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WARD

Cover of Pure Candy by Jad Fair And Samuel Locke Ward.

Jad Fair And Samuel Locke Ward

Pure Candy

Shrimper

    Samuel Locke Ward and Jad Fair are two of the most prolific musicians working today. Fair is a founding member of the band Half Japanese, and has released over 200 albums, including albums with Yo La Tengo, Daniel Johnston, Moe Tucker, Kramer, Teenage Fanclub, The Pastels, R. Stevie Moore, DQE, Tenniscoats, The Tinklers, Naomi Ishimaru, Jason Willett, Mosquito, and Strobe Talbot. Samuel Locke Ward has released over sixty solo albums as well as a myriad of collaborations with Bob Bucko Jr, Miracles Of God, SLW cc Watt (with Mike Watt) and the cult new age noise group Boundless Relaxation (with Joe Jack Talcum and The Bassturd). He is a cartoonist for Little Village magazine and like Jad Fair, his style musically and visually is wholly his own Pure Candy is the pair’s third album together following 2023’s Happy Hearts and Destroy All Monsters, both issued by Kill Rock Stars.

    Pure Candy is an album of love songs and is the feel good album of the Summer, Winter, Spring and Fall. The music was composed and performed by Ward who’s love of pop music and avant stylings offer seventeen unexpected turns over the course of a three minute song. The vocals and lyrics are by Fair, lyrics overflowing with words of love, joy, happiness, tenderness, hope and inspiration. Uplifting words for a time dearly in need of some upliftings. As with the previous two albums by Fair and Ward, this album was mixed and mastered by Jonathan Hansen and is being co-released on LP by Shrimper Records (who last worked with Fair on his collaborative three cassette box set Wonderful World) and Chicago’s Stationary (Hearts) Recordings.

    TRACK LISTING

    1. This Love Of Ours
    2. Back On Top
    3. I Have A Feeling
    4. Geniuses Of Love
    5. A Powerful Heart
    6. A Better Day
    7. That Is That
    8. A Time For Love
    9. Lucky Ones
    10. The Love Bee
    11. Right All Wrong
    12. The Good Stuff
    13. Oh Gee
    14. Wonderful
    15. Angel You
    16. Let's Talk
    17. My Poem
    18. The Prettiest

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    Cover of Transfiguration Of Vincent - 2024 Reissue by M. Ward.

    M. Ward

    Transfiguration Of Vincent - 2024 Reissue

    Merge Records

      In 2003, everything broke open for Ward with the release of Transfiguration of Vincent. Critically lauded and long beloved, Pitchfork hailed it as an album that “broadcasts timelessness and defies genre constraints,” and Slant placed it on their list of the best albums of the 2000s. On Transfiguration of Vincent, Ward’s elegant fingerpicking, evocative croon, and heartrending lyricism came into full bloom, casting a spell so powerful that even a song as universal as David Bowie’s “Let’s Dance” felt not only new but irrevocably his. One of the most cherished albums in the Merge catalog, Transfiguration of Vin- cent is both a great place to begin your love affair with M. Ward and a deep, stunningly realized work that listeners have returned to over and over again for 20 years.

      TRACK LISTING

      SIDE A

      1. Transfiguration No. 1
      2. Vincent O’Brien
      3. Sad, Sad Song
      4. Undertaker
      5. Duet For Guitars No. 3
      6. Outta My Head
      7. Involuntary

      SIDE B

      8. Helicopter
      9. Poor Boy, Minor Key
      10. Fool Says
      11. Get To The Table On Time
      12. A Voice At The End Of The Line
      13. Dead Man
      14. Let’s Dance
      15. Transfiguration No. 2

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      Cover of Duet For Guitars #2 - 2024 Reissue by M. Ward.

      M. Ward

      Duet For Guitars #2 - 2024 Reissue

      Merge Records

        Duet for Guitars #2 introduced us to M. Ward’s characteristic rasp and fingerpicking prowess. More minimal in scope than future records, the songs run the gamut from lullabies to rocking declarations of love. Released on Co-Dependent Records in 1999, one of the initial 1,000 copies found its way to Howe Gelb, who re-released it in 2000 on Ow Om. It went out of print and remained a hard-to-find piece of the M. Ward catalog until 2007, when it was reissued on Merge with three new tracks. More than an origin story, Duet for Guitars #2 is a beautiful, assured album that is sure to make lo-fi and Americana aficionados swoon, to say nothing of M. Ward fans new and old.

        In 2003, everything broke open for Ward with the release of Transfiguration of Vincent. Critically lauded and long beloved, Pitchfork hailed it as an album that “broadcasts timelessness and defies genre constraints,” and Slant placed it on their list of the best albums of the 2000s. On Transfiguration of Vincent, Ward’s elegant fingerpicking, evocative croon, and heartrending lyricism came into full bloom, casting a spell so powerful that even a song as universal as David Bowie’s “Let’s Dance” felt not only new but irrevocably his. One of the most cherished albums in the Merge catalog, Transfiguration of Vin- cent is both a great place to begin your love affair with M. Ward and a deep, stunningly realized work that listeners have returned to over and over again for 20 years.

        TRACK LISTING

        Duet For Guitars #2
        Beautiful Car
        Fishing Boat Song
        Scene From #12
        Good News
        The Crooked Spine
        Look Me Over
        Who May Be Lazy
        It Won’t Happen Twice
        He Asked Me To Be A Snake & Live Underground
        Song From Debby’s Stairs
        It Was A Beautiful Car
        Were You There?
        Not A Gang
        Duet For Guitars #1

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        Cover of Supernatural Thing by M. Ward.

        M. Ward

        Supernatural Thing

        Anti

          "Several times, as I listened to M Ward's Supernatural Thing, I asked myself what year it was, was it 1952, and was I listening to a track from the Harry Smith Anthology? Was it 1972, and was I eavesdropping on the recording session for After the Gold Rush? No, it's 2023, and M Ward is one of the special contemporary artists who invite such questions. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends. What Ward shares with Harry Smith's artists and Neil Young is a context of musical and human values: authenticity and intimacy. Supernatural Thing's original songs sound freshly pulled from the ground, with a little earth sticking to them. Ward's lyric delivery has that slight rawness the ear loves, and his voice has quiet dignity and great tenderness. Supernatural Thing is an open-hearted, inviting album.

          The album's guest stars -- First Aid Kit, Shovels & Rope, Scott McMicken, Neko Case, Jim James, others -- enliven the album with surprises. On "Too Young to Die," the women's voices in First Aid Kit spread a light frosting over the melody, and their Beach Boyslike chorus on "Engine 5" makes the song sound like an instant hit. Eight of the album's ten songs are Ward originals. There's an unusual Bowie choice, "I Can't Give Everything Away" from Blackstar, and a live rendition of Daniel Johnston's 'Story of an Artist.'" -By James Cushing.

          Both as a solo artist and as one-half of She & Him, M. Ward became one of the defining voices of the American indie landscape in the 2000s, earning fans and critical acclaim for his distinctive brand of breezy West Coast Americana which pulled from folk, country, blues, pop, and experimental indie rock elements. Ward established himself with warm, analog- minded releases like 2003's Transfiguration of Vincent and 2006's Post-War before joining forces with singer/ actress Zooey Deschanel to form the highly successful indie pop duo She & Him in 2008. Over the following decade, Ward split his time between projects, releasing a 2009 album with indie supergroup Monsters of Folk, several highprofile albums with Deschanel including She & Him's Columbia- issued 2014 set Classics, and critically acclaimed solo releases like 2009's Hold Time, 2012's A Wasteland Companion, and 2018's What a Wonderful Industry. Ward kicked off the next decade with a deeply atmospheric set called Migration Stories and a Billie Holiday covers album Think of Spring most recently.

          STAFF COMMENTS

          Barry says: Another suite of brittle balladry and swimming harmonies from the brilliant M. Ward, riding effortlessly through folky melodies, country atmospherics and Ward's distinctive melodic sensibilities, joined by some stellar guest stars to boot! Lovely.

          TRACK LISTING

          Lifeline
          Too Young To Die Feat. First Aid Kit
          Supernatural Thing
          New Kerrang Feat. Scott Mcmicken
          Dedication Hour Feat.
          Neko Case And Gabriel Kahane
          I Can't Give Everything Away (Feat. Jim James And Kelly Pratt)
          Engine 5 (Feat. First Aid Kit)
          Mr. Dixon (Feat. Shovels & Rope)
          For Good
          Story Of An Artist

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          Cover of Railroad Cadences & Melancholic Anthems by Jose Medeles Feat. M Ward, Marisa Anderson & Chris Funk.

          Jose Medeles Feat. M Ward, Marisa Anderson & Chris Funk

          Railroad Cadences & Melancholic Anthems

          Jealous Butcher Records

            Led by drummer Jose Medeles (Breeders, 1939 Ensemble, Revival Drum Shop), Railroad Cadences & Melancholic Anthems is a drummer's tribute to guitarist and DIY iconoclast John Fahey.

            Joined for a series of guitar and drum duets with M. Ward, experimental guitarist Marisa Anderson, and Chris Funk (Decemberists, Stephen Malkmus), it's a genuinely honorifc project, featuring not Fahey compositions, but rather a series of improvised rendezvous inspired and informed by his looseness and rhythmic idiosyncrasies. Recording in the comfortable setting of Bocce Recording in Vancouver, WA, in 2020, these duets are playful and spiritually deep, presented with snapshot clarity Medeles likens to the recordings of Alan Lomax or Chris Strachwitz, 'who boldly captured feld recording of Southern chain gangs and juke joint raconteurs decades ago. The result here is similar: pure and honest recordings.'

            TRACK LISTING

            Please Send To J.F. With Marisa Anderson
            Richness Of Peace With M. Ward
            Golden With Chris Funk
            The Paper Snake With Marisa Anderson
            Something Else With M. Ward
            Before & After With Marisa Anderson
            Juxtaposition With Chris Funk
            Mid The Ice & Snow With Marisa Anderson
            Illumination With Chris Funk
            Takoma With Marisa Anderson
            Voice Of The Turtle With Chris Funk

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            Cover of The Power - OST by Gazelle Twin & Max De Wardener.

            Gazelle Twin & Max De Wardener

            The Power - OST

            Invada

              Gazelle Twin and Max de Wardener’s score to “The Power”, directed by BAFTA nominated director Corinna Faith.

              Taking about the soundtrack, Gazelle Twin expands, “Working on The Power with Corinna and Max didn’t feel much like work. It was a long haul thrill, from our field trip to the derelict wing of Goodmayes Hospital to record squeaky trolleys and smashed pill bottles, to making countless experiments with samples, voice, and electronics, pushing them in every extreme direction we could think of. The results bring me a lot of joy. I hope the collaboration continues.”

              Max de Wardener goes on to say, “For this score we tried to match Corinna’s terrifying vision of the dark by creating music that was both as ambiguous as it was frightening. Keeping the palette small to increase the feeling of claustrophobia, this ranged from quiet dusty out of focus sounds, to full blown dense vocal textures with pounding synths to evoke our primal fear of the unknown. Gazelle Twin’s brilliantly inventive approach to vocal music became such an important part of the film.”

              Summoning the spirit of classic ghost stories such as Susan Hill’s novel The Woman in Black and the intense psychological atmosphere of Dario Argento’s Suspiria, The Power is set in a crumbling East London Royal Infirmary in 1974.

              TRACK LISTING

              First Day
              Prayer In The Dark
              Dream Come True
              On Trial
              Basement
              Intensive Care
              Ashes
              Dark Won’t Hurt
              Possession
              Dark Shift
              Nothing Happened
              Black Pages
              Babs’ Eyes
              Gail Returns
              White Sheets
              Rescue
              Confrontation
              Revelation
              Descent
              You Will Listen To Us
              The Well

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              Cover of Think Of Spring by M. Ward.

              M. Ward

              Think Of Spring

              Epitaph

                “I first heard Lady In Satin in a mega-shopping mall somewhere in San Francisco. I was about 20 years old and didn’t know much about Billie’s records or her life or how her voice changed over the years. Anyway, the sound was coming from the other side of the mall and I remember mistaking her voice for a beautiful perfectly distorted electric guitar - some other-world thing floating there on this strange mournful ocean of strings and I was hooked for life. Ten years later in 2006 I recorded an electric guitar instrumental version of “I’m A Fool To Want You” for my album Post-War. In 2018 I performed a concert in LA. of all the songs from Lady In Satin as a quintet and began preparing guitar arrangements for the recordings compiled on this record - Think of Spring. The title comes from a poem written in 1924 by Jane Brown-Thompson that eventually became “I Get Along Without You Very Well” in 1938 - the first song here. The conceit of Think of Spring is to filter the songs and strings from Lady In Satin through a single acoustic guitar using various alternate tunings and a minimal amount of textures and studio manipulation. most of the songs were recorded on an analog Tascam four track. Think of Spring is inspired by Billie Holiday, Ray Ellis, J.J. Johnson, John Fahey and Robert Johnson. Proceeds from this record will benefit Inner-City Arts & Donors Choose via PLUS1 for Black Lives Fund.” - M. Ward

                TRACK LISTING

                I Get Along Without You Very Well
                For Heavens Sake
                It’s Easy To Remember
                You’ve Changed
                Violets For Your Furs
                For All We Know
                But Beautiful
                All The Way
                I’m A Fool To Want You
                I’ll Be Around
                You Don’t Know What Love Is

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                Cover of Honest To Goodness / Everybody's Goin' To The Love-In by Herb Ward / Bob Brady & The Con Chords.

                Herb Ward / Bob Brady & The Con Chords

                Honest To Goodness / Everybody's Goin' To The Love-In

                Deptford Northern Soul Club

                  Two classic floor fillers from the DNSC record label.

                  Featuring Herb Ward’s 1968 RCA release that goes for around £200 if you can find a copy.

                  A Catacombs Club favourite that emphasizes Ward’s deep soulful vocal with a gorgeous call-andresponse bridge that leads into a truly uplifting chorus.

                  Backed with Bob Brady And The Con Chords’ blueeyed soul classic from the same year.

                  Often compared in style to Smokey Robinson, ‘Love In’ is a brass-led scorcher with a pulsating back beat that could have been a Motown 45.

                  Both tracks remastered from the original sound sources for maximum dancefloor effect.

                  TRACK LISTING

                  Herb Ward - Honest To Goodness
                  Bob Brady & The Con Chords - Everybody's Goin' To The Love - In

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                  Cover of Migration Stories by M. Ward.

                  M. Ward

                  Migration Stories

                  Epitaph

                    A prolific writer, producer and performer, M. Ward has established himself as one of modern American music’s most unique and versatile voices. For his tenth album he journeyed to Quebec, Canada to work with Arcade Fire’s Tim Kingsbury, Richard Reed Parry, producer/mixer Craig Silvey (Arcade Fire, Arctic Monkeys, Florence and the Machine) and Teddy Impakt. Together at Arcade Fire’s Montreal studios they recorded a collection of 11 songs inspired by stories of human migration.

                    M. Ward’s music has always felt intricate, intimate and other worldly. With Migration Stories he breathes beautiful life into vignettes of human flight, blurring the lines between reality and fantasy as it reckons with a world that feels more divided than ever before, even as its inhabitants grow more inextricably linked by the day.

                    TRACK LISTING

                    Migration Of Souls
                    Heaven’s Nail And Hammer
                    Coyote Mary’s Traveling Show
                    Independent Man
                    Stevens’ Snow Man
                    Unreal City
                    Real Silence
                    Along The Santa Fe Trail
                    Chamber Music
                    Torch
                    Rio Drone

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                    Reduced Cover of Run Me That Soul by Brown Irvin.

                    Brown Irvin

                    Run Me That Soul

                    Motion Ward

                    After inaugurating the label with a tape in 2015, our local friend Richard Brown (AKA Brown Irvin) returns to Motion Ward with an oblique two-track 12" entitled "Run Me That Soul". "Locution" flexes a wobbly equilibrium of dubbed dancefloor energy and amorphous acid while "Overcast" coats the B Side in a smeared gradient of ambient wash and shape-shifting stasis. A persuasive pair of parallel worlds for winding up and winding down.

                    RIYL: Ghostride The Drift, Huerco S, City-2 St. Giga, Caveman LSD etc etc.

                    Being lost in the outer recesses of the solar system never sounded so good!


                    TRACK LISTING

                    A1. Locution
                    B1. Overcast

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                    Cover of What A Wonderful Industry by M. Ward.

                    M. Ward

                    What A Wonderful Industry

                    M. Ward Records

                      Last June M.Ward surprised fans with the digital release of his ninth solo album, What A Wonderful Industry. The record finally receives a proper physical release via M.Ward Records. Over the last decade Ward has released a string of acclaimed solo albums, as well as six LPs with Zooey Deschanel in the duo She and Him. Ward is also a member of the group Monsters of Folk alongside My Morning Jacket’s Jim James, Bright Eyes’ Conor Oberst, and Mike Mogis, as well as a producer on albums for Mavis Staples, Jenny Lewis, and Carlos Forster.

                      Via Ward: “This is a record inspired by people in the industry I have known - heroes and villains in equal measure. There’s some beautiful moments when you travel for a living, and I’m grateful for being part of an industry that’s taken me around the world so many times - but you quickly learn there’s a perfectly imperfect balance of cold-blooded and warm-blooded animals in the zoo. This record visits the most memorable characters. There’s a lot of very inspirational people I’ve had the pleasure to work with but there are also a few I wish I’d never met. It all tragically ends with an imaginary Griffin Mill-inspired murder ballad. This album is a reminder to keep your friends close, your enemies closer and don’t let the ones that just need an extra couple hours of therapy bring you down. Anyway I hope you like it. All names have been changed to protect the innocent".

                      TRACK LISTING

                      Side A:
                      1. Arrivals Chorus
                      2. Miracle Man
                      3. Shark
                      4. Motorcycle Ride
                      5. El Rancho
                      6. Sit Around The House

                      Side B:
                      1. Kind Of Human
                      2. A Mind Is The Worst Thing To Waste
                      3. Return To Neptune's Net
                      4. Poor Tom
                      5. War & Peace
                      6. Bobby

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                      Cover of More Rain by M. Ward.

                      M. Ward

                      More Rain

                      Bella Union

                      M. Ward returns with a stunning new album, ‘More Rain’, released on Bella Union. Ward has released a string of acclaimed solo albums over the past several years, along with five albums with Zooey Deschanel as She & Him and a 2009 collaborative album with My Morning Jacket’s Jim James and Bright Eyes’ Conor Oberst and Mike Mogis under the moniker Monsters Of Folk.

                      In addition to his celebrated work as a musician, Ward is an accomplished producer, handling those duties for such luminaries as Mavis Staples, Jenny Lewis and Carlos Forster as well as his own projects.

                      M. Ward knows how to live with rain. Having spent the last decadeand- a-half based in the perennially damp Portland, Oregon, the singer-songwriter and producer has learned how to shine through the soggy gloom by simply embracing its inevitability. For Ward, there is inspiration in a dark sky and harmony in foreboding winds. With his new album ‘More Rain’ he has made a true gotta-stay-indoors, rainyseason record that looks upwards through the weather while reflecting on his past.

                      “I think one of the biggest mysteries of America right now is this: How are we able to process unending bad news on Page One and then go about our lives the way the style section portrays us?” says Ward. “There must be a place in our brains that allows us to take a bird’s-eye view of humanity, and I think music is good at helping people - myself included - go to that place.”

                      This album, Ward’s eighth solo affair, finds the artist picking up the tempo and volume a bit from his previous release, 2012’s ‘A Wasteland Companion’. Where that record introspectively looked in from the outside, ‘More Rain’ finds Ward on the inside, gazing out. Begun four years ago and imagined initially as a DIY doo-wop album that would feature Ward experimenting with layering his own voice, it soon branched out in different directions, a move that he credits largely to his collaborators here who include REM.’s Peter Buck, Neko Case, kd lang, The Secret Sisters and Joey Spampinato of NRBQ.

                      STAFF COMMENTS

                      Andy says: More warm 50's/60's vibes from the golden voiced maestro. Another enveloping record where everything feels just right. Great songs, obviously.

                      TRACK LISTING

                      (More Rain)
                      Pirate Dial
                      Time Won’t Wait Up
                      Confession
                      I’m Listening (Child’s Theme)
                      Girl From Conejo Valley
                      Slow Driving Man
                      You’re So Good To Me
                      Temptation
                      Phenomenon
                      Little Nany
                      I’m Going Higher

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                      Ward

                      It's Not Necessarily Your Height

                      Loca

                        Eleven tracks of leftfield post rock, that brings to mind a more quiet and controlled Godspeed with a nod towards Brian Eno. Rumbling lo-fi beats / pulses with Satie-esque piano movements and ambient shifts.

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                        Clifford T Ward

                        Singer Songwriter

                        See For Miles

                          Recorded in 1972 for John Peel's "Dandelion" label, this was Ward's recording debut prior to his major hit "Gaye" on Charisma a year or two later. It's an easy going and melodious affair and deserves a listen. The tragic circumstances of his life today are in sharp contrast to the wistful hope and gentle nature of these tracks.

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                          Matthew Ward

                          Matthew Ward

                          Snowstorm

                            Acoustic based singer songwriter, think Nick Drake and Elliott Smith and you'll be on the right tip.

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