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LAND OF KUSH

Land Of Kush

Sand Enigma

    First album in 6 years from the acclaimed Arabic/Psychedelic avant-garde big band. Recorded/produced by Radwan Moumneh (Jerusalem In My Heart, Suuns, Matana Roberts) and with featured guest Nadah El Shazly. Renowned Montreal / Cairo composer Sam Shalabi returns with his exhilarating and utterly genre-bending big band Land Of Kush. The trenchantly-titled Sand Enigma bristles with defiant exuberance, restless creative energy, and electrifying cross-cultural expression - the band's most accomplished, acute and accessible album to date (though don't expect 'easy listening' from this boundary-pushing hydra-headed entity). Sand Enigma is a wildly diverse and hugely compelling tour de force of modern composition that pulses with emotion and experimentation, blending avant-garde, psychedelic, Middle Eastern, out-jazz, electronic, and improv/free music tropes to stunning effect.

    The 75-minute opus captures a band on fire, flowing through composed set-pieces, improvisational turns, harmolodic gestural and textural interplay, bursts of fervent groove, and fearless, feral experimentation. While the bounty of heavy-hitting instrumental players are too numerous to call out here, Sand Enigma notably features two new Land Of Kush collaborators, both of them leading lights of Cairo's burgeoning avant-electronic scene: Nadah El Shazly and Maurice Louca. As Alan Bishop of Sublime Frequencies raves: "Shalabi raises the bar for modern psychedelic music with Land Of Kush, weaving a seamless montage of styles in a transcendent way that is rarely, if ever, achieved." As with previous works, the music on Sand Enigma shifts between instrumentals and vocal-led pieces, with various singers taking the lead on different songs including long-standing Kush members Elizabeth Anka Vajagic, Katie Moore, Elizabeth Lima and the newly drafted Tokyo-toMontréal émigré Maya Kuroki. Sand Enigma notably features two new international collaborators and leading lights of Cairo’s burgeoning avant-electronic scene: Nadah El Shazly (vocals) and Maurice Louca (keys/synths). 

    TRACK LISTING

    1. Aha
    2. Domyat 1331
    3. Safe Space
    4. Broken Maqams
    5. Sand Enigma
    6. Ssssss
    7. Recuerdo
    8. Bone Mass I
    9. Bone Mass II
    10. Bone Mass III
    11. Ana
    12. Trema
    13. Dol
    14. Tensor

    Following several visits to the city over the years, Osama (Sam) Shalabi moved to Cairo in 2011, arriving at an apartment one block from Tahrir Square, in the midst of Egypt's 'Arab Spring'. Shalabi describes The Big Mango, his new and phenomenal work for his Land Of Kush big-band, as "a love letter to Cairo" framed by "the beautiful, surreal madness of the city…as joyous, horrific, historical events were unfolding". The opening six minutes, a slowly brewing stew of free-improvised instrumentation, electronics, wordless vocalizations and oblique sexuality/sensuality, are an inimitable destabilizing strategy of Shalabi's that serves to introduce most of the instrumental voices and the montage of genres that will form the rest of the work, while also invoking the album's deeper conceptual preoccupations: gender, sexuality and the status of women as a culture unleashes seismic/revolutionary energies with the real possibility of attendant shifts in civil society and political structure. In combination with the peaking intensity and electricity of Shalabi's compositional vision, The Big Mango coheres, sparkles and soars: a distillation of the sonic trajectory Land Of Kush has been charting for the past five years.

    TRACK LISTING

    1. Faint Praise (3:24)
    2. Second Skin (5:42)
    3. The Pit (Part 1) (7:30)
    4. The Pit (Part 2) (2:15)
    5. Sharm El Bango (4:22)
    6. Mobil Nil (5:47)
    7. St Stefano (4:34)
    8. Drift Beguine (6:41)
    9. The Big Mango (6:48)


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