Search Results for:

S-TYPE

Stereo:type is keeping busy with a number of releases already lined up from the young and auspicious label. It is UK artist Risk Assessment that has been behind the first couple and is again back in action here with number three. This one kicks off with a slightly deeper disco cut that has a seductive vocal and rousing chords then 'Dreamz' is a nice blissed out roller with magical melodies bringing the richness. 'Someone Like You' is denied by the voice of the one and only Barry White - his buttery baritone riding over loop and funky drums and bass and 'Power' then brings a touch of house to close out.

TRACK LISTING

Jump
Dreamz
Someone Like You
Power

The fledgling Stereo:type label is back with a sizzling second release and it is the UK's Risk Assessment at the buttons. Once again here his sophomore vinyl outing is all about soul drenched and peak time disco cuts with plenty of passion and character. 'Welcome' has all the funky loops and neat keys you need to get you going, 'I Hear Music' is a real stomper with freaky guitar riffs and '5 O'Clock In The Morning' brings some big diva vocals and plenty of lush strings. Last of all is the steamy hot disco funker 'Disco Night' with its slick filter work and rich bass. Another delicious EP, then.

TRACK LISTING

Welcome
I Hear Music
5 O’Clock In The Morning
Disco Night

Stereo:type presents its first vinyl release from UK producer Risk Assessment, already known for notable releases on Glitterbox, No Fuss, Midnight Riot and Tinted to name but a few. With four original tracks all ploughing the rich furrow of 80s nu disco vibe that he's been championing of late, with 'Baby Call Me' a glitzy, glitterballl-teasing vocal track with a slice of Cameo-style funk thrown in for good measure leading the charge. 'Can You Dig It?' is loopier and more 'track'-orientated, essential DJ material, while the B-side boasts the filtered, soul-inflected house of 'Want You Back' and the glorious Barry White-esque tones of disco monster 'Dancin' In My Eyes'. Huge on all counts.

TRACK LISTING

Baby Call Me
Can You Dig It?
Want You Back
Dancin’ In My Eyes

Sex Swing

Type II

    Since their foundation in 2014, this malevolent rogues gallery of luminaries of the UK underground have consistently proven to be capable of projecting vibrations that transcend and usurp any idea of the sum of their component parts. It is true that they’ve clocked up notable experience sparking tinnitus with everyone from Mugstar and Bonnacons Of Doom (bassist Jason Stoll) to Dethscalator (vocalist Dan Chandler and drummer Stuart Bell) and from Earth (guitarist Jodie Cox, who also introduced keyboard player Ollie Knowles to the melee) to a dizzying variety of endeavours from the paint-stripping skronk of Dead Neanderthals to the righteous ire of Idles (all via saxophonist Colin Webster). Yet Sex Swing represents less a group of disparate musicians pooling their resources, and more a peculiar spark of collective chemistry, with all forces gravitating towards the pursuit of the same dissolute and mysterious goal.

    ‘Type II ’ is that goal reached in effortless style and amplified to intimidating aural vistas. This mighty monument of swagger and malice also sees fit to add a certain amount of glitter to the trademark grit this time around. Just as the artwork from long-term collaborator Alex Bunn boasts a luminous sheen absent from the unsettling abjection of the sleeve of their 2016 debut, so the rolling grooves and mantric hypnosis here boast a new-found structure and a feline sleekness fresh and unusual for this pugilistic outfit. Nonetheless, this remains a band fundamentally obsessed with the expression of decadence and wrongdoing through the mediums of repetition and overloaded frequencies.‘

    Type II ’ is more than the mere machinations of a rock band - it’s a howl of malfunction rendered terrifyingly visceral. It’s the lightning flash and unearthly roar of the primeval battle between Godzilla and Mechagodzilla that provokes awe and disquiet in the realm of fantasy, It’s the haunted clangour of the faullty air conditioning unit that lurks in the anonymous office building yet lends it eerie ambience. It’s man vs machine where discord becomes harmony, and it’s a fearsomely invigorating spectacle to behold.

    TRACK LISTING

    01. The Passover
    02. Skimmington Ride
    03. Valentine’s Day At The Gym
    04. Betting Shop
    05. Need Battery
    06. La Riconada
    07. Garden Of Eden / 2000 AD

    Mike Shiflet

    Sufferers

      Ohio-based noise upsetter Mike Shiflet has amassed an enviable amount of releases in the last decade. Tapes, vinyl, cdrs – you name it, he’s done it, but it’s taken until now for Shiflet to weld together what he regards as his defining work. The first in a series of two ‘proper’ albums, ‘Sufferers’ takes the listener to the very heart of Shiflet’s sound – through the abrasive noise heard on his early releases all the way to the shimmering ambience that made up his breakthrough album ‘Llanos’.

      A deeply patient and rewarding record, Shiflet uses his long-practiced skills to lay waste to a gaseous collection of source recordings, bringing a chattering, disturbing resonance to what sounds like whirring hospital equipment. It is always difficult to reframe US noise music without the punk, tape-destroyed aesthetic – but like Kevin Drumm before him Shiflet manages to push his sound into high fidelity effortlessly. Each frequency is picked meticulously for maximum effect, and trust me when I say that if you listen on headphones you are treated to an entirely different experience.
      Whether reducing the listener to an opium-fuelled coma on the shimmering ‘Axle Grease’, or treating us to the kind of intensity Fennesz last exhibited on ‘Endless Summer’ with ‘Blessed and Opressed’ there is a sense that Shiflet has an ineffable control over his plethora of techniques and ideas. A rare gem in a mire of half-hearted records, ‘Sufferers’ grabs you by the throat and doesn’t let go until the final creak. And this is only the beginning…

      TRACK LISTING

      1. (Sufferers)
      2. Sufferers
      3. Axle Grease
      4. Blessed And Oppressed
      5. No Sanctuary

      It is hard to believe that five years have passed since Sylvain Chauveau's last 'proper' album. Of course there have been re-issues peppering the years since 'Down To The Bone', as well as more than a few collaborations and soundtrack appearances, but Sylvain has purposefully waited to allow his ideas to come to fruition. On mentioning his new album a few years ago, Sylvain commented that he didn't think it would appeal to everyone and that he wanted to take a fresh direction. The Depeche Mode songs he had explored on "Down To The Bone" had given him ideas he felt he needed to explore, and "Singular Forms (Sometimes Repeated)" is his attempt at an album of 'songs'.

      In many ways, "Singular Forms (Sometimes Repeated)" is constructed the way albums used to be – it is compact and filled with vocal hooks and melodies, yet Sylvain has deconstructed the musical forms he grew up listening to and reduced them to their base level. Vocal snippets fall through the stereo field and his signature piano motifs splutter and cough through processed digital hiccups. As Carsten Nicolai and Ryuichi Sakamoto deconstructed classical music, Sylvain attempts here to study and dissolve the roots of popular music. Each piece feels like it could have started as a three-minute pop sing-along before the accompaniments were stripped away and the component parts reduced to merely a backbone.

      "Singular Forms (Sometimes Repeated)" is a daring and challenging listening experience. The widescreen theatrics of Sylvain's previous work have all but disappeared, leaving an album that is stark and incredibly beautiful. It is an album rooted in a love of art and music, both minimal and mainstream and celebrates Sylvain's influences. One listen might
      only reveal surface details, but listen again and you will find much, much more.

      N-Type

      Dark Matter / HP Sauce

      Following the all-area smasher "Pinball" and super classy "EchoLow" Black Acre orphanage for sonic outsiders welcomes a true pioneer in the form of legendary DJ N-Type. "Dark Matter" is a departure from the DNA scrambling rippers we've come to expect without sacrificing any of N-Type's trademarked impact. Here he gets all Edgar Alan Poe on the beat as etheric winds slice into the sub and our nocturnal narrator depicts ghostly happenings. The heavyweight bruiser kick / snare tag team anchor the impossibly subtle midrange growl as bongolian tribalist procussion keeps the riddim rolling. Sprinkle some arpeggiated synthetic angel dust over the mix and you've got an original take on a well-practiced classic form. On the flip we unearth the long requested often speculated over "HP Sauce". This long awaited lost dub reeks of the sheer rudeness that kicked off modern dub music, lazer bass rips deep wounds into the rugged halfstep riddim and ultra low-end dabbling squeezes oxygen outta the dance. DJ support from Hatcha, Caspa, Walsh and Mary Anne Hobbs.


      Latest Pre-Sales

      159 NEW ITEMS

      E-newsletter —
      Sign up
      Back to top