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THE DRIFT

The Winston Brothers

Drift

    For Fans Of: Bacao Rhythm & Steel Band, Menahan Street Band, El Michels Affair, The Poets Of Rhythm. Debut LP from The Winston Brothers! Featuring members of Bacao Rhythm & Steel Band. Hot on the heels of their debut 45 released on Colemine Records, German funk powerhouse The Winston Brothers re-up with their first-ever full length LP. “DRIFT” is the name of the game, presenting eleven versatile cuts to invite listeners on an all-instrumental trip back to the future of funk. But make no mistake: Though audibly steeped in the deep funk tradition, this retrophile outfit is anything but dusty.

    The Winston Brothers are a modular studio project by Hamburg-based multi-instrumentalist and producer Sebastian Nagel (The Mighty Mocambos, Bacao Rhythm & Steel Band) and drummer / percussionist extraordinaire Lucas Kochbeck (The KBCS, Bacao Rhythm & Steel Band, Hamburg Spinners). Industry veterans with a penchant for analog music production, the two combine a boom bap state of mind with well-rounded funk acumen and able frequent collaborators to create dynamic arrangements that are both an audible nod to the genre’s past as well as a contemporary blend of like-minded organic styles. Lacing heavy drums with juicy breaks, headnodic grooves, scorching riffs and melodic instrumentation, “DRIFT” draws on the raw energy inherent to ‘60s / ‘70s funk and takes it from there. Catchy, repetitive motifs gain musical momentum as they evolve into vibrant and autonomous soundscapes with a distinct drive of their own, ranging from incendiary to more laid-back and almost dreamlike. Strutting an irresistible bounce to their step, The Winston Brothers are poised to light up dance floors, river cruises and backyard BBQs alike. Catch our drift?

    TRACK LISTING

    Winston Theme
    Boiling Pot
    Hang On
    Drift
    Northern Light
    Metering
    One Thing
    Free Ride
    High Life
    Think
    Brother's Strut

    The Delines

    The Sea Drift

      The third album proper for 'Country-got-Soul's finest, The Delines, on Decor Records sees them exploring the US Gulf Coast, not far from where Amy Boone grew up. The songs in this cinematic opus all focus around this area and are inspired by when Amy asked Willy Vlautin to write her a song like Tony Joe White's 'Rainy Night In Georgia' after her tragic accident being hit by a car in 2016 and her 3 year recovery. This follows on from 2019's The Imperial which was number one in the UK official AMA charts for two weeks. Written and partially recorded before lock down the rest of the album was finished last Summer, produced by John Morgan Askew at his Bocce studios just outside of Portland, Oregon.

      The album features the classic line-up of the band with Amy Boone (vocals), Willy Vlautin (guitars, vocals, songwriting), Freddy Trujillo (bass), Sean Oldham (drums, vocals) and Cory Gray (keyboards, trumpet and arrangements) doing some of their finest work yet. 

      TRACK LISTING

      1. Little Earl
      2. Kid Codeine
      3. Drowning In Plain Sight
      4. All Along The Ride
      5. Lynette's Lament
      6. Hold Me Slow
      7. Surfers In Twilight
      8. Past The Shadows
      9. This Ain't No Getaway
      10. Saved From The Sea
      11. The Gulf Drift Lament

      Scott Walker

      The Drift

        Despite - or perhaps because of - his glacial work rate, Scott Walker remains one of the most influential figures in rock music. He is an icon, a man who turned his back on superficial pop stardom to create some the most resonant and compelling music ever made. Although Scott started writing "The Drift" in the late 1990s, he didn't start recording until late 2004. Working with longtime studio collaborator Peter Walsh (who also co-produced "Climate Of Hunter" and "Tilt") he brought an astonishing array of sounds and textures into the studio - tubax, shawm, flugelhorn, a 36 piece string orchestra, a huge wooden box, and much more besides. The result is a record of immense power and range and almost unfathomable emotional depth. Tracks like "Cossacks" and "Hand Me Ups" rock with a dark, insistent force that's quite unlike anything else in the Walker catalogue - while the vast open spaces of "Clara", "Jesse" and "Cue" open up to admit beauty and horror in equal measure.

        TRACK LISTING

        Cossacks Are
        Clara
        Jesse
        Jolson And Jones
        Cue
        Hand Me Ups
        Buzzers
        Psoriatic
        The Escape
        A Lover Loves

        Hollie Kenniff

        The Quiet Drift

          Hollie makes up one half of the duo Mint Julep also on Western Vinyl, and the album features performances from Keith Kenniff (aka Goldmund).

          Director David Lynch once said “I long for a kind of quiet where I can just drift and dream. I always say getting inspiration is like fishing. If you’re quiet and sitting there and you have the right bait, you’re going to catch a fish eventually. Ideas are sort of like that. You never know when they’re going to hit you.” Inspired by this quote in both name and spirit, Hollie Kenniff’s The Quiet Drift is an ambient gallery of cloudlike synths, seraphic strings, echoing guitars, and other celestial textures guided to cohesion by Hollie’s own wordless singing. Though the album certainly creates (and originates from) the kind of space where Lynch’s proverbial “fish” can be caught, The Quiet Drift is a fitting title for Hollie’s own history, both recent and distant. During the course of the album’s creation, Hollie and her family moved cross-country from an island in Washington state, to an island in Maine before ultimately relocating to Canada. “As a child I visited Ontario year-round,” she explains in her own words. She continues “More than any other landscape, I think the lake, rivers, and woods there left the most enduring impression on me. The landscape and pace of life of these places will always stay with me.” But the reverberant spaces Hollie crafts need no physical headquarters. Instead of conjuring views of nature at the ground level, her sound more readily evokes a top-down perspective, with the distinct features of the land shrinking underfoot as the listener becomes untethered from geography altogether.

          The Quiet Drift belongs more to the liminal spaces between life and afterlife, memory and fantasy, landscape and dreamscape, than any mappable locale. Describing her formative years, Hollie says “As a dual US/Canadian citizen who spent my childhood in a rural town one that I haven’t returned to in many years I have a sense of not entirely belonging anywhere. When I was a teenager my close friends were male musicians, so I was also an outsider to the degree that they were wild and anarchic in a way that I wasn’t. I was a quiet book reader and avid music listener who enjoyed being around a creative group. I was also a radio DJ for alternative and punk music throughout high school.” In this light, The Quiet Drift attests that creativity is placeless, and calls into question the stereotype of artists as scene-centric city dwellers. Having come of age in the absence of metropolitan sensory overload, Hollie learned to spot the muse in nature, and within herself, instead of the echo chamber of a frenzied peer group. On The Quiet Drift Hollie Kenniff wholly escapes from such pop-culture feedback loops into transcendent, shimmering realms, and she brings the listener along with her. In this age in which we have all been called to reevaluate our relationship to indoor spaces, and seek refuge in the great outdoors, The Quiet Drift provides an apt soundtrack for such rebalancing.

          TRACK LISTING

          01 Flourish 4:00
          02 Quell 4:45
          03 Some Day If Some Day Comes 3:52
          04 Four Sides Of The Forest 5:19
          05 Under The Loquat Tree (feat. Goldmund) 4:00
          06 Sunset Chant 3:19
          07 Still Falling Snow 3:54
          08 Unfolding (feat. Goldmund) 2:57
          09 A Feathered Fog 4:14
          10 This Part Of You 3:53

          Drift is the seventh full-length by NYC rock polymaths The Men. The band’s last album, the self-released Devil Music, was the sound of a band who had been through hell hitting reset and looking to their roots to rediscover themselves. On Drift, The Men return to their longtime label Sacred Bones Records and explore the openness that Devil Music helped them find.

          The immediately evident result of that exploration is the experimental quality of much of the material on Drift. Songwriters Mark Perro and Nick Chiericozzi chase their muses down a few dozen thrilling rabbit-holes over the course of the album’s nine tracks. The songs on Drift veer in a number of directions, but notably, almost none of them feature a prominent electric guitar. The lone exception, “Killed Someone,” is a rowdy riff-rocker, worthy of the finest moments of the band’s now-classic Leave Home and Open Your Heart albums. The rest of the album drives down stranger highways. “Secret Light” is an improvisation based on an old piano riff of Perro’s. “Maybe I’m Crazy” is a synth-driven dancefloor stomper for long after last call. “Rose on Top of the World” and “When I Held You in My Arms” are paisley-hued, psyched-out jams with big, beating hearts.

          The album was recorded to 2" tape with Travis Harrison (Guided by Voices) at Serious Business Studios in Brooklyn. A whole pile of instruments was involved — synths, strings, sax, steel, harmonica, tape loops, on top of the usual guitar, bass, and drums. Unlike recent releases from The Men, there aren’t many overdubs on Drift — a reflection of the personalities of its makers becoming less frantic, Chiericozzi suggests. In fact, the band removed a lot of the additional parts they tried adding early on, giving the final product a bit of a ghostly feel. The songs on Drift took giant leaps and trips from their beginnings only to find the band returning to the first spark of creation.

          TRACK LISTING

          1. Maybe I’m Crazy (4:11)
          2. When I Held You In My Arms (4:59)
          3. Secret Light (4:16)
          4. Rose On Top Of The World (4:28)
          5. So High (3:26)
          6. Killed Someone (2:30)
          7. Sleep (2:45)
          8. Final Prayer (5:46)
          9. Come To Me (2:45)

          The Drift

          Ceiling Sky

            "Ceiling Sky" collects these previously rare, vinyl-only tracks onto CD for the first time. This includes the limited edition 12" singles "Streets" / "Nozomi" and (rmxs) - featuring remixes by Four Tet and Sybarite - as well as the two bonus tracks from the 2xLP vinyl edition of the "Noumena" album. In total this is an hour's worth of enchanting, haunting music that only a handful of people have had the pleasure to hear until now.


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