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Manuel Göttsching

E2-E4

In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary "E2-E4", from 12.12.1981 gets an official rerelease by Manuel Göttsching on his own Label MG.ART... Carefully overseen by the Master himself.

One of the few records Gottsching released under his own name, "E2-E4" has earned its place as one of the most important, influential electronic records ever released. What sets it apart from music that came before is a steadfast refusal to follow the popular notions of development in melody and harmony. Instead, "E2-E4" continues working through similar territory for close to an hour with an application to trance-state electronics missing from most of the music that preceded it. Though the various components repeat themselves incessantly, it's how they interact and build that determines the sound -- and that's the essence of most electronic dance music, that complex interplay between several repetitive elements. 


STAFF COMMENTS

Patrick says: On the evening of December 12th, 1981, Manuel Göttsching took to his home studio, hit record and jammed his way through one hour of flawless electronic composition. Minimalist yet expressive, this hypnotic arrangement of circular drum programs, overlapping sequences and dreamy pads completely envelops the listener in pure transcendental beauty. Evolving at its own pace, the piece drifts through a series of mesmeric motifs before bursting into widescreen brilliance at the avian flutter of Manuel’s warm and bright guitar. Recorded live to tape with no overdubs, ‘E2-E4’ is a stunning marriage of inspiration and expression, truly perfect.

TRACK LISTING

Ruhige Nervosität 13:00
Gemäßigter Aufbruch 10:00
... Und Mittelspiel 07:00
Ansatz 06:00
Damen-Eleganza 05:00
Ehrenvoller Kampf 03:00
Hoheit Weicht (nicht Ohne Schwung...) 09:00
... Und Souveränität 03:00
Remis 03:00

Manuel Göttsching

Inventions For Electric Guitar

Herr Göttsching goes it alone on this 1974 release, for Ash Ra's most groundbreaking work thus far... Using just guitar, echo and a four-track, he creates three shimmering, immersive cosmic guitar soundscapes that'll suck you right in!!! Almost sounds like a synthesiser record until right at the end when he cuts the echo and lets rip! Get your headphones on and BUG OUT.

Ash Ra Tempel

Schwingungen

    Recorded and released in 1972, this album doesn't feature Klaus Schulze (who was away at the time recording his "Irrlicht" solo album). Despite that, this is an awesome krautrock freakout album pre-dating bands such as PIL by many years. An absolute classic!!!

    Ash Ra Tempel & Timothy Leary

    Seven Up

      "Seven Up, Ash Ra Tempel's third album is often very misunderstood by fans of their music. It's a real odd one to say the least, and if you're familiar with such albums as their 1971 debut, Join Inn (1973), or Inventions For Electric Guitar (1975, actually a Manuel Göttsching solo album) this one is quite a shock indeed. By this point, trying to figure out who was in the group has became pretty pointless. Guitarist Manuel Göttsching and bassist Hartmut Enke are still here, with tons of different vocalists, and ex-Tangerine Dream organist Steve Schroyder (he played on Alpha Centauri and guested on Zeit).

      The album starts off with "Space". It's a suite divided in to four movements. It starts off with "Downtown", which doesn't sound too encouraging. It sounds like downright generic blues sung by a female vocalist, but never let that deceive you. You quickly face some truly mind blowing spacy electronic effects and noise that never lets up! It's pretty much the same throughout, although three more blues songs will follow, but as always, the blues songs never last because it sounds like the band was just so stoned at the time, they'd rather blow people's mind. I can sense quite a bit of irony in the way the band played those blues numbers.

      Thanks to the presence of Timothy Leary (who was in exile in neighboring Switzerland), it's no surprise that this music is the effects of an LSD trip. The second half of the album is taken up by a three movement suite called "Time". Here's where detractors of the album finds its redeeming qualities, as this is very much like like Alpha Centauri-era Tangerine Dream. The last movement of "Time" is "She" which is basically a re-recording of "Suche & Liebe" off Ash Ra Tempel's 1972 album Schwingungen. This is a wonderful, and underrated album, which if you approach with an open-mind you'll probably enjoy it."

      Ash Ra Tempel

      Ash Ra Tempel

        Originally released in 1971, and featuring the line up of Hartmut Enke (bass & electronics), Klaus Schulze (drums & electronics) and Manuel Gottsching (guitar & electronics). A legendary krautrock trip of an album, this is utterly essential!!

        Ash Ra Tempel

        Join Inn

          Ash Ra's fourth LP (1972) was an impromptu three piece jam with Klaus Schulze back on drums and synth, apparently recorded while the guys where waiting for everyone else to turn up and record the "Tarot" album. Side A's "Freak And Roll" is a 20-minute cosmic blues wah-wah wig-out, while the B-side "Jenseits" is a deeeep, dreamy, synthy moodscape with Manuel's girlfriend Rosi talking about taking acid with Timothy Leary...!


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