A sweeping, guitar-driven road trip that recalls and reinvigorates the slowcore and alt rock of the 90s and early aughts, 'Mount Zero', the debut LP from Swapmeet, marks the moment the Australian four-piece come into their own. Following their dreamy 2024 debut EP 'Oxalis', 'Mount Zero' arrives on the heels of the band’s signing to LA-based label Winspear, after stirring up buzz throughout Australia, taking home awards for Best Release and Best Song ('Ceiling Fan') at the South Australian Music Awards and earning the title of ‘Best Emerging Artist’ at SXSW Sydney. Mingling airy sweetness with jagged surrealism, 'Mount Zero' transmutes so many of the regrets and uncertainties of young adulthood into a burgeoning, newfound confidence. Though the members of Swapmeet often begin their songs by writing individually, the tracks on 'Mount Zero' ended up circling common themes: first loves, first heartbreaks, first embarrassments, first disasters. As they've done since their earliest days as a band, Swapmeet traded instruments throughout 'Mount Zero' and shared production duties as a foursome, developing their sound by layering dozens (sometimes hundreds) of tracks within each song, then carefully removing elements until the production took a clear shape. The result is a record where Swapmeet bottle up the tooth-gritting intensity of feeling yourself change at the cellular level under reality's unyielding pressures. It's a tribute to all the lives that can never be lived, all the paths that will never be followed--and an ode to the one that lies just ahead, too.

TRACK LISTING

1. I Know!
2. Mount Zero
3. Bonny
4. Halfway
5. 2 C U
6. Seeds
7. Sand
8. Personal (Don’t Take It)
9. My Heart Breaks II

The Bug and Ghost Dubs relentlessly probe and atomize original material culled from Kevin Richard Martin's critically acclaimed 'Sub Zero' album. ("Monolithic and unforgiving, even by the Bug’s standards, representing his most suffocating take on ambient dub yet." Pitchfork).

Remixed to punish sound systems and freeze up the dance, both Fiedler and Martin trade fresh, contrasting blows, after their recent IMPLOSION face off album on PRESSURE last year. (Dub/Reggae album of the year, 2025, in 'The Wire').

The resulting 4 remixes are every bit as hypnotic and persuasive as you would hope for from productions fresh out the soundlabs of Michael Fiedler aka GHOST DUBS and Kevin Richard Martin under his dancefloor destroying Bug alias. Both producers intensify the desolate mood of the originals but introduce demolition inducing beats which provide the literally irresistible momentum. Echoes of the originals are respected and heard throughout, but the extra gear shifts pay off brilliantly.

Guaranteed to push serious air, and test the most powerful of sub woofers, these 4 remixes vary from heavy to superheavyweight. i.e. GHOST DUBS outputs a deliriously stoned headnod with his zonal refix of 'When I'm Gone', which miraculously sounds both subtley mysterious, but monolithically huge, whilst The Bug prowls ice cold, on the noirish, narcotic, instrumental hip hop of 'Too Human', which sounds like prime Mobb Deep mixed by Rhythm & Sound' at 16 bpm.

Essential remixes of an already very special album, the original atmosphere is not only captured expertly, it is categorically amplified. LARGE.

TRACK LISTING

1. When I'm Gone (Ghost Dubs Remix)
2. Sorrow (Ghost Dubs Remix)
3. Screwed (The Bug Remix)
4. Too Human (The Bug Remix)

Two decades into their existence, Elder remain an anomaly in the heavy underground - a band with the ability to absorb and shed influences from a myriad of genres without falling into pastiche or losing their identity. Their new album 'Through Zero' is a reaffirmation of their commitment to pushing boundaries and cements their status as leaders in heavy psychedelic rock.

Elder has long since mastered crushing riffs, melodic jaunts, progressive patterns, hypnotic grooves and ethereal atmosphere along their path of music-making in the past twenty years. On 'Through Zero', Elder takes these years of experience and forms possibly their most immediate and engaging record to date, while allowing seeds from outside the sphere of rock music to take root and bloom within their progressive framework.

Listeners will find familiar elements of new textures, sequences, and sounds alongside Elder’s iconic take on heavy rock. As always, every spin reveals new details.

Recorded in Berlin across several months between tours in 2025, 'Through Zero' is the first album which the band not only produced but also comixed together with longtime collaborator Richard Behrens. The album sounds more like a full extension of the band’s creative intentions than ever before.

TRACK LISTING

1. Sigil To Ruin
2. Capture/Release
3. Through Zero
4. Strata
5. Sight Unseen
6. Blighted Age

THIS IS A RECORD STORE DAY 2026 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 18TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM (BST) ON MONDAY APRIL 20th).

Following a breakout year for the label, including entering Beatport's Top 10 best selling labels , a Radio 1 Dance Award nomination for Label Of The Year and a shutdown kabel pop up at ADE, TSZR launch their first ever physical offering exclusivley to RSD. Volume 1 will mark the first in a series of vinyl products that include the hottest TSZR from when it was established over a decade ago. 12" 1LP 140gn⁠Black records ⁠33 RPM Standard Color sleeve 3mm spine 350gsm Standard gloss finish Black inner sleeve ⁠Shrink.

Just when you thought Kevin Richard Martin's music couldn’t go any slower, lower or deeper, 'Sub Zero' emerges. A slow-motion excavation of drug-tech, dub, dreamy noise and frozen ambience, the album gradually mutates into hypnotic pulsations and melodic melancholia. It is arguably Martin’s most striking release to date under his given name.

Originally released digitally on Bandcamp only in the depths of winter 2022, amid the final year of the COVID-19 pandemic and Russia’s initial invasion of Ukraine, this desolate epic went on to become KRM's best-selling digital album on the platform. With persistent demand for a vinyl pressing and a full DSP release from fans, Martin thought the time was right for 'Sub Zero' to finally surface in its full glory: remastered and paired with fresh new artwork.

Unnervingly, the album is as beautiful as it is solemn, as glacial as it is relentless, and as subtle as it is terrifying. A trip into a sonic abyss, with a tour of a philosophical void, it’s to my ears, KRM’s most seductive work yet, and also his most emotionally resonant. Martin expertly balances tear-jerking motifs with heavier than hell rhythmic weight. With its melodic fog, eternal drones and eerie atmospherics, the peripheral throb of distant kick drums, the heartbeat punctuation of cavernous subs and the snowstorm blizzard of fuzz absolutely envelopes the mind, whilst crushing the soul.

In terms of lineage, 'Sub Zero' might recall a more paranoid Porter Ricks, a dystopian GAS, or a brutally dubbed-out Pan Sonic. Most fitting, however, is its kinship with the deepest dub terrain Martin previously explored on 'In Blue', The Bug’s acclaimed 2020 collaboration with Dis Fig for Hyperdub, where he obsessively probed subaqueous pulses and low-end modulations.

'Sub Zero' is possibly the most minimal, desolate, and deviant dub record yet released on Martin’s PRESSURE label. It marks the point at which dub disappears into its own effects trails. Dub music capturing frozen moments in time. Dub as an addictive painkiller, that sounds both sacred and ocean deep.

TRACK LISTING

1. Too Human
2. Alien
3. Destroyed
4. Sorrow
5. I Am Nothing
6. Numb
7. Take Me Home
8. Screwed
9. Higher Than The Sky
10. Shadow Boxer
11. The Beast
12. When I'm Gone

The legacy of wipE′out′′ has transcended time and cemented itself as a true transgenerational phenomenon. Launched in 1995, it didn’t just revolutionise the gaming industry, it created a bridge between the gaming ecosystem and the raver community. Its futuristic aesthetics and forward-thinking sound left a mark not only on mainstream audiences but also on the most demanding corners of the underground.

Decades later, the game’s impact is still alive. The release in 2023 of The Zero Gravity Soundtrack on Lapsus Records proved once again that wipE′out′′’s accompanying audio will go down in history as much more than just an anti-gravity racing game soundtrack.

This is why we decided to go deeper into the slipstream and build the second volume you’re now holding in your hands. Drawn from the original archives of Tim Wright, aka CoLD SToRAGE, this new collection surfaces unreleased cuts, pieces that couldn’t fit on the first edition, and a suite of self-authored ambient reworks that translate pure velocity into wide-screen atmospherics engineered for the long straights, the drone of airbrakes, the blue hour between checkpoints. It also reconnects the circuit, gathering selections and variants tied to later chapters of the saga — wipE′out′′ HD and wipE′out′′ Pure — plus alternative mixes that, until now, only existed in the Sega Saturn dimension of the franchise.

Finally, the material takes a leap into the future in the hands of four remixers especially chosen for this release: Tim Reaper, SHERELLE, Mantra, and NikNak, who collectively forge links between CoLD SToRAGE’s pioneering musical vision, the sound world of the game, and the contemporary breakbeats and drum & bass vanguard.

Expect the DNA you remember — accelerated breaks, trance-vector synths, jungle influences, sub-bass rumbling neatly beneath the craft’s hull, and at times even echoes of classic hardstyle — now revealed with new angles and air. The previously unheard material carries the same aerodynamic design sense that made these tracks feel faster than the track map itself, while the ambient versions open the field of view with melodies hovering at the lip of overdrive. Without a doubt, here you’ll find a strong sense of nostalgia. But this isn’t just nostalgia; it’s also proof that this sound world continues to evolve when you ease off the throttle.

For the faithful — crate-digging ravers, speed-run obsessives, and design nerds — this is an essential expansion pack: compiling rarities, restoring context, and reframing the emotional core of wipE′out′′ for late nights and early mornings alike. Bridging memory and momentum, club and console, rush and afterglow. Strap in.

STAFF COMMENTS

Barry says: A blistering mix of pumping electronic rock, shimmering rave anthems peppered with moments of serene calm before breaking into neon soaked streets and sweaty clubs. Imagine if you will, a soundtrack to a game about racing massive futuristic anti-grav vehicles through leccy-filled tunnels, this would be it.

TRACK LISTING

A1. Scratch Pad 1
A2. Messij Received
A3. God's Gift
A4. Tentative
B1. Canada 2048
B2. Wiped Out
B3. Body In Motion (Body Plus Mix)
B4. Onyx (Dark Side Of The Moon)
C1. Messij Received (WSTWGBE Mix)
C2. Canada (Drunken Auslander Mix)
C3. Tentative (Woffenfum Mix)
D1. Messij (Bobbing Boat Mix)
D2. Body In Motion (Timeless Techno Mix)
D3. DOH-T (AM / FM Mix)
E1. '95 Future Echoes
E2. Turbine
E3. Pencil Neck
E4. Messij 2005 (New Science Mix)
F1. Canada (Tim Reaper Remix)
F2. Messij (SHERELLE's Messij In A Bottle Hardcore Remix)
F3. DOH-T (Mantra Remix)
F4. Canada (NikNak Remix)

Born from the raw, deafening sounds of basement jams and scrappy house shows, Leeds four-piece Fuzz Lightyear are consistently trying to be the loudest and fastest bands around them. Channelling the DIY ethos that birthed them, their focus remains on sustained experimentation, community, and uninhibited rock and roll. Releasing dual singles 'My Body' // 'Visual Effect' with Nice Swan Records, Fuzz Lightyear saw recognition from key tastemakers noting their intensity and live presence

Through relentless live shows, the band have built together a chaotic and impressive blend of shoegaze, industrial noise-rock, and fast-paced punk, somewhere between the sounds of Sonic Youth and Show Me The Body. Having been invited to tour and perform with acts like English Teacher, Adult DVD, Lambrini Girls, and more icons of punk new and old, they’ve earned themselves a cult following across the country.

TRACK LISTING

1. White And Green
2. Sit Awake
3. Aberfan
4. ///
5. Berlin, 1885
6. Christ Alive

"There was a time — call it Saturn returns, call it the early '90s, call it the last gasp before the internet devoured everything — when the Zero Boys found ourselves staring into a different kind of fire. We had grown out of our hardcore skin — not in rejection but in evolution. We were restless. Songs no longer came in bursts of pure speed; they twisted, expanded, asked questions. Structure was no longer the enemy. We let the songs breathe, and in return, they told us things we hadn't expected to hear. The songs collected here from 'Make It Stop' (1991) and 'The Heimlich Maneuver' (1992) capture that moment. Recorded less than a year apart, these two albums are documents of a moment when we were following instinct — pushing the edges of our own sound, threading personal spiritual exploration through the fuzz and the fury. It wasn't religious. It was searching. Trying to locate the self inside the noise of the world. Trying to speak honestly about confusion, resistance, and the parts of ourselves that don't fit neatly into slogans or genres. At the time, we knew we were changing, but we didn't know into what. Now, decades later, playback reveals something clearer. These songs — lyrically, musically, emotionally — feel more urgent in the now than they did then. The politics have aged well, which is both a triumph and a tragedy. What we wrote in a moment of creative combustion now sounds like warning flares — about institutions, about violence, about the quiet need for meaning under it all. So yes, 'Playback is Hell.' But not the hell of torment. The hell of fire. The hell of transformation. The heat of memory and meaning suddenly rising again. Thanks for listening — then, now, and next."

- Paul Mahern, 2025

TRACK LISTING

1. Make It
2. Anatomically Incorrect
3. Birds
4. Twin
5. Stick My Hands
6. Fly Bite
7. Godless Girl
8. In The Back Of My Mind
9. Purely Intentional
10. Shade
11. Green Army Jacket
12. Trust Anyone
13. So Excited
14. Parasite Man
15. Bleach Blanket Boi Oi Oi

The latest album from Neal Francis, 'Return To Zero', emerged from a kind of visionary fever dream. Facing countless moments of creative frustration eventually gave the album its title. “I was cutting a lot of the vocals at home,” Francis explains. “Every time I needed to start over I’d press this button that says 'RTZ', which stands for 'Return To Zero'. I was doing take after take but no matter how frustrated I got, I just told myself to remain calm and take inventory, and then begin again.” The album is a mix of timeless rock & roll and ’70s-era dance music.

TRACK LISTING

1. Need You Again
2. Don’t Wait
3. Broken Glass
4. Back It Up
5. What’s Left Of Me
6. 150 More Times
7. Dance Through Life
8. Dirty Little Secret
9. Already Gone
10. Can’t Get Enough
11. Return To Zero

An ocean of water has passed under the Zero 7 bridge since we originally issued this collection of music. In 2002, when this was first issued, they’d recently been nominated for the Mercury Music Prize for their brilliant debut album, Simple Things, as well as being a nominee for Best Newcomer at the 2002 Brit Awards. Their third album, The Garden, was nominated for a Grammy in 2007.

Since then, Zero 7 have become an active touring live band, made some incredible music and judiciously chosen remixes, like Terry Callier’s ‘Love Theme From Spartacus’. Their old RAK studios colleague Nigel Godrich once told them, “Your great records become the Sistine Chapels of music in a sea of affordable ac- commodation”. It’s fair to say they’ve got a few Sistines under their belt.

The selection is compilation perfection – and you seem to agree. Such is the desirability of the original vinyl edition, it’s now selling for over a ton. You can expect to find the Stylistics’ soul classic, ‘People Make The World Go Round’ and the rare groove bomb produced by Roy Ayers, ‘You Can’t Turn Me Away’ by Sylvia Striplin. Don Blackman’s ‘Holding You, Loving You’ is included. This tune was sampled by Slum Village on ‘Go Ladies’ who also make an appearance here with ‘Jeal- ousy’, as does Herbert’s boompty-boomp rub of M. Gainsbourg’s ‘Bonnie & Clyde’.

All of this goodness for how much?! Bargain! Keep the rest of the money for a session in a floatation tank, just one of the better ways we can think of consuming this vinyl edition. As they say in football, “form is tempo- rary, class is permanent”: Zero 7: class personified.

TRACK LISTING

A1. Yesterdays New Quintet - Sunrays 3:14
A2. Quasimoto - Real Eyes 2:51
A3. Roots Manuva - Witness (1 Hope) (Walworth Road Rockers Dub) 3:01
A4. Slum Village - Jealousy 3:51
A5. Joy Zipper - Christine Bonilla 3:53

B1. The Cinematic Orchestra - Channel 1 Suite 4:11
B2. Jim O’Rourke - Ghost Ship In A Storm 3:41
B3. Souls Of Mischief - ‘93 ‘Til Infinity 4:39
B4. Da Lata - Pra Manha 5:58

C1. Serge Gainsbourg And Brigitte Bardot - Bonnie & Clyde (Herbert’s Fred & Ginger Mix) 4:11
C2. Shawn Lee - Happiness (Ashley Beedle’s West Coast Mix) 4:51
C3. Sylvia Striplin - You Can't Turn Me Away 4:15

D1. Don Blackman - Holding You, Loving You 3:58
D2. Leroy Hutson - Cool Out 2:47
D3. Zero 7 - Truth & Rights 4:33
D4. The Stylistics - People Make The World Go Round 6:15

When the Ramones lost it, the Zero Boys found it; adding a slam brigade fist to the Blitzkrieg Beat. The Zero Boys managed to come with one of the best early 80’s punk records, or one of the best records ever, period.

From 1979 to 1983, the Indianapolis-based Zero Boys were the finest hardcore blitz in the Midwest if not all the lower 48 states. Compiled and released as a post-mortem following the band’s breakup, History Of… is the proof, if more was needed, that their take of American hardcore wasn’t all white bread numbers. Yeah, they played shows with Minor Threat, Dead Kennedys, Subhumans, and others but in Terry “Hollywood” Howe’s guitar there was harmonious terror and unstoppable cadence. Terry’s licks and chops — a leap beyond two or three chord punk — offered a zone and measured count for drummer Mark Cutsinger and bassist David “Tufty” Clough, a rhythm unit in par with the Minutemen if not The Meters, to run lines like quicksilver. Meanwhile, frontman, Paul “Z” Mahern provides a constant wash from beginning to end. Originally released in 1984 with a limited-edition reissue in 2009, this 40th anniversary edition includes the original LP of ‘History Of…’ and a 7” featuring four live recordings never previously pressed to vinyl and recorded at iconic hardcore/punk venue Crazy Al’s in 1980: “Livin’ In The 80’s”, “Stick To Your Guns”, “Commies”, and “I’m Absent”.

TRACK LISTING

LP - Side A
01 Drive In
02 Black Network News
03 Splish Splash
04 Inergy
05 Johnny Better Get
06 Dingy Bars Suck
07 Seen That Movie Before
08 High Places
09 Blood's Good

LP - Side B
10 Human Body
11 Mom's Wallet
12 Positive Change
13 Amerika
14 New Generation
15 Livin' In The '80s
16 Stoned To Death
17 Stick To Your Guns
18 I'm Bored
19 Piece Of Me

7” - Side A
01 Livin’ In The 80s (Live At Crazy
Al’s, September 6th, 1980)
02 Stick To Your Guns (Live At
Crazy Al’s, September 6th, 1980)
7” - Side B
03 Commies (Live At Crazy Al’s,
September 6th, 1980)
04 I’m Absent (Live At Crazy Al’s,
September 6th, 1980)

The second album by underground rock-and-beyond shapeshifters The Holy Family comes complete with a heavy concept for the psychedelically inclined, and pairs this with music which does this justice and then some. ‘Go Zero’ follows up the British group’s widely praised self-titled debut from 2021 and – says foundational member David Jason Smith – “is based on a hypothetical theory that there is no such thing as ‘the future’. We are continually moving forward into our past until we arrive at our birth – creation – the Tree Of Knowledge… or ‘Going Zero’, as I’ve termed it.” It figures, then, that over some 40 minutes the five musicians conjure a sound that exhibits an affinity with great experimental totems down the ages, in a manner that’s avowedly forward-facing and stamped with their own identity. All involved boast a pre-Holy Family CV to turn clued-in heads: Kavus Torabi (guitars), Sam Warren (bass) and Emmett Elvin (piano and Rhodes), along with Smith himself, were all members of the mighty Guapo. Finnish studio wizard Antti Uusimaki (Circle/Pharaoh Overlord etc), who co-sculpted the eight tracks on ‘Go Zero’ into their final form. Drummer Joe Lazarus is new to the band – taking over that role from Smith, who largely concentrates on vocals and synths here – and his versatility is never in doubt, as his rhythms pull in myriad directions, blurring the lines between jazz, prog and psych rock. If you dig anything from Can to Boredoms to Oneida, then step this way. Though The Holy Family’s musical inspirations are multitudinous, and rarely if ever obvious, the lyrics nod to a distinct literary source – namely ‘Vorrh’, the trilogy of fantasy novels by cult British author Brian Catling, who died in 2022 while ‘Go Zero’ was being assembled. In these books, the Vorrh is “an impenetrable sentient forest, older than mankind, believed to house all knowledge” – and in the same way that the name The Holy Family references an Angela Carter work, Smith explains, “the track titles ‘Chalky’s Eyes’ (had been eaten by flies) and ‘The Watcher’ are direct references to characters in the book.” With ‘Go Zero’, The Holy Family have returned with an album that unfurls elegantly, even while big time discombobulation is occurring.

TRACK LISTING

1. Crawling Out
2. Bad Travelling
3. Chalky’s Eyes
4. The Watcher
5. Hell Born Babel
6. Go Zero Suite: Pt. I
7. Go Zero Suite: Pt. II
8. Go Zero Suite: Pt. III 

Channel Zero is a band from Brussels formed in 1990 by Franky "DSVD" De Smet Van Damme, Xavier Carion, Tino De Martino and Phil Baheux. Their name came from an American rap song by the group Public Enemy called "She watch Channel Zero?". Inspired in its beginnings by Metallica and more generally by the thrash movement of the 90s. Play It Again Sam signed the group in 1994 and produced its third album Unsafe. This album allows them to make themselves known in the States, to perform in major European festivals and to be the headliner on a tour in Australia

TRACK LISTING

1. Suck My Energy
2. Heroin
3. Help
4. Black Fuel’
5. Fools Parade

Zero 7’s 4th album Yeah Ghost from 2009, spans everything from dance pop to acoustic folk and everything in between it's an idea-splattered work of genius that even includes a quartet of instrumental tracks derived from their experimental side projects and sampled, overdubbed and rebuilt from scratch. From the evocative intro 'Count Me Out' to the album's shuffling, twitchy closer 'All Of Us' - via the haunting 'Solastalgia' and 'Ghost sYMbOL' avant-garde electronic and distorted vocals - it's Zero 7 as you've never heard them before. 'Destiny' this aint. One thing that remains consistent though is the roll call of up-and-coming talent on vocal duties, including singer ESKA Mtungwazi. The Londoner, whose collaboration credits include Matthew Herbert and Bugs In The Attic, appears on 'Mr McGee', 'Medicine Man', 'Sleeper' and 'The Road' & folk singer songwriter/ painter / filmmaker Martha Tilson for Pop Art Blue.

TRACK LISTING

LP Tracks:
Disc 1
1. Count Me Out
2. Mr McGee
3. Swing
1. Everything Up (Zizou)
2. Pop Art Blue
3. Medicine Man

Disc 2
1. Ghost SYMbOL
2. Sleeper
3. Solastalgia
1. The Road
2. All Of Us

CD Tracks:
1. Count Me Out
2. Mr McGee
3. Swing
4. Everything Up [Zizou]
5. Pop Art Blue
6. Medicine Man
7. Ghost SYMbOL
8. Sleeper
9. Solastalgia
10. The Road
11. All Of Us
12. E Sgwers (demo Version)
13. Methods
14. Ghost SYMbOL (Klang Version)

Producer, Zion I Kings’ trademark style of hardcore roots reggae beats joins Pressure & Barbara Naps for these two killer tracks, Jah Is Worthy and The Rainbow which are both on higher god level, rhythmic and chuggy it’s a keeper this one. 

TRACK LISTING

1. Jah Is Worthy (feat. Pressure & Barbara Naps)
2. Instrumental Version (feat. Pressure & Barbara Naps)
3. The Rainbow (feat. Pressure, Barbara Naps & Barabara Naps)
4. The Rainbow Dub (feat. Pressure & Barbara Naps)

To celebrate the UK airing of the acclaimed eight-part cocaine crime drama, “ZeroZeroZero”, we are pleased to release Mogwai's soundtrack to the series for the first time on double white vinyl and exclusively for Record Store Day. It will come with a MP3 download included. The soundtrack has only previously been available digitally. ‘...a masterful collection from a band who enter their second quarter century as essential as ever.’ Clash Magazine 8/10

TRACK LISTING

SIDE A
1 Visit Me
2 I'm Not Going When I Don't Get Back
3 Telt
4 Chicken Guns
5 Nose Pints
6 Fears Of Metal

SIDE B
7 Space Annual
8 Invisible Frequencies
9 Moon In Reverse
10 Don't Make Me Go Out On My Own
11 Lesser Glasgow

SIDE C
12 Frog Marching
13 El Dante
14 Major Treat
15 Rivers Wanted
16 Summon The Sacred Beast

SIDE D
17 Modern Trolls
18 The Winter's Not Forever
19 He Loved Trees
20 Witches Of Alignment
21 The Wife Was Touched

Repressed for the first time in a while, note small price change. Experiment Zero is the third full-length studio album by Man or Astro-man?. It was originally released in 1996, by Touch and Go Records. 

Following the release of their highly acclaimed new album ‘Sister’ in March 2020, Ultraísta have announce a remix package featuring the talents of Floating Points, FaltyDL, Zero 7, Crate Classics and Leifur James. Ultraísta are formed by Grammy-winning producer/engineer/musician Nigel Godrich, best known for his two decades helming Radiohead’s groundbreaking studio output; celebrated drummer Joey Waronker, who’s toured and recorded with everyone from R.E.M. and Beck to Roger Waters and Elliott Smith; and singer Laura Bettinson, an acclaimed solo artist whose work combines synthdriven electropop and dreamy vocal looping.

TRACK LISTING

Ordinary Boy (Floating Points Remix)
Ordinary Boy (FaltyDL Remix)
Ordinary Boy (Zero 7 Remix)
Ordinary Boy (Crate Classics Remix)
Ordinary Boy (Leifur James Remix)

On Columbia Records - Eagerly anticipated sophomore release from 21 yr old singer-songwriter Declan McKenna.

The 10 song follow up to 2017's "What Do You Think About The Car?", includes the hit singles "Beautiful Faces", The Key To Life On Earth", "Daniel, You're Still A Child" & latest single "Be An Astronaut".

The Garden is another timelessly classic album from a seminal electronic band and an essential soundtrack to any laidback listening.  Zero 7 were formed in 1997 by producers Henry Binns and Sam Hardaker. In 2001 their debut album Simple Things was released selling over a million copies to date and was nominated for the Mercury Music Prize. They released their third album The Garden in 2006 it also peak at no 4 UK album chart spending 7 weeks in total there. It has sold over 125k copies. In the USA, it entered the Billboard Dance/Electronic chart at #2 and stayed in the Top 20 of that chart for 5 weeks. Singles taken from the album include Futures featuring Jose Gonzalez, Throw It All Away and You’re My Flame both featuring Sia

TRACK LISTING

CD1:
Futures
Throw It All Away
Seeing Things
The Pageant Of The Bizarre
You’re My Flame
Left Behind
Today
This Fine Social Scene
Your Place
If I Can’t Have You
Crosses
Waiting To Die

CD2:
Dreaming
Thistles
Carolina
Futures (Acoustic Version)
Seeing Things (Extended 12” Version)
Left Behind (Live Session)
Today (Live Session)
Dreaming (Live Session)
You’re My Flame (Live Session)
Crosses (Live Session)
The Pageant Of The Bizarre (Live Session)

LP1:
Futures
Throw It All Away
Seeing Things
The Pageant Of The Bizarre
You’re My Flame
Left Behind

LP2:
Today
This Fine Social Scene
Your Place
If I Can’t Have You
Crosses
Waiting
To Die

Zero 7 were formed in 1997 by producers Henry Binns and Sam Hardaker. In 2001 their debut album "Simple Things" was released selling over a million copies to date and was nominated for the Mercury Music Prize. Zero 7 were also nominated as Best Newcomer at the Brit Awards 2001. "Simple Things" peaked at no.28 in the UK album chart and spent 89 weeks on the chart. Stateside, the album hit no.4 on the Billboard Dance / Electronic album chart and stayed on that chart for 52 weeks.

Singles taken from the original album included ‘I Have Seen’ featuring Mozez, ‘Destiny’ featuring Sia & Sophie Barker, "In the Waiting Line" featuring Sophie Barker and "Distractions" featuring Sia. The LP has been out of print for almost two decades and second-hand copies of the original pressing are changing hands on Ebay and Discogs for upwards of £100!

STAFF COMMENTS

Andy says: Beautiful, lushly produced downtempo grooves topped with sweet melodies, somewhat akin to French masters Air but with soul and jazz flavours, this is a timeless classic, and every home should have one!

TRACK LISTING

LP:
I Have Seen
Polaris
Destiny
Give It Away
Simple Things
Red Dust
Distractions
In The Waiting Line
Out Of Town
This World
Likufanele

CD:

Disc 1:
I Have Seen
Polaris / Destiny
Give It Away
Simple Things
Red Dust
Distractions
In The Waiting Line
Out Of Town
This World
Likufanele
End Theme

Disc 2:
Simple Things (KFOG Session)
Destiny (KFOG Session)
In The Waiting Line (KFOG Session)
Monday Night
Spinning
Salt Water Sound
Distractions (Version Idjut)
In The Waiting Line (Dorfmeister Con Madrid De Los Austrias Dub)
End Theme (Herberts Chop Dub)
Distractions (Block 16 Mix)
Destiny (Photek Remix)

This special limited edition DAVID BOWIE 7" picture disc, is a double A-side of the radio edits of 2018 versions of ZEROES and BEAT OF YOUR DRUM. Both tracks are from NEVER LET ME DOWN (2018), a new version of the 1987 album featured in the forthcoming boxset LOVING THE ALIEN (1983-1988) which is released on 12th October.

NEVER LET ME DOWN (2018), is a new production of Bowie’s final ‘solo’ album of the ‘80s. Producer Mario McNulty worked on the tracks at Electric Lady Studios in New York with longtime Bowie musicians Sterling Campbell (Black Tie White Noise, Outside, ‘hours…’, Heathen, Reality and The Next Day) on drums, Reeves Gabrels (Tin Machine, Black Tie White Noise, Outside, Earthling and ‘hours...') & David Torn (Heathen, Reality and The Next Day) on guitars and Tim Lefebvre (Blackstar) on bass.

ZEROES, the lyrics of which reference Prince’s Little Red Corvette was Bowie’s salute to the ‘60s. He described it as “The ultimate happy-go-lucky rock tune, based in the nonsensical period of psychedelia”. Mario McNulty commented, "Stripping this song down to its core revealed a track that could have been right at home on Hunky Dory, I kept Peter Frampton’s sitar (which was originally owned by Jimi Hendrix) as it still fits against the new guitars from Reeves Gabrels”.

Of BEAT OF YOUR DRUM Mario McNulty says, “David Torn’s ambient guitars start the song that now lead into a much darker world than its shiny predecessor. David sang all the backing vocals on this which I have kept.”

TRACK LISTING

A-Side ZEROES (2018) (RADIO EDIT)
(David Bowie)
Produced By David Bowie, David Richards And Mario J McNulty
Mixed And Recorded By Mario J McNulty

AA-Side BEAT OF YOUR DRUM (2018) (RADIO EDIT)
(David Bowie)
Produced By David Bowie, David Richards And Mario J McNulty
Mixed And Recorded By Mario J McNulty

‘Race To Zero’ is the new album by musician and composer John Matthias and producer, musician and composer Jay Auborn, via the Village Green label.

The album’s starting point was a series of acoustic improvisations recorded in a variety of locations, from a 700-year-old chapel in the Devon countryside to a basement studio in Reykjavík, Iceland. In an attempt to create a fractured sense of space reflective of the digital condition, the duo found themselves working within a place that could only exist in the digital landscape. By crushing the recordings through a hundred different virtual rooms of reverb and other chaotic digital processes they collided, soared and splintered into sweeping new rhythms, melodies and drones. Pushing the computer’s processor beyond its limits threw up sonic ‘errors’ that wouldn’t be easily possible to create through standard methods. In response, these outcomes created new and unplanned inspiration for further composition. Elements of the album were then produced binaurally adding a three dimensional listening experience. The outcome is a unique landscape that blurs the line between the virtual and physical worlds.

“Cerebral yet accessible” - Uncut (8/10)

“A fascinating album that continually surprises with its neo-classical meets electronic template” - Clash

SARO (soundtrack of the film by Enrico Maria Artale) is the latest work by Marco Messina and Emanuele de Raymondi, two of the rising stars, respectively, in ambient electronic and contemporary classical scenes in Italy. The result of their collaboration is an elegantly crafted musical journey, between minimalistic string arrangements and textural modular synths, perfectly integrated to enhance the imagery of the film. SARO, as the name of film director’s father, it is both an intimate road-movie and a documentary that tells the journey through the evocative landscapes of Sicily in search of a father never known.

Emanuele de Raymondi is an Italian composer and sound artist. A graduate of the Berklee College of Music in Boston, his work is based on digital processing techniques combined with traditional compositional structures. He has composed numerous soundtracks, including Arianna by Carlo Lavagna (awarded at BAFTA and Venice Film Festival), and in December 2016 he released the electronic music single "EXUL EP" (ZEROKILLED). 

Marco Messina is a musician, producer and sound designer. He was born and lives in Naples, where in the 90s he founded 99 Posse and Mousikelab Studio. He has scored numerous films, including creating soundtracks for of all of Pietro Marcello films, among the others The line Passage, Beautiful and Lost, The Mouth of the Wolf, (awarded at Berlinale film festival and Davide di Donatello).

The invocation of classic west coast psychedelia that permeates Morgan Delt's Sub Pop debut LP feels like a continuous sunrise, never concealing its influences yet perfectly putting its songs through a gauzy lens that blurs and obscures. Is such a thing even possible after witnessing umpteen reverb-jockeys creating their own take on the genre? Can anything truly different be done in the realm of being both original and reverent, wearing favorite records and artists' moves on one's sleeve? Definitely the case with our man here. After releasing a 6-song cassette in 2013 followed by a full length for the Trouble In Mind label, the California native now fine-tunes his sound world outwardly rather than honing in on a specific trajectory, allowing all of said influences to coexist together in a unique yet undoubtedly Californian vision.

The resulting 10-song collection, performed entirely by Delt, recorded in his Topanga Canyon studio, and mastered by JJ Golden, is a home-fi construction with a more subtle, brain-tickling character than its predecessor, and somewhat reflects a realist take on the flower power fantasy of 1967. Doused in echo and haze, slow chords lap in like Pacific waves, flanked by gentle whispers of multi-tracked, cooing vox, phased guitars and fuzz that calmly surrounds the listener's head less than it jabs at the cortex.

The great thing about Delt's approach to such history is (and sorry to sound harsh) that unlike too many of his so-called L.A. psych-rock peers, there's no costume involved, no application of a conjured identity to match a specific image. He's no psychedelic Civil War re-enactor, so to speak. It's subtle and tactful revisionism without using psychedelia as a crutch/easy marketing tool and letting the sounds come out and make their own case.

It takes a creative mind to make psychedelic rock music – tablas, drones, hallucinatory vocal effects, and all – without slipping into cliché, but Delt can transport what would normally be a dark-n-druggy blanket into a much more optimistic and friendly listening experience. Despite his voice being channelled through hallucinatory effects, it's warm and inviting, projecting a sense of hope (particularly in “Some Sunsick Day,” which evokes the hopeful “We'll Meet Again” as the world explodes at the end of Dr. Strangelove, later covered by the Byrds). It's more or less just an invite to watch the sun rise too. -Brian Turner, WFMU

STAFF COMMENTS

Barry says: Hazy Late-60's tinged psych on the newest LP from hippie music maestro Morgan Delt. Swirling whirs of analogue synths, torn speaker-fabric fuzz and twangy guitars intersperse with sunny blissed-out guitar and delayed falsetto vocals. Mellow, warming summer feels. Lovely.

Andy says: I loved Morgan's debut but this ups his game tenfold! Still with that fuzzy, warm, home-made feel, but so much deeper and better and with stronger songs all round, this is the perfect soundtrack for your hazy Indian Summer.

TRACK LISTING

I Don’t Wanna See What’s Happening Outside
The System Of 1,000 Lies
Another Person
Sun Powers
The Age Of The Birdman
Mssr. Monster
A Gun Appears
The Lowest Of The Low
Escape Capsule
Some Sunsick Day

Edward Sharpe and the Magnetic Zeros, the 10-piece musical collective from California best known for their singles ‘Man On Fire’ and the platinum selling ‘Home’, is back with their fourth album PersonA. “We’ve been on for a while now,” frontman Alex Ebert wrote on a Facebook post when they released first track ‘Hot Coals’. “But it’s like we just turned on a new page in the old book with the inscription: serve your power and work beyond reason.” Recording the music almost entirely in one room together in New Orleans, their approach was a far cry from the come-one-come-all production of their previous albums.

This is the first where the band contributed on the majority of the song writing while they maintained their DIY mentality. The ever-evolving group also had to deal with the departure of vocalist Jade Castrinos in 2014. “We had long been a social experiment first and musicians second. Over time, though, we were emerging, by virtue of hours spent, into a group of musicians who could really play together. When Jade left, that confirmed our new fate - music first. We seem to be done for now with distractions from the music itself, the bones of it,” says Ebert.

TRACK LISTING

1. Hot Coals
2. Uncomfortable
3. Somewhere
4. No Love Like Yours
5. Wake Up The Sun
6. Free Stuff
7. Let It Down
8. Perfect Time
9. Lullaby
10. The Ballad Of Yaya

Hailing from London, England, Tyler Zypreska has been crafting shiny pop gems all by his lonesome, building up an impressive backlog of tunes that hit all the sweet spots from O.M.D. to La Dusseldorf, to Trio & the pining ennui of the teenage angst-anthems littering your 'Pretty In Pink' & 'Breakfast Club' soundtracks. Although his influences may lie in the discarded neon bones of the 80's & 90's there's an infectious spark of melodic tune-smithing permeating the album's 10 tunes.

Stolen from a Crow is the genre-defying alter ego of Crispin Case-Leng, a singer, songwriter and poet who believes in pushing boundaries within music and performance in a quest to leave the mainstream far behind. Sometimes romantic, sometimes introspective, always unpredictable, Case-Leng’s music is about exploration, delving into unconventional themes ranging from social commentary, through to darkly comic fairy tales about werewolves and winged messengers between worlds. His instrumentation is similarly off-centre, dipping into seemingly incompatible areas like punk, folk and art rock, yet managing to blend them together into something new and exciting.

Melbourne instrumental heavyweights The Night Terrors offer a mind-melting mix of dark synth magic, thunderous dreamscapes and other-worldly electronica. Featuring the haunting theremin melodies of Miles Brown (student of Russian theremin queen Lydia Kavina), vintage horror synths and a powerhouse rhythm section, The Night Terrors have earned a reputation as one of Australia's most unusual and original acts. Following the release of two stellar EPs The Night Terrors and Lightless through Unstable Ape Records, The Night Terrors' debut full-length album Back To Zero was first released on CD in April 2009 through Australian label EXO Records.

Back To Zero is now reissued for the first time on double 12" vinyl through Homeless Records, remastered by Mikey Young (Total Control, Eddy Current Suppression Ring). Since the initial release of Back To Zero, The Night Terrors have toured the world with the likes of Hawkwind, Black Mountain, Melt-Banana, Serena Maneesh, and shared the stage with Goblin, Lou Reed, Laurie Anderson, Boris, Bardo Pond, Marc Ribot, Pink Mountaintops, Nick Oliveri, Midnight Juggernauts and HTRK.

The band has toured Europe extensively and appeared at international festivals such as VIVID Live (AUS), Polyhymnia (DE), Bracara Extreme Fest (Portugal), Denovali Swingfest (DE), Incubate (NL) and recently composed a 50 minute original piece for the Melbourne Town Hall?s Grand Pipe Organ as part of Melbourne Music Week 2012. The Night Terrors new full-length album "Spiral Vortex" looms in 2013... FANS OF THE DEATHWALTZ LABEL TAKE NOTE!!!

TRACK LISTING

A1. Human Hair
A2. The Dream Eater
A3. Glass Eyes
B1. Blood And Bone
B2. Saturnalia
B3. Sesquipedalian
C1. Epithet
C2. Existential Revelation In The Circle Pit At Slayer
C3. Righteous
D1. Back To Zero

Say hello to The Alien Ballroom, the combination previously known as Koolaid (Global Tyranny). "Huh?" you may think, "What has happened to Koolaid???" Let's be perfectly clear about this: there is a current market glut of "koolaids". The group, therefore, have sensibly altered their nomenclature and are henceforth known as The Alien Ballroom. You may recall Agitated Records "I'm So Convoluted" compilation - or you may not. Rest assured friends, there is guaranteed conceptual continuity here. On their new Agitated Records long player Zero PAC A.D. the mystrionic Alien Ballroom plant their seeds and pitch their balls on the lush interzone betwixt the vintage and the cutting-edge to create a seven song album that fuses Atomic Age pop foppery with Neolithic year-zero sanguinity. Aficionados of their previous releases will find much to enjoy in this new recording - or perhaps they won't. Frankly, it vexes the band not. Of course, we really should have made some mention that this album is "song based" and not just relentless "space-rock-riff-battery" - is it as weird and leftfield as the Koolaid album? Probably not ...or maybe it is. Very different but very similar perhaps – we will leave it up to you.

Brand new! 7 tracks on 12" vinyl! comes with a DL postcard..you can actually see members of the band in song making pose on the sleeve...

Side one, is one long track that pretty much sets out the M.O from the get go.. you will shake, you will shiver, you will want to play it over and over and over to work out why it has taken over your life..but look out, theres 6 tracks on the other side that will equally blast your mind.. heres the rub, its NOTHING like the Koolaid 12", but really, its just like the Koolaid 12"... we could list a load of bands you might like also..but thats irrelevant.. its loud, its nasty, it will make you dance oddly, you will go and see them play live....

500 copies only..

Constellation's second vinyl-only release from Godspeed contains two long songs, and sets the bar for the sprawling compositions that would characterize the group in the years to follow. Side one is cut at 45rpm and features "Moya", a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. "BBF3" on Side two clocks in at 18 minutes, and is the band's most lyrical, multi-movement music to date -- more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker's poem -- verses lifted straight from Iron Maiden). Both songs were recorded with Dale Morningstar at the old Gas Station studio in Toronto.

Such was the response from press and public to "Dirty Water - The Birth of Punk Attitude" that Kris Needs has been filling the bathtub again with another riotous selection of proto-punk scorchers, garage band delights and seminal figures who either revolutionised a movement or upset their chosen apple-cart; all filling the arteries which would explode in 1976 and change the world.

The new set casts its net even wider than the first, corralling sonic marauders such as Germany’s Faust, New York’s wilfully shambolic Godz, George Clinton’s barrier-trampling Parliament, original folk activist Woody Guthrie and deathly 60s electronic trailblazers United States Of America. The set stretches back to primitive rock‘n‘roll‘s early salvos, including Bo Diddley and Johnny Thunders’ favourite Eddie Cochran, plus the hot-wired tremors of UK outfits such as Kilburn and the High Roads, Doctors Of Madness, Stack Waddy, Hammersmith Gorillas and the Edgar Broughton Band. New York City is represented by Patti Smith, Blondie, the mighty Jayne County, demented Holy Modal Rounders and Dizzy Gillespie representing the bebop movement which flame-blasted cool jazz’s rigid trouser-seat, leaving a wide open orifice for the raw, spiritual anarchy of Albert Ayler.

Needs also exercises his long-standing fixation with obscure, unhinged 60s US garage-psych with the Misunderstood, Zachary Thaks, Human Expression and high-energy Detroit garage bands Unrelated Segments and Tidal Waves.

From 79 through to 83 The Zero Boys ruled the Mid-West hardcore scene. "History Of" is the first release of their 'Lost' second album. Whilst contemporaries concentrated on aggression and turbo-charged ferocity, The Zero Boys pointed a way to a scene which could include melodicism, intelligence and rock 'n' roll suss. Craig Finn of The Hold Steady has written a feature about this band (as one of his primary influences) for The Guardian. Re-mastered from the original tapes, with liner notes by Jack Rabid.

After last years "Red Zero Seven" compilation, comes Manchester electronica label Struktur's second release "Orange Zero Six". Seven tracks from Production Unit, Kutchi, Eakui, Bovaflux, Peachfish, Comission For A New Town and Chris De Giere.

Impeccable credentials, The Blueprint are made up ex-members of Pitchshifter, Earthtone9 and Consumed. It's a six track mini album that's heavy, heavy, heavy. Probably the most exciting thing to have emerged from Nottingham for quite a while.

Some of the finest skate punk on the planet comes from 4Ft Fingers who are without doubt one of the UK's brightest punk hopes. This second album produced by Dave Chang is full of infectious songs enhanced with a super thick production. The band's debut "At Your Convenience" was good but this is better and should see this highly talented and hard working band reach new heights.

The original release date for this collection of prayers recorded by two thirds of the Roches (Maggie and Suzzy) was September 11th 2001. Delaying the release allowed them to include a special song written by Suzzy in the aftermath of the terrorist attack on their home town. The added poignancy is apparent in the haunting simplicity of the performances.

Zero Down are a three piece punk outfit hailing from LA and are the latest additions to the Fat Wreck roster. The members possess a sterling punk rock resume, having spent time in bands like Strung Out, Down By Law and Pulley. With some slower moody pieces and the usual high standard of Fat Wreck sound this is a brilliant debut.