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EVERYTHING EVERYTHING

Twice Mercury Prize nominated, 5 time Ivor Novello nominated and critically acclaimed, Everything Everything launch their new forthcoming studio album 'Raw Data Feel'.

On Raw Data Feel, Everything Everything set about revolutionising modern pop music, with Higgs abandoning his own brain and letting technology do at least some of the thinking: feeding LinkedIn T&Cs, Beowulf, 4Chan forum text and the teachings of Confucius into A.I. automation processes and using its responses as a basis for the record's lyrics, song titles and artworking.

This new phase is a rapturous return and - staying true to form - sees the band continue to push the ribbon on melody & rhythm with a heavy helping of electronic exploration.

STAFF COMMENTS

Barry says: Everything Everything are back! This time taking the fruitful modern phenomena of AI generation and neural networks to produce some of the most effervescent and poppy productions we've heard from EE thus far. It's brilliantly surprising in parts, but so seamlessly put together that you can't fail to enjoy it. Sleek pop perfection.

TRACK LISTING

1. Teletype
2. I Want A Love Like This
3. Bad Friday
4. Pizza Boy
5. Jennifer
6. Metroland Is Burning
7. Leviathan
8. Shark Week
9. Cut UP!
10. HEX
11. My Computer
12. Kevin’s Car
13. Born Under A Meteor
14. Software Greatman

Everything Everything

Re-Animator

    The band’s approach to ‘Re-Animator’ was to streamline the creative process by focusing on harmonies and melodies over synths and programming.

    Inspiration came thick and fast: wonderment at the wider world despite the horror of its politics; existentialism and the prolonged, if fading, youthfulness of being in a touring band; and the ominous threat of climate change.

    All things which contribute to a sense of one door closing while another awaits.

    Extensive reading shaped such ideas further, especially regarding frontman Jonathan Higgs’ fascination with the eminent psychologist Julian Jaynes’ theory of the bicameral mind.

    It argues that early in human evolution, the two sides of the brain were next to each other but functioned independently. In essence one side would hear the other sending instructions via a disembodied voice -a zombie-like state of pre-consciousness.

    “This idea of the divided self captivated me,” said Higgs.

    “Jaynes attributes this to the origin of gods, people ascribing deity status to this voice they could hear in their head. All this blew my mind, and I started thinking of ways I could make this a central concept.

    It really touched me. So across the whole record there are millions or references to this theory – to having a split brain, two selves, hearing voices.”

    Fittingly, the album also emerged in two stages. A year of writing and demoing was followed by two weeks recording at RAK last December with producer John Congleton (St. Vincent, Sharon Van Etten, David Byrne).

    He complemented the band’s back-to-basics nature by encouraging them to record quickly and decisively. It’s a looser, less cluttered sound that heightens their focus on the fundamentals of songwriting.

    STAFF COMMENTS

    Barry says: Everything Everything have always produced album bang in tune with the time of their conception, and this newest one definitely keeps the tradition alive. We get the classic Everything sound but imbued with even more synths and production snippets in keeping with todays modern musical landscape. A heady and enthralling listen, and one that keeps them as listenable and relevant as ever.

    TRACK LISTING

    1. Lost Powers
    2. Big Climb
    3. It Was A Monstering
    4. Planets
    5. Moonlight
    6. Arch Enemy
    7. Lord Of The Trapdoor
    8. Black Hyena
    9. In Birdsong
    10. The Actor
    11. Violent Su


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