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Opal Mag

Goodbye Lavender

'Goodbye Lavender' is the debut EP from Brighton based artist Opal Mag. Recorded over several days at Bam Bam Studios in Norfolk with producer Harry Jordan (The Big Moon, Sam Thomkins, Keo), the resulting six songs blend hazy, atmospheric soundscapes with confessional, unfiltered lyricism.

With influences including Mazzy Star, The Sundays, The Breeders, and The Smashing Pumpkins, it's no wonder Stereogum considers Opal Mag "a promising new voice of the '90s indie rock revival". Writing for the dreamers and the bedroom dwellers, her songs feel like secrets whispered late at night; raw, intimate, and achingly real.

TRACK LISTING

1. World End
2. Try Not To Hate Everything
3. Kiss Me
4. Wasting
5. Young Forever
6. Goodbye Lavender

Night Swimming

Melting, Sometimes Bleeding EP

Drawn to the darker nuances of human experience, Night Swimming craft vivid, cinematic soundscapes that blur the lines between dream-pop and indie rock. Driven by a love of film, the Bath-based five-piece invite listeners to visualise and indulge their imaginations, pairing atmosphere and texture with intimate emotional honesty.

Night Swimming's influences span Cocteau Twins, The Cure, Radiohead and Slowdive, through to contemporary touchpoints like Wolf Alice, Daughter, Just Mustard and Warpaint - artists whose sensory depth and emotional clarity continue to shape the band's evolving sound.

Across five Summer days in August 2025, producer Peter Miles recorded the EP tracks live to tape at Middlefarm Studios in Devon. The surrounding moors provided a haunting backdrop, enveloping the creative process and setting the tone for 'Melting, Sometimes Bleeding'.


TRACK LISTING

Side A
Nothing Safe Is Technicolour
Submarine
Poison Berry

Side B
Hope And Wavering
Dark Clouds

Bratakus

Hagridden

'Hagridden' is the second full-length from Scottish sisters Bratakus. Fiercely political and unapologetic, the duo made up of siblings Brèagha Cuinn (guitar and vocals) and Onnagh Cuinn (bass and vocals) deliver ten songs that combine garage rock and feminist punk with the same deft poise as forerunners The Distillers, The Donnas, Bikini Kill and X-Ray Spex.

In 2019, a BBC news report called Bratakus "the UK's most remote punk band". Formed in 2015 outside a small whiskey village called Tomintoul in the Scottish Highlands, the sisters (then 14 and 8 years old) have maintained a DIY ethos in everything they've done. Recording at home, self-releasing music, booking their own tours and with no drummer available locally, the duo turned their limitation into a statement, performing live with a drum machine and cementing their reputation as an uncompromising force within the punk scene.

'Hagridden' marks a new beginning for the two sisters, introducing real drums to the recording process (including a guest appearance from Chris Dangerous of Swedish rock band The Hives) plus a more focused approach to songwriting. The message and music are just as loud, but the execution is now deadlier than ever.

TRACK LISTING

1. Final Girls
2. Turnstile
3. Real Men Don't Eat Meat
4. Hypocritical
5. Worth It
6. Tokened
7. Tonight
8. Behave
9. Drowning
10. Cut Us

Meryl Streek

796 - The Instrumentals

Meryl Streek’s debut album ‘796’ caused quite the commotion when it was released in the Autumn of 2022. Best described as polemic post-punk, the uncompromising lyrical matter backed by a soundscape that leaps from house beats to abrasive noise has propelled the Dublin based performer from squat gigs to festival main stages in just a few years.

Originally a touring drummer for semi-pro indie bands, the grind of that lifestyle became too much and Streek decided it was time to find a new way of developing his musical ideas. A few weeks alone with Ableton, a music production tool favoured by electronic artists and DJs, streamlined the creative output. No longer dependent on other musicians, his art was able to go on its own journey, one that would often tie together diverse genres, Celtic music and dance, hip-hop and punk. This prolific outpouring of ideas, with no rules, no other band members, no label breathing down your neck, would provide the blueprint for Meryl Streek’s first sonic offering.

The bulk of ‘796’ was recorded in Meryl Streek’s home, at the time an apartment complex in downtown Vancouver, Canada. Working through the night recording drums himself in a friend’s studio and outsourcing other instruments to guitarists and bass players he knew from the industry. These sessions began to resemble other artists at their most experimental. Mogwai’s sprawling post-rock, Tortoise’s use of minimal electronics and DJ Shadow’s cut and paste sampling, would come to influence the overall sound of this new and exciting project.

It might be his signature spoken word snarl that bonds the songs of ‘796’ together, but without the rich textures backing the vocals, the tone of the record would be completely different. The instrumental version matches the lyrics with the same emotional weight, the same energy, the same joy and the same sadness, and showcases Meryl Streek’s skill not just as a storyteller, but also as a producer and composer.

TRACK LISTING

1. The Start (Instrumental)
2. Full Of Grace (Instrumental)
3. Death To The Landlord (Instrumental)
4. False Apologies (Instrumental)
5. Yesterday (Instrumental)
6. Matter Of Fact (Instrumental)
7. 796 (Instrumental)
8. Demon (Instrumental)
9. No Justice (Instrumental)
10. Suicide (Instrumental)
11. Educated Mates (Instrumental)
12. Dad (Instrumental)

Aerial Salad

Roi De L’Herbe

Having released their ‘Dirt Mall’ album during lockdown, which was a pretty grim time to put an album out, the release still eventually opened up some exciting doors for the band and captured Aerial Salad at their most Aerial Salad; loud, brash, silly and emotive. This led swiftly to 2024’s ‘R.O.I.’ album that marked a real evolution in the band’s sound and songwriting.

“R.O.I. is a concept album but rather than being about a band, it’s from the perspective of an individual pushed to the brink of insanity by the ever-present quest from commercial success,” explains singer and guitarist Jamie Munro. “The idea came from my job; I’ve been working in the tech industry in ‘sales’. ‘Return on investment’ was probably my most uttered phrase for a few years, I was sick of it, sick of having no positive impact on the world and sick of the tech bro, double espresso, thirsty thursdays, work hard - play hard bollocks culture that comes with it. ‘R.O.I.’ is me saying ‘know what, you can actually earn a lot of money in life, even without the fallacy of educational infrastructure and financial privilege, however, it comes at the cost of your soul, time and energy. ‘R.O.I.’ is called such because it’s in the opposite pursuit, it’s not about a return on a financial investment, it’s about doing something with your life that’s enjoyable.”

This brings us crashing into 2025, no longer in the same line of spirit destroying work, with some seriously exciting gigs on the horizon, Aerial Salad wanted to kick off the next era of the band with a short, fast and hard EP and have served up 5 absolute bangers that sit somewhere between ‘Dirt Mall’ and ‘R.O.I.’ The EP is called ‘Roi de l’herb’ because of the track ‘King Of The Grass’: “We tour and play a lot in France, we’ve played most of our “best” gigs in France, so out of curiosity I wanted to see if the title would translate well, naturally, when the translation contained both “ROI” and l’herbe” - I though, fuck it, that’s about as spot on a title for this EP as we can possibly muster.”

‘King of The Grass’ is about the band’s bassist Mike Wimbo who works for Rochdale council on the greens team, which means he spends his life in the pouring rain chopping down overgrown hedges and mowing lawns. Elsewhere on the EP, ‘Inject Your Blood’ is another romantic love song inspired by the TV series ‘True Blood’ (“I’d inject your blood, into mine just to feel you close”), ‘Wires’ rages against the world of AI and GPT, whilst the EP’s opening track ‘My Girl’ is a chaotic, high energy catchy punk song, nothing profound, nothing complicated. It’s a punk song as god intended, a few chords and a load of shouting.

“The EP is like the teaser for what’s next,” summarises Jamie. “The overall hook for this EP is one of hope, that by sticking to what you believe in you can do anything.”

STAFF COMMENTS

Barry says: Snappy, fuzzed-out guitars and roaring grungey progressions and athletic galloping percussives beneath those perfectly pitched but melodically unfussy lyrical barrages. A wonderfully visceral, but enlessly melodic jaunt through garage, punk and indie grooves.

TRACK LISTING

1. King Of The Grass
2. L.A.
3. Inject Your Blood
4. WIRES
5. My Girl

Split Dogs

Here To Destroy

Rock’n’roll revivalists Split Dogs are not here to make 15 second viral videos, they’re not here to sell you a lifestyle, they’re here to destroy. Born from the frustration of seeing music become commodified and soulless, vocalist Harry Atkins and guitarist Mil Martinez had the idea to form a band as far back as 2015, with the name ‘Split Dogs’ pulled from the classic zombie film ‘Return of the Living Dead’.

In South London, a young Martinez would hear Status Quo, Bachman Turner Overdrive and Dire Straits on the car radio while his father drove him to school. At home he would invade his older brothers’ record collection which leaned towards the harder sounds of punk and heavy metal. Meanwhile in the Black Country, Harry’s mother instilled a love of Northern Soul, Slade and rock’n’roll, with stories of nights out at Club Lafayette and family singalongs at home. According to Martinez, “Our sound is a culmination of all those early influences and, to be honest, it really shows.” It wasn’t until 2022 that Split Dogs officially arrived on the scene with bass player Suez Boyle joining the band in 2023. Already a prominent figure in the queer punk scene, Suez played the first ever Rebellion Festival at the tender age of 16 with her band The Walking Abortions. Up until that point, drummer Chris Hugall, an old friend of Martinez and former member of ska punks Mouthwash (signed to Rancid’s label Hellcat back in the day), was only on hand to help design artwork. It wasn’t until 2024 Hugall joined the band full time, cementing the current line-up.

The raucous live shows and infectious lyrics saw the four-piece make a name for themselves among the punks of Bristol, a scene that has always welcomed LGBTQ+ and marginalised people. As word spread, so did the gigging, and soon enough Split Dogs were playing to sold out rooms in mainland Europe, eventually grabbing the attention of UK label Venn Records (Gallows, Bob Vylan, High Vis). ‘Here to Destroy’ was recorded over three days at Middle Farm Studios by producer Peter Miles. All tracks were laid straight to a 16 track reel-to-reel tape machine, no autotune, no effects pedals, no computers. To add to the music’s authenticity, the album was recorded live, with Harry singing along in a vocal booth. No cutting and pasting, just nailing takes. According to Martinez, “It was a blast! We fully immersed ourselves, sleeping in a small apartment below the studio, cooking meals and listening to Pete’s extensive record collection”. While the final result is a step away from Split Dogs early punk sound, the attitude is still there in droves. “We wanted the album to have a raw bones feel,” Martinez tells us, “real 1970s rock’n’roll!”. Harry channels the spirit of Motörhead’s Lemmy Kilmister as they tear through hook after hook, singing about the Northern Soul clubs their mother once frequented (‘Lafayette’), the Orwellian nightmare we’re heading for ('Stay Tuned') and a touching homage to British working class culture ('And What?'). As the album title makes clear, Split Dogs are here to destroy, but they’re also here to rebuild and remind us of music’s essence. “We’re not beholden to the digital age, we don’t want to get famous on social media, we just want to show the world that rock’n’roll is alive 

TRACK LISTING

1. Stay Tuned
2. Monster Truck
3. Animal
4. Be A Sport
5. Meg
6. Lafayette
7. And What?
8. Precious Stones
9. All In


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