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Green Day

Insomniac

    Do you remember when Green Day were young and loud and took meth rather than all-in-one vitamin suppliments? I do, and it was a great time. Following on from their breakout 1994 LP, 'Dookie' was never going to be easy, having amassed a ton of new fans and lost a few that didn't like their new, clean-cut major label outlook (it's just a bit of compression guys, give it a rest), 1995's 'Insomniac' was possibly not quite what people expected. 

    Expectations or not though, Insomniac couldn't be any more representative of a band launched to the limelight, with their sound maintaining it's unique bass-heavy sound but the snarling world-weary subject matters taking forefront. 'Geek Stink Breath' for example screaming about the downsides of methamphetamine use, much like Insomniac's arguable standout 'Brain Stew' (fun fact : the MASSIVE hit 'Time Of Your Life' from follow-up 'Nimrod' was in fact a B-side to a brain-shaped CD single that included Brain Stew, Jaded and a stripped-back acoustic strummed affair then titled just 'Good Riddance') 

    It's an absolutely stunning LP, and a perfect, darker flipside to Dookie's naive snarling youth.  

    STAFF COMMENTS

    Barry says: I know, I know, everyone prefers 'Dookie' but it just didn't have the wide-ranging breadth of sounds we get on 'Insomniac'. It's undeniably cleaner, but with changes in rhythm and drive, and it's more introspective moments it's a different pace, and a clear sign of their more nuanced sound.

    TRACK LISTING

    1. Armatage Shanks 2:16
    2. Brat 1:43
    3. Stuck With Me 2:15
    4. Geek Stink Breath 2:15
    5. No Pride 2:19
    6. Bab's Uvula Who? 2:08
    7. 86 2:47
    8. Panic Song 3:35
    9. Stuart And The Ave. 2:03
    10. Brain Stew 3:12
    11. Jaded 1:30
    12. Westbound Sign 2:13
    13. Tight Wad Hill 2:01
    14. Walking Contradiction 2:31

    Green Day

    Dookie

      There's no way of denying (though most of my colleagues may try and say otherwise) that Dookie was one of the most seminal albums of the 90's. From the manic drum fill before the roaring snot-nosed fury of 'Burnout', it's clear that we're on to something pretty special.

      From the reinvigorated canonical gloom of 'Welcome To Paradise' (first heard on 1991's 'Kerplunk') and the unmistakeable catchy delights of 'Basket Case' (arguably their biggest hit before the folk-tinged noughties output). We get moments of pained teen relationship woes in the dynamic but longing ('She', 'Coming Clean')  and rhythmic, poppy micro-breakdowns that epitomise the short-form 4-chord delights that Green Day have become so synonymous with. 

      It's a nostalgic, but thoroughly enjoyable journey, filled with moments of pure pop-punk perfection and holds up jast as well today as it ever did. 


      STAFF COMMENTS

      Barry says: This was, undoubtedly the sound of my teenage years and i'm delighted that I can finally play it in the shop (depending on who's in). 'Welcome To Paradise', 'She' 'When I Come Around' and 'Basket Case' all absolute classics, and that is by no means an exhaustive list. There's not a bad tune on here.

      TRACK LISTING

      1 Burnout 2:07
      2 Having A Blast 2:44
      3 Chump 2:54
      4 Longview 3:59
      5 Welcome To Paradise 3:44
      6 Pulling Teeth 2:30
      7 Basket Case 3:03
      8 She 2:14
      9 Sassafras Roots 2:37
      10 When I Come Around 2:58
      11 Coming Clean 1:34
      12 Emenius Sleepus 1:43
      13 In The End 1:46
      14.1 F.O.D. 4:08

      Neil Young + Promise Of The Real

      The Monsanto Years

        Neil Young + Promise of the Real have joined forces and will release a new studio album, entitled The Monsanto Years, via Reprise Records. For this guitar-centric, full steam-ahead and highly-charged ecologically / environmentally-focused rock album, Young is joined by Promise of the Real, an LA-based rock band fronted by Lukas Nelson (vocals/guitar), along with Micah Nelson (guitar, vocals), Anthony Logerfo (drums), Corey McCormick (bass) and Tato Melgar (percussion). They have performed with their father, Willie Nelson and Young on previous occasions. For the first time, they have recorded and will now tour together under the banner of the Rebel Content Tour.

        TRACK LISTING

        1. A New Day For Love
        2. Wolf Moon
        3. People Want To Hear About Love
        4. Big Box
        5. A Rock Star Bucks A Coffee Shop
        6. Workin' Man
        7. Rules Of Change
        8. Monsanto Years
        9. If I Don't Know

        Neil Young & Crazy Horse

        Zuma

          "Having apparently exorcised his demons by releasing the cathartic Tonight's the Night, Neil Young returned to his commercial strengths with Zuma (named after Zuma Beach in Los Angeles, where he now owned a house). Seven of the album's nine songs were recorded with the reunited Crazy Horse, in which rhythm guitarist Frank Sampedro had replaced the late Danny Whitten, but there were also nods to other popular Young styles in "Pardon My Heart," an acoustic song that would have fit on Harvest, his most popular album, and "Through My Sails," retrieved from one of Crosby, Stills, Nash & Young's abortive recording sessions. Young had abandoned the ragged, first-take approach of his previous three albums, but Crazy Horse would never be a polished act, and the music had a lively sound well-suited to the songs, which were some of the most melodic, pop-oriented tunes Young had crafted in years, though they were played with an electric-guitar-drenched rock intensity. The overall theme concerned romantic conflict, with lyrics that lamented lost love and sometimes longed for a return ("Pardon My Heart" even found Young singing, "I don't believe this song"), though the overall conclusion, notably in such catchy songs as "Don't Cry No Tears" and "Lookin' for a Love," was to move on to the next relationship. But the album's standout track (apparently the only holdover from an early intention to present songs with historical subjects) was the seven-and-a-half-minute epic "Cortez the Killer," a commentary on the Spanish conqueror of Latin America that served as a platform for Young's most extensive guitar soloing since his work on Everybody Knows This Is Nowhere." - AllMusic.


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