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Mike Shiflet

Sufferers

    Ohio-based noise upsetter Mike Shiflet has amassed an enviable amount of releases in the last decade. Tapes, vinyl, cdrs – you name it, he’s done it, but it’s taken until now for Shiflet to weld together what he regards as his defining work. The first in a series of two ‘proper’ albums, ‘Sufferers’ takes the listener to the very heart of Shiflet’s sound – through the abrasive noise heard on his early releases all the way to the shimmering ambience that made up his breakthrough album ‘Llanos’.

    A deeply patient and rewarding record, Shiflet uses his long-practiced skills to lay waste to a gaseous collection of source recordings, bringing a chattering, disturbing resonance to what sounds like whirring hospital equipment. It is always difficult to reframe US noise music without the punk, tape-destroyed aesthetic – but like Kevin Drumm before him Shiflet manages to push his sound into high fidelity effortlessly. Each frequency is picked meticulously for maximum effect, and trust me when I say that if you listen on headphones you are treated to an entirely different experience.
    Whether reducing the listener to an opium-fuelled coma on the shimmering ‘Axle Grease’, or treating us to the kind of intensity Fennesz last exhibited on ‘Endless Summer’ with ‘Blessed and Opressed’ there is a sense that Shiflet has an ineffable control over his plethora of techniques and ideas. A rare gem in a mire of half-hearted records, ‘Sufferers’ grabs you by the throat and doesn’t let go until the final creak. And this is only the beginning…

    TRACK LISTING

    1. (Sufferers)
    2. Sufferers
    3. Axle Grease
    4. Blessed And Oppressed
    5. No Sanctuary

    It is hard to believe that five years have passed since Sylvain Chauveau's last 'proper' album. Of course there have been re-issues peppering the years since 'Down To The Bone', as well as more than a few collaborations and soundtrack appearances, but Sylvain has purposefully waited to allow his ideas to come to fruition. On mentioning his new album a few years ago, Sylvain commented that he didn't think it would appeal to everyone and that he wanted to take a fresh direction. The Depeche Mode songs he had explored on "Down To The Bone" had given him ideas he felt he needed to explore, and "Singular Forms (Sometimes Repeated)" is his attempt at an album of 'songs'.

    In many ways, "Singular Forms (Sometimes Repeated)" is constructed the way albums used to be – it is compact and filled with vocal hooks and melodies, yet Sylvain has deconstructed the musical forms he grew up listening to and reduced them to their base level. Vocal snippets fall through the stereo field and his signature piano motifs splutter and cough through processed digital hiccups. As Carsten Nicolai and Ryuichi Sakamoto deconstructed classical music, Sylvain attempts here to study and dissolve the roots of popular music. Each piece feels like it could have started as a three-minute pop sing-along before the accompaniments were stripped away and the component parts reduced to merely a backbone.

    "Singular Forms (Sometimes Repeated)" is a daring and challenging listening experience. The widescreen theatrics of Sylvain's previous work have all but disappeared, leaving an album that is stark and incredibly beautiful. It is an album rooted in a love of art and music, both minimal and mainstream and celebrates Sylvain's influences. One listen might
    only reveal surface details, but listen again and you will find much, much more.


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