'Everything I Ever Saw' finds The Menzingers entering a new era in what's already been a storied career.

The Philadelphia punk legends' eighth album chronicles moments of significant change-- the personal, the political, and the universal-- while returning to the core creative principles that first put them on the map with listeners the world over. Twenty years in, The Menzingers have discovered that the wisdom gained with time's passing is even stronger than the emotional armor they once wore in their youth, and 'Everything I Ever Saw' captures the quartet embracing the here and now while strengthening the bonds that have held them together.

The Menzingers have always created as a four- headed unit, with all members (vocalist/ guitarist Greg Barnett, vocalist/ guitarist Tom May, bassist Eric Keen, drummer Joe Godino) throwing in their respective talents as part of the craft--but for 'Everything I Ever Saw', the group worked in creative symbiosis more than ever before. "The way we made this record feels the most like how the band was in the very beginning: Me and Tom coming to the band with the most basic element of a song, and the four of us shaping that," Barnett says.

Instrumental in building that excitement was locally centered and nationally renowned production legend Will Yip, who threw in with the Menzingers on 2017's 'After the Party' and their sonically expansive 2019 record 'Hello Exile'. This time around, Yip once again became an unofficial Menzinger while the band crafted these 11 songs in their South Philly space. "Working with Will was like a homecoming," May beams while talking about Yip's contributions. "We've grown up together over these years, and we're still incredibly close friends. He's the best at gassing you up and making sure everybody's on the right page, but he's also so good at pointing out stuff that might not fit the vision without being a fucking prick. He's the hardest working person that we've come across in the music industry, and he's incredibly inspiring."

TRACK LISTING

1. Chance Encounters
2. Better Angels
3. Romanticism
4. Other People's Money
5. Gasoline & Matches 
6. The Fool 
7. Nobody's Heroes
8. Breathe With Me
9. When She Enters My Dreams
10. Parade Day
11. Everything I Ever Saw

For The Bobby Lees, their fourth album and Epitaph debut 'New Self' marks a thrilling new chapter for the band while doubling down on what's always made them so magnetic.

The Bobby Lees don't need much in the way of introduction. Within a few seconds of exposure to their furnace-blast live shows or their bottled-lightning studio records, it's easy to hear why they've earned fans in legendary musicians like Iggy Pop, Debbie Harry, and Henry Rollins. They're as uncompromising in their sound and generous with their energy as any of their punk ancestors who first rewrote the rules of engagement back in the 1970s. Led by singer and guitarist Sam Quartin, drummer Macky Bowman, and bassist Kendall Wind, The Bobby Lees bring wildness and danger back into punk rock.

You can hear the band easing into a new confidence -- one that's both looser and more towering -- all throughout New Self, from the seething, fiery 'Napoleon' to the rambunctious, offbeat take on PJ Harvey's '50ft Queenie'. This is the sound of a band who's scrambled over shaky ground only to come back stronger than ever: more confident, more connected, louder and fiercer and secure in their own skin.

TRACK LISTING

1. Give
2. Napoleon
3. The End
4. 50 Ft
5. New Self
6. All I Got
7. Got Me Good
8. Red Hot

Orange County's Social Distortion returns with its first album in 15 years with 'Born to Kill'.

Armed with 11 urgent songs, Mike Ness continues to build on the mystique that Social Distortion is more than just a punk band. Throughout the collection, Ness revisits the sounds of the 1970s, his formative adolescent years. 'Born to Kill' is a continuation of the bar of excellence that Social Distortion and, in turn, Ness has long been praised for.

'Born to Kill' is a body of work that will live long in the Social Distortion catalog. Songs like the hard-charging title track that serves as the album's mission statement, along with the riff- laden 'Partners in Crime', the nostalgic 'The Way Things Were', and rollicking 'Tonight' are songs that fit in across any of Social Distortion's various eras. Now nearly five decades into its career and with a remarkable catalog spanning nearly three generations, Social Distortion has no intention of slowing down any time soon.

TRACK LISTING

1. Born To Kill
2. No Way Out
3. The Way Things Were
4. Tonight
5. Partners In Crime
6. Crazy Dreamer
7. Wicked Game
8. Walk Away (Don't Look Back)
9. Never Goin' Back Again
10. Don't Keep Me Hanging On
11. Over You

Joyce Manor are California pop-punk legends and 'I Used To Go To This Bar' is this epochal band operating at the top of their game.

They continue to deliver relentlessly satisfying rock music in a manner that makes it look simply effortless. The Torrance, California-hailing trio of Barry Johnson, Chase Knobbe, and Matt Ebert are at a point in their career where their position as one of the most beloved rock bands is a foregone conclusion.

Their seventh album finds the group continuing to find rich new veins to tap in their short- and sweet songcraft without losing an ounce of bite that gained them such repute in the first place. 'I Used To Go To This Bar' further situates Joyce Manor in the rich lineage of their influences and inspirations. Think AFI's rapid-fire burn, Weezer's indelible power-pop acumen, and the dusky emotionalism of The Smiths while further establishing them as leading lights in the current rock landscape.

The fresh burst of inspiration that fuels 'I Used To Go To This Bar' proves that Joyce Manor are far from content to rest on such laurels, moving forward with their sound and style in a way that reminds you of how they got to this point in the first place.

TRACK LISTING

1. I Know Where Mark Chen Lives
2. Falling Into It
3. All My Friends Are So Depressed
4. Well, Whatever
5. I Used To Go To This Bar
6. After All You Put Me Through
7. The Opossum
8. Well, Don't It Seem Like You've Been Here Before?
9. Grey Guitar

Without any reminiscing about their former band Operation Ivy, Matt Freeman (bass) and Tim Armstrong (guitar/vocals) blast through their debut without any hints of ska or blatant Clash plagiarizing. On the contrary, this album rips through 15 tracks of high- energy punk that's accompanied by heavy bass leads and Armstrong's permanently slurred vocals.

And to top it all off, the lyrical content deals with urban blight and the lifestyle of being a public nuisance. With this trademark sound, Rancid provides the perfect soundtrack for any car chase that includes massive property damage; is it a wonder MTV wouldn't touch this? -Mike DaRonco

TRACK LISTING

1. Adina
2. Hyena
3. Detroit
4. Rats In The Hallway
5. Another Night
6. Animosity
7. Outta My Mind
8. Whirlwind
9. Rejected
10. Injury
11. Climb In (The Bottle)
12. Trenches
13. Holiday Sunrise
14. Unwritten Rules
15. Union Blood
16. Get Out Of My Way

Speaking about the album, NOFX said; "We recorded this at Westbeach recorders in '89 once again with Brett Gurewitz. This record took 6 days to record and mix. We had a blast recording this time cuz we had 6 whole days. We didn't know how to sing harmonies yet, so Greg Graffin of Bad Religion came in and sang the back-ups on 3 or 4 songs. That was ultra cool. Too bad we couldn't pull them off live. This was our first record to come out after 'Suffer' (the record that changed everything) and the first record to come out on Epitaph. It sold 3500 copies the first year and that was a lot more than our previous one. Flipside fanzine called us metal and that was a total bummer. I think it was because Steve had long hair and a metal guitar. Oh well they're forgiven."

TRACK LISTING

1. Day To Daze
2. Five Feet Under
3. Professional Crastination
4. Mean People Suck
5. Vanilla Sex
6. S&M Airlines
7. Drug Free America
8. Life O'Riley
9. You Drink You Drive You Spill
10. Scream For Change
11. Jaundiced Eye

For anyone that's seen the Santa Cruz hardcore frebrands live, there's no mistaking that fact. DRAIN isn't just a good time as Sammy presides over the chaos of stage diving bodies and mic-grabbing frontline; it's a party--and everyone is invited. (Dolphin shorts and boogie boards are optional but encouraged.) "The vibe of it is, enthusiastic, hectic," says the vocalist. "Five people deep singing and stagediving, then kids going berserk behind that. It's a great vibe and I think people pick up on that."

That, in a nutshell is DRAIN. The trio inject a serious dose of relatability-- not to mention catchiness--into hardcore's penchant for toughness and brutality on their new Epitaph album, '...IS YOUR FRIEND'. Ciaramitaro's desperate, snotty howl rides roughshod over thrash- leaning riffage as rhythms bounce in a big way. If you're picturing the Pacifc Ocean waves that rise and fall along the coastal town, occasionally violently so, you're not far off.

TRACK LISTING

1. Stealing Happiness From Tomorrow
2. Living In A Memory
3. Scared Of Everything And Nothing
4. Nothing But Love
5. Can't Be Bothered
6. Loudest In The Room
7. Nights Like These
8. Who's Having Fun?
9. Darkest Days
10. Until Next Time...

'Horizons/West' (2025) completes the thematic arc begun with 'Horizons/East' (2021), pairing personal refection with sweeping sonic ambition.

Self-produced by the band, engineered by guitarist Teppei Teranishi, mixed by Scott. Evans, and mastered by Matthew J. Barnhart, 'Horizons/West' balances cinematic tones with spacious atmosphere. Teranishi calls it "less dense," while vocalist Dustin Kensrue sees it as their first sequel--two halves of a larger emotional and political panorama.

Blending post-rock textures from their earlier albums 'Beggars' and 'Major/Minor', with rhythmic complexity from 'Horizons/East', the band sharpens its edge without losing nuance. Kensrue's vocals shift from whisper to roar, anchoring meditations on perception, memory, and social infuence.

'Horizons/West' looks inward while never ignoring the larger world--urging listeners not to adopt beliefs, but to interrogate them. After more than two decades, Thrice continues building catharsis from chaos, and clarity from noise. 

TRACK LISTING

1. Blackout
2. Gnash
3. Albatross
4. Undertow
5. Holding On
6. Dusk
7. The Dark Glow
8. Distant Suns
9. Crooked Shadows
10. Vesper Light
11. Unitive/West

Known for their incisive political commentary and genre-blurring soundscapes, the band continues to challenge both the status quo and their own musical boundaries. 'At Peace' promises a fusion of their signature punk ethos with progressive elements, delivering a sonic assault that's as thought-provoking as it is relentless. As the follow-up to 2017's 'Victory Lap', this album is poised to reaffirm Propagandhi's place at the forefront of politically charged punk rock.

TRACK LISTING

1. Guiding Lights
2. At Peace
3. Cat Guy
4. No Longer Young
5. Rented P.A.
6. Stargazing
7. God Of Avarice
8. Prismatic Spray (The Tinder Date)
9. Benito's Earlier Work
10. Vampires Are Real
11. Fire Season
12. Day By Day
13. Something Needs To Die But Maybe It's Not You

Mamalarky thrive in the in-between, a tri-coastal outft straddling Atlanta,
Austin, and Los Angeles, crafting a sound that feels both meticulously
constructed and effortlessly unspooled.

Their brand of indie rock is delightfully askew-- swirling psych fourishes meet wiry guitar tangents, all anchored by tender, off-kilter hooks that burrow deep. It's music that invites you into its strange little universe, full of inside jokes and late night musings turned into melodic gold.

Formed in Austin in 2016, Mamalarky's lineup has since scattered across time zones, but their chemistry remains unmistakable. Guitarist Livvy Bennett (formerly of Cherry Glazerr), keyboardist Michael Hunter (White Denim), drummer Dylan Hill, and bassist Noor Khan (Faye Webster's touring bassist) operate like a band that's spent years fnishing each other's musical sentences. Their songwriting thrives on kinetic interplay-- nimble and restless, yet always landing in some deeply satisfying pocket.

While indie- pop might be the easiest tag to slap on them, Mamalarky dodge the genre's more predictable trappings. Instead of settling into breezy melancholy, they embrace complexity-- knotty time signatures, rubbery basslines, and melodies that feel like they're winking at you. It's heady but never pretentious, the kind of music that rewards repeat listens, each spin revealing a new hidden corner.

TRACK LISTING

1. Broken Bones
2. Won't Give Up
3. The Quiet
4. Hex Key
5. Anhedonia
6. #1 Best Of All Time
7. Take Me
8. MF
9. Blow Up
10. Blush
11. Nothing Lasts Forever
12. Feels So Wrong
13. Here's Everything

A year long project that took the band from San Francisco to Los Angeles, New York, New Orleans and Jamaica, Life Won't Wait has highlights that are as varied as they are rewarding. "Bloodclot" is a punk anthem as brawny as any ever recorded, replete with Lars' lyrical nods to Lee "Scratch" Perry and the Ramones. "Warsaw" and "New Dress" explore world-scale class struggle and out-and-out warfare. Of the two songs actually recorded in Jamaica, "Hoover Street" is a poignant addict's lament with sweet soulful vocal assists from Hepcat, while the title track features Tim and Lars sparring with dancehall kingpin Buju Banton against a canvas of urgent old school ska.

Self-produced, culled from life experience, and played live in large measure, Life Won't Wait is as ambitious and independent as it gets.

TRACK LISTING

Intro
Bloodclot
Hoover Street
Black Lung
Life Won't Wait
New Dress
Warsaw
Hooligans
Crane Fist
Leicester Square
Backslide
Who Would've Thought
Cash Culture
Cocktails
The Wolf
1998
Lady Liberty
Wrongful Suspicion
Turntable
Something In The World Today
Corazon De Oro
Coppers

DESTROY BOYS formed in 2015, when founding members Violet Mayugba and Alexia Roditis were just 15 years old, and each release has marked a period of growth and change. "Looking back, our frst three albums marked the deaths of things," says guitarist Violet Mayugba. "They were soundtracks to our funerals, whether they were for our ages, our mental states. We've gone through a lot of changes as a band and as people."

"The first one ('Sorry, Mom') was our high school album," Mayugba explains. "On the second record ('Make Room'), we went to college and were saying goodbye to our childhood. On the third one, we'd just gone through COVID and, speaking for myself, I lost my entire sense of self and gained a new one."

Now, at 24, Mayugba and Roditis are standing frmly on solid ground with more resolute and confdent than ever in their place as musicians.

TRACK LISTING

1. K Street Walker
2. Duck Eat Duck World
3. Junk
4. Widow
5. I Threw Glass At My Friend's Eyes And Now I'm On Probation
6. No Respect
7. Goldilocks Spot
8. Cattywampus
9. Word Salad

Here comes No Obligation, the second full-length release from The Linda Lindas further advances their unironic, joyful, and exciting trajectory of mashing up LA punk with alt-rock, garage rock, power pop, new wave, rock en espanol.

'No Obligation' was written and recorded by the band during spring breaks, winter breaks, and long weekends (Lucia and Eloise are still in high school, Mila just fnished middle school, and Bela is patiently waiting for them to get done with it already) and was produced by Carlos de la Garza (Paramore, Best Coast, Bleached).

Known for their incredible musicianship and live performances, the band who has shared stages with and opened for Paramore, Japanese Breakfast, Jawbreaker, and Yeah Yeah Yeahs, are about to embark on a massive two-month tour across America with Green Day. Look for headlining shows at small clubs in between - including a sold-out gig at the famously DIY Gilman Street in Berkeley.

No expectations. No limits for The Linda Lindas

STAFF COMMENTS

Barry says: Snappy 00's skate punk (it is Epitaph records, after all) and melodic hardcore, pulling in influence from garage, rock and roll and art rock. It's brilliantly danceable and from a big skate punk fan of olde, right up my street.

TRACK LISTING

1. No Obligation
2. All In My Head
3. Lose Yourself
4. Too Many Things
5. Once Upon A Time
6. Yo Me Estreso
7. Cartographers
8. Don't Think
9. Resolution/Revolution
10. Nothing Would Change
11. Excuse Me
12. Stop

Mannequin Pussy's music feels like a resilient and galvanizing shout that demands to be heard.

Across four albums, the Philadelphia rock band that consists of Colins "Bear" Regisford (bass, vocals), Kaleen Reading (drums, percussion), Maxine Steen (guitar, synths), and Marisa Dabice (guitar, vocals) has made cathartic tunes about despairing times. "There's just so much constantly going on that feels intentionally evil that trying to make something beautiful feels like a radical act ," says Dabice. "The ethos of this band has always been to bring people together."

Their new album, I Got Heaven, which is out March 1 via Epitaph Records, is the band's most fully realized recording yet. Over ten ambitious tracks which abruptly turn from searing punk to inviting alternative pop, the album is deeply concerned with desire, the power in being alone, and how to live in an unfeeling and unkind world. It's a document of a band doubling down on their unshakable bond to make something furious, thrilling, and wholly alive.

Following the 2019 release of their critically acclaimed third album Patience, Mannequin Pussy returned in 2021 for their EP Perfect. They toured that release relentlessly and added guitarist Maxine Steen to the band's official lineup. The band changed their entire creative formula, choosing to write together in the studio in Los Angeles with producer John Congleton , over slowly crafting tracks at home. "Everyone felt empowered to speak up about their own ideas to make this thing the best it could possibly be," says Regisford.

TRACK LISTING

I Got Heaven
Loud Bark
Nothing Like
I Don't Know You
Sometimes
Ok? Ok! Ok? Ok!
Softly
Of Her
Aching
Split Me Open

Rancid - the legendary Bay Area punk rockers are back with their 10th studio album, Tomorrow Never Comes on Epitaph Records

Emerging from the blue- collar swamps of Berkeley, California, Rancid has now been a living, breathing punk rock band for over a quarter century.

Back in 1991, after the demise of their much beloved and still influential first band, Operation Ivy, founding members Tim Armstrong (vocals, guitar) and Matt Freeman (bass, vocals) decided to do the impossible -- start an even better band. Thus, Rancid. Signing with Epitaph Records, the band released their first album, "Rancid," in 1993. Shortly thereafter, Lars Frederiksen (vocals, guitar) joined the band and they went on to release incredible records from "Let's Go." (1994) to their classic - platinum selling "...And Out Come The Wolves." (1995). Drummer Branden Steineckert joined the band in 2003, cementing the line-up that rocks out till this day.

Seeing Rancid live is a life changing experience and steady touring is in the plan for 2023. The band will tour Europe in June and the rest of the world soon after.

Through it all, Rancid has remained fiercely independent, never losing their loyalty to community or each other. Their music confronts political and social issues, while balancing personal tales of love, loss, and heartbreak with attitude. Rancid gives their listeners a community where everyone can belong. By carrying on the traditions and spirit of the original punk rock bands that came before, Rancid has become a legend and inspiration to punk bands that have come after. They are the living embodiment of East Bay punk. And if you don't know all this by now -- you're not playing their music loud enough!

TRACK LISTING

Tomorrow Never Comes
Mud Blood & Gold
Devil In Disguise
New American
Tomorrow Never Comes 
Don't Make Me Do It
It's A Road To Righteousness
Live Forever
Drop Dead Inn
Prisoners Song
Magnificent Rouge
One Way Ticket
Hellbound Train 
Eddie The Butcher
Hear Us Out
When The Smoke Clears

Composed of Brian Baker (Minor Threat, Bad Religion, Dag Nasty), Michael Hampton (S.O.A., Embrace), Dennis Lyxzén (Refused, INVSN, The International Noise Conspiracy), Johnny Temple (Girls Against Boys, Soulside) and the newest member Brendan Canty (Fugazi, Rites of Spring), the band is a veritable posthardcore dream team. However instead of rehashing the past, Expendables is a reinvention that sees the band dialing back the distortion and leaning into the melodies. The result pairs their unparalleled pedigree with a pop sensibility that's slightly unexpected and wholly satisfying. "For our last record [2019's FAKE NAMES]the general influences were 70's U.K. punk and power-pop; but it wound up with a little classic rock vibe as well, like the Vibrators meets Aerosmith. We never saw that coming!" , Baker explains. For Expendables the band enlisted producer Adam "Atom" Greenspan (IDLES, Yeah Yeah Yeahs). Baker explains, "The pop influences are a little more out front on this one and the production really helps it shine. It sounds more direct, more urgent." Expendables is the latest exchange in a musical conversation that spans four decades. Baker aptly refers to the lineup of FAKE NAMES as a "mutual admiration society" and says that once the five members got in the same room together, it felt as if they had already been in the band together for years.

TRACK LISTING

Targets
Expendables
Delete Myself
Go
Dont Blame Yourself
Cant Take It
Damage Done
Madtown
Caught In Between
Too Little Too Late

“I first heard Lady In Satin in a mega-shopping mall somewhere in San Francisco. I was about 20 years old and didn’t know much about Billie’s records or her life or how her voice changed over the years. Anyway, the sound was coming from the other side of the mall and I remember mistaking her voice for a beautiful perfectly distorted electric guitar - some other-world thing floating there on this strange mournful ocean of strings and I was hooked for life. Ten years later in 2006 I recorded an electric guitar instrumental version of “I’m A Fool To Want You” for my album Post-War. In 2018 I performed a concert in LA. of all the songs from Lady In Satin as a quintet and began preparing guitar arrangements for the recordings compiled on this record - Think of Spring. The title comes from a poem written in 1924 by Jane Brown-Thompson that eventually became “I Get Along Without You Very Well” in 1938 - the first song here. The conceit of Think of Spring is to filter the songs and strings from Lady In Satin through a single acoustic guitar using various alternate tunings and a minimal amount of textures and studio manipulation. most of the songs were recorded on an analog Tascam four track. Think of Spring is inspired by Billie Holiday, Ray Ellis, J.J. Johnson, John Fahey and Robert Johnson. Proceeds from this record will benefit Inner-City Arts & Donors Choose via PLUS1 for Black Lives Fund.” - M. Ward

TRACK LISTING

I Get Along Without You Very Well
For Heavens Sake
It’s Easy To Remember
You’ve Changed
Violets For Your Furs
For All We Know
But Beautiful
All The Way
I’m A Fool To Want You
I’ll Be Around
You Don’t Know What Love Is

In early 2016, D.C. punk legends Brian Baker (Minor Threat, Dag Nasty, Bad Religion) and Michael Hampton (S.O.A., Embrace, One Last Wish) met up at Hampton’s Brooklyn home to play music together.

Friends since first grade, the two guitarists ended up writing a handful of songs that day, then closed out the session with a spur-of-the-moment decision to start a band.

When it came to finding a bassist, Baker and Hampton looked to Johnny Temple of Girls Against Boys and Soulside (another fellow student at their elementary school), who equally shared their passion for what Temple refers to as “loud, angry, visceral music”. By the end of the year, the band had enlisted Refused frontman Dennis Lyxz n as their singer, thus cementing the lineup to punk-rock supergroup Fake Names.

Soon after dubbing themselves Fake Names a moniker that’s part Raising Arizona reference, part recognition of the “ubiquitous and demonic use of the term ‘fake news’”, according to Baker the band headed to Renegade Studios with the goal of creating a demo to present to record labels. But after playing those recordings for Baker’s Bad Religion bandmate Brett Gurewitz, the Epitaph founder made an unexpected proposal. “Brett said to us, ‘This isn’t a demo, this is the album,’” Baker recalls. “He was pretty adamant about putting it out exactly as it was, so that’s what we wound up doing”

TRACK LISTING

All For Sale
Driver
Being Them
Brick
Darkest Days
Heavy Feather
First Everlasting
This Is Nothing
Weight
Lost Cause

When one thinks of the Dream Syndicate, it’s not just the wild abandon with which singer/guitarist Steve Wynn, drummer Dennis Duck, bassist Mark Walton, and lead guitarist Jason Victor perform - it’s the carefully constructed songwriting of Wynn that comes to mind.

By now every rock critic in the country has predetermined who he or she feels Wynn reminds them of and what they think of that style of songs. This time, don’t! Which brings us to The Universe Inside. Every article or review ever written will claim “this is new and different” - well, it is! Just look at the song lengths: 20:27, 7:36, 8:56, 9:55 and 10:53. Ok, sure - the Syndicate have occasionally committed a long song to vinyl, “John Coltrane Stereo Blues” was 9 minutes with live versions over the ten-minute mark.

For the first time, every song is a group songwriting effort. What seeps in are Dennis Duck’s knowledge of European avant-garde music, Jason Victor’s passion for 70s prog, Mark Walton’s experience in Southern-fried music collectives and Wynn’s love of vintage electric jazz. The dazzling display of album cover artwork alone should clue you into the changes. But don’t take our word for it. Dive in!

TRACK LISTING

The Regulator
The Longing
Apropos Of Nothing
Dusting Off The Rust
The Slowest Rendition

A prolific writer, producer and performer, M. Ward has established himself as one of modern American music’s most unique and versatile voices. For his tenth album he journeyed to Quebec, Canada to work with Arcade Fire’s Tim Kingsbury, Richard Reed Parry, producer/mixer Craig Silvey (Arcade Fire, Arctic Monkeys, Florence and the Machine) and Teddy Impakt. Together at Arcade Fire’s Montreal studios they recorded a collection of 11 songs inspired by stories of human migration.

M. Ward’s music has always felt intricate, intimate and other worldly. With Migration Stories he breathes beautiful life into vignettes of human flight, blurring the lines between reality and fantasy as it reckons with a world that feels more divided than ever before, even as its inhabitants grow more inextricably linked by the day.

TRACK LISTING

Migration Of Souls
Heaven’s Nail And Hammer
Coyote Mary’s Traveling Show
Independent Man
Stevens’ Snow Man
Unreal City
Real Silence
Along The Santa Fe Trail
Chamber Music
Torch
Rio Drone

The Chicago (US) band Wilco presents Star Wars, the Grammy-award winning band’s ninth studio album and its first since 2011’s The Whole Love. 

Wilco has been a pioneer of pre-releasing albums and making its music available for free since 2001 when the band streamed its breakthrough release Yankee Hotel Foxtrot. The decision to make Star Wars available quickly and for free continues to see the band exploring new ways to release its music and reach its fans, while keeping the album release process fun and interesting to its members.

"Why release an album this way and why make it free? Well, the biggest reason, and I'm not sure we even need any others, is that it felt like it would be fun,” Tweedy said. “What's more fun than a surprise? Enough of this 20th anniversary already, here's something fresh.”

The new album was recorded at the band’s Chicago loft and features 11 original Wilco-penned tunes.

“Star Wars sounds like a band having an absolute blast with both the pop music form and the ways in which we hear it.” (4/5 – THE GUARDIAN)

TRACK LISTING

1.EKG
2.More...
3.Random Name Generator
4.The Joke Explained
5.You Satellite
6.Taste The Ceiling
7.Pickled Ginger
8.Where Do I Begin
9.Cold Slope
10.King Of You
11.Magnetized

Cult punk rock heroes, Alkaline Trio return with ‘My Shame Is True’, their most dynamic album to date. In anticipation of the release, the band have debuted a brand new single ‘I Wanna Be Warhol’ from the forthcoming album.

Recorded with Bill Stevenson of punk legends The Descendents and Black Flag and with Jason Livermore at the producers’ Blasting Room Studios in Colorado, ‘My Shame Is True’ pushes the band into new musical terrain while embracing their classic Trio sound. The album contains 40 minutes of passionate punk-filled rock that showcases guitarist/vocalist Matt Skiba, bassist/vocalist Dan Andriano and drummer Derek Grant at their absolute best.

"We're very proud of it,” says Matt Skiba. “Once we got in the studio, the songs really took on a shape of their own.”

From the album’s first melodic opener ‘She Lied To The FBI’ to the first single, ‘I Wanna Be A Warhol’ the Trio waste no time setting the tone for their energetic, hook-filled, eighth studio album. For the first time ever on an Alkaline Trio record, ‘My Shame Is True’ finds a guest appearance from Rise Against’s Tim Mcllarth on rousing punk rock anthem, ‘I Pessimist’, while songs like ‘I’m Only Here To Disappoint’ and album closer ‘Till Death Do Is Part’ remind fans of classic Trio, with stellar song-writing and catchy choruses.

Determined to never make the same record twice, Alkaline Trio have preserved the most electric elements of their collaborative songwriting abilities while pushing ahead creatively and as a band. With multiple world tours, numerous chart successes, and over fifteen years under their belt, the dark punk trio have cemented their legacy with ‘My Shame Is True’.

TRACK LISTING

1 She Lied To The FBI
2 I Wanna Be A Warhol
3 I'm Only Here To Disappoint
4 Kiss You To Death
5 The Temptation Of St Anthony
6 I Pessimist
7 Only Love
8 The Torture Doctor
9 Midnight Blue
10 One Last Dance
11 Young Lovers
12 Until Death Do Us Part