“One of the most compelling and complex releases of Lee ‘Scratch’ Perry’s post-Black Ark canon, Mercy is the fruit of a long and complex working process that has yielded exceptional results. Spearheaded by the maverick artist and musical outlier Peter Harris with Fritz Catlin, the drumming co-founder of industrial funk dub act, 23 Skidoo, Mercy’s experimental sonic occupies its own space.” David Katz (People Funny Boy: The Genius of Lee “Scratch” Perry).

“I always saw Lee as a performance artist rather than a musician in the traditional sense, so this conceptual backing feels like a more accurate setting for his stream of conscious performance art,” Peter Harris explained. “There is an attention to Lee’s history here too, something that elevates the musical collage with the echoes informed by albums like Super Ape where earlier tracks were recorded over again. In ‘Big Fish,’ the lyrics pay homage to Bob Marley’s ‘Small Axe’ and the tune references Perry’s version of ‘Sugar Sugar,’ which he recorded with the Silvertones.

Although the structure might seem chaotic, the songs were crafted over a long period of time and the approach was the same as making a painting, where foundations are worked on then painted over and over until it is full wrested.” Nathan Saoudi (founder Dash The Henge/Fat White Family) boils it down. “It’s kind of quintessential outsider music - I can’t explain what they are doing, but they have a why, and that’s enough. That’s why I needed to get involved.”

TRACK LISTING

1 Whale:Fisherman
2 This Is Hell
3 Tiny Victory
4 Promised Land
5 Big Fish
6 Devilish
7 Clutch
8 Reggae Poison 

The record you have in your hands is the sound of dreams fulfilled, dashed, then fulfilled again. Candy McKenzie, a young singer from North West London, had endured a hard life before she flew to Jamaica in pursuit of a dream that she didn’t fully understand. Candy McKenzie was a young talent in need of an experienced producer. Who better than Lee Perry, who had created international hits for another raw female talent, Susan Cadogan, not to mention his brilliant work with Max Romeo, Junior Murvin and the Heptones? All the magic of Perry’s classics are here. Candy sadly passed away in 2003, and it might appear she was an unfulfilled talent, but she and Lee Perry left us this beautiful hidden gem of an album.

TRACK LISTING

Side A
1. Disco Fits
2. Someone To Love Me
3. Breakfast In Bed
4. Walking In The Sun
5. Jah Knows

Side B
1. Ice Cream
2. Sky At Night
3. Keep Him Strong
4. Tell Me A Lie
5. When The Big Day

The End Of An American Dream is the 2007 album by Lee "Scratch" Perry (born Rainford Hugh Perry), who was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and the use of studio effects to create new instrumental or vocal versions of existing tracks. From his Black Ark Studio in Kingston Jamaica, he worked with and produced a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, Susan Cadogan, The Congos, and Max Romeo.

Later, he moved to Switzerland and reinvented himself as a performance and visual artist but continued to produce innovative music – collaborations include The Beastie Boys, The Clash, Keith Richards, George Clinton, and Adrian Sherwood. The End Of An American Dream Scratch is the first in a series of three albums he made with English musician and producer Steve Marshall a.k.a. John Saxon and will be available for the very first time on vinyl.

TRACK LISTING

Side A
1. Disarm
2. Are You Ready?
3. The End Of An American Dream
4. One God Rain

Side B
1. So Be It
2. I Will Be There
3. I Am The God Of Fire
4. The Lord’s Prayer
5. I Am New Yorker

Side C
1. Teddy Bear
2. Hallo Jamaica
3. Shazam

Side D
1. Memories
2. Vooba Skooba
3. Cats Bats Rats
4. Disco Cats

This is the first time ever these two complementary, Lee Perry produced tracks have been released together. The A side is the first ever reissue of the gorgeous Sinner Man by Annette Clarke. This rare track was initially released as the B side of Just One Look on the Technics label in the UK only in 1973. The B side, Sinner Man Dub, is a very rare Lee Perry Dub version of the A side. It was released only once as a single for a Lee Perry box of 8 very rare singles by Trojan in 2005.

TRACK LISTING

Annette Clarke - Sinner Man
Lee Perry - Sinner Man Dub

We speak about the architect of dub in the present tense because the mystery and magic of his energy continues to surround us. It lives through an unbreakable legacy that has revolutionised music; a legacy originating from one of the most significant music creators of the last 100 years.

Without doubt, Lee 'Scratch' Perry is an orphic channeller, a superhero, a Black Ark Magician; he's an oracle and a cosmic channeller projecting a fountain of disconnected oracular statements and streams of consciousness. He bedazzles and discombobulates; cackling at his own riddles; speaking from another realm. It reveals his inner anarchist in duality with an eccentricity laced with boundless humour. 'Spaceship To Mars', released via Creation Youth Records, epitomises the spirit of Lee 'Scratch' Perry and how it lives through those of us who are obsessives of this mystery of a man - and who's discography continues to be contested to this day. He is said to have made something in the region of 2,000 albums. This album though, is one he started with Youth in the third dimension - and oversaw to completion from an unquantifiable one. Each artist featured is as fervent about Scratch and his works as the next. The original backing tracks infused with his incantations are sprinkled with the vocals of these lyricists; creating a sublime tapestry harking back to 70s Scratch. The psychic rapport is evident. Youth calls it 'Voodoo magic meets raiders of the lost ark.' It sums up the cosmic coming together of an album that's been a good seven years in the making. With the energy of his voice, he turns a grainy black and white world into colour. And the artists on this album - Carroll Thompson, Blue Pearl, Zoe Devlin, RDF, Boy George, Hollie Cook - evidently feel this as lyricists and song writers in their own right who have synchronised so effortlessly with the sounds of Scratch. The day we met him in 2017 after he played Guilford's Boiler Room venue, is the day we realised that anything is possible. The stairs going up to the backstage area were rammed with people trying to get a look in. We had to fight to get through then asked to wait. His tiny form was larger than life as he walked into the private room with open arms and a beaming smile. Nobody knew what would happen next or where the conversation would go. Youth remained composed, steering the conversation with fluidity. Taking the lead from Scratch, we found ourselves traversing a spontaneous discussion about sex and spirituality, art and astrology. Mid-conversation, Scratch pulls three cards from an Egyptian tarot pack, seemingly, from thin air: Ma'at - the Goddess of Truth, Osiris - God of the Afterlife and Isis - Goddess of Healing and Magic. Powerful cards with profound meanings that resonate with our reality now as much as they did back then. An urban shaman, his ritualised rejection of consumerist state-controlled power; witnessed when he burnt down the Black Ark Studio. A new incarnation of it is in the works, thanks to his love, Mirielle - a studio that will see younger generations evolve new sounds into the future - sounds through which Scratch will continue to live. He once wrote a letter to the Japanese Minister of Justice on the behalf of Paul McCartney explaining the benefits of Collie Weed. And why not? Midway through his conversation with Youth, he asks for a hug and we get into conversations about birthdays, families and star signs - revealing a humorous, gentle and funny soul. On stage, he plays with the elements by making circles. 'Fire and water,' he confirms; then begins to scratch his head of bright red hair. 'Here, look my hair. My hair's funny."'There is meaning to be found. 'I'm a fish trying to look like a human being,' he tells us. And he has advice for new generations of musicians. On these sleeve notes, we will leave you with this: 'You should wake up early and look into the sun, but not too long, 'cos the sun a ball of fire and it burn out your eye. But love the sun because without the sun you'll be too cold. You'll be freeze if you don't have any heat. And don't eat no more meat and eat no more beef and stop eat fish. And then you become immortal.' Words by Anu Sharma

TRACK LISTING

Butterfly Sky
Love Is War
Love Sunshine Peace
The Lizard
Dr Love
Iron Shirt
Spaceship To Mars
Bulldozer Dub
In The Sunshine
Butterfly Sky (Dub Mix)
Love Is War (Dub Mix)
Love Sunshine Peace (Dub Mix)
The Lizard (Dub Mix)
Dr Love Revelation Dub
Iron Shirt (Dub Mix)
Spaceship To Mars (Dub Mix)
Bulldozer (Dubsetter Mix)
Lessons In Dub

We speak about the architect of dub in the present tense because the mystery and magic of his energy continues to surround us. It lives through an unbreakable legacy that has revolutionised music; a legacy originating from one of the most significant music creators of the last 100 years.

This limited edition 7" features two tracks from Lee 'Scratch' Perry's superb collaborative album with Youth, Spaceship To Mars - Butterfly Sky (ft. Hollie Cook) and Love Is War Dub.

TRACK LISTING

Side A: Butterfly Sky (ft. Hollie Cook) (4:52)
Side B: Love Is War Dub (ft. Abby Addams) (4:51)

Revelation is the 2010 album by dub pioneer Lee “Scratch” Perry (born Rainford Hugh Perry). From his Jamaican based Black Ark Studio, he created some pivotal works by producing new instrumental or vocal versions of existing tracks. Later, he moved to Switzerland, where he reinvented himself as a performance and visual artist and collaborated with artists such as The Beastie Boys, The Clash, and Adrian Sherwood among others. For his album Revelation, he collaborated with Keith Richards and George Clinton. The album is the last in a series of three albums he made with English musician and producer Steve Marshall a.k.a. John Saxon. The album is accompanied by the full-length film The Revelation of Lee “Scratch” Perry, which looks behind the scenes of the recording sessions and features an in-depth interview with the great man.

TRACK LISTING

Side A
1. Revelation Revolution And Evolution
2. Used To Drive A Tractor In Negril
3. Money Come And Money Go

Side B
1. Fire Power
2. Run For Cover
3. Books Of Moses

Side C
1. Let There Be Light
2. Holy Angels
3. Weatherman

Side D
1. Scary Politicians
2. An Eye For An Eye
3. Freaky Michael
4. Psalm

Lee “Scratch” Perry's posthumous masterpiece Destiny, crafted alongside Bob Riddim, is a transcendent journey through reggae's legacy and future. With Evie Pukupoo's soulful echoes, Kabaka Pyramid's revolutionary lyricism, and Xana Romeo's neo-roots infusion, the album marries iconic traditions with reggae’s modern sound and voices. Highlights also include a collaborative showcase of the next-generation reggae wave with Blvk H3ro, Leno Banton, and Wayne J on "Ring Pon My Finger", and a nod to dub royalty with Addis Pablo's melodica on "Infinity” (Dub). Scheduled for a September 8th global launch via Delicious Vinyl Island, Destiny stands as a testament to Perry's indelible influence on the Jamaican and global music soundscape.

TRACK LISTING

1. I Am - Lee "Scratch" Perry X Bob Riddim
2. Destiny - Lee "Scratch" Perry X Bob Riddim X Evie Pukupoo
3. Black - Lee "Scratch" Perry X Bob Riddim X Kabaka Pyramid
4. Space Echo - Lee "Scratch" Perry X Bob Riddim
5. Police And Thieves - Lee "Scratch" Perry X Bob Riddim X Xana Romeo
6. Ring Pon My Finger - Lee "Scratch" Perry X Bob Riddim X Blvk H3ro X Leno Banton X Wayne J
7. Infinity - Lee "Scratch" Perry X Bob Riddim X Yaadcore
8. Infinity (Dub) - Lee "Scratch" Perry X Bob Riddim X Addis Pablo
9. Destiny (Dub) - Lee "Scratch" Perry X Bob Riddim X Evie Pukupoo

Mr Lee Perry who in no uncertain terms defines the words musical genius, recorded some of the most inspiring, soulful, funny and weird / wild reggae music ever put down on tape. Working through all the manifestations of reggae from Ska to Roots and Dub, where his ground breaking 1973 ‘Blackboard Jungle’ LP, set the standards, he was an innovator. If this was not enough his recordings of THE WAILERS, many believe to be their finest work. Born Rainford Hugh Perry, 28 March 1936, Hanover, Jamaica. He began his career at the grand age of 16, working for Clement ‘Coxone’ Dodd’s sound system, rising quickly to the position of record scout and organising recording sessions during his 3 year period 1963-1966. Restlessness and unsatisfied with credit he felt due to him he moved on to work with Producers J.J. Johnson and Clancy Eccles, the later of which would help him set up his ‘Upsetter’ label in 1968,which would see his first of many recordings telling the injustices done to him by previous employees. ‘The Upsetter’ track itself pointed at Mr Dodd but reflected back to Perry when he inherited it as a nick name along side many others during the coarse of his career, including ‘Scratch’, again taken from one of his recordings ‘Chicken Scratch’ recorded in 1965/1966. Perry’s work in 1968 with producer Joe Gibbs was fruitful and resulted in many successfulreleases, but again lack of credit and itchy feet, it was time to move on. But not without leaving his trademark recording summing up his feelings at the time ‘People Funny Boy’ this time aimed at Mr Gibbs. Still not having a studio of his own, Perry recorded at the various Kingston establishments of the time, Randy’s Studio 17 on North Parade, Dynamics on Bell Road and Harry J’s on Roosevelt Avenue where the bulk of the aforementioned recordings with The Wailers were carried out. During this time and the years that followed Perry has built up a vast catalogue of backing tracks / instrumentals, he had cut over a 100 releases on his ‘Upsetter’ label alone. A library of music that he has an uncanny knack of reutilising to work into something new when put against a new song / singer. This collection of rare and unreleased dubs stems from his 1971-1974 period. We can here on tracks like ‘Perry’s Jump Up’ Ska-ish up tempo chopping guitar cuts leading through to organ laden tracks like ‘Roots Rock Dub’. The sound moving to a slowed down rhythm on ‘Perry in Dub’ which would predominate his sound, when in mid 1974 he’d open his own studio at his home in the Washington Gardens district of Kingston. We hope this selection of lost treasures will add to the jigsaw that makes Mr Perry’s output now spanning over 5 decades so remarkable.

RESPECT.... JAH FLOYD.

TRACK LISTING

1 Perry In Dub
2 Three Blind Dub
3 Perry’s Rub -A- Dub
4 Perry’s Jump Up
5 Dub With Feeling
6 After Beat Dub
7 Problem With Dub
8 Roots Rock Dub
9 Good Will Dub
10 Skanking With Lee Perry
11 John Crow Skank
12 Kotch Up Dub
13 Funky Dub*
14 One Drop Rockers*
*CD Bonus Tracks

Record producer, composer, singer, and pioneer of the dub music genre Lee Scratch Perry passed away in August 2021. His influence over popular music since the 1970s is hugely significant, with artists including Bob Marley & The Wailers, The Clash, Beastie Boys, Max Romeo, Junior Murvin and The Orb all enriched by Perry’s legendary touch, innovative studio techniques and production style.

Conceived, written and recorded during the COVID pandemic, ‘King Perry’ was produced by Daniel Boyle, and features guest performances from Greentea Peng, Shaun Ryder, Tricky, Marta, Rose Waite and Fifi Rong. Two tracks were also co-produced with Tricky, who releases Perry’s last recorded performances on his False Idols label.

Over a career spanning six decades, Lee Scratch Perry left the music world with a huge catalogue of albums, productions and appearances that cannot be underestimated. Releases for Island Records, Trojan, Adrian Sherwood’s On-U Sound, Mad Professor’s Ariwa...the list goes on. It was in 2014 that Perry teamed up with UK producer Daniel Boyle, and from this collaboration came the Grammy nominated album ‘Back At The Controls’ and was followed up five years later with the ‘Black Album’.

The ‘King Perry’ album was born out of a request from Perry that he “wanted to do something new, something different but still with a dub framework”. And so, armed with influences as diverse as synthwave, big beat, drum & bass and electronica, Boyle and Perry traded ideas, beats and lyrics in a project that continued to grow as its various guest performers were added, resulting in a kaleidoscopic and engaging melting pot of rhythms, melodies, and voices. Poignantly, closing track ‘Goodbye’ was Perry’s last ever recorded vocal performance.

TRACK LISTING

1. 100lbs Of Summer (feat. Greentea Peng)
2. Evil Generation
3. Midnight Blues (feat. Fifi Rong)
4. King Of The Animals
5. Green Banana (feat. Shaun Ryder)
6. Jesus Life
7. I Am A Dubby (feat. Marta)
8. No Illusion
9. The Person I Am (feat. Rose Waite)
10. Jah People In Blue Sky (feat. Greentea Peng)
11. Future Of My Music (feat. Tricky & Marta)
12. Goodbye

Dub versions of the songs "Shining Dub" and"Shut Up Dub" from the new Lee "Scratch" Perry Album 'Heaven', recorded and mixed at "Secret Lab's studio" by Olivier Gangloff assisted by Romain Gangloff Voices recorded by Olivier Gangloff at "Studio God LSP".

Promotion across social media platforms. Advertising in, Echoes, Record Collector Magazine and Riddim.

TRACK LISTING

1. Shining Dub
2. Shut Up Dub

Battle Of Armagideon is one of the essential albums by Lee 'Scratch' Perry & The Upsetters. Perry's technique as a mixer and producer will get to you in many ways. “I'm a Madman” is the best-known album track, wherein Perry acknowledged his lunatic persona. The Spin Alternative Record Guide deemed the album Perry's best of the 1980s. Lee 'Scratch' Perry was a pioneer in dub music and worked together with artists such as Bob Marley and the Wailers, The Clash and The Beastie Boys.

TRACK LISTING

Side A
1. Introducing Myself
2. Drum Song
3. Grooving
4. All Things Are Possible
5. Show Me That River
6. Time Marches On (In/Out Mix)

Side B
1. I Am A Madman
2. The Joker
3. Happy Birthday
4. Sexy Lady
5. Time Marches On

This classic album from 1973 saw its creator, Lee 'Scratch' Perry exploring synths and starting to develop his Black Ark sound - the enigmatic producer was at the time in the process of building his famous studio and honing his ideas about dub as a musical form.

The LP opens with the eerie “Kentucky Skank”, Perry's ode to KFC, complete with frying chicken sounds, spliced between winding tapes, a ghostly trumpet, and futuristic moog synthesizer, overdubbed at London's Chalk Farm studios.

U Roy's “Double Six” and I Roy's “High Fashion” & “Hail Stones” illustrate just how strong The Upsetter's deejay material had become, while versions of the Chi-Lites' “We Are Neighbours”, Sam & Dave's “Soul Man” and a re-working of Al Green's “Love and Happiness” (retitled “Jungle Lion”) all betray the funky soul influence that was increasingly shaping his work.

The backing tracks illustrate the producer at his best; the audio spectrum is fully differentiated while spatial placement an important component - something it would take years for him to achieve at the Black Ark.

TRACK LISTING

Side A
1. Kentucky Skank - The Upsetters
2. Double Six - U Roy
3. Just Enough To Keep Me Hanging On - David Isaacs
4. In The Iaah - The Upsetters
5. Jungle Lion - The Upsetters
6. We Are The Neighbours - David Isaacs

Side B
1. Soul Man - The Upsetters
2. Stick Together - U Roy
3. High Fashion - U Roy
4. Long Sentence - The Upsetters
5. Hail Stones - The Upsetters
6. Ironside - The Upsetters
7. Cold Weather - The Upsetters
8. Waap You Waa - The Upsetters

The original Jamaican extra-terrestrial marked a return to the power of Lee “Scratch” Perry’s most spaced-out work. On Jamaican E.T., Perry created a contemporary and challenging set by applying his psychedelic dub to roots reggae, modern reggae, Hip-hop, and dazed, otherworldly exotica. The riddims are groovy, but Perry’s greatest strength has always been his mixology. On this album, instead of his usual dub mixes full of insane rhythmic effects, Perry utilizes the voice as his primary instrument of dub: laid-back toasting, singing, mumbling, and gospel backups come in and out, crisscrossing and swirling, truly setting a new mark. In 2003 it won the Grammy award for Best Reggae Album.

TRACK LISTING

Side A
1. 10 Commandments
2. I'll Take You There
3. Message From The Black Ark Studios
4. Holyness, Righteousness, Light

Side B
1. Babylon Fall
2. Mr. Dino Koosh Rock
3. Hip Hop Reggae
4. Evil Brain Rejector

Side C
1. Jah Rastafari, Jungle Safari
2. Love Sunshine, Blue Sky
3. Clear The Way
4. Congratulations

Side D
1. Shocks Of Mighty
2. Jamaican E.T.
3. Telepathic Jah A Rize

Arguably the greatest Jamaican record producer of all time, Lee ‘Scratch’ Perry was instrumental in transforming the island’s national sound throughout the Sixties and Seventies, with his unique approach to music making pushing the music beyond previously perceived boundaries.

To mark the first anniversary of his passing, the very best of his work is showcased across a number of products, all of which effectively demonstrate why Perry was widely venerated figure for so long..

STAFF COMMENTS

Matt says: Where to begin? If you need educating on one of the most important, revolutionary and innovative artists ever to have walked the Earth, then this is a great place to start. Credited as the forefather of dub - Perry's influence stretches far wider than Jamaica with much of dance music's techniques and technologies emerging and evolving from this maverick sound sorcerer.

TRACK LISTING

Box Set Track List
LP1, Side 1
1. People Funny Boy - Lee ‘Scratch’ Perry
2. Tighten Up - The Inspirations
3. Return Of Django - The Upsetters
4. Shocks Of Mighty – Dave Barker & The Upsetters
5. Place Called Africa Aka A Place Called Africa - Junior Byles
6. All Africans Aka Don’t Cross The Nation (7” Mix) – Little Roy
7. Beat Down Babylon - Junior Byles
LP1, Side 2
1. Words Of My Mouth - The Gatherers
2. Hot Tip - Prince Django
3. Jungle Lion (7” Mix) – Lee Perry & The Upsetters
4. Curly Locks - Junior Byles
5. Hurt So Good (7” Mix) - Susan Cadogan
6. Bushweed Corntrash –Bunny & Ricky
LP2, Side 1
1. Three Blind Mice – Max Romeo
2. Three Times Three - King Tubby & The Upsetters
3. Sufferers Time – The Heptones
4. Sufferers Heights – Junior Dread
5. Roast Fish And Corn Bread (Jamaican Mix) – Lee ‘Scratch’ Perry
6. Sipple Out Deh Aka War In A Babylon (Jamaican Mix) – Max Romeo
LP2, Side 2
1. One Step Forward (12" Mix) – Max Romeo & Prince Jazzbo
2. Rise And Shine —Watty & Tony
3. Police And Thieves (12” Mix) – Junior Murvin & Jah Lion
LP3, Side 1
1. Ethiopia Land – Peter & Paul Lewis
2. Chase The Devil / Disco Devil – Max Romeo & Lee ‘Scratch’ Perry With The Full Experience
3. City Too Hot (7” Mix)- Lee ‘Scratch’ Perry
4. Vibrate Onn (12” Mix) – Augustus Pablo
LP3, Side 2. Side 2
1. Rainy Night In Portland (12" Mx) - Watty Burnett
2. Garden Of Life – Leroy Sibbles
3. Sons Of Slaves (12” Mix) – Junior Delgado
LP4, Side 1
1. Roots Train (7” Mix) - Junior Murvin
2. History (7” Mix) - Carlton Jackson
3. Neckodememus Aka Nicodemus (7” Mix) – The Congos
4. Soul Fire (Jamaican Mix) – Lee ‘Scratch’ Perry
LP4, Side 2
1. One Drop – Lee ‘Scratch’ Perry
2. I Am A Madman (LP Mix) – Lee ‘Scratch’ Perry
3. Exodus (12” Mix) – Lee ‘Scratch’ Perry
4. Jamaican E.T. (7” Mix) – Lee ‘Scratch’ Perry
CD1. THE EARLY YEARS, 1968 - 1973
1. None Such Busted Me Bet (aka Sufferation – The Mellotones
2. A Place In The Sun – David Isaacs
3. Stanger On The Shore— Val Bennett & The Upsetters
4. Dollar In The Teeth - The Upsetters
5. Check Him Out – The Bleechers
6. Live Injection – The Upsetters
7. Prisoner Of Love – Dave Barker & The Upsetters
8. Clint Eastwood (7” Mix) – The Upsetters
9. Babyloose Burning Aka Babylon’s Burning – Maxie, Niney & Scratch
10. Give Me Power – The Stingers
11. This World - Milton Henry As King Medious
12. Lick The Pipe Peter Part 4 - Jah T
13. French Connection - Lee ‘Scratch’ Perry & The Upsetters
14. Da Da - Junior Byles
15. Rasta Bandwagon - Max Romeo
16. Blackman Time - Lee ‘Scratch’ Perry
17. Bucky Skank – Lee ‘Scratch’ Perry & The Upsetters
18. Cow Thief Skank – Charlie Ace & Lee Perry
19. Black IPA Aka Green Island - Lee ‘Scratch’ Perry & The Upsetters
20. Dub Organizer – Dillinger & The Upsetters
21. News Flash - Leo Graham
22. Better Days – Carlton & The Shoes
23. Sick And Tired – Neville Grant
24. Rasta No Pickpocket
25. Black Candle - Leo Graham
CD2. BLACK ARK ADVENTURES PART 1 (1974 - 1976)
1. Doctor Demand – Leo Graham & Prince Jazzbo
2. Stay Dread – Lee ‘Scratch’ Perry
3. Herb Vendor – Leroy ’Horsemouth’ Wallace
4. Lady Lady – Cynty & The Monkees
5. Enter The Dragon (7” Mix) – Lee ‘Scratch’ Perry & The Upsetters
6. Public Jestering – Judge Winchester
7. Cane River Rock – Lee ‘Scratch’ Perry & The Upsetters
8. Do It Baby (aka Nice And Easy) (7” Mix) – Susan Cadogan
9. The Long Way (7” Mix) – Junior Byles
10. Many Are Called Aka Yagga Yagga – The Unforgettables
11. Be Thankful (For What You’ve Got) – Bunny Scott
12. I Man Free – Watty Burnett
13. I Man Stand Still - Jimmy Riley
14. To Love Somebody – Bunny Scott
15. Sons Of Negus - Jimmy Riley
16. Down Here In Babylon – Brent Dowe
17. Big May – Bunny Scott
18. Babylon Deh Pon Fire –Truth, Fact & Correct
19. Natty Pass Through Rome - Prince Jazzbo
20. Back Wey – Fay Bennett
21. Fever / Influenza Version– Susan Cadogan & The Upsetters
22. White Belly Rat – Lee Perry
23. Fire Fe The Vatican – Max Romeo
24. Stop The War In A Babylon –James Boom
CD3. BLACK ARK ADVENTURES PART 2 (1976 - 1977)
1. I Shall Be Released – The Heptones & Jah Lion
2. A Wah Dat – Junior Dread
3. Take Warning - Ralph Haughton & Ebony Sisters
4. Four And Twenty Dreadlocks (7” Mix) - Evan Jones
5. Groovy Situation () – Keith Rowe
6. I Forgot To Be Your Lover (7” Mix) – George Faith
7. Voodooism – Leo Graham
8. At The Feast (Of The Passover) —The Congos
9. Wolf Out Deh – Shaumark & Robinson
10. Reggae Music - Hugo Blackwood & Alimantado
11. Open The Gate (7” Mix) – Watty Burnett
12. Vampire (7” Mix) – Devon Irons & Alimantado
13. Rasta Train - Raphael Green & Alimantado

CD4. BLACK ARK & BEYOND (1977 - 2002)

1. Bad Weed (12” Mix) - Junior Murvin

2. Bionic Rats (12” Mix) – Lee ‘Scratch’ Perry

3. Know Love (12” Mix) - Twin Roots

4. Forward With The Orthodox - Mistic I

5. Big Neck Police - Lee ‘Scratch’ Perry

6. Green Bay Inquest - Lord Sassafrass & Debra Keese

7. Free Up The Prisoners (7” Mix) - Lee ‘Scratch’ Perry

8. Home Guard - Michael Campbell (aka Mikey Dread)

9. Cross Over (7” Mix) - Junior Murvin +

10. Bafflin' Smoke Signal (7” Mix) - Lee ‘Scratch’ Perry

11. Introducing Myself - Lee ‘Scratch’ Perry

12. For Whom The Bell Tolls (7” Mix) - Lee ‘Scratch’ Perry

13. I’ll Take You There (7” Mix) - Lee ‘Scratch’ Perry

2CD Track List
CD 1: THE EARLY YEARS, 1968 - 1976
1. People Funny Boy - Lee ‘Scratch’ Perry
2. Tighten Up - The Inspirations
3. Return Of Django - The Upsetters
4. Shocks Of Mighty – Dave Barker
5. Place Called Africa – Junior Byles
6. All Africans (7” Mix) – Little Roy +
7. Beat Down Babylon - Junior Byles
8. Words Of My Mouth - The Gatherers
9. Bucky Skank – Lee ‘Scratch’ Perry & The Upsetters
10. Jungle Lion (7” Mix) – Lee Perry & The Upsetters
11. Hurt So Good (7” Mix) - Susan Cadogan
12. Curly Locks - Junior Byles
13. Three Blind Mice – Max Romeo
14. Three Times Three - King Tubby & The Upsetters
15. Sipple Out Deh (Ja. Mix) – Max Romeo
16. Roast Fish And Corn Bread (Ja. Mix) – Lee ‘Scratch’ Perry
CD 2: THE EARLY YEARS, 1976 & BEYOND
1. One Step Forward (Jamaican Mix) – Max Romeo
2. Ital Corner - Prince Jazzbo
3. Police And Thieves (12” Mix) – Junior Murvin & Jah Lion *
4. Chase The Devil / Disco Devil – Max Romeo & Lee ‘Scratch’ Perry With The Full Experience *
5. Vibrate Onn – Augustus Pablo
6. Natty Pass Through Rome - Prince Jazzbo
7. Fire Fe The Vatican (7” Mix) – Max Romeo
8. Roots Train (7” Mix) - Junior Murvin +
9. Open The Gate – Watty Burnett +
10. Soul Fire (Jamaican Mix) – Lee ‘Scratch’ Perry
11. Neckodememus (7” Mix) – The Congos
12. Sons Of Slaves (7” Mix) – Junior Delgado +
13. Bafflin' Smoke Signal (7” Mix) - Lee ‘Scratch’ Perry *
14. Stay Dread – Lee ‘Scratch’ Perry
15. One Drop – Lee ‘Scratch’ Perry
16. I Am A Madman – Lee ‘Scratch’ Perry
17. Exodus (7” Mix) – Lee ‘Scratch’ Perry +
18. Jamaican E.T. (7” Mix) – Lee ‘Scratch’ Perry +

2LP Tracklist
LP 1
Side 1:
1. People Funny Boy - Lee ‘Scratch’ Perry
2. Tighten Up - The Inspirations
3. Return Of Django - The Upsetters
4. Shocks Of Mighty – Dave Barker
5. Place Called Africa – Junior Byles
6. All Africans (7” Mix) – Little Roy +
7. Beat Down Babylon - Junior Byles
Side 2:
1. Words Of My Mouth - The Gatherers
2. Hot Tip - Prince Django
3. Jungle Lion (7” Mix) – Lee Perry & The Upsetters
4. Curly Locks - Junior Byles
5. Hurt So Good (7” Mix) - Susan Cadogan
6. Stay Dread – Lee “Scratch” Perry
7. Sipple Out Deh – Max Romeo
LP2
Side 1:
1. One Step Forward (Jamaican Mix) – Max Romeo
2. Police And Thieves (12” Mix) – Junior Murvin & Jah Lion *
3. Sons Of Slaves – Junior Delgado
Side 2:
1. Chase The Devil / Disco Devil – Max Romeo & Lee ‘Scratch’ Perry With The Full Experience *
2. Soul Fire (Jamaican Mix) – Lee ‘Scratch’ Perry
3. I Am Madman – Lee “Scratch” Perry
4. Exodus - Lee “Scratch” Perry
5. Jamaican ET - Lee “Scratch” Perry

* Previously Unreleased
+ Previously Unreleased Digitally

A dub companion to the critically-acclaimed "Rainford" album that sees the Upsetter and co-producer Adrian Sherwood radically re-version the original tapes with a host of guest musicians including Brian Eno and Vin Gordon.

If "Rainford" is 2019’s "Roast Fish, Collie Weed & Corn Bread" then "Heavy Rain" is it’s "Super Ape".

As well as highlighting the deft musicianship of the original backing band on the "Rainford" sessions (which include core On-U luminaries from Creation Rebel, Tackhead and Dub Syndicate) these re-works also invite some further players into the cosmic mix. Brian Eno makes an unexpected right channel entry into “Here Come The Warm Dreads”, a heavily processed sound system overhaul of Rainford highlight “Makumba Rock”, cheekily re-titled as a nod to Eno’s own debut solo album. This completes a circle started in 1981 with African Head Charge’s My Life In A Hole In The Ground similarly referencing the contemporary collaboration between Eno and David Byrne, and their “vision of a psychedelic Africa”.

Elsewhere, legendary trombonist Vin Gordon (one of the hornsmen on Bob Marley & The Wailers Exodus amongst many other classic sides) lends his distinctively woozy blowing to tracks such as “Rattling Bones And Crowns” (a late night flipside to “Kill Them Dreams Money Worshippers”) and “Crickets In Moonlight” (“Cricket In The Moon” refracted through some beautifully louche late summer heat haze lens). On the closest the album has to a title track, “Heavy Rainford” strips back the narrative from “Autobiography Of The Upsetter” to ride the rhythm with all sorts of mixing desk tricks, anchored by the killer “I Am The Upsetter” hook from LSK.

It’s important to note that it’s not all Rainford re-works though: “Dreams Come True” and “Above And Beyond” are Scratch and Sherwood originals, heard here for the first time and equally strong material for this purple patch in the career of an unstoppable Jamaican maverick and true musical pioneer.

TRACK LISTING

A1. Intro - Music Shall Echo
A2. Here Come The Warm Dreads
A3. Rattling Bones And Crowns
A4. Mindworker
A5. Enlightened
A6. Hooligan Hank

B1. Crickets In Moonlight
B2. Space Craft
B3. Dreams Come True
B4. Above And Beyond
B5. Heavy Rainford
B6. Outro - Wisdom

Tuff Kong Records will be releasing the brand new collaboration between Jamaican legend Lee Scratch Perry and New Jersey producer Mr. Green: the upcoming "Super Ape vs Open Door". The two artists have created a unique chemistry, delivering 18 tracks of music that Mr. Green has put together using original stems from Lee Scratch Perry. Mixed with his own unique style, Green managed to merge literally 20 different genres of music together on one record, bringing some memorable guests to the project such as HR of Bad Brains, Sheek Louch (The Lox), Daniel Son and an intro from Eric "Scratch" Andre. 

TRACK LISTING

1. Love In My Heart (feat. Eric “Scratch” Andre)
2. Come Back Alone (feat. Sheek Louch)
3. Working For God
4. Streak Of Luck (feat. HR Of Bad Brains & Daniel Son)
5. Ranting
6. Electric Energy
7. Calalou
8. Sleepy Time
9. Hot Fire
10-18. Instrumentals

Delaware Valley's psychedelic funkateers Solid Bronze are releasing their debut album The Fruit Basket in the summer of 2019. The first single "The Invisible Man" is being released as a limited edition 7" vinyl including a Lee "Scratch" Perry remix before the album drops. The album was recorded at a relaxed pace by Mickey Melchiondo (Ween, Dean Ween Group, Moistboyz) at his studio in Lambertville, NJ with, produced by Dean Ween along with singer/songwriter Chris Harford.

Solid Bronze's founding members are Ian Everett and George Miller, who composed these songs as bass and drums duo, using naked rhythm as the focus and cornerstone in the recording process. Miller provided all the drums and percussion and Everett was responsible for bass, guitar and lead vocals. "The Invisible Man" single features Music Hall of Fame guitarist Michael "Kidd Funkadelic" Hampton (Parliament, Funkadelic), and Atlanta-based hip hop artist CLEW on vocals.

TRACK LISTING

A-Side "The Invisible Man"
B-Side "Lee "Scratch Perry" Remix The Invisible Man"

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

https://soundcloud.com/wiaiwya/lee-scratch-perry-big-ben-rock-woodie-taylor-remix/s-oum1j Limited to 700 copies on green vinyl 7” with download code. Lee Scratch Perry releases new single. London indie label wiaiwya is equaly baffled and thrilled to be putting out the new single from LEE SCRATCH PERRY. From the opening chimes of the famous bell (silent now until 2021) to the closing gongs and bongos, this is a rockabilly big beat glam ragga rock headrush, with a nod to Sergio Leone... exactly what you would expect when Woodie Taylor remixes Lee Scratch Perry, fronting Morrissey’s sometime band... "Give me a rock beat, like Meatloaf..." Not a request that you get every day but then it's not every day you're taking orders from the legend that is Lee Scratch Perry! I lived near the Mad Professor's studio in South London and had sold him a few bits of recording equipment. He knew that I had played drums with Morrissey, that I was a reggae fan and asked if I'd be interested in playing on a session. I'd started doing a bit of production and when the track didn't get round to getting finished they agreed I could remix it. This is the fruit of my labours, with contributions from Boz Boorer (Morrissey/ Polecats), Jonny Bridgwood (Morrissey/Marianne Faithful) and Anthony Miller (Data/Friday Club). There's simply not enough Big Ben rocking these days and remember: "If you don't rock you're gonna get a big shock!" Woodie Taylor, 2019. Lee Scratch Perry founded Upsetter Records in 1968.He pioneered Dub, produced Bob Marley, allegedly burnt down a studio, and worked with the Mad Professor, the Clash, Adrian Sherwood and the Beastie Boys. Woodie Taylor has been rockin' on record since the early 80's. He first appeared on 45 as a member of the Daleks, then drummed for psychobilly legends the Meteors. In the '90's he was in Drive (with, the soon-to-be All Saint, Melanie Blatt). He played on Morrissey's Vauxhall & I LP and has provided the rhythmic backbone of cult Indie heroes Comet Gain for two decades. He has produced albums by Love Is All, Comet Gain, Proper Ornaments and Shrag. Boz Boorer has been Morrissey's co-writer, guitarist and musical director for the best part of three decades. He is also a founding member of rockabilly legends, The Polecats. Jonny Bridgwood played bass on three Morrissey albums and double bass on five Kathryn Williams albums. He has worked with Siouxsie Sioux and Adam Ant and toured with Marianne Faithful. Anthony Miller - Played trumpet with the Friday Club and appears on their very collectable 2 Tone single, Window Shopping. Was a member of the 90s Sirkus Records artists Data, along with Woodie Taylor and recording industry supremo Nick Huggett. The record was mastered by Graeme Durham, who has also worked on discs by Grace Jones, Bob Marley, U2, Fourtet, King Tubby and Frankie Goes to Hollywood… Track listing A Big Ben Rock (Woodie Taylor Remix)’ B1 Steady B2 J'ai Tout Lu

Stunning Lee Perry companion album to the original "Mystic Warrior" here with the legendary maverick and Mad Professor conjuring up a truly breathtaking selection of dubs, also recorded at Ariwa sounds.

Recorded in 1989, it finds Perry and Mad Professor in EXCEPTIONAL form, producing a set of hypnotic, heady dubs drizzled in ganja smoke and black magic. This is one of my favourite collections of Perry material and though not particularly difficult / expensive to acquire, definitely benefits from a nice, fresh, 180g pressing here from the original Ariwa Sounds label.

A very out there and arresting set, it finds comparisons in Adrian Sherwood's On-U Sound catalogue alongside the more experimental of Scientist's output and comes highly recommended by us here at Picc HQ.

TRACK LISTING

Dub Them Crazy
Broken Antennae
Black Art
Dub The Past
Mystic Warrior
Dub Reggae Soca
Dub It Scratchy Dub It
Jazzy Dub

What two great producers other then Lee Perry and Bunny Lee would be best suited for a Dub Soundclash. Both producers were integral at the birth of Dub music and would share many rhythms and sessions, their musical paths would cross all through their careers.

It was in fact Bunny Lee’s rhythm that provided the back drop to Lee Perry’s ‘Shocks of Mighty cut. Jobs were passed from one to the other, Bunny Lee taking over Lee Perry’s position at Wirl records. Yes two producers whose paths always seemed to cross as it does with this release.

We have selected some of Lee Perry’s rhythms, side one of this set, against some Bunny Lee rhythm on side two.You can hear the distinctive sound of Lee Perry’s Black Ark studio with his echo-plex giving his trademark whirling sound against Bunny Lee’s rhythms cut at many different studios. The winner of the Soundclash? We will leave that decision up to you the listener…..

But in this Dub session there is no loser…

ALL KILLER ..NO FILLER…ENJOY…

TRACK LISTING

Track 1 WAR INNA DUB Source:war Inna Babylon Rhythm
Track 2 VAMPIRE DUB Source:vampire Rhythm
Track 3 CURLY DUB Source:curly Locks Rhythm
Track 4 WORDS DUB Source:words Rhythm
Track 5 JUDGEMENT DUB Source:judgement Day Rhythm
Track 6 PRAISING DUB DUB Source:thanks And Praise Rhythm
Track 7 FIXING DUB Source:mr Fix It Rhythm
Track 8 EVERY TRICK DUBWISE Source:every Trick In The Book Rhythm
Track 9 PROMOTING DUB Source:everybody Need Promotion Rhythm
Track 10 A HEAVENLY DUB Source:heaven Less Rhythm
Track 11 M16 DUB STYLE Source:m16 Rhythm
Track 12 A REAL ROCKING DUB Source:real Rock Rhythm
Track 13 A DRIFTING WOOD Source:drifting Rhythm
Track 14 SOLOMON WISE DUB*source:soloman Was A Wise Man Rhythm
Track 15 SCRATCH CREATION DUB*source:scratch Creation Rhythm
Track 16 BRUSH ME DUB* Source:sweaty Come Brush Me Rhythm
*CD Bonus Tracks

THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

4 Deep roots dub cuts of the first track from Lee Scratch Perry’s new album ‘’Back on the Controls’’

‘Rastafari on wall street’ features a heavy weight sound system style cuts of a deep roots rhythm from ‘’Back on the controls’’ A title track with Lee Perrys political and conscious lyrics about rastafari and a takeover of the Wall Street system, followed by a heavy Dub version mixed by Daniel Boyle, the co-producer of ‘’Back on the controls’’ and Lee Perry on the Dubbing and effects. This is a sublime and vintage style Dub cut that uses rare and vintage equipment to create the mix.

Side two sees veteran reggae vocalist Danny Red echoing Lee’s conscious message with a solid vocal cut called ‘’I’m Willing’’ A sound system scorcher that has been tested to full effect on ‘Young Warriors’ – (the son of Jah Shaka) sound system. To back this version up, the 4th and final cut on the 12” Features a haunting Flute cut dubbed again by Daniel and Lee in full Analogue style.

I've lost the sales notes for this, but it seems to be a random collection of tracks from the mighty Upsetter. Some good stuff there though like the Bruce Lee homage "Enter The Dragon" and some tasty dub cuts...