly rewarding. Another slice of genius from the Border Community head honcho.

TRACK LISTING

Incantation For Inanimate Object
Spinning Dance
Pass Through The Fire
Each Moment Like The First
The Beginning & End Of The World
Thunder Moon Gathering
The Animal Spirits
The Neverending
Go Gladly Into The Earth

The James L'Estraunge Orchestra

Eventual Reality

Born in a remote log cabin deep in the Scottish Highlands, Eventual Reality, the debut album from The James L’Estraunge Orchestra melds jazz and electronic music sensibilities with a huge helping of heart and soul. In 2014 seasoned producer and musician Ricky Reid and his partner retreated from the city to embark upon a new life, in his own words “away from the constant, incoherent noise of the world”. As he set up his studio, the clean air and spectacular surroundings began to provoke musical inspiration like never before. Then, like a scene from ‘Field Of Dreams’, a series of talented musicians from his former life visited the cabin for a series of late night jamming and recording sessions, leaving behind them hidden treasures to be discovered and lovingly pieced together by Ricky over the following months. With nostalgia so much a part of the album’s creation, The James L’Estraunge Orchestra can’t help but appear somewhat spectral; after all they are truly the band that never was.

Making up one half of the Soul Renegades alongside Craig Smith, as well as contributing keys and vocals to both 6th Borough Project LPs, Ricky Reid was a lynchpin of the Edinburgh scene for a little over two decades before escaping to the wilderness. Releases on Restless Soul, Local Talk, Rainy City Music among others saw him truly hone his craft, but the distractions of day to day urban living prevented him from elevating his craft to the next level. Now with no TV or wi-fi and mostly trees to talk to, Ricky has been able to freely explore and spread his wings; as he puts it: “I’ve become a conduit for something different than I've ever experienced before.”

Roaming from dramatic, cinematic expanses to intimate and fragile places, ‘Eventual Reality’ is the audible journal of a musician making sense of things, reconciling the past and present from a place of tranquility. From the autobiographical reverie of ‘See You Tonight’, which explores the loss of youth, to the vibrant Melbourne street sounds that introduce powerful and empowering first single ‘Closer’, the album shimmers with a palpable sense of life throughout. “My process is completely based on inspiration in the moment. Sometimes the inspiration for a track comes in the middle of the night, like ‘The Call’, which was written after a local car accident ended in tragedy for a young girl visiting the area. She was trapped underwater after driving off the road, which shocked the village and provoked this emotive, free form track.” It’s just as easy to imagine a poignant story for each piece of music contained in ‘Eventual Reality’ as it is to place yourself in that lonely cabin, comfortably cocooned in warm and deeply touching sounds.

Wintres Woma-- Old English for "the sound of winter"-- is James Elkington's debut solo record, but you've likely heard his masterful guitar playing and arranging, even if you didn't realize it. Elkington (an Englishman living in Chicago) is an inveterate collaborator who brings his lyrical compositional and improvisational sensibilities to any group. He has toured, recorded, and/or collaborated with Jeff Tweedy, Richard Thompson, Steve Gunn, Michael Chapman, Joan Shelley, Nathan Salsburg and Brokeback, to name just a few of his many enthusiastic admirers.

His assured album, recorded at Wilco's Loft, is baroquely detailed and beautifully constructed, featuring both his baritone vocals and some of Chicago's finest, including Tomeka Reid. Elkington was brought up in England during the ’70s and ’80s—a time when traditional and acoustic music was largely shunned in favor of the new wave (to which his largely-destroyed copy of The Fall’s Perverted By Language will attest)—but found after his first forays into songwriting that some semblance of the folk music vernacular had crept in and wouldn’t leave.

Elkington’s music, however, is anything if retroactive, and anything if folk music: “It’s not folk music,” he asserts. “I may use the mechanics of folk music to put across my own ideas at times, but it really doesn’t fall into any specific community or songwriterly tradition. The album’s lyrics do seem to have a preoccupation with unseen powers at work and other dimensions, both of which seem to show up in traditional English music, but it’s based on my own experience and understanding, not anyone else’s.” Wintres Woma was recorded at Wilco’s studio, The Loft, in a five-day sprawl with engineer Mark Greenberg. 

TRACK LISTING

1 Make It Up
2 Hollow In Your House
3 Wading The Vapors
4 Grief Is Not Coming
5 When I Am Slow
6 The Parting Glass
7 The Hermit Census
8 Greatness Yet To Come
9 Sister Of Mine
10 My Trade In Sun Tears
11 Any Afternoon

Sufjan Stevens, Bryce Dessner, Nico Muhly, James McAlister

Planetarium

Flanked by a string quartet and a consort of seven trombones, this unique collaborative ensemble have assembled an expansive song cycle that explores the Sun, the Moon, the planets and other celestial bodies of our solar system (and beyond) through soundscape, song, science and myth.

The subject of the album is not just the wilderness of outer space, but also the interior space of human consciousness and how it engages with divinity, depravity, society and self - what does it mean to be human?

A musical and aesthetic journey as far-reaching as its subject: from lush piano ballads to prog-rock political anthems, curious electronic backbeats to classical cadenzas, which occasionally give way to ambient interludes and majestic brass chorales, buttressed by a percussive drive that keeps the momentum skyward.

In spite of all the experimentation in sound and style, Sufjan’s vocals provide a clear and coherent centre of gravity, and includes some of his most diverse vocal performances to date (from soft hush to guttural scream); whether he’s singing through effects pedals, vocoders, auto-tune or not, his voice delivers an ambitious flight map through the cosmos.

STAFF COMMENTS

Barry says: Conceptually intimidating but perfectly executed suite of space themed pieces, bold and tender in equal measure, beautifully composed and impeccably performed by a superbly talented bunch of some of the best musicians of modern times.

TRACK LISTING

1. Neptune
2. Jupiter
3. Halley's Comet
4. Venus
5. Uranus
6. Mars
7. Black Energy
8. Sun
9. Tides
10. Moon
11. Pluto
12. Kuiper Belt
13. Black Hole
14. Saturn
15. In The Beginning
16. Earth
17. Mercury

"If you don't vote it's on you, not me," Jim James sings on his second solo album. It's an election-year entreaty geared towards too-pure leftoid lintheads, but the song is no screed, befitting a guy whose music usually turns inward. James floats his humidly ethereal soul mumble over seven minutes of a languid beat, cottony strings and chill organ bleat. Throughout Eternally Even, the My Morning Jacket mainman renders his change gospel with conversational grace, Bill Withers warmth, Sly Stone optimism and Neil Young conviction – less soap box pugilist than lazy-Sunday sage.

The music recalls Aquarian soul, Nineties trip-hop and laser-gun funk: "True Nature" ties a find-your-mission message to a hazily coiled Blacksploitation groove; the loose flowing prettiness of "Here in Spirit" links today's battles to a history of struggle. The sonic spaciness can sometimes undercut James' less probing moments ("This world is war and blood when it could've been love," he observes on "We Ain't Getting Any Younger (Pt. 2.)" More often, the effect is charming. The gentlest moment is the title cut, in which his Kentucky coo cuddles against a track that's like Dark Side of the Moon as an astral doo-wop lovers prayer, reaching for a personal and social over-the-rainbow moment of Zen so sweetly visioned it feels like it's already unfolding –walking in the shadows, tripping towards the light. 



STAFF COMMENTS

Andy says: This record has the meandering, groovy, mellow and melancholic vibe of Marvin's masterpiece "Here, My Dear". Stoned, soulful, fuzzy songs bleed into one another to create a powerful meditation on the times (political and personal). It is a stunning record.

TRACK LISTING

1. Hide In Plain Sight
2. Same Old Lie
3. Here In Spirit
4. The World's Smiling Now
5. We Ain't Getting Any Younger Pt. 1
6. We Ain't Getting Any Younger Pt. 2 [Explicit]
7. True Nature
8. In The Moment
9. Eternally Even

The Starless Room is the debut solo album by Gallon Drunk mainman and PJ Harvey cohort James Johnston.

The Starless Room - The results are a revelation, and not just for James Johnston. Vast in its scope, visceral, intimate and instinctive - " I just followed whatever triggered an emotional response in me".

The Starless Room represents a remarkable distillation of both his lyrical obsessions and prodigious, arguably under-acknowledged talent. Suitably, it's the title track that encapsulates the romantic sweep of the record best, with its star at his most intense and Sebastian Hoffman's string arrangements at their most ambitious. For James Johnston, however, the greatest pleasure of all is a simple one: the songs' slow tempos, "Something I adore, like a lot of the Isaac Hayes or Ray Charles albums that I love. It almost feels like I'm listening to someone else's record." But it's not. It's James Johnston's debut solo album, The Starless Room. Like he said, it feels just right.

James Johnston - As well as playing with Gallon Drunk, James Johnston has spent considerable time working with others: A mid 90s spell as a touring guitarist in The Bad Seeds led to a full role in Nick Cave's band between 2003 and 2008, and he's performed regularly with other iconic acts, including Lydia Lunch, Faust, and, currently, PJ Harvey, on whose The Hope Six Demolition Project Johnston appears. But if it sounds like he's softened on this album, he argues powerfully otherwise. "The band's records have quite an earthy feel, but in a way this is rawer, more focused and direct, musically and emotionally. The last Gallon Drunk record's my favourite, and it was certain elements of that which I really wanted to take further, to strip away the dissonance and anger, to reject the more familiar sounds in order to free it all up again. So the instrumentation is very different, led by piano and voice, and the overall sound is lush yet intimate. Overall it's far more reflective of me, both as a person and the sort of music I actually listen to."

" It felt right, and when that happens, you just go with it," says James Johnston of his decision, well into a third decade as frontman of Gallon Drunk, to record The Starless Room, his unexpectedly sumptuous, long-awaited, debut solo album. Over eight albums, Gallon Drunk have carved out a reputation as a savage live act whose work has increasingly revealed a bold sophistication, growing from the psychotic fury of 1991's You, The Night… And The Music up to 2014's epic The Soul Of The Hour. A solo album by their co-founder, though? That had somehow never come to pass. Especially one this lavish.

"It wasn't something I'd really considered before," Johnston admits, and even now he appears a little startled by the turn events have taken. "But that's where the writing was going. I've always poured all my ideas into Gallon Drunk, but we'd done two great records in fairly quick succession, and I really didn't want to repeat myself, so I was writing in a different way, one that didn't feel like it would work as Gallon Drunk. The moment the decision was made to go ahead with a solo album it freed a lot of things up for me, letting it go somewhere different without any constraints or expectations."

The Starless Room is distinguished by its grandeur and romance as much as its refreshing musical approach.

As well as playing with Gallon Drunk, Johnston has spent considerable time working with others: a mid 90s spell as a touring guitarist in The Bad Seeds led to a full role in Nick Cave's band between 2003 and 2008, and he's performed regularly with other iconic acts, including Lydia Lunch, Faust, and, currently, PJ Harvey, on whose The Hope Six Demolition Project Johnston appears.

Given the licentious nature of much of his previous work, that this newly mature, refined sound is indicative of Johnston's character may be unforeseen. His influences, however - "Big Star's Third, John Cale's 70s albums, Lee Hazlewood, Nina Simone, that sort of thing" - remain much as they were, if arguably employed with a new, more thoughtful perspective. Furthermore, his considered approach is indicative of a man with a musical education, both formal and informal.

Suitably, it's the title track that encapsulates the romantic sweep of the record best, with its star at his most intense and Sebastian Hoffman's string arrangements at their most ambitious. For Johnston, however, the greatest pleasure of all is a simple one: the songs' slow tempos, "something I adore, like a lot of the Isaac Hayes or Ray Charles albums that I love. It almost feels like I'm listening to someone else's record." But it's not. It's James Johnston's debut solo album, The Starless Room. Like he said, it feels just right.

STAFF COMMENTS

Barry says: Heartfelt anthems ruminating on life and love, existence and everything inbetween. Slow string swells and bombastic build-ups fade into mournful piano territory, all driven along by Johnston's heartfelt crooning vocal delivery. Sensitive soaring rock equally at home in the front room or belting out over a stadium PA.

TRACK LISTING

1. I'd Give You Anything
2. St. Martha's
3. Starless Room
4. Cold Morning Light
5. Dark Water
6. Frozen Time
7. Heart And Soul
8. The Light Of Love
9. Let It Fall
10. When The Wolf Calls

The word ‘naive’ comes from the Latin ‘nativus’, meaning native, or natural. Today, to be naive is often seen as pejorative, a lack of experience or judgement, but in the art world the word retained some of its original meaning: a quality acquired through birth, a childlike innocence and wonder that produces spontaneous, unaffected art. For Mitchel Van Dinther, the Dutch producer known as Jameszoo, it is this quality that lies at the heart of his debut album, 'Fool', which he calls “naive, computer jazz”.

Van Dinther emerged from the small town of Den Bosch in the southern Netherlands in the late 2000s. First as a DJ - with wide-ranging crates of avant-garde jazz, prog and kraut rock, electronic experiments, and beat oddities - and then as a producer capable of impressive sonic and rhythmic incongruities. This spring, Van Dinther joins Brainfeeder with an album that fits right into the label’s expanding take on the modern evolution of jazz music.

'Fool' began life as just a simple debut album, but soon grew into something more audacious. During the recording process Van Dinther became obsessed with classic albums by Steve Kuhn (1971’s 'Steve Kuhn'), Arthur Verocai (1972’s 'Arthur Verocai'), and Robert Wyatt (1974’s 'Rock Bottom'). The melodies, compositions, and idiosyncrasies of these works made the young Dutch producer reconsider his approach, moving him away from the colourful, electronic productions he was known for.

Not only did Van Dinther take inspiration from these works, he eventually contacted the artists he’d been studying and convinced Kuhn and Verocai to lend their inimitable touch to the recordings. Tapping into jazz’s tradition of playing standards and covers, ‘The Zoo’ re-imagines Kuhn’s playful ‘Pearlie’s Swine’ with Rhodes and vocals that the man himself recorded with Van Dinther in New York City.

Across its 11 tracks, 'Fool' plays out Van Dinther’s journey to find a musical voice he can be proud of and which can also inspire others. Alongside Verocai, Dafé, and Kuhn, the album features a stellar cast of classical and jazz musicians including pianist Niels Broos, drummers Julian Sartorius and Richard Spaven, bass guitarists Raphael Vanoli and Stephen Bruner (aka Thundercat), and saxophonist John Dikeman. All of these different contributions and approaches are weaved together into a whole by Van Dinther, armed with electronics and naivety. At times coherent, at times seemingly haphazard, the album is always joyful.


TRACK LISTING

Flake
Lose
Soup
Flu Ft Arthur Verocai
Wrong
Meat
The Zoo Ft Steve Kuhn
Crumble
Nail (Skit)
Toots
Teeth

The James Hunter Six

Hold On!

James Hunter has been on the scene for enough years to acquire plenty of feathers in his cap. He has earned an international reputation as a rhythm and blues troubadour for his command of the microphone both on stage and in studio. This album, however, is something far deeper than just another notch in his belt. It is truly an artist’s vision come to fruition.

This may be James Hunter's fourth album, but it is his first Daptone record. Produced by Daptone's own Bosco Mann (Gabriel Roth) at Penrose Recorders (Daptone West) near his home in Riverside, California, ‘Hold On!’ is a perfect portrait of an artist at the top of his game. 

Though tunes like "(Baby) Hold On," "If That Don't Tell You," and "Stranded" carry the buoyant energy, crackerjack arrangements, and tough soulful pulse for which the band has become renowned, the true treasures of this LP may lie in the deeper grooves. Rumbas, boleros, bossanovas, and easy rockers, each one swinging more than the last: "This Is Where We Came In", "Something's Calling", "A Truer Heart", “Light of My Life”, “In The Dark” - no clichéd throwback nods to a-time-gone-by here.

These are forever songs crafted with immaculate care and ingenuity, sung with an effortless balance of tenderness and grit. Many will be tempted to describe it as “authentic,” but the word really has no place here. Hunter's words are truly his own and though at moments his voice may "evoke" Ray Charles or Sam Cooke, there lies an inherent naturalness in these songs that bucks any comparison past or present.


Essex-born, Liverpool-based songwriter James Canty returns with a new five track EP.

EP title track 'Love' is packed with harpsichords, synthesisers and electronic flourishes, coming across like some amazing future-retro psych-folk experiment. The collection of tracks follows two years on the road across Europe for Canty, with the five songs written and recorded in the home studio of producer and Obscenic Records chief Joe Wills.

TRACK LISTING

Love
Deborah
Strangers
Putney Bridge
Burning Alive

James

Laid

According to Tim Booth, Laid and Wah Wah are “the culmination of playing four or five hours a day four or five days a week in Manchester and the new band adapting to that. It is about the transition of becoming more of a band but with Brian at the helm.” Booth remembers jamming “hundreds of songs that never saw the light of day” and guitarist Larry Gott suggests it might have been “as many as 340 tracks.”

The simultaneous, coupled reissues are particularly notable, however, due to the fact that producer Brian Eno and the band had originally favoured releasing the records as a double package. Recorded concurrently in 1993 during a frenetic six week period at Peter Gabriel’s Real World Complex, the albums were always intended as companion pieces – Laid being referred to as the “song” album whilst Wah Wah was known as the “experimental” or “jamming” album – but the record company’s decision to release them months apart put paid to this conception: Laid, released in the UK in October 1993, reached the No.3 spot in the UK and became the band’s biggest album to date in the US, selling 600,000 copies and breaking the band in the USA in the process but the subsequent follow-up Wah Wah effectively sunk the band over there and – according to Booth – “put paid to us breaking America at all!”. More pertinently perhaps, by the time Wah Wah came out, U2 (and Eno) had released Zooropa and “everyone thought we were copying off them instead of the other way round!”

Barclay James Harvest

North

The album (featuring all new material) draws on the fine musical heritage of Barclay James Harvest whilst bringing the BJH legacy up to date with expansive compositions and thoughtful lyrics. The band’s roots in rural north-west England are explored on the album’s title track, along with another extended piece, ‘On Leave’. The album also includes the recent digital single ‘Unreservedly Yours’ and ‘Ancient Waves’, a song performed live in more recent times.

TRACK LISTING

1. If You Were Here Now
2. Ancient Waves
3. In Wonderland
4. On Leave
5. The Real Deal
6. On Top Of The World
7. Unreservedly Yours
8. North
9. The End Of The Day

Austin, TX psych rock gang The Saint James Society plays electrifying rock music that brilliantly connects the dots between dark ‘60s blues-based garage rock and early ‘80s post punk resulting in a hypnotically powerful sound the fabulous four-piece calls "Pentecostal Desert Glam."

TSJS's full length debut – the mystically-titled Bab(a/y)lon Rising – pulses through the speakers like punk rock gypsies on a rampage, perfectly capturing the band's apocalyptic nomad-rock as it drips with dark fuzz and acid drone that will surely find favour with restless sinners everywhere.

It has been said that "The Saint James Society sounds as good as any band on the planet at full volume," a point to which the band's bustling fan network of artists, writers, musicians, filmmakers, photographers, creeps and thieves would most assuredly agree. When the heavy swagger of vocalist/bassist Brandon Burkart and golden guitars of Dahveed Dubois align with the band's heavy-footed rhythms, ticking-time-bomb beat and stunning twin vocal tandem of rebel queens Elza Burkart and Candice Bertalan, the resulting musical statement mainlines the thrill of defiance straight to the listener's heart.

TRACK LISTING

1. Refractions
2. Bab(a/y)lon Rising
3. The Serpentine Highway
4. Blood & Sand
5. The Book Of The Jaguar Priest
6. Get Cold
7. Post Tenebras Lux
8. Ode To The Turquoise Ox
9. Letters Signed In White
10. Celestial Symbols Interpreted
11. House Of Snakes

Aphex Twin

Richard D James

As ever Aphex's music is pulling in different directions on this 1996 CD, with tracks underpinned with glitchy chopped up beats and overlaid with lush, emotional synth work. Includes the single "Girl / Boy Song".

James Yorkston

I Was A Cat From A Book

His first album since 2008’s ‘When The Haar Rolls In’, ‘I Was A Cat From A Book’ finds James Yorkston playing with a new band comprised of members of Lamb and The Cinematic Orchestra, alongside old friends.

The album was produced by James Yorkston and Dave Wrench and mostly recorded live during five wintery days in Bryn Derwen Studios, North Wales.

It’s an album full of energy and great musicianship, and contains James’ strongest and most bewildering set of songs yet.

Since the release of ‘When The Haar Rolls In’, James has published a book (‘It’s Lovely To Be Here’), collaborated with The Big Eyes Family Players on Folk Songs, and seen the ten year anniversary release of ‘Moving Up Country’, his landmark debut album.

TRACK LISTING

Catch
Kath With Rhodes
Border Song
This Line Says
Just As Scared
Sometimes The Act Of Giving Love
The Fire & The Flames
A Short Blues
Spanish Ants
Two
I Can Take All This
Thar She Blows *
Black Horse White *
(* = Vinyl Only Track)

James Yorkston And The Athletes

Moving Up Country: 10th Anniversary Edition

Landmark recordings of the 21st century British folk renaissance reissued.

This 10th Anniversary Edition of ‘Moving Up Country’ consists of two discs.

CD1 features the original album, now with the legendary hard to find stand alone debut Domino single ‘The Lang Toun’.

CD2 is a collection of ‘Moving Up Country’ demos, including never heard before demos and a Peel Session originally broadcast on January 2003.

The Saint James Society

The Saint James Society

Austin TX psychedelic garage rockers The Saint James Society play electric rock music that brilliantly connects the dots between the late 60s British blues-based bands and the brooding atmospheres of early 80s post punk resulting in a hypnotically powerful sound the fabulous five-piece has coined "Pentecostal Desert Glam" to create their self titled debut EP. Placing their steps in the petrified footprints left by the Velvet Underground and the slightly fresher ones of Spacemen 3, The Saint James Society reduces the blues to one nasty lick pickled in distortion.

For fans of: White Hills, The Black Angels, The Stooges, Spacemen 3, Sisters of Mercy, The Velvet Underground, The Cult and Spiritualized

TRACK LISTING

1. Reflections
2. The Ballad Of The White Horse
3. Of Silver & Gold
4. The Devil, An Angel And A Broken Widow

James Blake

James Blake

The past couple of years have seen creative explosions and new generations coming through in both dancefloor electronics and heartfelt, introspective singer-songwriting, but self evidently they’ve remained mutually exclusive genre islands. Until now. With a uniquely emotional electronic production style every bit as deeply personal and impassioned as his voice or songwriting, James Blake is sketching out his own place in the musical universe.

When a teenage James first visited the pivotal London dubstep night FWD>> in 2007, he’d already been to drum ’n’ bass nights with schoolfriends, but the music and atmosphere there were unlike anything he’d experienced. This was what James had been waiting for – he just hadn’t realised. This midnight epiphany in Plastic People’s Shoreditch cellar led, in a few short years, to the James Blake of 2010, a surefooted 22-year-old composer whose extraordinary tracks are not so much breaking down existing musical barriers as leaping over them and creating an entirely new kind of pop that belies its author’s tender age.

Although loosely tethered to the cutting edge of contemporary electronics, James’s songs possess uncommon grace and soulfulness. Whether intended for the FWD>> dancefloor or, like new single "Limit to Your Love", destined to melt hearts and prick ears, his music is characterised by a playful and arresting honesty, a human touch that, despite his status as a hugely in-demand DJ, naturally aligns him with contemporary artists such as Bon Iver or Laura Marling or the xx.

Yet more than this, it is the shock of the new in James’s music that’s causing real commotion: the sounds, that voice, the silence, the rhythm (or lack of it), the waiting, the tension. You have to know the rules in order to break them with such conviction, and by daring to be different, James stands head and shoulders above his peers. No doubt, you’ll remember where you were when you heard tracks like "Limit to Your Love" or "I Never Learnt to Share" for the first time.


TRACK LISTING

CD Tracklisting:
1. Unluck
2. Wilhelms Scream
3. I Never Learnt To Share
4. Lindesfarne I
5. Lindesfarne II
6. Limit To Your Love
7. Give Me My Month
8. To Care (Like You)
9. Why Don’t You Call Me
10. I Mind
11. Measurements

LP Tracklisting:
Side 1
1. Tep And The Logic
2. Unluck
3. The Wilhelm Scream
Side 2
1. I Never Learnt To Share
2. Lindisfarne I
3. Lindisfarne II
Side 3
1. Limit To Your Love
2. Give Me My Month
3. To Care (Like You)
Side 4
1. Why Don't You Call Me?
2. Blake I Mind
3. Blake Measurements
4. Blake You Know Your Youth

James Jackson Toth

Waiting In Vain

For his solo debut, Tennessee-based James Jackson Toth (AKA Wooden Wand) has conjured a mysterious, alluring world; Toth's scenarios are intriguingly tawdry and his sounds tantalizing, with layered, almost dreamlike harmonies; touches of blues, country and soul and the occasional flash of punk swagger. He assumes the role of storyteller, maybe even confessor, spinning inter-linked tales of hope and misfortune, romantic trials and spiritual yearning. "Waiting In Vain" is the first album that Toth, long a cult figure, has released as a solo artist, and it marks a new beginning for him. For several years he experimented with a folk-psychedelic rock hybrid, putting out numerous discs under variations of the name Wooden Wand. James Jackson Toth's evolution continues when he hits the road and this strange and compelling world he's brought to life will be waiting for you.

James

Stutter

Classic re-issue from 1986, their debut album didn't quite live up to the splendour of their Factory ep's, but it beats sounding like a poor-man's REM anyday! All quirky rhythms, beautiful words, and an originality that made them stick out from the crowd, this album still sounds fresh and full of intrigue. They were in it for the.....ART man!

James Green

Tempers

James Green is a member of the Manchester / Leeds / Sheffield ensemble Big Eyes who've previously released stuff on Pickled Egg. "Tempers" is James' first solo outing and comprises of 14 delicate instrumental guitar pieces. All are first or second take and are either solo guitar or two tracks maximum. The CD is limited to 250 copies, and comes beautifully packaged in a lino-print sleeve. A must for fans of John Fahey, Bert Jansch, Jack Rose and The Dirty Three.

Jesse James

Empty Tank

Three track single from this ace ska-punk-soul act.

Jesse James

Shoes

Nu skool skacore band, Jesse James have recently received rave live reviews from Metal Hammer and Big Cheese for their appearance at the sold out 'Smash It Up' UK punk show recently held in London. They have released this little five track introducing their brand of exciting skacore.

James LaBrie

Mullmuzzler 2

Following on from "Keep It To Yourself", James LaBrie (Dream Theater frontman) brings you the second instalment of his side project, Mullmuzzler. He has tapped deep emotional wells with this record and he's created a lush musical soundtrack.

Barclay James Harvest

Mockingbird -the Collection

12 tracks from Oldham's finest prog rock exports Barclay James Harvest at £5.99 who can complain.


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