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THE WELCOME WAGON

The Welcome Wagon

Esther

    Esther, the latest effort from Brooklyn duo Welcome Wagon is as much about homecoming as it is about making peace with—and a home in—uncertainty. The project had its beginnings in the summer of 2017, when the family took a two-month sabbatical to California. In reflecting upon that time, Pastor Vito Aiuto says “It felt like we had been changed, and so to go home was going to be alright.” Shortly after returning to Brooklyn, he found himself holding his guitar and allowing his fingers to play a few notes that just felt…right. Then the pandemic hit, and Vito’s strumming, lyrics, and thoughts became the soundtrack of the family’s lockdown lives. Though Monique had given up painting a decade prior, she felt an urge to go home as well, to reconnect not just with an artistic identity but with her midwestern family. She began using pieces from a collection of her late grandmother Esther’s treasures to create large-scale collages, beautiful, evocative, and almost haunting in their pastiche of the past.

    Esther was born out of this wellspring of creativity and homecoming, exploring the profound knowing and equally profound mystery in both family and faith. In Esther, the questioning is the destination, and it is one where peace can be found and home—and art—can be made. There’s a salve there. There is music. There are moments of grace, large and small. Welcome.

    TRACK LISTING

    1 Isaiah, California
    2 Bethlehem, A Noble City
    3 Knocking On The Door Of Love
    4 Have Mercy On Us
    5 Consolation Blues
    6 Matthew 7:7
    7 I Know You Know
    8 Noble Tree
    9 Lebanon

    The Welcome Wagon

    Precious Remedies Against Satan's Devices

      ‘Precious Remedies Against Satan’s Devices’, The Welcome Wagon’s second full-length, is an apt sequel to their critically acclaimed 2008 debut, ‘Welcome to The Welcome Wagon’. Here, Vito and Monique simply throw those welcoming arms open wider.

      Recorded by Alexander Foote over 5 days at the library of an old rectory in Brooklyn. Those who enjoyed the Welcome Wagon’s debut album will notice their distinct sound again here - loose, jangly, comfortable, a gathering of friends making music together.

      At times jaunty and toe-tapping, at others quietly contemplative - an alt-folk gem.


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