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THE ZOMBIES

Pixies

The Night The Zombies Came

    ‘The Night The Zombies Came is Pixies’ tenth album, if you count their classic 1987 4AD mini LP Come On Pilgrim, and first new music since 2022’s acclaimed Doggerel LP. 13 new songs that find Pixies looking ahead to the most cinematic record of their career.

    Songwriter, vocalist and guitarist Black Francis explains:

    “Fragments that are related and juxtaposed with other fragments in other songs. And in a collection of songs in a so-called LP, you end up making a kind of movie.”

    Druidism, apocalyptic shopping malls, mediaeval themed restaurants, 12th century poetic form, surf rock, gargoyles, bog people, and the distinctive dry drum sound of 1970s era Fleetwood Mac are just some of the disparate wonders that inform the new songs.

    For the new album recording sessions the band returned to work with producer Tom Dalgety, who drummer David Lovering refers to as “a fifth Pixie” after producing 2016’s Head Carrier, 2019’s Beneath the Eyrie and 2022’s Doggerel. Early on in the recording process at Guilford Sound studio in Vermont, the band noticed the new songs were dividing into two camps: what they came to call the “Dust Bowl Songs” - country-tinged, ballad-esque numbers such as ‘Primrose’ and ‘Mercy Me’, and on the other side, the album’s furious punk numbers such as ‘You’re So Impatient’ and ‘Oyster Beds’. Only ‘Jane (The Night the Zombies Came)’ keeps its feet in both camps — reminiscent of early 60s Phil Spector, the band hitting the sweet spot between mushy and abrasive, it’s a track that Black Francis allegedly likened to being chased by a swarm of bees.

    The Night The Zombies Came sessions also saw Pixies welcoming new bass player Emma Richardson (Band Of Skulls) to the line up; the first British band member to join the group. There’s also an expanded role for guitarist Joey Santiago. After contributing his first-ever Pixies lyrics on Doggerel, for the new record Santiago wrote the words to ‘Hypnotised’ by completing a complex lyrical riddle of sorts, known as a sestina.

    STAFF COMMENTS

    Barry says: A new one from one of the most legendary guitar bands of all time, and sees the band retain their unique sense of melodicism and gothic-tinged harmony. The Pixies showing that they have absolutely no intention of slowing down.

    TRACK LISTING

    Side 1:
    1. Primrose
    2. You’re So Impatient
    3. Jane (The Night The Zombies Came)
    4. Chicken
    5. Hypnotised
    6. Johnny Good Man
    7. Motoroller

    Side 2:
    1. I Hear You Mary
    2. Oyster Beds
    3. Mercy Me
    4. Ernest Evans
    5. Kings Of The Prairie
    6. The Vegas Suite

    The Monochrome Set

    Love Zombies

      Released in February 1980, their first album Strange Boutique, featuring the band's percussion-heavy theme song (predating Adam & The Ants's "Kings of the Wild Frontier" by months) and the Johnny Marr-anticipating "Love Goes Down The Drain", caught the Monochrome Set in full flight, quickly followed by the equally taut, funny and adventurously dynamic Love Zombies. 

      TRACK LISTING

      1. Love Zombies
      2. Adeste Fideles
      3. 405 Lines
      4. B-I-D Spells Bid
      5. R.S.V.P.
      6. Apocalypso
      7. Karma Suture
      8. The Man With The Black Moustache
      9. The Weird, Wild And Wonderful World Of Tony Potts
      10. "In Love, Cancer?"

      The Zombies

      Odessey And Oracle - 180g Vinyl Edition

        Recorded at EMI’s Abbey Road Studios in 1967 during the final months of the original group’s career, this British Psych-pop masterpiece yielded their last great hit ‘Time Of The Season’, but was destined for release after the Zombies had first broken up. It is the British pop group’s all-time classic ‘concept’ album.

        To find an original mint Mono copy involves a long wait and a budget of around £1,000+ to land one. The Stereo version is not far behind either. But we have returned to Abbey Road for our re-issue versions, a more affordable option, now available again in either Stereo or Mono LPs.

        All serious record collectors will savour a work that has been the subject of a huge revival of interest. Listen and you will know why American songwriter, producer and musician Al Kooper insisted that Columbia put out the album in the USA, when it was in danger of being overlooked.

        This Repertoire reissue is mastered at Half Speed at the legendary Abbey Road Studios, then pressed onto 180g vinyl, offering the listener the best ever sounding version of the album.

        The recordings are remastered by Jon Astley (The Who, Led Zeppelin, George Harrison etc).

        The sleeves are printed from superior quality scans with detailed reproduction artwork.

        STAFF COMMENTS

        Andy says: This record is often name-checked by Paul Weller as one of the best psych-pop albums ever. He was right. It's glorious!


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