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DAVID BOWIE

David Bowie

Space Oddity - 7" Box Set

    As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, this a very special double 7” single of SPACE ODDITY features brand new mixes by Tony Visconti. The double 7” set will come in a box including a double-sided poster featuring an original Space Oddity print advertisement and a Ray Stevenson shot of David taken on stage at the ‘Save Rave ‘69’ concert at the London Palladium on 30th November, 1969, the backdrop featuring a N.A.S.A. astronaut. The set also includes an information card and a print featuring an alternative shot by Jojanneke Claassen from the Space Oddity promo single cover session.

    The cover of the original mono single is the rare UK promotional picture sleeve which, along with the label, features the original Philips trademark specifically cleared for this 50th anniversary release. The single itself has been cut from the original analogue single master tape. The jacket housing the 2019 mixes by Tony Visconti is a new design featuring alternative Ray Stevenson shot from the ‘Save Rave ‘69’ concert to that on the poster.

    First released as a 7-inch single on 11 July 1969, Space Oddity was also the opening track of David Bowie’s self titled second studio album, David Bowie. Initially inspired by Stanley Kubrick's film 2001: A Space Odyssey, the song gained huge popularity when it was adopted as the unofficial theme of the Apollo 11 Moon landing mission which launched five days after the single’s release.


    David Bowie

    The 'Mercury' Demos

      As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, ‘Space Oddity’, and following the recent ‘Spying Through A Keyhole’ and ‘Clareville Grove Demos’ collections, 'The “Mercury" Demos’ are 10 early Bowie recordings captured live in one take to a Revox reel to reel tape machine in David’s flat in spring 1969, with accompaniment from John ‘Hutch’ Hutchinson on guitar and vocals.

      The version of ‘Space Oddity’ from the Demos, originally released with edits on the Sound & Vision boxset, is presented here in its true context for the first time. The other nine recordings on the album are all previously unreleased. In addition to Bowie originals, the session also includes the Roger Bunn composition ‘Life Is A Circus’ (which features in an earlier demo version on the ‘Clareville Grove Demos’ set) and the Lesley Duncan composition ‘Love Song’ later recorded by Elton John for his ‘Tumbleweed Connection’ album. David’s own ‘Conversation Piece’ is announced as ‘a new song’ and ‘Janine’ features a short nineteen second section sung to the melody of The Beatles’ ‘Hey Jude’.

      'The ‘’Mercury" Demos’ set will come in a replica of the original tape box and will feature 1 LP, a print, two photo contact sheets and sleeve notes by Mark Adams. The labels of the LP feature the same EMIDISC acetate styling as ‘Spying Through A Keyhole’ and ‘Clareville Grove Demos’ with the song titles in David’s own handwriting.


      FORMAT INFORMATION

      FREE SHIPPING This item has FREE UK shipping!

      David Bowie

      D.J.

        Originally released on 29th June 1979, D.J. was the second and final single from Lodger in the UK and the follow up to Boys Keep Swinging. The Netherlands and Turkey would get Yassassin and the U.S. Look Back In Anger.

        The A side of this D.J. picture disc features a previously unreleased single edit of the track from the Lodger (2017 Tony Visconti Mix) included in the A New Career In A New Town box set.

        The previously unreleased version of Boys Keep Swinging recorded especially for The Kenny Everett Video Show features on the AA side. This take was recorded by Tony Visconti in Soho in London on the 9th April 1979 and features Sean Mayes on keyboards, Tony Visconti on bass, Simon House on violin, Andy Duncan on drums, Brian Robertson (of Thin Lizzy) on guitar and Ricky Hitchcock on guitar. The Kenny Everett Video Show was filmed on the following day and broadcast on 23rd April, 1979.

        David Bowie

        Diamond Dogs - 45th Anniversary Edition (Red Vinyl)

          AVAILABLE TO INSTORE CUSTOMERS ONLY. 
          RELEASED ON MAY 24TH @ £18.99.


          See Instore for ordering details.


          Released on 24th May 1974 Diamond Dogs gave David Bowie his third UK number one album and his first top 10 album in the US.

          To celebrate the 45th anniversary of this iconic album Parlophone have released a special limited edition red vinyl version of Diamond Dogs on 24th May 2019, exactly 45 years since its original release.

          Preceding the album by more than 3 months, Rebel Rebel peaked at number 5 on the official U.K. singles chart. The original single mix was substituted by the shorter, ‘phased’ New York Remix single version in North America, featuring a new arrangement and overdubbed vocals. The album originally peaked at number 1 in the official albums chart in the U.K. and number 5 in the Billboard album chart in the U.S..

          This is only available to ‘bricks and mortar’ retail stores and not through on-line stores.


          David Bowie

          Clareville Grove Demos

            Following on from Spying Through A Keyhole, in early 1969 at his flat in Clareville Grove, London, David Bowie with John ‘Hutch’ Hutchinson continued to demo ‘Space Oddity’ and other tracks.

            This live demo tape session is set for release as a 7" vinyl singles box set of six home demos, four of which are previously unreleased recordings, Clareville Grove Demos will be released on 17th May 2019.

            As with the Spying Through A Keyhole vinyl singles box set, the design of each single label is presented to reflect the way David sent many of his demos to publishers and record companies, featuring his own handwritten song titles on EMIDISC acetate labels with cover and print photos by David’s then manager Ken Pitt taken in the Clareville Grove flat.

            The singles themselves are all mono and play at 45 r.p.m.

            Due to the nature of some of the solo home demos where Bowie accompanied himself on acoustic guitar, the recording quality isn’t always of a usual studio fidelity. This is partly due to David’s enthusiastic strumming hitting the red on a couple of the tracks, along with the limitations of the original recording equipment and tape degradation. However, the historical importance of these songs and the fact that the selections are from an archive of tracks cleared for release by Bowie, overrides this shortcoming.

            David Bowie

            Boys Keep Swinging

              Boys Keep Swinging 40th Anniversary limited edition, double-A side, 7” picture disc single will be released on 17th May 2019 and features I Pray, Olé on the AA side which is unreleased since the 1991 Lodger re-issue.

              Written by Bowie and Brian Eno, ‘Boys Keep Swinging’ was the first single from the album ‘Lodger’ and became a top 10 hit in the UK.

              David Bowie

              Pin Ups

                “Singing old songs he loved”

                Parlophone issue David Bowie’s 1973 album of cover versions as a picture disc for Record Store Day 2019 on Saturday, 13th April.

                When originally released, the David Bowie/Ken Scott produced album was preceded by the only single from Pin Ups, Sorrow, which reached #3 on the UK chart. Pin Ups itself entered the UK album chart at #1 on the strength of pre-orders alone.

                Joining Bowie on the sleeve for Justin de Villeneuve’s extraordinary photograph with Bowie is Twiggy, name-checked earlier the same year on Aladdin Sane for Drive-In Saturday: “She’d sigh like Twig the Wonder Kid”.

                The photo session was shot in Paris for Vogue magazine, but at Bowie's request was used for the album instead. This same image is used for Side 1 of the picture disc.

                Originally, the back cover and insert featured Mick Rock photographs and Side 2 of the picture disc uses one of his artworks which utilised images from that session.

                The picture disc includes a reproduction of the insert, and the back cover is as the original with the following note from Bowie:

                + - + - + - + - + - + - + - + - + - + - + - + - + - + - +

                These songs are among my favourites from the '64–67' period of London.

                Most of the groups were playing the Ricky-Tick (was it a 'y' or an 'i'?) - Scene club circuit (Marquee, eel pie island la-la)

                Some are still with us. Pretty Things, Them, Yardbirds, Syd's Pink Floyd, Mojos, Who, Easybeats, Merseys, Kinks.

                Love-on ya!

                Bowie x

                David Bowie

                Spying Through A Keyhole

                  With 2019 marking 50 years since David Bowie’s first hit, Space Oddity, Parlophone is set to release a 7" vinyl singles box set of nine previously unreleased recordings* from the era during which Space Oddity was first conceived.

                  The title ‘Spying Through A Keyhole’ is a lyric taken from the previously unknown song, Love All Around, and though most of the other titles are known, these versions have never been officially released until late last year. Most of the recordings are solo vocal and acoustic home demo performances, unless otherwise stated.

                  The design of each single label is presented to reflect the way David sent many of his demos to publishers and record companies, featuring his own handwritten song titles on EMIDISC acetate labels. The singles themselves are all mono and play at 45 r.p.m.

                  Due to the nature of some of the solo home demos where Bowie accompanied himself on acoustic guitar, the recording quality isn’t always of a usual studio fidelity. This is partly due to David’s enthusiastic strumming hitting the red on a couple of the tracks, along with the limitations of the original recording equipment and tape degradation. However, the historical importance of these songs and the fact that the selections are from an archive of tracks cleared for release by Bowie, overrides this shortcoming.

                  The Top Of The Poppers

                  Sing And Play The Hits Of David Bowie

                  In 2001, a group of David Bowie insiders put together a private CD of the cover versions of the Bowie songs that had appeared on Pickwick Records’ notorious ‘Top Of The Pops’ budget album series between 1972 and 1980. They called the CD ’Top Of The Fops’ and put a picture of a lookalike lifted from the 1970s teen mag Mirabelle on the cover. Bowie, we’re reliably informed by one of those insiders, loved the album.

                  ‘The Top Of The Poppers Sing And Play The Hits Of David Bowie’ gathers together the nine Pickwick cover versions on vinyl for the very first time. It’s a fascinating document of a confused era, where the high water mark of British pop and the countervailing trash aesthetic of the 1970s collided. And as is only fitting for those heady days, our album is released as a limited edition on groovy purple vinyl.

                  The ‘Top Of The Pops’ business model saw Pickwick churn out album after album of cover versions of the big hits of the day recorded by a ever-changing group of session musicians known only as The Top Of The Poppers. It didn’t seem to matter that the original records had already sold hundreds of thousands of copies. The ‘Top Of The Pops’ compilations were cheap to buy and were so popular that they were excluded from the official charts because they’d just clog the place up week after week, like bin bags during the Winter of Discontent. Listening to them as an over-eager pop consumer of the 1970s was to enter a disconcerting parallel world of the ersatz.

                  It’s perhaps no wonder that Bowie himself enjoyed these cover versions so much. After all, here was a man who had built a career on pretending to be someone else, manoeuvring his various invented personas through a succession of albums and telling anyone who bothered to listen that it wasn’t actually him the audience was responding to. It was Ziggy, or Aladdin Sane, or The Thin White Duke.

                  FORMAT INFORMATION

                  Coloured LP Info: Purple coloured vinyl.

                  David Bowie

                  Never Let Me Down (2019 Remastered Edition)

                    Never Let Me Down is the 17th studio album by David Bowie. Originally released on 20 April 1987, this vinyl edition is newly remastered.

                    David Bowie

                    Let’s Dance (2019 Remastered Edition)

                      Let's Dance is the 15th studio album by David Bowie. Originally released on 14 April 1983, this vinyl edition is newly remastered.

                      David Bowie

                      Tonight (2019 Remastered Edition)

                        Tonight is the sixteenth studio album by David Bowie. Originally released on 29 September 1984, this vinyl edition is newly remastered.

                        David Bowie

                        Glastonbury 2000

                          DAVID BOWIE ‘GLASTONBURY 2000’ documents Bowie’s legendary Sunday night headline performance on 25th June at the most famous festival on earth. The legendary full performance released for the first time including many of David’s greatest hits and never before seen footage.

                          All formats feature David’s diary, originally written for Time Out, which documents him preparing for the show in his own inimitable manner. In addition to newly mastered audio and upgraded video DAVID BOWIE ‘GLASTONBURY 2000’ features new artwork from Jonathan Barnbrook (who worked with Bowie on the sleeves for Heathen, The Next Day & ★) and notes from the renowned author and Bowie fan Caitlin Moran who reviewed the show for The Times.


                          David Bowie

                          Breaking Glass E.P (40th Anniversary)

                            The new extended version of the E.P. features three previously unreleased live versions of the original E.P. tracks plus the addition of an unreleased live version of ‘Hang On To Yourself’.

                            The E.P. now features ‘BREAKING GLASS’, ‘ART DECADE’, ‘HANG ON TO YOURSELF’ and ‘ZIGGY STARDUST’ live from Earls Court in London during the Isolar II tour of 1978. These four tracks are alternative performances to the ones that recently appeared on the critically acclaimed live album WELCOME TO THE BLACKOUT (LIVE LONDON ’78), and none were featured on the original 1978 E.P..

                            Initially released in the UK in January 1977 on the groundbreaking LOW album, ‘BREAKING GLASS’ was co-written by Bowie, bassist George Murray and drummer Dennis Davis. A longer, reworked version of the song was a staple of the Isolar II Tour, and a live version from that tour was used as the lead track on the original live 7" E.P. to promote Bowie's second live album, STAGE in 1978.


                            David Bowie

                            Loving The Alien 1983 - 1988 (BOX SET)

                              The follow-up to the awarding winning and critically acclaimed DAVID BOWIE ‘FIVE YEARS (1969 – 1973)’ and DAVID BOWIE ‘A NEW CAREER IN A NEW TOWN (1977 – 1982)’ will be released on 12th October.

                              The box contains newly remastered versions of David’s most commercially successful period ‘LET’S DANCE’, ‘TONIGHT’, ‘NEVER LET ME DOWN (ORIGINAL and 2018 VERSIONS)’, the live album ‘GLASS SPIDER (Live Montreal ’87)’, the previously unreleased ‘SERIOUS MOONLIGHT’ live album, a collection of original remixes entitled ‘DANCE’ and the non-album / alternate version / b-sides and soundtrack music compilation RE:CALL 4.

                              The highlight of this latest box is the brand new production of the 1987 album ‘NEVER LET ME DOWN’ by Bowie producer / engineer Mario McNulty with new instrumentation by Bowie collaborators Reeves Gabrels (guitar), David Torn (guitar), Sterling Campbell (drums), Tim Lefebvre (bass) as well as string quartet with arrangements by Nico Muhly and a guest cameo by Laurie Anderson on ‘Shining Star (Makin’ My Love)’.
                              The seeds of this new reimagining of the albums were first sown in 2008 when David asked Mario McNulty to remix the track ‘Time Will Crawl’ and record new drums by longtime Bowie drummer, Sterling Campbell along with strings. The track was issued on the iSelect compilation to much acclaim, and in the notes, for that record, David remarked ‘Oh, to redo the rest of that album’.
                              The new re-workings have revealed ‘Never Let Me Down’ as a very strong collection of songs with a dark thematic thread running through them. Fans listening to ‘NEVER LET ME DOWN (2018)’ would be forgiven for thinking that they were listening to a brand new ‘lost’ Bowie record.

                              Also in each box is the never before released ‘SERIOUS MOONLIGHT’ live album recorded in Montreal in 1983. Originally mixed at the time by Bob Clearmountain, the double album captures Bowie on what at that time was his most successful tour. The artwork features shots taken by photographer Denis O’Regan.

                              Exclusive to each box is ‘RE:CALL 4’ and ‘DANCE’. The former a new compilation featuring remastered contemporary single versions, non-album singles, album edits, b-sides and songs featured on soundtracks such as Labyrinth, Absolute Beginners and When The Wind Blows. ‘DANCE’ features 12 contemporaneous remixes some of which are appearing on CD and vinyl for the first time and is named after an unreleased Bowie remix album that was originally slated for release in November 1985.

                              The box set’s accompanying 84 page book features rarely seen and previously unpublished photos by photographers including Denis O’Regan, Greg Gorman, Herb Ritts and many others as well as historical press reviews and technical notes about the albums from producers/engineers Nile Rodgers, Hugh Padgham, Mario McNulty and Justin Shirley-Smith. 


                              FORMAT INFORMATION

                              LP Box Set Info: 88 Page hardback book
                              Let’s Dance (remastered) (1LP)
                              Serious Moonlight (Live ’83) (previously unreleased) (2LP)*
                              Tonight (remastered) (1LP)
                              Never Let Me Down (remastered) (1LP)
                              Never Let Me Down (2018) (previously unreleased) (2LP - side 4 is etched)*
                              Glass Spider (Live Montreal ’87) (previously unreleased on vinyl) (3LP)*
                              Dance (2LP)*
                              Re:Call 4 (non-album singles, edits, single versions, b-sides and soundtrack music) (remastered) (3LP)*

                              FREE SHIPPING This item has FREE UK shipping!

                              CD Box Set Info: CD Box Set:
                              128 Page hardback book
                              Let’s Dance (remastered) (1CD)
                              Serious Moonlight (Live ’83) (previously unreleased) (2CD)
                              Tonight (remastered) (1CD)
                              Never Let Me Down (remastered) (1CD)
                              Never Let Me Down 2018 (previously unreleased) (1CD)*
                              Glass Spider (Live Montreal ’87) (2CD)
                              Dance (1CD)*
                              Re:Call 4 (non-album singles, edits, single versions, b-sides and soundtrack music) (remastered) (2CD)*

                              FREE SHIPPING This item has FREE UK shipping!

                              David Bowie

                              Zeroes (2018) / Beat Of Your Drum (2018)

                                This special limited edition DAVID BOWIE 7" picture disc, is a double A-side of the radio edits of 2018 versions of ZEROES and BEAT OF YOUR DRUM. Both tracks are from NEVER LET ME DOWN (2018), a new version of the 1987 album featured in the forthcoming boxset LOVING THE ALIEN (1983-1988) which is released on 12th October.

                                NEVER LET ME DOWN (2018), is a new production of Bowie’s final ‘solo’ album of the ‘80s. Producer Mario McNulty worked on the tracks at Electric Lady Studios in New York with longtime Bowie musicians Sterling Campbell (Black Tie White Noise, Outside, ‘hours…’, Heathen, Reality and The Next Day) on drums, Reeves Gabrels (Tin Machine, Black Tie White Noise, Outside, Earthling and ‘hours...') & David Torn (Heathen, Reality and The Next Day) on guitars and Tim Lefebvre (Blackstar) on bass.

                                ZEROES, the lyrics of which reference Prince’s Little Red Corvette was Bowie’s salute to the ‘60s. He described it as “The ultimate happy-go-lucky rock tune, based in the nonsensical period of psychedelia”. Mario McNulty commented, "Stripping this song down to its core revealed a track that could have been right at home on Hunky Dory, I kept Peter Frampton’s sitar (which was originally owned by Jimi Hendrix) as it still fits against the new guitars from Reeves Gabrels”.

                                Of BEAT OF YOUR DRUM Mario McNulty says, “David Torn’s ambient guitars start the song that now lead into a much darker world than its shiny predecessor. David sang all the backing vocals on this which I have kept.”


                                FORMAT INFORMATION

                                Ltd 7" Info: Double A Side Limited Edition 7" Picture Disc.

                                David Bowie

                                Changestwobowie

                                  This follow up to David’s hugely successful first Best Of compilation CHANGESONEBOWIE, has not officially been available since the late 1980’s. Featuring iconic cover photography by Greg Gorman, it was first released in 1981 and was only briefly available on CD in 1985 but has long since been deleted.

                                  Drawing on material spanning from HUNKY DORY (1971) to SCARY MONSTERS (AND SUPER CREEPS) (1980) it achieved gold status in the U.K. album chart in 1982. It will be reissued on the 13th April with all tracks remastered on CD in a digipak sleeve, high-resolution 192/24 and 96/24 digital and standard digital for streaming and download,

                                  The 180gram vinyl edition will be available randomly on its initial limited manufacturing run in black and blue vinyl before reverting solely to black vinyl.


                                  FORMAT INFORMATION

                                  Ltd LP Info: 180g vinyl available randomly on black or blue vinyl.

                                  David Bowie

                                  Stage (2017)

                                    The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                    David Bowie

                                    Lodger - 2017 Remastered Edition

                                      The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                      "On the surface, Lodger is the most accessible of the three Berlin-era records David Bowie made with Brian Eno, simply because there are no instrumentals and there are a handful of concise pop songs. Nevertheless, Lodger is still gnarled and twisted avant pop; what makes it different is how it incorporates such experimental tendencies into genuine songs, something that Low and Heroes purposely avoided. "D.J.," "Look Back in Anger," and "Boys Keep Swinging" have strong melodic hooks that are subverted and strengthened by the layered, dissonant productions, while the remainder of the record is divided between similarly effective avant pop and ambient instrumentals. Lodger has an edgier, more minimalistic bent than its two predecessors, which makes it more accessible for rock fans, as well as giving it a more immediate, emotional impact. It might not stretch the boundaries of rock like Low and Heroes, but it arguably utilizes those ideas in a more effective fashion." - Allmusic.



                                      FORMAT INFORMATION

                                      LP Info: 180 gram.

                                      David Bowie

                                      Scary Monsters (and Super Creeps) - 2017 Remastered Edition

                                        The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                        "David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s." - Allmusic.


                                        FORMAT INFORMATION

                                        LP Info: 180 gram.

                                        David Bowie

                                        Heroes - 2017 Remastered Edition

                                          The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                          "Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking." - Allmusic.



                                          David Bowie

                                          Low - 2017 Remastered Edition

                                            The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                            The powerful reach of Bowie's masterpiece, the first part of the much feted 'Berlin Trilogy' created with the aid of Brian Eno, is still being felt strongly almost 30 years on. Air's wonderful four hour Essential Mix began with this album's opener "Speed of Life", Q Magazine rated the album #14 in it's Greatest British Albums Ever, and Pitchfork, the New Testament for the New Indie generation, recently decreed "Low" as the #1 album of the 1970's. Side A (or tracks 1-7 for those more familiar with the CD format) are classic Bowie ("Sound and Vision", "Be My Wife"), although dealing with the unfamiliar and slightly darker topics of lethargy, depression and estrangement, highlighting Bowie's overcoming of his cocaine addiction. Over on Side B the album's true colours really come through - four ambient tracks, originally rejected for the soundtrack to "The Man Who Fell To Earth" (the source of Low's iconic cover image), which see Bowie pay homage to Can, Neu! and Eno himself. The word 'timeless' was invented for such moments as these.


                                            David Bowie

                                            Japan 90

                                              Limited to 350 numbered copies on mint coloured vinyl.

                                              Barry Miles & Chris Charlesworth

                                              David Bowie Black Book

                                                Back in print due to popular demand; the David Bowie Black Book remains one of the most elegant books about the iconic superstar ever to have been published.

                                                Art directed by acclaimed graphic designer, Pierce Marchbank, and with text written by former NME journalist and cultural commentator, Barry Miles, the David Bowie Black Book contains photographs from every era of Bowie's genre-defining career and was for many years the world's best-selling Bowie book.

                                                David Bowie

                                                Reality

                                                  'Reality', the 23rd album of David Bowie (2003) followed up on the heavily successful formula of Heathen, combining infuences of Bowie’s Seventies’ past (say, from Heroes to Scary Monsters) with a contemporary new millennium vibe. David produced this album together with Tony Visconti, the dream team that also made Heathen a true work of art, resulting in yet another sure fire production and memorable songs. The album made it to the top 30 of the Billboard 200, and set the course for great Bowie albums to follow.

                                                  David Bowie

                                                  A New Career In A New Town (1977 - 1982)

                                                    The follow-up to the awarding winning and critically acclaimed DAVID BOWIE ‘FIVE YEARS (1969 – 1973)’ and DAVID BOWIE ‘WHO CAN I BE NOW? (1974 – 1976)’ will be released on 29th September and will contain a brand new remix of the 1979 album ‘LODGER’ by long time Bowie producer/collaborator Tony Visconti.

                                                    The 13LP box features all of the material officially released by Bowie between 1977 and 1982. It includes the so-called ‘Berlin Trilogy’ of albums on which he collaborated with Visconti and Brian Eno as well as the ‘BAAL’ EP, and is closed by ‘SCARY MONSTERS (And Super Creeps)’.

                                                    The box set, named after a track from the first of the so-called ‘Berlin Trilogy’ LOW, includes ‘LOW’, ‘”HEROES”’, ‘STAGE (ORIGINAL and 2017 VERSIONS)’ the former in the vinyl box will be pressed on yellow vinyl, replicating its original limited edition U.K. release, and the latter of which featuring two previously unreleased tracks, ‘LODGER’, ‘LODGER (Tony Visconti 2017 Mix)’, ‘SCARY MONSTERS (And Super Creeps)’, ‘RE:CALL 3’ (featuring contemporary single versions, non-album singles, b-sides and songs featured on soundtracks) and the ‘”HEROES”’ E.P., a compilation exclusive to the set celebrating the 40th anniversary of the song, which rounds up the German and French album and single versions of the track in one place for the first time.

                                                    Exclusive to each of the box sets is ‘LODGER (Tony Visconti 2017 Mix)’. The remix was started with David's blessing before his passing in January last year. Tony Visconti has revisited the original multi-tracks at Human Studios and remixed the album with the benefit of modern technology to better highlight the album's nuances. Always a personal favourite of David's, this version of the album will also feature newly 'remixed' artwork featuring unseen images from the original cover photographic session from the archive of the Estate of photographer Duffy, working closely with his son Chris.

                                                    Also exclusive to each box is Re:Call 3, a new compilation featuring remastered contemporary single versions, non-album singles and b-sides, and songs featured on soundtracks. The cover features a photo by Christian Simonpietri taken at Hansa Studios in Berlin during the “Heroes” sessions in 1977.

                                                    The box set’s accompanying 84p book will feature rarely seen and previously unpublished photos by photographers including Anton Corbijn, Helmut Newton, Andrew Kent, Steve Schapiro, Duffy and many others as well as historical press reviews and technical notes about the albums from producer Tony Visconti.

                                                    The vinyl box set has the same content as the CD set and is pressed on audiophile quality 180g vinyl.

                                                    LP Box Set:
                                                    84 Page hardback book
                                                    Low (remastered) (1LP)
                                                    "Heroes" (remastered) (1LP)
                                                    “Heroes” E.P. (remastered) (12” Single)*
                                                    Stage (remastered) (2LP Yellow Vinyl) *
                                                    Stage (2017) (remastered) (3LP)
                                                    Lodger (remastered) (1LP)
                                                    Lodger (Tony Visconti 2017 Mix) (1LP)*
                                                    Scary Monsters (And Super Creeps) (1LP)
                                                    Re:Call 3 (non-album singles, single versions and b-sides) (remastered) (2LP)*

                                                    * Exclusive to ‘A New Career In A New Town (1977-1982)’


                                                    FORMAT INFORMATION

                                                    FREE SHIPPING This item has FREE UK shipping!

                                                    FREE SHIPPING This item has FREE UK shipping!

                                                    Featuring the three final David Bowie studio recordings made during the sessions for his 28th and final album, ★, the No Plan EP is now being made available as a CD and two special vinyl versions.

                                                    Previously released as the No Plan digital EP (and before that, available exclusively on the Lazarus Cast Album), the songs: “No Plan,” “Killing A Little Time” and “When I Met You”, along with Cast Album title track “Lazarus”, are now available for pre-order on special physical formats. This follows wishes from fans for CD and vinyl versions after the release of the digital EP.

                                                    The No Plan EP artwork has been designed by long-time Bowie collaborator Jonathan Barnbrook. Both vinyl configurations of the No Plan EP feature a special laser etching on side B.

                                                    FORMAT INFORMATION

                                                    12" Info: Black etched vinyl edition.

                                                    David Bowie

                                                    Heathen - 180g Vinyl Edition

                                                    2002's 'Heathen' reunited David Bowie with producer Tony Visconti ('Space Oddity', 'Heroes', 'The Man Who Sold The World') for the first time in 20 years and featured guest appearances by Who legend Pete Townshend and Foo Fighter Dave Grohl. Townshend, who last worked with Bowie on the 1980 Scary Monsters And Super Creeps track "Because You're Young," contributes an incendiary lead guitar line to the track "Slow Burn," which Bowie called "the most eccentric and aggressive guitar I've heard Pete play."

                                                    "Slow Burn" also features a performance from The Borneo Horns, who accompanied Bowie on the Serious Moonlight tour while Grohl takes lead guitar duties on the Neil Young cover "I’ve Been Waiting." Other standout tracks on Heathen include the sublime "I Would Be Your Slave," the uptempo "Afraid," the epic "Slip Away" and "Everyone Says Hi," a beautifully melodic tune with a classic Visconti string arrangement.

                                                    “Heathenism is a state of mind,” explained Bowie. “You can take it that I’m referring to one who does not see his world. He has no mental light. He destroys almost unwittingly. He cannot feel any God’s presence in his life. He is the 21st Century man. There’s no theme or concept behind Heathen, just a number of songs, but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums.”


                                                    David Bowie

                                                    Sound And Vision - 40th Anniversary 7" Picture Disc

                                                      Originally released in the UK on February 11th, 1977 SOUND AND VISION was taken from the groundbreaking album LOW, the first of the so-called ‘Berlin Trilogy’ of albums. The song gave its name to Bowie’s anthology boxset and it’s accompanying greatest hits tour in 1990 and is the only track actually performed by him in his stage play LAZARUS.

                                                      The A-side features a brand new remaster of the track and the flip side sees the first physical release of the 2013 remix of the song. The stripped back remix by Sonjay Prabhakar was originally done for a Sony Experia advert and utilises the original lead vocals and Mary Hopkin’s backing vocal with a new piano part.


                                                      David Bowie

                                                      David Live (2005 Mix)

                                                        This live album, was recorded during the Diamond Dogs tour. Although drawing of mostly Ziggy era songs, stylistically it sees Bowie moving from glam rock into a new Philly soul influenced direction.

                                                        David Bowie

                                                        Live Nassau Coliseum '76

                                                          Recorded live at the Nassau Coliseum Uniondale, NY, U.S.A., 23rd March, 1976, the album is the official document of the Isolar/Station To Station tour.

                                                          Known to fans for many years as the Thin White Duke double album bootleg (among various other titles), the record didn’t get an official release for over thirty years, when it was finally issued as part of the Station To Station deluxe set in September, 2010.

                                                          It is now finally available a vinyl album in it's own right.


                                                          "Taking the detached plastic soul of Young Americans to an elegant, robotic extreme, Station to Station is a transitional album that creates its own distinctive style. Abandoning any pretense of being a soulman, yet keeping rhythmic elements of soul, David Bowie positions himself as a cold, clinical crooner and explores a variety of styles. Everything from epic ballads and disco to synthesized avant pop is present on Station to Station, but what ties it together is Bowie's cocaine-induced paranoia and detached musical persona. At its heart, Station to Station is an avant-garde art-rock album, most explicitly on "TVC 15" and the epic sprawl of the title track, but also on the cool crooning of "Wild Is the Wind" and "Word on a Wing," as well as the disco stylings of "Golden Years." It's not an easy album to warm to, but its epic structure and clinical sound were an impressive, individualistic achievement, as well as a style that would prove enormously influential on post-punk" - Allmusic.

                                                          STAFF COMMENTS

                                                          Barry says: From the bouncy quirks of TVC15, swaying along on a bedrock of keys and shuffling drum hooks to the funky majesty of 'Stay', this is one of the most diverse and exciting Bowie outings yet. Disco, rock and soul all get a look in, and it's all brilliantly measured and just as groundbreaking as the day it was released.

                                                          The zenith of David Bowie's flat-pack soul period, 1975's "Young Americans" is an incredible and frequently overlooked record. No other Bowie album had spelled out its market so cleanly and crisply in its title. This was an album to be bought at a time when young Americans, after years of mobilising, now had a little disposable income and were ready to party. It was all, supposedly, about 'emotional drive'. But the album came to represent so much more than that. It is an indirect product of many factors; soul music; politics, both personal and public; sex, drugs and dancing; of downtown New York and uptown Philadelphia.

                                                          STAFF COMMENTS

                                                          Barry says: What a beginning! 'Young Americans' really sets the scene for the rest of the album, swooning into the Pre-Balearic charms of 'Win' and the horny brilliance of 'Somebody up There Likes Me'. Dynamic, exciting and criminally overlooked, this is one of the greatest Bowie albums there is, and this is the essential version. Music achieved.

                                                          It seems improbable that these classics can really be improved upon, but it would seem that with this latest remaster, they have done exactly that. 

                                                          What can be said about Diamond Dogs that hasn't already? It's an Orwellian odyssey of Bowian proportians. 

                                                          Beginning with the freaky scene-setting dystopian flanged monologue of 'Future Legends' which sets the scene nicely for the eponymous follower. 'Diamond Dogs' is essentially a blues riff but twisted into a snarling glamorous rock and roll number. 

                                                          You might be forgiven for thinking that 'Sweet Thing' is not playing properly, but then it grows ever so slowly into a gloomy sounding detuned refrain, complete with harmonised 'ooh's' and 'aah's' before giving the man himself a stage to pull out his legendary vocal flare. When the unison of 'Boys, it's a sweet thing' comes around, you have no doubt that it really is a sweet thing. 

                                                          'Rebel, Rebel' is probably one of the most recognisable riffs of all time, and when that kicks in, you know you've landed. Rocking, psychedelic and triumphantly anthemic. 

                                                          It's rarely that an album has quite such a high killer/filler ratio, and most of them are by David Bowie. This is no exception. 

                                                          STAFF COMMENTS

                                                          Barry says: 'Rebel, Rebel', 'We Are The Dead', 'Sweet Thing', an absolute plethora of seminal anthems on here, conceptually impeccable, beautifully produced and written and essential in more ways than one.

                                                          David Bowie

                                                          Legacy (The Very Best Of David Bowie)

                                                            Music, art and fashion would not be in the place it is today without the seminal influence of David Bowie. A titan of popular music and pioneer of changing culture, it is not surprising that his death in January was met with such shock and sadness across the globe.

                                                            Throughout his life, David Bowie has amassed such an influential and varied musical back catalogue, that he leaves behind him a body of work that can be unrivalled – a true legacy.

                                                            In this must-have Bowie collection, you can experience Bowie’s genius from start to finish. From his early days as the iconic Ziggy Stardust, to his final days before his sudden passing, ‘Legacy’ brings you the best material from Bowie’s star-studded career.

                                                            Not only is ‘Legacy’ the ultimate Bowie collection to own, but it also features a previously unreleased mix of his renowned song ‘Life On Mars ?’. With a more orchestrated and cleaner mix, this unreleased version was mixed by Ken Scott the original producer of the track.

                                                            This special vinyl edition of the album comes as a gatefold with 2 limited edition 12” art prints of the 2 images used on the sleeve.

                                                            FORMAT INFORMATION

                                                            2xDeluxe LP Info: The vinyl is 180g audiophile.

                                                            David Bowie

                                                            Legacy (The Very Best Of David Bowie) - 2CD Deluxe Edition

                                                            Music, art and fashion would not be in the place it is today without the seminal influence of David Bowie. A titan of popular music and pioneer of changing culture, it is not surprising that his death in January was met with such shock and sadness across the globe.

                                                            Throughout his life, David Bowie has amassed such an influential and varied musical back catalogue, that he leaves behind him a body of work that can be unrivalled – a true legacy.

                                                            In this must-have Bowie collection, you can experience Bowie’s genius from start to finish. From his early days as the iconic Ziggy Stardust, to the final days of Blackstar, ‘Legacy’ brings you the best material from Bowie’s star-studded career.

                                                            Not only is ‘Legacy’ the ultimate Bowie collection to own, but it also features a previously unreleased mix of his renowned song ‘Life On Mars ?’. With a more orchestrated and cleaner mix, this unreleased version was mixed by Ken Scott the original producer of the track.

                                                            This 2 disc deluxe version of the album features not only more hits but also fans favorites such as This Is Not America, Fashion and I Can’t Give Everything Away from the mighty Blackstar.

                                                            Packaging takes the form of a deluxe digipack with additional photos.


                                                            David Bowie

                                                            Who Can I Be Now? (1974-1976)

                                                              The follow up to the awarding winning and critically acclaimed DAVID BOWIE ‘FIVE YEARS (1969 – 1973)’ this twelve CD box features all of the material officially released by Bowie during the so-called ‘American’ phase of his career from 1974 to 1976. The box set, which is named after a track recorded in 1974 but not officially released until the 1990’s, includes ‘DIAMOND DOGS’, ‘DAVID LIVE’ (in original and 2005 mixes), ‘YOUNG AMERICANS’ and ‘STATION TO STATION’ (in original and 2010 mixes) as well as ‘THE GOUSTER’, ‘LIVE NASSAU COLISEUM 76’ and a new compilation entitled ‘RE:CALL 2’ which is a collection of single versions and non-album b-sides. All of the formats include tracks that have never before appeared on CD as well as new remasters. Exclusive to the box set is ‘THE GOUSTER previously unreleased as a complete album’ it was recorded at Sigma Sound, Philadelphia in 1974 and produced by Tony Visconti. The album was mixed and mastered before David decamped to New York to work with John Lennon and Harry Maslin on what became the ‘YOUNG AMERICANS’ album. ‘THE GOUSTER’ contains three previously unreleased mixes of ‘Right’, ‘Can You Hear Me’ and ‘Somebody Up There Likes Me’. For the 2016 release, Tony Visconti has overseen the mastering from the original tapes and photos taken by Eric Stephen Jacobs have been put together for the sleeve based around one of David’s original concepts for the album. Also exclusive to the box set will be the remastered ‘DAVID LIVE (original mix)’, the 2010 Harry Maslin mix of ‘STATION TO STATION’ (previously only available on an audio only DVD in 5.1 and stereo as part of the ‘STATION TO STATION’ Deluxe box set in 2010) and ‘RE:CALL 2’. ‘RE:CALL 2’ features the original single mix of ‘Rebel Rebel’, which has only featured on a 40th anniversary picture disc in 2014 since its original release on single in 1974, and a previously unreleased on CD Australian single edit of ‘Diamond Dogs’, the only place in the world that this edit was issued. Also appearing on CD for the first time is the single edit of the live version of ‘Rock ‘n’ Roll With Me’, which was issued to radio stations in the U.S. to help promote the ‘DAVID LIVE’ album. ‘RE:CALL 2’ features newly originated artwork with 1975 in-studio images from the ‘STATION TO STATION’ recording sessions by David’s friend and backing vocalist Geoff MacCormack aka Warren Peace. The alternative cover for the 2010 mix of ‘STATION TO STATION’ by Harry Maslin, features the originally intended colour sleeve for the album that never got further than a few colour proofs and was replaced by the more familiar black and white image. The box set’s accompanying 128 page book will feature rarely seen and previously unpublished photos by photographers including Eric Stephen Jacobs, Tom Kelley, Geoff MacCormack, Terry O’Neill, Steve Schapiro, and many others as well as historical press reviews and technical notes about the albums from producers Tony Visconti and Harry Maslin. The CD box set will include faithfully reproduced mini-vinyl versions of the original albums and the CDs will be gold coloured rather than the usual silver. Also available as a 13LP 180g vinyl set (with 84 page book).

                                                              FORMAT INFORMATION

                                                              LP Box Set Info: 13LP box with 84 page book. 180 gram vinyl.

                                                              FREE SHIPPING This item has FREE UK shipping!

                                                              CD Box Set Info: 12CD box with 128 page book.
                                                              The CD box set will include faithfully reproduced mini-vinyl versions of the original albums and the CDs will be gold coloured rather than the usual silver.

                                                              FREE SHIPPING This item has FREE UK shipping!

                                                              20th May, 2016 marks forty years to the day that David Bowie's first ever best-of compilation, including songs from 1969 to 1976, CHANGESONEBOWIE was released. To mark this anniversary the album has now been reissued.

                                                              FORMAT INFORMATION

                                                              Ltd LP Info: Half of the limited vinyl will be pressed on black vinyl whilst the other half will be pressed on clear vinyl, this will not be mentioned on the sleeve so it will be completely random as to which one you receive.

                                                              David Bowie

                                                              David Bowie AKA Space Oddity - 180 Gram Vinyl Edition

                                                                The album, produced by Tony Visconti (bar "Space Oddity" itself which was produced by the late Gus Dudgeon), was a giant leap forward in terms of songwriting for Bowie compared to his eponymous debut, and can be considered as the first truly essential David Bowie album. Noted for a list of collaborators, including session players Herbie Flowers, Tim Renwick, Terry Cox and Rick Wakeman, the album delves into psychedelic folk-rock, as well as prog, with its genre-defying template creating a blueprint of what would become over the next decade and more, one of the most inimitable British artists.

                                                                FORMAT INFORMATION

                                                                LP Info: 180 gram audiophile vinyl.

                                                                David Bowie

                                                                Pinups - 180 Gram Vinyl Edition

                                                                  David Bowie's seventh album was his last to feature the famous "Spiders From Mars" band. It originally came out in November 1973 and is unique in that it is made up entirely of cover versions. In the original liner notes Bowie wrote that the original songs carried the flavour of "64 to '67 London" when he was first getting his band together. As such, it really does feel like a labour of love. Apart from enormo stars Pink Floyd, The Kinks and The Who, he also mastered tracks by The Merseys, Pretty Things and Easybeats. In short, a fine collection of classic songs given that indefatigable Bowie stamp.

                                                                  FORMAT INFORMATION

                                                                  LP Info: 180 gram audiophile vinyl.

                                                                  David Bowie

                                                                  Hunky Dory - 180 Gram Vinyl Edition

                                                                    "After the freakish hard rock of The Man Who Sold the World, David Bowie returned to singer/songwriter territory on Hunky Dory. Not only did the album boast more folky songs ("Song for Bob Dylan," "The Bewlay Brothers"), but he again flirted with Anthony Newley-esque dancehall music ("Kooks," "Fill Your Heart"), seemingly leaving heavy metal behind. As a result, Hunky Dory is a kaleidoscopic array of pop styles, tied together only by Bowie's sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class. Mick Ronson's guitar is pushed to the back, leaving Rick Wakeman's cabaret piano to dominate the sound of the album. The subdued support accentuates the depth of Bowie's material, whether it's the revamped Tin Pan Alley of "Changes," the Neil Young homage "Quicksand," the soaring "Life on Mars?," the rolling, vaguely homosexual anthem "Oh! You Pretty Things," or the dark acoustic rocker "Andy Warhol." On the surface, such a wide range of styles and sounds would make an album incoherent, but Bowie's improved songwriting and determined sense of style instead made Hunky Dory a touchstone for reinterpreting pop's traditions into fresh, postmodern pop music." - Allmusic.

                                                                    FORMAT INFORMATION

                                                                    LP Info: 180 gram audiophile vinyl.

                                                                    David Bowie

                                                                    The Rise And Fall Of Ziggy Stardust And The Spiders From Mars - 180 Gram Vinyl Edition

                                                                      Originally released through RCA Victor on 6th June 1972, Ziggy Stardust was David Bowie’s fifth album, co-produced by Bowie and Ken Scott. Incredibly, the album was written whilst Bowie was recording 1971’s Hunky Dory album, with recording beginning a couple of months before that album’s release. It was recorded at Trident Studios, London between 8th November 1971 and 4th February 1972, with the line up: Mick Ronson (guitar, piano, backing vocals, string arrangements), Trevor Bolder (bass), Mick Woodmansey (drums), Rick Wakeman (keyboards) and backing vocals on ‘It Ain’t Easy’ by Dana Gillespie. As well as performing vocals, Bowie also played acoustic guitar, saxophone and harpsichord on the album and was involved in the arrangements too.

                                                                      The album eventually peaked at #5 on the UK Album Chart on 22nd July having entered the chart at #15 on 1st July. Key to the album’s rise in the UK were the two TV performances of “Starman” on Granada TV’s Lift Off With Ayshea and nationally on the BBC’s Top Of The Pops. The album’s influence is immeasurable – it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particular those who were involved in the punk movement – musicians, artists, designers – and the subsequent re-birth of rock and pop.

                                                                      Famously Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973, though Ziggy Stardust’s influence was to redefine popular culture forever: pop music was never the same again.

                                                                      FORMAT INFORMATION

                                                                      LP Info: 180 gram audiophile vinyl.

                                                                      David Bowie

                                                                      The Man Who Sold The World - 180 Gram Vinyl Edition

                                                                        "Even though it contained no hits, The Man Who Sold the World, for most intents and purposes, is the beginning of David Bowie's classic period. Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen. The mix is off-center, with the fuzz-bass dominating the compressed, razor-thin guitars and Bowie's strangled, affected voice. The sound of The Man Who Sold the World is odd, but the music is bizarre itself, with Bowie's bizarre, paranoid futuristic tales melded to Ronson's riffing and the band's relentless attack. Musically, there isn't much innovation on The Man Who Sold the World - it is almost all hard blues-rock or psychedelic folk-rock - but there's an unsettling edge to the band's performance, which makes the record one of Bowie's best albums." - Allmusic.

                                                                        FORMAT INFORMATION

                                                                        LP Info: 180 gram audiophile vinyl.

                                                                        ★ is David Bowie’s 28th album.

                                                                        Spring 2015 brought the announcement of the off Broadway theatre production Lazarus, a collaboration between Bowie and renowned playwright Enda Walsh, to be directed by Ivo Van Hove. Lazarus is inspired by the novel The Man Who Fell To Earth by Walter Tevis, and centers on the character of Thomas Newton, famously portrayed by Bowie in the 1976 screen adaptation. It will feature new Bowie songs alongside fresh arrangements of music from his back catalogue.

                                                                        On October 6, 2015, an excerpt of Blackstar, a brand new original Bowie track, was revealed in the opening credits of The Last Panthers, a major new crime drama premiering across Europe on Sky Atlantic on November 12th.

                                                                        On October 25 it was confirmed that Blackstar would be the title of both the forthcoming single and album from David Bowie. The single will be released on November 20th and the album will follow on David’s birthday, January 8th 2016.

                                                                        Throughout his 50-year career, David Bowie’s work has always surprised, captivated and exhilarated. 2016 will be no exception. 

                                                                        FORMAT INFORMATION

                                                                        LP Info: Black vinyl edition in a die-cut sleeve.

                                                                        David Bowie

                                                                        Space Oddity - 2015 Remaster Edition

                                                                          The album, produced by Tony Visconti (bar "Space Oddity" itself which was produced by the late Gus Dudgeon), was a giant leap forward in terms of songwriting for Bowie compared to his eponymous debut, and can be considered as the first truly essential David Bowie album. Noted for a list of collaborators, including session players Herbie Flowers, Tim Renwick, Terry Cox and Rick Wakeman, the album delves into psychedelic folk-rock, as well as prog, with its genre-defying template creating a blueprint of what would become over the next decade and more, one of the most inimitable British artists.

                                                                          STAFF COMMENTS

                                                                          Andy says: Psych and folk flavours, typical of the late 60's era, dominate on Bowie's second LP. Obviously the title track is one of the greatest songs ever written!

                                                                          David Bowie

                                                                          The Rise And Fall Of Ziggy Stardust - 2012 Remaster Edition

                                                                            Originally released through RCA Victor on 6th June 1972, Ziggy Stardust was David Bowie’s fifth album, co-produced by Bowie and Ken Scott. Incredibly, the album was written whilst Bowie was recording 1971’s Hunky Dory album, with recording beginning a couple of months before that album’s release. It was recorded at Trident Studios, London between 8th November 1971 and 4th February 1972, with the line up: Mick Ronson (guitar, piano, backing vocals, string arrangements), Trevor Bolder (bass), Mick Woodmansey (drums), Rick Wakeman (keyboards) and backing vocals on ‘It Ain’t Easy’ by Dana Gillespie. As well as performing vocals, Bowie also played acoustic guitar, saxophone and harpsichord on the album and was involved in the arrangements too.

                                                                            The album eventually peaked at #5 on the UK Album Chart on 22nd July having entered the chart at #15 on 1st July. Key to the album’s rise in the UK were the two TV performances of “Starman” on Granada TV’s Lift Off With Ayshea and nationally on the BBC’s Top Of The Pops. The album’s influence is immeasurable – it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particular those who were involved in the punk movement – musicians, artists, designers – and the subsequent re-birth of rock and pop.

                                                                            Famously Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973, though Ziggy Stardust’s influence was to redefine popular culture forever: pop music was never the same again.

                                                                            David Bowie

                                                                            Aladdin Sane - 40th Anniversary Edition

                                                                            Described by Bowie as “Ziggy goes to America,” Aladdin Sane saw him create a rockier, more frenetic album than its predecessor, with The Rolling Stones a possible influence on album opener ‘Watch That Man’ and a transgressive cover of their song, ‘Let’s Spend The Night Together’. Elsewhere, Muddy Waters’ influence could be heard in the riff of the UK #2 single, ‘The Jean Genie’ and the “futuristic nostalgia” of ‘Drive-In Saturday’ - which charted at #3 in the UK – was inspired by 1950s doo-wop. ‘Cracked Actor’, possibly David’s most decadent moment, was written after he had toured Hollywood Boulevard, translating the images and environment into raw rock ‘n’ roll. The addition of Mike Garson and his remarkable talents, infused some of the album’s key tracks, in particular the title track with its dissonant improvisation, the Brechtian cabaret of ‘Time’ and album closer ‘Lady Grinning Soul’ with an edgy, schizophrenic quality.

                                                                            Original album produced by David Bowie and Ken Scott.

                                                                            This 40th anniversary edition has been remastered by Ray Staff at London’s AIR Studios. Ray cut the original LP during his time at Trident Studios and has received plaudits for his remastering of the Ziggy Stardust 40th anniversary edition last year.

                                                                            One of Britain's most celebrated, much cherished, original and iconic figures, David Bowie returns after a 10 year absence, with this brilliant new album on ISO Records.

                                                                            FORMAT INFORMATION

                                                                            2xLtd LP Info: Limited double LP vinyl includes a white label CD insert.

                                                                            One of Britains most celebrated, much cherished, original and iconic figures, David Bowie returns after a 10 year absence, with this brilliant new album on RCA Records. From the assault of opener 'The Next Day' through the mournful balladry of 'Where Are We Now' and on to the ambience and grandiose gothic imagery of 'Heat', this is a hugely worthwhile collection to any music fan's library, and further evidence of Bowie's incomparable talents, and impact on today's musical landscape.  

                                                                            FORMAT INFORMATION

                                                                            Ltd CD Info: A deluxe single disc CD format containing three bonus tracks and an exclusive poster.

                                                                            David Bowie

                                                                            Scary Monsters

                                                                              "David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s." - Allmusic.


                                                                              David Bowie

                                                                              The Man Who Sold The World - 2015 Remaster Edition

                                                                                "Even though it contained no hits, The Man Who Sold the World, for most intents and purposes, is the beginning of David Bowie's classic period. Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen. The mix is off-center, with the fuzz-bass dominating the compressed, razor-thin guitars and Bowie's strangled, affected voice. The sound of The Man Who Sold the World is odd, but the music is bizarre itself, with Bowie's bizarre, paranoid futuristic tales melded to Ronson's riffing and the band's relentless attack. Musically, there isn't much innovation on The Man Who Sold the World - it is almost all hard blues-rock or psychedelic folk-rock - but there's an unsettling edge to the band's performance, which makes the record one of Bowie's best albums." - Allmusic.


                                                                                STAFF COMMENTS

                                                                                Andy says: The classic title track would famously be covered by Nirvana on their "MTV Unplugged" album, but as ever, this record is pretty unlike anything else The Dame would go on to produce.

                                                                                David Bowie

                                                                                Heroes

                                                                                  "Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking." - Allmusic.

                                                                                  David Bowie

                                                                                  Aladdin Sane - 2013 Remaster Edition

                                                                                    "Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. Bowie abandons his futuristic obsessions to concentrate on the detached cool of New York and London hipsters, as on the compressed rockers "Watch That Man," "Cracked Actor," and "The Jean Genie." Bowie follows the hard stuff with the jazzy, dissonant sprawls of "Lady Grinning Soul," "Aladdin Sane," and "Time," all of which manage to be both campy and avant-garde simultaneously, while the sweepingly cinematic "Drive-In Saturday" is a soaring fusion of sci-fi doo wop and melodramatic teenage glam. He lets his paranoia slip through in the clenched rhythms of "Panic in Detroit," as well as on his oddly clueless cover of "Let's Spend the Night Together." For all the pleasures on Aladdin Sane, there's no distinctive sound or theme to make the album cohesive; it's Bowie riding the wake of Ziggy Stardust, which means there's a wealth of classic material here, but not enough focus to make the album itself a classic." - AllMusic.


                                                                                    STAFF COMMENTS

                                                                                    Andy says: David Bowie's follow-up to "Ziggy Stardust" stayed in the Glam style but with loads of other arty stylings that it kept him streets ahead of the rest. Includes the classic stomper "Jean Genie".

                                                                                    The powerful reach of Bowie's masterpiece, the first part of the much feted 'Berlin Trilogy' created with the aid of Brian Eno, is still being felt strongly almost 30 years on. Air's wonderful four hour Essential Mix began with this album's opener "Speed of Life", Q Magazine rated the album #14 in it's Greatest British Albums Ever, and Pitchfork, the New Testament for the New Indie generation, recently decreed "Low" as the #1 album of the 1970's. Side A (or tracks 1-7 for those more familiar with the CD format) are classic Bowie ("Sound and Vision", "Be My Wife"), although dealing with the unfamiliar and slightly darker topics of lethargy, depression and estrangement, highlighting Bowie's overcoming of his cocaine addiction. Over on Side B the album's true colours really come through - four ambient tracks, originally rejected for the soundtrack to "The Man Who Fell To Earth" (the source of Low's iconic cover image), which see Bowie pay homage to Can, Neu! and Eno himself. The word 'timeless' was invented for such moments as these.


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