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DAVID BOWIE
The story of how David Bowie's search for meaning inspired him to write the music that defined a generation. In this wide-ranging biography, Peter Ormerod explores the quest for spirituality that powered David Bowie's creativity from his earliest recordings to his death-defying final album. Bowie’s genre-expanding, era-crossing genius had an extraordinary impact on popular culture but his life-long search for spiritual truth and enlightenment has been overlooked.
From Bowie's first musical encounters as a choirboy, this book traces his spiritual obsessions over the years. As a young musician at the start of his career, he was enraptured by Tibetan Buddhism. It was the first step in a spiritual journey that would generate his most profound lyrics and music.
From the Kabbalah-influenced tracks of Station to Station to Ziggy Stardust's messiah complex and the profound affinity between Heroes and Christian thought, Ormerod sheds new light on the spiritual traditions behind Bowie's genius. Taking Bowie’s spiritual explorations and faith seriously, Ormerod shows us how this quest for meaning propelled him through his darkest moments and biggest successes, lending his music a timelessness and depth that has spoken to so many people across the world. Whether experiencing a dark night of the soul in LA during his occult phase or reciting the Lord's prayer in front of thousands of concertgoers, Bowie was always searching for that universal truth that lies beyond everyday reality.
From Bowie's first musical encounters as a choirboy, this book traces his spiritual obsessions over the years. As a young musician at the start of his career, he was enraptured by Tibetan Buddhism. It was the first step in a spiritual journey that would generate his most profound lyrics and music.
From the Kabbalah-influenced tracks of Station to Station to Ziggy Stardust's messiah complex and the profound affinity between Heroes and Christian thought, Ormerod sheds new light on the spiritual traditions behind Bowie's genius. Taking Bowie’s spiritual explorations and faith seriously, Ormerod shows us how this quest for meaning propelled him through his darkest moments and biggest successes, lending his music a timelessness and depth that has spoken to so many people across the world. Whether experiencing a dark night of the soul in LA during his occult phase or reciting the Lord's prayer in front of thousands of concertgoers, Bowie was always searching for that universal truth that lies beyond everyday reality.
A major new biography of David Bowie on the 10th anniversary of his death, exploring the second half of his career from commerical failures to critical rebirth in the 21st century. When David Bowie died on 10 January 2016, aged 69, his death was greeted with the greatest display of public mourning since Princess Diana three decades before. Twenty-five years before, Bowie appeared to be washed up.
His Eighties career had been a slow descent into self-parody, his attempts to diversify into hard rock with the had been disastrous, and the art-rock music with which he had made his name was badly out of fashion. The Thin White Duke needed a miracle if he was not only going to be able to assume his rightful place at the top of the rock music firmament, but even to continue his career. And a miracle – a resurrection from the dead – is precisely what happened.
Lazarus: The Second Coming of David Bowie is the first biography of Bowie that tells the full and candid story of what happened in between those two apparently unbridgeable points. With new and exclusive interviews with the musicians, filmmakers and cultural figures who worked with and befriended Bowie throughout this period, Lazarus is the definitive account of the previously overlooked and fascinating latter half of a great and distinguished career. A career that climaxed with his final masterpiece, Blackstar, and the unprecedented theatrical flourish of his departure from the stage as he passed into legend.
His Eighties career had been a slow descent into self-parody, his attempts to diversify into hard rock with the had been disastrous, and the art-rock music with which he had made his name was badly out of fashion. The Thin White Duke needed a miracle if he was not only going to be able to assume his rightful place at the top of the rock music firmament, but even to continue his career. And a miracle – a resurrection from the dead – is precisely what happened.
Lazarus: The Second Coming of David Bowie is the first biography of Bowie that tells the full and candid story of what happened in between those two apparently unbridgeable points. With new and exclusive interviews with the musicians, filmmakers and cultural figures who worked with and befriended Bowie throughout this period, Lazarus is the definitive account of the previously overlooked and fascinating latter half of a great and distinguished career. A career that climaxed with his final masterpiece, Blackstar, and the unprecedented theatrical flourish of his departure from the stage as he passed into legend.
A landmark exploration of David Bowie as an everlasting cultural force and changemaker, by acclaimed writer Paul Morley. In the ten years since the death of David Bowie in 2016 there has been no loss of interest in and fascination with his life, music and driven, complex personality. He is definitely one musician, one performer, destined not to be forgotten.
The significant grief and sadness that greeted Bowie's death has evolved into a deeper, enduring love for his music, style, wit, artistic curiosity, sexual energy, flamboyant outsider spirit and insatiable, provocative appetite for life. Far Above the World will document one of the UK's greatest creative artists, through the spectacularly colourful and vibrant journey of a man who constantly reinvented himself and his music. Bowie lived in the future, using the pop song to chronicle overwhelming and dangerous times, searching for the light, and creating a communication channel between post-war 20th century times and where(ever) we are now.
The significant grief and sadness that greeted Bowie's death has evolved into a deeper, enduring love for his music, style, wit, artistic curiosity, sexual energy, flamboyant outsider spirit and insatiable, provocative appetite for life. Far Above the World will document one of the UK's greatest creative artists, through the spectacularly colourful and vibrant journey of a man who constantly reinvented himself and his music. Bowie lived in the future, using the pop song to chronicle overwhelming and dangerous times, searching for the light, and creating a communication channel between post-war 20th century times and where(ever) we are now.
Bing Crosby & David Bowie
Peace On Earth / Little Drummer Boy - Picture Disc Edition
Red Hook Records
The now-classic duet of 'Peace On Earth/Little Drummer Boy' with David Bowie from Bing Crosby's 1977 television special, M errie Olde Christmas is back on a brand new, collector's edition, picture disc 12” vinyl. The picture disc features the iconic image of David Bowie and Bing Crosby at the piano.
TRACK LISTING
1. Peace On Earth / Little Drummer Boy - Bing Crosby, David Bowie
2. White World Of Winter - Bing Crosby
Bowie is a new label that says it intends to "dig deep into the unreleased sides of pop superstars material from the past." The opening gambit is a strong one that should hook you in for more as it comes in the form of a 7" with two fine funk instrumentals, neither of which have been put out before. 'Golden Years' has lovely live drums and meandering guitar licks for some carefree listening, while 'Fame' has a deep cut groove that rises and falls in dramatic fashion with more neat and tidy riffs adding the detail next to the big licks.
STAFF COMMENTS
Matt says: What's this?! Funk instrumentals of Bowie classics? You'da thunk that'd be a well worn verse round these parts by now... but, whoever David is, they've uncovered some rather fine work here.TRACK LISTING
Side 1
"Golden Years" (Unreleased Instrumental)
Side 2
"Fame" (Unreleased Instrumental)
David Bowie 6. I Can’t Give Everything Away (2002 - 2016) is the sixth in a series of box sets spanning Bowie’s career from 1969. The eighteen-piece vinyl box set is named after the closing track on ★ (BLACKSTAR), Bowie’s final studio album. The box sets include newly remastered versions (except ★ and No Plan), with input from David’s co-producer Tony Visconti.
Exclusive to each of the box sets are Montreux Jazz Festival and Re:Call 6. The former was recorded on the 18th of July 2002 at the prestigious Montreux Jazz Festival and among the 31 tracks features a full performance bar one song of one of Bowie’s most revered albums, Low.
Re:Call 6 features 41 non-album / alternative versions / b-sides and soundtrack songs, including tracks never previously available on vinyl.
An accompanying book features previously unseen notes, drawings and handwritten lyrics from Bowie and photos by Sukita (who took the set’s cover shot), Jimmy King, Frank W. Ockenfels 3, Markus Klinko, Mark ‘Blammo’ Adams and more as well as memorabilia, technical notes about the albums from co-producer Tony Visconti and design notes from Jonathan Barnbrook.
Exclusive to each of the box sets are Montreux Jazz Festival and Re:Call 6. The former was recorded on the 18th of July 2002 at the prestigious Montreux Jazz Festival and among the 31 tracks features a full performance bar one song of one of Bowie’s most revered albums, Low.
Re:Call 6 features 41 non-album / alternative versions / b-sides and soundtrack songs, including tracks never previously available on vinyl.
An accompanying book features previously unseen notes, drawings and handwritten lyrics from Bowie and photos by Sukita (who took the set’s cover shot), Jimmy King, Frank W. Ockenfels 3, Markus Klinko, Mark ‘Blammo’ Adams and more as well as memorabilia, technical notes about the albums from co-producer Tony Visconti and design notes from Jonathan Barnbrook.
To celebrate the 40th anniversary of 'Dancing in the Street', this limited edition white vinyl 12" brings together all of the song's mixes for the first time.
Speaking about the song, Mick Jagger said: ‘’We had such a laugh doing 'Dancing in the Street' with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.”
30% of the retail price from the sale of this single will be donated by David Bowie, Mick Jagger and Parlophone Records to The Band Aid Charitable Trust (Charity Number 292199).
Speaking about the song, Mick Jagger said: ‘’We had such a laugh doing 'Dancing in the Street' with both the song recorded in the studio and the video done in one day. Remarkable how we pulled it off really. The video is hilarious to watch now. We enjoyed camping it up and trying to impersonate each other’s moves, making it up as we went along. It was the only time David and myself collaborated on anything, which is a real shame.”
30% of the retail price from the sale of this single will be donated by David Bowie, Mick Jagger and Parlophone Records to The Band Aid Charitable Trust (Charity Number 292199).
TRACK LISTING
1. Dancing In The Street (Clearmountain Mix)
2. Dancing In The Street (Instrumental)
3. Dancing In The Street (Steve Thompson Mix)
4. Dancing In The Street (Edit)
5. Dancing In The Street (Dub)
Official photographer to music legend David Bowie, Denis O'Regan presents a personal edit from his unrivalled collection of photographs. Accompanying Bowie on two world tours and enjoying a decades-long relationship with the star, no one photographed Bowie more than Denis O'Regan. As Bowie himself once remarked, 'Denis, Rock 'n' Roll is in your blood'.
From the door of Olympic Studios, where Bowie recorded Diamond Dogs in 1974, to live stadium shows in the 1990s, Denis's full archive is at last opened and many unseen images revealed for the first time. David Bowie by Denis O’Regan tells Bowie's musical story in pictures, with O'Regan's own words relaying his experience of documenting that incredible journey. Author of the hugely successful Ricochet: David Bowie 1983 (Particular Books, 2018), O'Regan has toured with the biggest stars from The Rolling Stones and Queen to Pink Floyd and Duran Duran, to name a few.
But it is his photographs of David Bowie, taken over two decades at over 200 concerts worldwide, that he is best known for. David Bowie the showman and David behind-the scenes, O'Regan has captured it all in this showcase of one of the world's most talented performers.
From the door of Olympic Studios, where Bowie recorded Diamond Dogs in 1974, to live stadium shows in the 1990s, Denis's full archive is at last opened and many unseen images revealed for the first time. David Bowie by Denis O’Regan tells Bowie's musical story in pictures, with O'Regan's own words relaying his experience of documenting that incredible journey. Author of the hugely successful Ricochet: David Bowie 1983 (Particular Books, 2018), O'Regan has toured with the biggest stars from The Rolling Stones and Queen to Pink Floyd and Duran Duran, to name a few.
But it is his photographs of David Bowie, taken over two decades at over 200 concerts worldwide, that he is best known for. David Bowie the showman and David behind-the scenes, O'Regan has captured it all in this showcase of one of the world's most talented performers.
This newly formed and already brilliant label is back with more previously unreleased instrumentals that bring a different twist and dancefloor edge to classic sounds from the rock and indie world. First up we get a subtle edit of 'Sound and Vision' which has a nice fat and funky bassline bouncing beneath the splashy drums as nice acoustic guitar melodies ring out next to glistening retro-future pads. It's a cosmic trip that oozes soul then things slow down on the flip with 'Young Americans'. This one is a nice go-slow instrumental with funky and expressive horn work taking the lead over the fat-bottomed drums and bass.
STAFF COMMENTS
Mine says: Another two previously unreleased instrumentals have been unearthed by an anonymous party and should fulfil more of your living room or garden party karaoke needs. Volume 1 (featuring Golden Years and Fame) has come and gone and went down an absolute treat with you lot; Bowie fans should not sleep on this one!!TRACK LISTING
Side 1
1. "Sound & Vision" (Unreleased Instrumental)
Side 2
1."Young Americans" (Unreleased Instrumental)
7th March 2025 marks the 50th anniversary of the release of David Bowie's ninth studio album, 'Young Americans'.
On the exact day of its Golden Jubilee, 'Young Americans' is issued as a limited edition 50th anniversary half-speed mastered LP and a picture disc LP with a poster pressed from the same master.
The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., ‘Fame’, co-written with John Lennon and Bowie's then guitarist, Carlos Alomar.
This new pressing of Young Americans was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.
On the exact day of its Golden Jubilee, 'Young Americans' is issued as a limited edition 50th anniversary half-speed mastered LP and a picture disc LP with a poster pressed from the same master.
The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., ‘Fame’, co-written with John Lennon and Bowie's then guitarist, Carlos Alomar.
This new pressing of Young Americans was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.
TRACK LISTING
1. Young Americans
2. Win
3. Fascination
4. Right
5. Somebody Up There Likes Me
6. Across The Universe
7. Can You Hear Me
8. Fame
After his breakthrough with Ziggy Stardust and before his U.S. pop hits "Fame" and "Golden Years" David Bowie produced a dark and difficult concept album set in a post-apocalyptic "Hunger City" populated by post-human "mutants." Diamond Dogs includes the great glam anthem "Rebel Rebel" and utterly unique songs that combine lush romantic piano and nearly operatic singing with scratching, grungy guitars, creepy, insidious noises, and dark, pessimistic lyrics that reflect the album's origins in a projected Broadway musical version of Orwell's 1984 and Bowie's formative encounter with William S. Burroughs.
In this book Glenn Hendler shows that each song on Diamond Dogs shifts the ground under you as you listen, not just by changing in musical style, but by being sung by a different "I" who directly addresses a different "you." Diamond Dogs is the product of a performer at the peak of his powers but uncomfortable with the rock star role he had constructed. All of the album's influences looked to Bowie like ways of escaping not just the Ziggy role, but also the constraints of race, gender, sexuality, and nationality. These are just some of the reasons many Bowie fans rate Diamond Dogs his richest and most important album of the 1970s.
In this book Glenn Hendler shows that each song on Diamond Dogs shifts the ground under you as you listen, not just by changing in musical style, but by being sung by a different "I" who directly addresses a different "you." Diamond Dogs is the product of a performer at the peak of his powers but uncomfortable with the rock star role he had constructed. All of the album's influences looked to Bowie like ways of escaping not just the Ziggy role, but also the constraints of race, gender, sexuality, and nationality. These are just some of the reasons many Bowie fans rate Diamond Dogs his richest and most important album of the 1970s.
David Bowie’s groundbreaking debut album is set for a vibrant revival with a reissue on both CD and coloured vinyl, boasting exclusive tracklists to tantalize fans old and new. Critics of the time commented; with the NME praising Bowie’s fresh sound as “all very refreshing” and hailing him as “a very promising talent.” Melody Maker lauds the album as “a singularly rewarding collection” with “excellent” production, while expressing surprise that Bowie hadn’t yet made a bigger impact on the pop scene. Meanwhile, Disc & Music Echo raves about the album, describing it as “a remarkable, creative debut album by a 19-year-old Londoner” and declaring Bowie as “a new talent that deserves attention.” With such illuminating reviews, this reissue promises to reignite Bowie’s early legacy and introduce his visionary artistry to a new generation of listeners.
TRACK LISTING
2CD Tracklisting:
CD1
Uncle Arthur
Sell Me A Coat
Rubber Band
Love You Till Tuesday
There Is A Happy Land
We Are Hungry Men
When I Live My Dream
Little Bombardier
Silly Boy Blue
Come And Buy My Toys
Join The Gang
She’s Got Medals
Maids Of Bond Street
Please Mr. Gravedigger
CD2
Rubber Band
The London Boys
The Laughing Gnome
The Gospel According To Tony Day
Love You Till Tuesday
Did You Ever Have A Dream
When I Live My Dream
Let Me Sleep Beside You
Karma Man
In The Heat Of The Morning
London Bye Ta-Ta
When I’m Five
Ching-A-Ling
The Laughing Gnome (Vocal Take 1/Mix 1)
Sell Me A Coat
Space Oddity (Love You Till Tuesday Version)
Standard Version (2LP Green) Tracklisting:
*Exclusive Bonus Track – Sell Me A Coat*
A-Side:
Uncle Arthur
Sell Me A Coat
Rubber Band
Love You Till Tuesday
There Is A Happy Land
We Are Hungry Men
When I Live My Dream
B-Side:
Little Bombardier
Silly Boy Blue
Come And Buy My Toys
Join The Gang
She’s Got Medals
Maids Of Bond Street
Please Mr. Gravedigger
C-Side:
Rubber Band
The London Boys
The Laughing Gnome
The Gospel According To Tony Day
Love You Till Tuesday
Did You Ever Have A Dream
When I Live My Dream
D Side:
Let Me Sleep Beside You
Karma Man
In The Heat Of The Morning
London Bye Ta-Ta
When I’m Five
Ching-A-Ling
Sell Me A Coat
Indie Version (2LP Cloudy Green) Tracklisting:
*Exclusive Bonus Track – The Laughing Gnome – Vocal Take 1/Mix 1*
A-Side:
Uncle Arthur
Sell Me A Coat
Rubber Band
Love You Till Tuesday
There Is A Happy Land
We Are Hungry Men
When I Live My Dream
B-Side:
Little Bombardier
Silly Boy Blue
Come And Buy My Toys
Join The Gang
She’s Got Medals
Maids Of Bond Street
Please Mr. Gravedigger
C-Side:
Rubber Band
The London Boys
The Laughing Gnome
The Gospel According To Tony Day
Love You Till Tuesday
Did You Ever Have A Dream
When I Live My Dream
D Side:
Let Me Sleep Beside You
Karma Man
In The Heat Of The Morning
London Bye Ta-Ta
When I’m Five
Ching-A-Ling
The Laughing Gnome (Vocal Take 1/Mix 1)
"One day I blew my nose and half my brains came out." Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge.
There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled "Station To Station" (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists.
Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on "Low", his own expressionist mood-piece.
There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled "Station To Station" (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists.
Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on "Low", his own expressionist mood-piece.
Half-Speed Master Vinyl Edition
David Bowie’s Rock ‘n’ Roll Star! Charts Bowie’s journey to Ziggy Stardust. Starting with early home demos, through radio sessions and live performances, to session recordings, outtakes and alternate versions from the recording of The Rise and Fall of Ziggy Stardust album.
The 1LP half-speed master which accompanies the 5CD+BR version features alternative takes and mixes including an alternative version of ‘Lady Stardust’, an unheard version of the deep-cut classic ‘Shadow Man’ and an up-tempo take of The Who’s ‘I Can’t Explain’, which he would later slow down and cover for the PIN-UPS album.
5CD + 1 Blue-Ray Edition
David Bowie’s Rock ‘n’ Roll Star! is a 5CD and 1 Blu-Ray Audio set that explores David Bowie’s journey from February 1971 through the creation of the Ziggy Stardust character, the recording of the iconic The Rise and Fall of Ziggy Stardust and the Spiders From Mars album, and captures the international mania that surrounded the Ziggy phenomenon in the form of UK radio sessions and TV performances, as well as live tracks from Ziggy and the Spiders’ 1st October 1972 show at the Boston Music Hall.
Rock ‘n’ Roll Star! contains 29 unreleased tracks, covers early songwriting demos, recordings from David’s band, The Arnold Corns, rehearsals at Bowie’s then-home, Haddon Hall, BBC sessions, singles, live performances, plus outtakes and alternative versions from the original album recording sessions, which have been newly mixed by original album producer, Ken Scott.
Unreleased highlights include an alternative version of ‘Lady Stardust’, an unheard version of the deep-cut classic ‘Shadow Man’ and an up-tempo take of The Who’s ‘I Can’t Explain’, which he would later slow down and cover for the PIN-UPS album.
The Blu-Ray includes a version of the Ziggy Stardust album called Waiting In The Sky (Before The Starman Came To Earth) taken from Trident Studio tapes dated 15th December 1971, which features an alternative running order and four songs that didn’t make the final album.
Rock ‘n’ Roll Star! also contains two books. The first is an extensive 112-page book with detailed liner notes, memorabilia, contemporary reviews and articles, rare photographs from Barrie Wentzel, Michael Putland, Mick Rock, Sukita and Alec Byrne, as well as brand-new notes and interviews with Ken Scott, Mark Carr Pritchett and David’s plugger from the time, Anya Wilson. Accompanying the main book is a 36-page compiled reproduction of David’s personal Ziggy Stardust era notebooks.
David Bowie’s Rock ‘n’ Roll Star! Charts Bowie’s journey to Ziggy Stardust. Starting with early home demos, through radio sessions and live performances, to session recordings, outtakes and alternate versions from the recording of The Rise and Fall of Ziggy Stardust album.
The 1LP half-speed master which accompanies the 5CD+BR version features alternative takes and mixes including an alternative version of ‘Lady Stardust’, an unheard version of the deep-cut classic ‘Shadow Man’ and an up-tempo take of The Who’s ‘I Can’t Explain’, which he would later slow down and cover for the PIN-UPS album.
5CD + 1 Blue-Ray Edition
David Bowie’s Rock ‘n’ Roll Star! is a 5CD and 1 Blu-Ray Audio set that explores David Bowie’s journey from February 1971 through the creation of the Ziggy Stardust character, the recording of the iconic The Rise and Fall of Ziggy Stardust and the Spiders From Mars album, and captures the international mania that surrounded the Ziggy phenomenon in the form of UK radio sessions and TV performances, as well as live tracks from Ziggy and the Spiders’ 1st October 1972 show at the Boston Music Hall.
Rock ‘n’ Roll Star! contains 29 unreleased tracks, covers early songwriting demos, recordings from David’s band, The Arnold Corns, rehearsals at Bowie’s then-home, Haddon Hall, BBC sessions, singles, live performances, plus outtakes and alternative versions from the original album recording sessions, which have been newly mixed by original album producer, Ken Scott.
Unreleased highlights include an alternative version of ‘Lady Stardust’, an unheard version of the deep-cut classic ‘Shadow Man’ and an up-tempo take of The Who’s ‘I Can’t Explain’, which he would later slow down and cover for the PIN-UPS album.
The Blu-Ray includes a version of the Ziggy Stardust album called Waiting In The Sky (Before The Starman Came To Earth) taken from Trident Studio tapes dated 15th December 1971, which features an alternative running order and four songs that didn’t make the final album.
Rock ‘n’ Roll Star! also contains two books. The first is an extensive 112-page book with detailed liner notes, memorabilia, contemporary reviews and articles, rare photographs from Barrie Wentzel, Michael Putland, Mick Rock, Sukita and Alec Byrne, as well as brand-new notes and interviews with Ken Scott, Mark Carr Pritchett and David’s plugger from the time, Anya Wilson. Accompanying the main book is a 36-page compiled reproduction of David’s personal Ziggy Stardust era notebooks.
TRACK LISTING
Half-Speed Master Vinyl Edition
Side 1
1. Hang On To Yourself (early Ziggy Session Take)
2. Star (Take 5 Alternative Version)
3. Lady Stardust (Take 1 Alternative Version)
4. Shadow Man (Ziggy Session Version)
5. The Supermen (Ziggy Session Version 2023 Mix)
6. Holy Holy (Ziggy Session Version Alternative Mix)
7. Round And Round (alternative Mix)
Side 2
1. Velvet Goldmine (Ziggy Sessions Outtake 2022 Mix)
2. Looking For A Friend (Ziggy Session Version)
3. It's Gonna Rain Again (Ziggy Sessions Outtake)
4. Sweet Head (Ziggy Sessions Outtake 2022 Mix)
5. Starman (Top Of The Pops Version 2022 Mix)
6. John, I'm Only Dancing (alternative Trident Studios Version)
7. I Can't Explain (Trident Studios Version)
CD/Blu-Ray Edition:
Disc 1
1. So Long 60s (San Francisco Hotel Recording) *
2. Hang On To Yourself (early Demo) *
3. Lady Stardust (demo)
4. Ziggy Stardust (demo)
5. Star (Aka Stars) (demo) *
6. Soul Love (demo And DB Spoken Notes) *
7. Starman (demo 1 Excerpt) *
8. Starman (demo 2) *
9. Moonage Daydream (The Arnold Corns Version)
10. Hang On To Yourself (The Arnold Corns Version)
11. Looking For A Friend (The Arnold Corns Version – Rough Mix) *
12. Haddon Hall Rehearsals Segue: Ziggy Stardust / Holy Holy / Soul Love *
13. Star (Aka Stars) (Haddon Hall Rehearsal) *
14. Sweet Head (Haddon Hall Rehearsal) *
Disc 2
Sounds Of The 70s: John Peel
Session Recorded On 11th January, 1972 And Broadcast On 28th January, 1972
1. Ziggy Stardust *
2. Queen Bitch *
3. Waiting For The Man *
4. Lady Stardust *
Sounds Of The 70s: Bob Harris
Session Recorded On 18th January, 1972 And Broadcast On 7th February, 1972
5. Hang On To Yourself
6. Ziggy Stardust
7. Queen Bitch
8. Waiting For The Man
9. Five Years
Old Grey Whistle Test Performance
Filmed On 7th February, 1972 And Broadcast On 8th February, 1972
Except ‘Oh! You Pretty Things’ Which Was Not Broadcast Until 1982.
10. Oh! You Pretty Things (take 1)
11. Queen Bitch
12. Five Years
Disc 3
Sounds Of The 70s: John Peel
Session Recorded On 16th May, 1972 And Broadcast On 23rd May, 1972
1. White Light/White Heat
2. Moonage Daydream
3. Hang On To Yourself
4. Suffragette City
5. Ziggy Stardust
Johnnie Walker Lunchtime Show
Session Recorded On 22nd May, 1972 And Broadcast From 5th – 9th June, 1972
6. Starman
7. Space Oddity
8. Changes
9. Oh! You Pretty Things
Sounds Of The 70s: Bob Harris
Session Recorded On 23rd May, 1972 And Broadcast On 19th June, 1972
10. Andy Warhol
11. Lady Stardust
12. White Light/White Heat
13. Rock ‘N’ Roll Suicide
Top Of The Pops Performance
Filmed On 5th July, 1972 And Broadcast On 6th July, 1972
14. Starman
Disc 4
1. Round And Round
2. The Supermen (Ziggy Session Version)
3. Holy Holy (Ziggy Session Version)
4. Velvet Goldmine (Ziggy Session Outtake)
5. Starman (original Single Mix)
6. John, I’m Only Dancing (original Single Version)
Recorded Live At The Music Hall, Boston.
Recorded On 1st October, 1972
7. The Supermen
8. Changes
9. Life On Mars?
10. My Death *
11. John, I’m Only Dancing
Disc 5
1. Looking For A Friend (The Arnold Corns Version 2022 Mix) *
2. Hang On To Yourself (early Ziggy Session Take) *
3. Star (take 5 Alternative Version) *
4. Lady Stardust (take 1 Alternative Version) *
5. Shadow Man (Ziggy Session Version) *
6. The Supermen (Ziggy Session Version 2023 Mix) *
7. Holy Holy (Ziggy Session Version Alternative Mix) *
8. Round And Round (alternative Mix)
9. It’s Gonna Rain Again (Ziggy Session Outtake) *
10. Looking For A Friend (Ziggy Session Version) *
11. Velvet Goldmine (Ziggy Sessions Outtake 2022 Mix) *
12. Sweet Head (Ziggy Sessions Outtake 2022 Mix) *
13. Starman (Top Of The Pops Version 2022 Mix)
14. John, I’m Only Dancing (alternative Trident Studios Version) *
15. I Can’t Explain (Trident Studios Version) * Bonus Mix
16. Moonage Daydream (2003 Instrumental Mix)
Blu Ray Audio
THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS
Original Album Mix (96khz/24bit Stereo)
THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS AND EXTRAS
2003 5.1 Mixes (DTS-HD Master Audio 5.1 - 96khz/24bit)
WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH)
Early Ziggy Stardust Album Tracklisting – December 1971 (96khz/24bit PCM Stereo)
THE SINGLES
(96khz/24bit PCM Stereo)
OUTTAKES AND ALTERNATIVE VERSIONS
(96khz/24bit PCM Stereo)
On 24th May, 2024, the exact day of its Golden Jubilee, Diamond Dogs will be issued as a limited edition 50th anniversary picture disc LP, pressed from the same master as the half speed version. The first single from the album, ‘Rebel Rebel’, reached number 5 in the UK and the album would also reach similar heights on both sides of the Atlantic reaching number 1 in the UK and number 5 in the USA.
This new pressing of Diamond Dogs was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios
The writing of the album was influenced by Bowie not being able to secure the rights for a theatrical production of George Orwell’s 1984 and the work of William S. Burroughs, whom Bowie had interviewed for Rolling Stone in November 1973. The songs on the album created an urban apocalyptic scenario with Bowie appearing on the cover as a controversial half-man, half-dog hybrid painted by the Belgian artist Guy Peellaert from photos by the world-renowned photographer Terry O’Neill. Since its release, tracks from Diamond Dogs have been covered by artists such as Beck, Tina Turner, Duran Duran, Def Leppard, Joan As Police Woman, Dead Or Alive and The Struts.
This new pressing of Diamond Dogs was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios
The writing of the album was influenced by Bowie not being able to secure the rights for a theatrical production of George Orwell’s 1984 and the work of William S. Burroughs, whom Bowie had interviewed for Rolling Stone in November 1973. The songs on the album created an urban apocalyptic scenario with Bowie appearing on the cover as a controversial half-man, half-dog hybrid painted by the Belgian artist Guy Peellaert from photos by the world-renowned photographer Terry O’Neill. Since its release, tracks from Diamond Dogs have been covered by artists such as Beck, Tina Turner, Duran Duran, Def Leppard, Joan As Police Woman, Dead Or Alive and The Struts.
TRACK LISTING
SIDE ONE
Future Legend
Diamond Dogs
Sweet Thing
Candidate
Sweet Thing (Reprise)
Rebel Rebel
SIDE TWO
Rock ’n’ Roll With Me
We Are The Dead
1984
Big Brother
Chant Of The Ever Circling Skeletal Family
From the stylist behind David Bowie's Ziggy Stardust look, an electrifying peek behind the curtains during a legendary chapter of pop culture history. 'Suzi Ronson was there as Bowie transitioned from suburban folkie to world superstar and genius. Few can offer such insight, and tell this fascinating story with such verve.' HANIF KUREISHISuzi Ronson was working in a Beckenham hair salon in the early seventies when Mrs Jones came in for her weekly shampoo and set.
After being introduced to her son David and his wife Angie, Suzi finds herself at the Bowies' bohemian apartment and is soon embroiled in their raucous world. Having crafted his iconic Ziggy Stardust hairstyle, Suzi becomes the only working woman in David's touring party and joins the Spiders from Mars as they perform around the globe. Amid the costume blunders, parties and groupies she meets her husband-to-be, Mick Ronson, and together they traverse the absurdities of life in show business, falling in with the likes of Iggy Pop, Bob Dylan and Lou Reed along the way.
Dazzling and intimate, Me and Mr Jones provides not only a unique perspective on one of the most beguiling stars of our time but also a world on the cusp of cultural transformation, charting the highs and lows of life as one of the only women in the room as it happened.
After being introduced to her son David and his wife Angie, Suzi finds herself at the Bowies' bohemian apartment and is soon embroiled in their raucous world. Having crafted his iconic Ziggy Stardust hairstyle, Suzi becomes the only working woman in David's touring party and joins the Spiders from Mars as they perform around the globe. Amid the costume blunders, parties and groupies she meets her husband-to-be, Mick Ronson, and together they traverse the absurdities of life in show business, falling in with the likes of Iggy Pop, Bob Dylan and Lou Reed along the way.
Dazzling and intimate, Me and Mr Jones provides not only a unique perspective on one of the most beguiling stars of our time but also a world on the cusp of cultural transformation, charting the highs and lows of life as one of the only women in the room as it happened.
October 2023 marks the 50th anniversary of the release of David Bowie’s classic collection of cover songs, PIN UPS, originally released 19th October 1973 - a mere six months after the legendary ALADDIN SANE and three months after the infamous final Ziggy Stardust show at Hammersmith Odeon, where he put the Ziggy persona to rest along with The Spiders From Mars.
On 20th October 2023, one day after its Golden Jubilee PIN UPS will be issued as a limited edition 50th anniversary half-speed mastered LP. This new pressing of PIN UPS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original master tapes, with no additional processing on transfer. John Webber cut the half-speed at AIR Studios.
Recorded at Château d’Hérouville in France, where Bowie would later return to record the masterpiece LOW, PIN UPS was a collection of cover songs paying tribute to bands and artists that had inspired him and that he had seen at clubs such as The Marquee in London in the mid to late 60s. Artists he covered for the album included The Yardbirds, The Kinks, Pink Floyd, The Who, Pretty Things, The Easybeats and more.
On 20th October 2023, one day after its Golden Jubilee PIN UPS will be issued as a limited edition 50th anniversary half-speed mastered LP. This new pressing of PIN UPS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original master tapes, with no additional processing on transfer. John Webber cut the half-speed at AIR Studios.
Recorded at Château d’Hérouville in France, where Bowie would later return to record the masterpiece LOW, PIN UPS was a collection of cover songs paying tribute to bands and artists that had inspired him and that he had seen at clubs such as The Marquee in London in the mid to late 60s. Artists he covered for the album included The Yardbirds, The Kinks, Pink Floyd, The Who, Pretty Things, The Easybeats and more.
TRACK LISTING
SIDE ONE
Rosalyn – 2:27
Here Comes The Night – 3:09
I Wish You Would – 2:40
See Emily Play – 4:03
Everything’s Alright – 2:26
I Can’t Explain – 2:07
SIDE TWO
Friday On My Mind – 3:18
Sorrow – 2:48
Don't Bring Me Down – 2:01
Shapes Of Things – 2:47
Anyway, Anyhow, Anywhere – 3:04
Where Have All The Good Times Gone – 2:35
David Bowie
Ziggy Stardust And The Spiders From Mars: The Motion Picture Soundtrack (50th Anniversary Edition)
Parlophone
David Bowie retired Ziggy Stardust, his most famous alter-ego, in front of 5000 stunned fans at London’s Hammersmith Odeon. Now, the fully restored film and soundtrack will be released for the first time for the 50th anniversary of the show. Renowned filmmaker D.A. Pennebaker (Monterey Pop, Bob Dylan - Don’t Look Back, Depeche Mode - 101) captured the momentous event by filming Bowie and The Spiders From Mars backstage and onstage.
Although filmed 50 years ago, the film was not widely seen for over a decade. However, the film and its soundtrack have been newly remastered with the medley of ‘The Jean Genie/Love Me Do’ medley and ‘Round And Round’ featuring the late legendary Jeff Beck reinstated - the latter track making its very first appearance anywhere. Both performances were newly mixed by long-time Bowie collaborator Tony Visconti.
The show featured Bowie’s famous speech just before the final encore, ‘Rock ‘n’ Roll Suicide’, where he revealed that he was retiring the Ziggy Stardust persona. The shocking announcement came as a surprise to all in attendance – including members of his band and was the first proclamation of its kind in rock and roll.
Although filmed 50 years ago, the film was not widely seen for over a decade. However, the film and its soundtrack have been newly remastered with the medley of ‘The Jean Genie/Love Me Do’ medley and ‘Round And Round’ featuring the late legendary Jeff Beck reinstated - the latter track making its very first appearance anywhere. Both performances were newly mixed by long-time Bowie collaborator Tony Visconti.
The show featured Bowie’s famous speech just before the final encore, ‘Rock ‘n’ Roll Suicide’, where he revealed that he was retiring the Ziggy Stardust persona. The shocking announcement came as a surprise to all in attendance – including members of his band and was the first proclamation of its kind in rock and roll.
TRACK LISTING
Side 1
Introduction
Hang On To Yourself
Ziggy Stardust
Watch That Man
Wild Eyed Boy From Freecloud
All The Young Dudes
Oh! You Pretty Things
Moonage Daydream
Side 2
Changes
Space Oddity
My Death
Cracked Actor
Time
Side 3
The Width Of A Circle
Let’s Spend The Night Together
Suffragette City
Side 4
White Light/White Heat
Medley: The Jean Genie / Love Me Do / The Jean Genie (feat. Jeff Beck)
Round And Round (feat. Jeff Beck)
Farewell Speech
Rock ‘n’ Roll Suicide
TWO SPECIAL VINYL RELEASES TO CELEBRATE THE 50th ANNIVERSARY OF ALADDIN SANE TO BE RELEASED 14th APRIL, 2023.
April 2023 marks the 50th anniversary of the release of David Bowie’s ALADDIN SANE, which was released only ten months after his breakthrough album THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS. The title track and songs such as ‘Panic In Detroit,' ‘Lady Grinning Soul’ and ‘Time’ marked a significant musical progression from its predecessor, adding brass, woodwind, soulful backing vocals and the distinctive piano playing of Mike Garson.
On 14th April, 2023, one week before its Golden Jubilee ALADDIN SANE will be issued as a limited edition 50th anniversary half-speed mastered LP pressed from the same master.
This new pressing of ALADDIN SANE was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.
The album was preceded by two singles ‘The Jean Genie’ and ‘Drive-In Saturday’, peaking in the U.K. singles chart at numbers 2 and 3 respectively, and was the first time he topped the U.K. album charts. It also marked Bowie’s debut on the U.S. charts reaching the top 20 album chart there, where an edited version of ‘Time’ was released as a single.
The cover of ALADDIN SANE has become one of the most striking and memorable images in rock n roll history and was rumoured to be the most expensive produced up to that point. The cover photograph was taken by Brian Duffy, who would also shoot the sleeves for 1979’s LODGER and 1980’s SCARY MONSTERS (AND SUPER CREEPS) and features Bowie with the iconic red and blue lightning bolt make-up, an image which has staked out an indelible spot in the planet’s cultural lexicon.
Bowie described ALADDIN SANE as ‘Ziggy Goes To Washington: Ziggy under the influence of America’. The album was to be Ziggy Stardust's last stand, and the persona was laid to rest three months after the album's release in July 1973 at the infamous final show with the Spiders From Mars at London’s Hammersmith Odeon.
April 2023 marks the 50th anniversary of the release of David Bowie’s ALADDIN SANE, which was released only ten months after his breakthrough album THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS. The title track and songs such as ‘Panic In Detroit,' ‘Lady Grinning Soul’ and ‘Time’ marked a significant musical progression from its predecessor, adding brass, woodwind, soulful backing vocals and the distinctive piano playing of Mike Garson.
On 14th April, 2023, one week before its Golden Jubilee ALADDIN SANE will be issued as a limited edition 50th anniversary half-speed mastered LP pressed from the same master.
This new pressing of ALADDIN SANE was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.
The album was preceded by two singles ‘The Jean Genie’ and ‘Drive-In Saturday’, peaking in the U.K. singles chart at numbers 2 and 3 respectively, and was the first time he topped the U.K. album charts. It also marked Bowie’s debut on the U.S. charts reaching the top 20 album chart there, where an edited version of ‘Time’ was released as a single.
The cover of ALADDIN SANE has become one of the most striking and memorable images in rock n roll history and was rumoured to be the most expensive produced up to that point. The cover photograph was taken by Brian Duffy, who would also shoot the sleeves for 1979’s LODGER and 1980’s SCARY MONSTERS (AND SUPER CREEPS) and features Bowie with the iconic red and blue lightning bolt make-up, an image which has staked out an indelible spot in the planet’s cultural lexicon.
Bowie described ALADDIN SANE as ‘Ziggy Goes To Washington: Ziggy under the influence of America’. The album was to be Ziggy Stardust's last stand, and the persona was laid to rest three months after the album's release in July 1973 at the infamous final show with the Spiders From Mars at London’s Hammersmith Odeon.
TRACK LISTING
SIDE ONE
Watch That Man – 4:30
Aladdin Sane (1913-1938-197?) – 5:06
Drive-In Saturday – 4:33
Panic In Detroit – 4:25
Cracked Actor – 3:01
SIDE TWO
Time – 5.15
The Prettiest Star – 3:31
Let’s Spend The Night Together – 3:10
The Jean Genie – 4:07
Lady Grinning Soul – 3:45
The album companion to the critically acclaimed film by Brett Morgen. Featuring unheard versions, live tracks and mixes, created exclusively for the film. ***** The Guardian, ***** The Telegraph, ‘Astounding’ Vogue.
Moonage Daydream illuminates the life and genius of David Bowie, one of the most prolific and influential artists of our time. Told through sublime, kaleidoscopic, never-before-seen footage, performances and music, Brett Morgen’s (The Kid Stays in the Picture, Kurt Cobain: Montage of Heck, Jane) feature length experiential cinematic odyssey explores David Bowie’s creative, musical and spiritual journey. The film is guided by David Bowie’s own narration and is the first officially sanctioned film on the artist.
The companion album features songs from spanning Bowie’s career and includes previously unheard material, unique mixes created for the film and this release along with dialogue from Bowie himself. Highlights include a previously unreleased live medley of 'The Jean Genie / Love Me Do / The Jean Genie’ recorded live at the final Ziggy Stardust concert at Hammersmith Odeon in 1973, featuring Jeff Beck on guitar. Other rarities include an early version of the Hunky Dory favourite ‘Quicksand’ and a previously unreleased live version of ‘Rock ’n’ Roll With Me’ from the legendary 1974 ’Soul Tour’.
Moonage Daydream illuminates the life and genius of David Bowie, one of the most prolific and influential artists of our time. Told through sublime, kaleidoscopic, never-before-seen footage, performances and music, Brett Morgen’s (The Kid Stays in the Picture, Kurt Cobain: Montage of Heck, Jane) feature length experiential cinematic odyssey explores David Bowie’s creative, musical and spiritual journey. The film is guided by David Bowie’s own narration and is the first officially sanctioned film on the artist.
The companion album features songs from spanning Bowie’s career and includes previously unheard material, unique mixes created for the film and this release along with dialogue from Bowie himself. Highlights include a previously unreleased live medley of 'The Jean Genie / Love Me Do / The Jean Genie’ recorded live at the final Ziggy Stardust concert at Hammersmith Odeon in 1973, featuring Jeff Beck on guitar. Other rarities include an early version of the Hunky Dory favourite ‘Quicksand’ and a previously unreleased live version of ‘Rock ’n’ Roll With Me’ from the legendary 1974 ’Soul Tour’.
TRACK LISTING
CD1
“Time… One Of The Most Complex Expressions…”
Ian Fish U.K. Heir (Moonage Daydream Mix 1)
Hallo Spaceboy (Moonage Daydream Remix Edit)
Medley: Wild Eyed Boy From Freecloud / All The Young Dudes / Oh! You Pretty Things (Live)
Life On Mars? (2016 Mix Moonage Daydream Edit)
Moonage Daydream (Live)
The Jean Genie / Love Me Do / The Jean Genie (Live) (featuring Jeff Beck)
The Light (Excerpt)*
Warszawa (Live Moonage Daydream Edit)
Quicksand (Early Version 2021 Mix)
Medley: Future Legend / Diamonds Dogs Intro / Cracked Actor
Rock ‘n’ Roll With Me (Live In Buffalo 8th November 1974)
Aladdin Sane (Moonage Daydream Edit)
Subterraneans
Space Oddity (Moonage Daydream Mix)
V-2 Schneider
CD2
Sound And Vision (Moonage Daydream Mix)
A New Career In A New Town (Moonage Daydream Mix)
Word On A Wing (Moonage Daydream Excerpt)
“Heroes” (Live Moonage Daydream Edit)
D.J. (Moonage Daydream Mix)
Ashes To Ashes (Moonage Daydream Mix)
Move On (Moonage Daydream Acappella Mix Edit)
Moss Garden (Moonage Daydream Edit)
Cygnet Committee/Lazarus (Moonage Daydream Mix)
Memory Of A Free Festival (Harmonium Edit)
Modern Love (Moonage Daydream Mix)
Let’s Dance (Live Moonage Daydream Edit)
The Mysteries (Moonage Daydream Mix)
Rock ‘n’ Roll Suicide (Live Moonage Daydream Edit)
Ian Fish U.K. Heir (Moonage Daydream Mix 2)
Word On A Wing (Moonage Daydream Mix)
Hallo Spaceboy (live Moonage Daydream Mix)
I Have Not Been To Oxford Town (Moonage Daydream Acappella Mix Edit)
“Heroes": IV. Sons Of The Silent Age (Excerpt) *
Parlophone Records proudly announces DAVID BOWIE DIVINE SYMMETRY, a four-CD, one blu-ray box set. This collection celebrates the twelve months running up to the release of the album HUNKY DORY in December 1971 via home demos, BBC radio sessions and live and studio recordings.
DIVINE SYMMETRY contains 48 previously unreleased tracks/demos from the period, and new alternative mixes of HUNKY DORY tracks by original co-producer Ken Scott.
Two books accompany DIVINE SYMMETRY, a 100-page hardback book featuring exclusive memorabilia and photos alongside a 60-page replica composite of Bowie’s notebooks from the era featuring handwritten lyrics, costume drawings, recording notes and set lists. The sleeve notes have been written for the release by Bowie expert Tris Penna, along with contributions from HUNKY DORY co-producer Ken Scott, lifelong Bowie friends Geoff MacCormack and George Underwood, singer Dana Gillespie, guitarist Mark Pritchett, Friars Aylesbury promoter David Stopps, publisher Bob Grace and photographer Louanne Richards.
‘KOOKS’, recorded by Bowie and guitarist Mick Ronson for the BBC’s Sounds Of The 70s presented by Bob Harris is available now for download and streaming single. It was recorded at Kensington House, Shepherds Bush, London, Studio T1 for BBC Radio on 21st September, 1971 and broadcast on 4th October, 1971. 1971 was a pivotal year for Bowie. He signed a record deal with RCA, he met Andy Warhol, Lou Reed, and Iggy Pop while in New York, became a father and penned the song ‘KOOKS’ as a show of paternal pride, played live for the first time that June with Mick Ronson, Woody Woodmansey and Trevor Bolder, the band that would later be christened the Spiders From Mars and recorded the classic album HUNKY DORY.
DIVINE SYMMETRY contains 48 previously unreleased tracks/demos from the period, and new alternative mixes of HUNKY DORY tracks by original co-producer Ken Scott.
Two books accompany DIVINE SYMMETRY, a 100-page hardback book featuring exclusive memorabilia and photos alongside a 60-page replica composite of Bowie’s notebooks from the era featuring handwritten lyrics, costume drawings, recording notes and set lists. The sleeve notes have been written for the release by Bowie expert Tris Penna, along with contributions from HUNKY DORY co-producer Ken Scott, lifelong Bowie friends Geoff MacCormack and George Underwood, singer Dana Gillespie, guitarist Mark Pritchett, Friars Aylesbury promoter David Stopps, publisher Bob Grace and photographer Louanne Richards.
‘KOOKS’, recorded by Bowie and guitarist Mick Ronson for the BBC’s Sounds Of The 70s presented by Bob Harris is available now for download and streaming single. It was recorded at Kensington House, Shepherds Bush, London, Studio T1 for BBC Radio on 21st September, 1971 and broadcast on 4th October, 1971. 1971 was a pivotal year for Bowie. He signed a record deal with RCA, he met Andy Warhol, Lou Reed, and Iggy Pop while in New York, became a father and penned the song ‘KOOKS’ as a show of paternal pride, played live for the first time that June with Mick Ronson, Woody Woodmansey and Trevor Bolder, the band that would later be christened the Spiders From Mars and recorded the classic album HUNKY DORY.
TRACK LISTING
Tracklist 4CD
* PREVIOUSLY UNRELEASED
CD 1: THE SONGWRITING DEMOS PLUS
1 Tired Of My Life (demo) *
2 How Lucky You Are (aka Miss Peculiar) (demo) *
3 Shadow Man (demo)
4 Looking For A Friend (demo) *
5 Waiting For The Man (San Francisco Hotel Recording) *
6 Quicksand (San Francisco Hotel Recording) *
7 King Of The City (demo) *
8 Song For Bob Dylan (demo) *
9 Right On Mother (demo) *
10 Quicksand (demo)
11 Queen Bitch (demo) *
12 Kooks (demo) *
13 Amsterdam (demo) *
14 Life On Mars? (demo) *
Bonus Acetate Dubs:
15 Changes (demo) *
16 Bombers (demo) *
CD 2: BBC RADIO IN CONCERT: JOHN PEEL
David Bowie And Friends
(mono)
1 Queen Bitch *
2 Bombers
3 The Supermen *
4 Looking For A Friend
5 Almost Grown
6 Kooks
7 Song For Bob Dylan *
8 Andy Warhol *
9 It Ain't Easy
David Bowie And Friends (stereo)
10 Queen Bitch *
11 The Supermen *
12 Looking For A Friend *
13 Kooks *
14 Song For Bob Dylan *
15 Andy Warhol *
16 It Ain't Easy *
CD 3:
BBC RADIO SESSION AND LIVE
1 The Supermen
2 Oh! You Pretty Things
3 Eight Line Poem
4 Kooks *
5 Fill Your Heart *
6 Amsterdam *
7 Andy Warhol *
8 Introduction*
9 Fill Your Heart*
10 Buzz The Fuzz*
11 Space Oddity*
12 Amsterdam*
13 The Supermen*
14 Oh! You Pretty Things*
15 Eight Line Poem*
16 Changes*
17 Song For Bob Dylan*
18 Andy Warhol*
19 Looking For A Friend*
20 Round And Round*
21 Waiting For The Man*
Recorded Live To 2 Track Tape.
CD 4:
ALTERNATIVE MIXES, SINGLES AND VERSIONS
BOWPROMO Mixes
1 Oh! You Pretty Things
2 Eight Line Poem
3 Kooks
4 Queen Bitch
5 Quicksand
6 Bombers – Andy Warhol Intro.
7 Lightning Frightening (aka The Man)*
8 Amsterdam (early Mix)
9 Changes (mono Single)
10 Andy Warhol (full Length Mono Single)
11 Amsterdam (single B-side Mix)
12 Life On Mars? (2016 Mix)
2021 Mixes
13 Changes (2021 Alternative Mix)
14 Life On Mars? (original Ending Version)*
15 Quicksand (2021 Mix – Early Version)*
16 Fill Your Heart (2021 Alternative Mix)*
17 Bombers (2021 Alternative Mix)*
18 Song For Bob Dylan (2021 Alternative Mix)*
19 The Bewlay Brothers (2021 Alternative Mix)*
Tracklist (Blu-ray Audio)
* PREVIOUSLY UNRELEASED
HUNKY DORY 2015 REMASTER
1 Changes
2 Oh! You Pretty Things
3 Eight Line Poem
4 Life On Mars?
5 Kooks
6 Quicksand
7 Fill Your Heart
8 Andy Warhol
9 Song For Bob Dylan
10 Queen Bitch
11 The Bewlay Brothers
A DIVINE SYMMETRY (AN ALTERNATIVE JOURNEY THROUGH HUNKY DORY)
1 Changes (2021 Alternative Mix)
2 Oh! You Pretty Things (BOWPROMO Mix)
3 Eight Line Poem (BOWPROMO Mix)
4 Life On Mars? (original Ending Version)*
5 Kooks (BOWPROMO Mix)
6 Quicksand (2021 Mix – Early Version)
7 Fill Your Heart (2021 Alternative Mix)*
8 Bombers (2021 Alternative Mix)*
9 Andy Warhol (original Mix)*
10 Song For Bob Dylan (2021 Alternative Mix)*
11 Queen Bitch (BOWPROMO Mix)
12 The Bewlay Brothers (2021 Alternative Mix)*
Bonus Mix
13 Life On Mars? (2016 Mix)
SOUNDS OF THE 70S: BOB HARRIS
14 The Supermen
15 Oh! You Pretty Things
16 Eight Line Poem
17 Kooks*
18 Fill Your Heart*
19 Amsterdam*
20 Andy Warhol*
'Toy' is a posthumously released album from David Bowie. Recorded in mid-2000 in New York with members of his touring band, with a mixture of new and unreleased old material rehearsed quickly for the purposes of what would have been a surprise album, it was shelved by Virgin/EMI, an act leading to Bowie's departure from the label.
TRACK LISTING
I Dig Everything
You've Got A Habit Of Leaving
The London Boys
Karma Man
Conversation Piece
Shadow Man
Let Me Sleep Beside You
Hole In The Ground
Baby Loves That Way
Can't Help Thinking About Me
Silly Boy Blue
Toy (Your Turn To Drive)
"Black Tie White Noise" can now be seen as the album that helped David Bowie rediscover the inspiration of his earlier career and redefine his future one. After the abortive mismatch that was the Tin Machine this 1993 album was a breath of sophisticated, white-soul funk. Chic's Nile Rodgers and Bowie's co conspirator /partner in crime Reeves Gabrels gave an urgency and focus to the recording sessions and Bowie rose to the occassion by producing some of his best music of the 90s.
TRACK LISTING
The Wedding
You've Been Around
I Feel Free
Black Tie White Noise (featuring Al B. Sure!)
Jump They Say
Nite Flights
Pallas Athena
Miracle Goodnight
Don't Let Me Down & Down
Looking For Lester
I Know It's Gonna Happen Someday
The Wedding Song
David Bowie's full-album soundtrack loosely related to a BBC TV serialisation of Hanif Kureishi's novel 'The Buddha of Suburbia' has always been one of the hidden gems of his vast and celebrated back catalogue. While only the title track actually made it into the series, the finished album was a smorgasbord of jazz, ambient and experimental influences incorporated into a wider pop and rock aesthetic.
TRACK LISTING
Buddha Of Suburbia
Sex And The Church
South Horizon
The Mysteries
Bleed Like A Craze, Dad
Strangers When We Meet
Dead Against It
Untitled No. 1
Ian Fish, U.K. Heir
Buddha Of Suburbia (featuring Lenny Kravitz On Guitar)
The twentieth album by David Bowie, originally released in 1995. The album saw Bowie hook up with producer Brian Eno once again, creating a diverse and experimental album incorporating art rock, jazz, ambient, industrial and electronica. Inspired by Twin Peaks as well as outsider art and artists, the album has a concept following detective Nathan Adler's murder investigation in world where art crimes and concept muggings happen.
TRACK LISTING
Leon Takes Us Outside
Outside
The Hearts Filthy Lesson
A Small Plot Of Land
Baby Grace (A Horrid Cassette)" (segue)
Hallo Spaceboy
The Motel
I Have Not Been To Oxford Town
No Control
Algeria Touchshriek (segue)
The Voyeur Of Utter Destruction (as Beauty)
Ramona A. Stone/I Am With Name (segue)
Wishful Beginnings
We Prick You
Nathan Adler (segue)
I'm Deranged
Thru' These Architects Eyes
Nathan Adler (segue)
Strangers When We Meet
'Earthling' was the 20th studio album by David Bowie, released in February 1997. The album showcases an electronica-influenced sound partly inspired by the industrial and drum & bass culture of the 1990s like Prodigy and Underworld. This was the first album Bowie self-produced since 1974. Recorded in just two and a half weeks right after returning from the 'Outside' tour, the album is a snapshot of what Bowie was going through musically at the time. Making extensive use of sampling their own material on high BPMs, the album was the first Bowie album to be recorded digitally.
TRACK LISTING
Little Wonder
Looking For Satellites
Battle For Britain (The Letter)
Seven Years In Tibet
Dead Man Walking
Telling Lies
The Last Thing You Should Do
I'm Afraid Of Americans
Law (Earthlings On Fire)
‘Hours...’ is the 21st studio album by David Bowie, released in 1999. It was the first complete album by a major artist available to download over the Internet, preceding the physical release by two weeks.
A lot of the material that ended up on ‘Hours...’ was originally used, in alternate versions, for the video game Omikron: The Nomad Soul, which also featured two characters based on Bowie, as well as one on his wife Iman, one on ‘Hours...’ collaborator Reeves Gabrels, and one on bassist Gail Ann Dorsey.
A lot of the material that ended up on ‘Hours...’ was originally used, in alternate versions, for the video game Omikron: The Nomad Soul, which also featured two characters based on Bowie, as well as one on his wife Iman, one on ‘Hours...’ collaborator Reeves Gabrels, and one on bassist Gail Ann Dorsey.
TRACK LISTING
Thursday's Child
Something In The Air
Survive
If I'm Dreaming My Life
Seven
What's Really Happening?
The Pretty Things Are Going To Hell
New Angels Of Promise
Brilliant Adventure
The Dreamers
Mark Edwards
The Tao Of Bowie: 10 Lessons From David Bowie's Life To Help You Live Yours
Faber & Faber
What would David Bowie do?
When life gets tough, who can we turn to for help? Who will help us find happiness, meaning and purpose? The Tao of Bowie suggests that we turn to David Bowie for guidance - and use his amazing journey through life as a map to help us navigate our own.
Buddhism was central to David Bowie's life, but he was a wide-ranging thinker who also drew meaning from other sources including Jungian psychology, Nietzschean philosophy and Gnosticism. The Tao of Bowie condenses these concepts - the ideas that inspired and supported Bowie throughout his life and career - into ten powerful lessons, each with a series of exercises, meditations and techniques to encourage readers to apply these learnings to their own lives.
The Tao of Bowie will help readers understand who they really are, clarify their purpose in life, manage their emotions and cope with setbacks and change. This fresh approach to the search for spirituality and happiness unites the perennial human quest for answers with the extraordinary mind and unique career of one of the most important cultural figures of the past halfcentury
When life gets tough, who can we turn to for help? Who will help us find happiness, meaning and purpose? The Tao of Bowie suggests that we turn to David Bowie for guidance - and use his amazing journey through life as a map to help us navigate our own.
Buddhism was central to David Bowie's life, but he was a wide-ranging thinker who also drew meaning from other sources including Jungian psychology, Nietzschean philosophy and Gnosticism. The Tao of Bowie condenses these concepts - the ideas that inspired and supported Bowie throughout his life and career - into ten powerful lessons, each with a series of exercises, meditations and techniques to encourage readers to apply these learnings to their own lives.
The Tao of Bowie will help readers understand who they really are, clarify their purpose in life, manage their emotions and cope with setbacks and change. This fresh approach to the search for spirituality and happiness unites the perennial human quest for answers with the extraordinary mind and unique career of one of the most important cultural figures of the past halfcentury
To celebrate what would have been the 74th birthday of David Bowie on the 8th January, two previously unreleased cover versions John Lennon’s MOTHER and Bob Dylan’s TRYIN’ TO GET TO HEAVEN will be released as a very special limited edition 7” single.
Originally recorded by Lennon for his 1970 album John Lennon/Plastic Ono Band, Bowie's version of MOTHER was produced by Tony Visconti in 1998 for a Lennon tribute that never came to fruition. Bob Dylan’s original TRYIN’ TO GET TO HEAVEN was released on his 1997 Album of the Year GRAMMY winning Time Out Of Mind. David’s version was recorded in February 1998 during the mixing sessions for the live album.
Originally recorded by Lennon for his 1970 album John Lennon/Plastic Ono Band, Bowie's version of MOTHER was produced by Tony Visconti in 1998 for a Lennon tribute that never came to fruition. Bob Dylan’s original TRYIN’ TO GET TO HEAVEN was released on his 1997 Album of the Year GRAMMY winning Time Out Of Mind. David’s version was recorded in February 1998 during the mixing sessions for the live album.
TRACK LISTING
A/ Mother
AA/Tryin’ To Get To Heaven (single Edit)
On the 23rd of August 1999, David Bowie played an intimate set for invited guests at The Manhattan Centre’s Grand Ballroom in New York for the VH1 Storytellers series. Ten years later in 2009 a CD/DVD/Download of the evening was released, and now 20 years on the most complete version available will be released as a strictly limited-edition double vinyl LP.
The Bowie set has long been regarded as one of the most memorable episodes in VH1 Storytellers history, with David delving deep in to his catalogue to perform tracks such as ‘Can’t Help Thinking About Me’ for the first time in 33 years, Aladdin Sane’s ‘Drive-In Saturday' which he had not performed since 1974 and ‘Word On A Wing’ which received its first outing in 23 years.
Bill Flanagan, Executive Producer of the VH1 Storytellers “We were used to dealing with legendary musicians. Still, landing David Bowie was more than a big booking. There's no way to say this without being corny: it was an honour. Bowie has a unique place in rock & roll. He is not only one of the most influential musicians of the era, he does nothing unless he is fully committed”.
The Bowie set has long been regarded as one of the most memorable episodes in VH1 Storytellers history, with David delving deep in to his catalogue to perform tracks such as ‘Can’t Help Thinking About Me’ for the first time in 33 years, Aladdin Sane’s ‘Drive-In Saturday' which he had not performed since 1974 and ‘Word On A Wing’ which received its first outing in 23 years.
Bill Flanagan, Executive Producer of the VH1 Storytellers “We were used to dealing with legendary musicians. Still, landing David Bowie was more than a big booking. There's no way to say this without being corny: it was an honour. Bowie has a unique place in rock & roll. He is not only one of the most influential musicians of the era, he does nothing unless he is fully committed”.
TRACK LISTING
Side 1:
1. Life On Mars?
2. Rebel Rebel (truncated)
3. Thursday's Child
Side 2:
1. Can't Help Thinking About Me
2. China Girl
3. Seven
Side 3:
1. Drive-In Saturday
2. Word On A Wing
3. Survive*
Side 4:
1. I Can't Read*
2. Always Crashing In The Same Car*
3. If I'm Dreaming My Life*
*Bonus Recordings Not Included On The Original CD
As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, this a very special double 7” single of SPACE ODDITY features brand new mixes by Tony Visconti. The double 7” set will come in a box including a double-sided poster featuring an original Space Oddity print advertisement and a Ray Stevenson shot of David taken on stage at the ‘Save Rave ‘69’ concert at the London Palladium on 30th November, 1969, the backdrop featuring a N.A.S.A. astronaut. The set also includes an information card and a print featuring an alternative shot by Jojanneke Claassen from the Space Oddity promo single cover session.
The cover of the original mono single is the rare UK promotional picture sleeve which, along with the label, features the original Philips trademark specifically cleared for this 50th anniversary release. The single itself has been cut from the original analogue single master tape. The jacket housing the 2019 mixes by Tony Visconti is a new design featuring alternative Ray Stevenson shot from the ‘Save Rave ‘69’ concert to that on the poster.
First released as a 7-inch single on 11 July 1969, Space Oddity was also the opening track of David Bowie’s self titled second studio album, David Bowie. Initially inspired by Stanley Kubrick's film 2001: A Space Odyssey, the song gained huge popularity when it was adopted as the unofficial theme of the Apollo 11 Moon landing mission which launched five days after the single’s release.
The cover of the original mono single is the rare UK promotional picture sleeve which, along with the label, features the original Philips trademark specifically cleared for this 50th anniversary release. The single itself has been cut from the original analogue single master tape. The jacket housing the 2019 mixes by Tony Visconti is a new design featuring alternative Ray Stevenson shot from the ‘Save Rave ‘69’ concert to that on the poster.
First released as a 7-inch single on 11 July 1969, Space Oddity was also the opening track of David Bowie’s self titled second studio album, David Bowie. Initially inspired by Stanley Kubrick's film 2001: A Space Odyssey, the song gained huge popularity when it was adopted as the unofficial theme of the Apollo 11 Moon landing mission which launched five days after the single’s release.
TRACK LISTING
Single 1
Side A
SPACE ODDITY
(Original Mono Single Edit)
Side B
WILD EYED BOY FROM FREECLOUD
(Original Mono Single Version)
Single 2
Side A
SPACE ODDITY
(2019 Mix - Single Edit)
2019 Mix By Tony Visconti, March 2019.
Side B
WILD EYED BOY FROM FREECLOUD
(2019 Mix - Single Version)
2019 Mix By Tony Visconti, March 2019
As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, ‘Space Oddity’, and following the recent ‘Spying Through A Keyhole’ and ‘Clareville Grove Demos’ collections, 'The “Mercury" Demos’ are 10 early Bowie recordings captured live in one take to a Revox reel to reel tape machine in David’s flat in spring 1969, with accompaniment from John ‘Hutch’ Hutchinson on guitar and vocals.
The version of ‘Space Oddity’ from the Demos, originally released with edits on the Sound & Vision boxset, is presented here in its true context for the first time. The other nine recordings on the album are all previously unreleased. In addition to Bowie originals, the session also includes the Roger Bunn composition ‘Life Is A Circus’ (which features in an earlier demo version on the ‘Clareville Grove Demos’ set) and the Lesley Duncan composition ‘Love Song’ later recorded by Elton John for his ‘Tumbleweed Connection’ album. David’s own ‘Conversation Piece’ is announced as ‘a new song’ and ‘Janine’ features a short nineteen second section sung to the melody of The Beatles’ ‘Hey Jude’.
'The ‘’Mercury" Demos’ set will come in a replica of the original tape box and will feature 1 LP, a print, two photo contact sheets and sleeve notes by Mark Adams. The labels of the LP feature the same EMIDISC acetate styling as ‘Spying Through A Keyhole’ and ‘Clareville Grove Demos’ with the song titles in David’s own handwriting.
The version of ‘Space Oddity’ from the Demos, originally released with edits on the Sound & Vision boxset, is presented here in its true context for the first time. The other nine recordings on the album are all previously unreleased. In addition to Bowie originals, the session also includes the Roger Bunn composition ‘Life Is A Circus’ (which features in an earlier demo version on the ‘Clareville Grove Demos’ set) and the Lesley Duncan composition ‘Love Song’ later recorded by Elton John for his ‘Tumbleweed Connection’ album. David’s own ‘Conversation Piece’ is announced as ‘a new song’ and ‘Janine’ features a short nineteen second section sung to the melody of The Beatles’ ‘Hey Jude’.
'The ‘’Mercury" Demos’ set will come in a replica of the original tape box and will feature 1 LP, a print, two photo contact sheets and sleeve notes by Mark Adams. The labels of the LP feature the same EMIDISC acetate styling as ‘Spying Through A Keyhole’ and ‘Clareville Grove Demos’ with the song titles in David’s own handwriting.
STAFF COMMENTS
Barry says: The latest in a long line of Bowie reissues sees an incredibly personal and intimate recording of a number of unreleased gems and absolute rarities. With the quality of Bowie's recorded work being so high, it's unbelievable that there could be so much gold still hidden, but this goes to show there is. A brilliantly presented, and fascinating insight into his unrivalled talent.TRACK LISTING
Side 1
Space Oddity
Janine
An Occasional Dream
Conversation Piece
Ching-a-Ling
I’m Not Quite (aka Letter To Hermione)
Side 2
Lover To The Dawn
Love Song
When I’m Five
Life Is A Circus
The LP Is Mono And Plays At 33 1/3 R.p.m.
Originally released on 29th June 1979, D.J. was the second and final single from Lodger in the UK and the follow up to Boys Keep Swinging. The Netherlands and Turkey would get Yassassin and the U.S. Look Back In Anger.
The A side of this D.J. picture disc features a previously unreleased single edit of the track from the Lodger (2017 Tony Visconti Mix) included in the A New Career In A New Town box set.
The previously unreleased version of Boys Keep Swinging recorded especially for The Kenny Everett Video Show features on the AA side. This take was recorded by Tony Visconti in Soho in London on the 9th April 1979 and features Sean Mayes on keyboards, Tony Visconti on bass, Simon House on violin, Andy Duncan on drums, Brian Robertson (of Thin Lizzy) on guitar and Ricky Hitchcock on guitar. The Kenny Everett Video Show was filmed on the following day and broadcast on 23rd April, 1979.
The A side of this D.J. picture disc features a previously unreleased single edit of the track from the Lodger (2017 Tony Visconti Mix) included in the A New Career In A New Town box set.
The previously unreleased version of Boys Keep Swinging recorded especially for The Kenny Everett Video Show features on the AA side. This take was recorded by Tony Visconti in Soho in London on the 9th April 1979 and features Sean Mayes on keyboards, Tony Visconti on bass, Simon House on violin, Andy Duncan on drums, Brian Robertson (of Thin Lizzy) on guitar and Ricky Hitchcock on guitar. The Kenny Everett Video Show was filmed on the following day and broadcast on 23rd April, 1979.
TRACK LISTING
Side A
D.J. (2017 Tony Visconti Mix - Single Edit)
Previously Unreleased
Produced By David Bowie & Tony Visconti Mixed By Tony Visconti At Human Studios, NYC, 2017
Side AA
Boys Keep Swinging (Kenny Everett Video Show Version)
Previously Unreleased.
Produced By David Bowie & Tony Visconti
Recorded At Good Earth Studio, Soho London, 9th April, 1979
Boys Keep Swinging 40th Anniversary limited edition, double-A side, 7” picture disc single will be released on 17th May 2019 and features I Pray, Olé on the AA side which is unreleased since the 1991 Lodger re-issue.
Written by Bowie and Brian Eno, ‘Boys Keep Swinging’ was the first single from the album ‘Lodger’ and became a top 10 hit in the UK.
Written by Bowie and Brian Eno, ‘Boys Keep Swinging’ was the first single from the album ‘Lodger’ and became a top 10 hit in the UK.
TRACK LISTING
Side A
Boys Keep Swinging (2017 Tony Visconti Mix) (3.22)
Side AA
I Pray, Olé (3.59)
Tonight is the sixteenth studio album by David Bowie. Originally released on 29 September 1984, this vinyl edition is newly remastered.
TRACK LISTING
1. Loving The Alien
2. Don’t Look Down
3. God Only Knows
4. Tonight
5. Neighborhood Threat
6. Blue Jean
7. Tumble And Twirl
8. I Keep Forgettin’
9. Dancing With The Big Boys
DAVID BOWIE ‘GLASTONBURY 2000’ documents Bowie’s legendary Sunday night headline performance on 25th June at the most famous festival on earth.
Features Bowie’s diary, and new artwork from jonathan barnbrook (who worked with bowie on various album sleeves) with notes from the renowned author and bowie fan caitlin moran.
Features Bowie’s diary, and new artwork from jonathan barnbrook (who worked with bowie on various album sleeves) with notes from the renowned author and bowie fan caitlin moran.
This special limited edition DAVID BOWIE 7" picture disc, is a double A-side of the radio edits of 2018 versions of ZEROES and BEAT OF YOUR DRUM. Both tracks are from NEVER LET ME DOWN (2018), a new version of the 1987 album featured in the forthcoming boxset LOVING THE ALIEN (1983-1988) which is released on 12th October.
NEVER LET ME DOWN (2018), is a new production of Bowie’s final ‘solo’ album of the ‘80s. Producer Mario McNulty worked on the tracks at Electric Lady Studios in New York with longtime Bowie musicians Sterling Campbell (Black Tie White Noise, Outside, ‘hours…’, Heathen, Reality and The Next Day) on drums, Reeves Gabrels (Tin Machine, Black Tie White Noise, Outside, Earthling and ‘hours...') & David Torn (Heathen, Reality and The Next Day) on guitars and Tim Lefebvre (Blackstar) on bass.
ZEROES, the lyrics of which reference Prince’s Little Red Corvette was Bowie’s salute to the ‘60s. He described it as “The ultimate happy-go-lucky rock tune, based in the nonsensical period of psychedelia”. Mario McNulty commented, "Stripping this song down to its core revealed a track that could have been right at home on Hunky Dory, I kept Peter Frampton’s sitar (which was originally owned by Jimi Hendrix) as it still fits against the new guitars from Reeves Gabrels”.
Of BEAT OF YOUR DRUM Mario McNulty says, “David Torn’s ambient guitars start the song that now lead into a much darker world than its shiny predecessor. David sang all the backing vocals on this which I have kept.”
NEVER LET ME DOWN (2018), is a new production of Bowie’s final ‘solo’ album of the ‘80s. Producer Mario McNulty worked on the tracks at Electric Lady Studios in New York with longtime Bowie musicians Sterling Campbell (Black Tie White Noise, Outside, ‘hours…’, Heathen, Reality and The Next Day) on drums, Reeves Gabrels (Tin Machine, Black Tie White Noise, Outside, Earthling and ‘hours...') & David Torn (Heathen, Reality and The Next Day) on guitars and Tim Lefebvre (Blackstar) on bass.
ZEROES, the lyrics of which reference Prince’s Little Red Corvette was Bowie’s salute to the ‘60s. He described it as “The ultimate happy-go-lucky rock tune, based in the nonsensical period of psychedelia”. Mario McNulty commented, "Stripping this song down to its core revealed a track that could have been right at home on Hunky Dory, I kept Peter Frampton’s sitar (which was originally owned by Jimi Hendrix) as it still fits against the new guitars from Reeves Gabrels”.
Of BEAT OF YOUR DRUM Mario McNulty says, “David Torn’s ambient guitars start the song that now lead into a much darker world than its shiny predecessor. David sang all the backing vocals on this which I have kept.”
TRACK LISTING
A-Side ZEROES (2018) (RADIO EDIT)
(David Bowie)
Produced By David Bowie, David Richards And Mario J McNulty
Mixed And Recorded By Mario J McNulty
AA-Side BEAT OF YOUR DRUM (2018) (RADIO EDIT)
(David Bowie)
Produced By David Bowie, David Richards And Mario J McNulty
Mixed And Recorded By Mario J McNulty
This follow up to David’s hugely successful first Best Of compilation CHANGESONEBOWIE, has not officially been available since the late 1980’s. Featuring iconic cover photography by Greg Gorman, it was first released in 1981 and was only briefly available on CD in 1985 but has long since been deleted.
Drawing on material spanning from HUNKY DORY (1971) to SCARY MONSTERS (AND SUPER CREEPS) (1980) it achieved gold status in the U.K. album chart in 1982. It will be reissued on the 13th April with all tracks remastered on CD in a digipak sleeve, high-resolution 192/24 and 96/24 digital and standard digital for streaming and download,
The 180gram vinyl edition will be available randomly on its initial limited manufacturing run in black and blue vinyl before reverting solely to black vinyl.
Drawing on material spanning from HUNKY DORY (1971) to SCARY MONSTERS (AND SUPER CREEPS) (1980) it achieved gold status in the U.K. album chart in 1982. It will be reissued on the 13th April with all tracks remastered on CD in a digipak sleeve, high-resolution 192/24 and 96/24 digital and standard digital for streaming and download,
The 180gram vinyl edition will be available randomly on its initial limited manufacturing run in black and blue vinyl before reverting solely to black vinyl.
TRACK LISTING
Side One:
Aladdin Sane (1913-1938-197?)
Oh! You Pretty Things
Starman
1984
Ashes To Ashes*
Side Two:
Sound And Vision
Fashion*
Wild Is The Wind
John, I'm Only Dancing (Again) 1975
D.J.*
*Single Versions
The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.
"On the surface, Lodger is the most accessible of the three Berlin-era records David Bowie made with Brian Eno, simply because there are no instrumentals and there are a handful of concise pop songs. Nevertheless, Lodger is still gnarled and twisted avant pop; what makes it different is how it incorporates such experimental tendencies into genuine songs, something that Low and Heroes purposely avoided. "D.J.," "Look Back in Anger," and "Boys Keep Swinging" have strong melodic hooks that are subverted and strengthened by the layered, dissonant productions, while the remainder of the record is divided between similarly effective avant pop and ambient instrumentals. Lodger has an edgier, more minimalistic bent than its two predecessors, which makes it more accessible for rock fans, as well as giving it a more immediate, emotional impact. It might not stretch the boundaries of rock like Low and Heroes, but it arguably utilizes those ideas in a more effective fashion." - Allmusic.
"On the surface, Lodger is the most accessible of the three Berlin-era records David Bowie made with Brian Eno, simply because there are no instrumentals and there are a handful of concise pop songs. Nevertheless, Lodger is still gnarled and twisted avant pop; what makes it different is how it incorporates such experimental tendencies into genuine songs, something that Low and Heroes purposely avoided. "D.J.," "Look Back in Anger," and "Boys Keep Swinging" have strong melodic hooks that are subverted and strengthened by the layered, dissonant productions, while the remainder of the record is divided between similarly effective avant pop and ambient instrumentals. Lodger has an edgier, more minimalistic bent than its two predecessors, which makes it more accessible for rock fans, as well as giving it a more immediate, emotional impact. It might not stretch the boundaries of rock like Low and Heroes, but it arguably utilizes those ideas in a more effective fashion." - Allmusic.
The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.
"Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking." - Allmusic.
"Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking." - Allmusic.
The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.
"David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s." - Allmusic.
"David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s." - Allmusic.
The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.
The powerful reach of Bowie's masterpiece, the first part of the much feted 'Berlin Trilogy' created with the aid of Brian Eno, is still being felt strongly almost 30 years on. Air's wonderful four hour Essential Mix began with this album's opener "Speed of Life", Q Magazine rated the album #14 in it's Greatest British Albums Ever, and Pitchfork, the New Testament for the New Indie generation, recently decreed "Low" as the #1 album of the 1970's. Side A (or tracks 1-7 for those more familiar with the CD format) are classic Bowie ("Sound and Vision", "Be My Wife"), although dealing with the unfamiliar and slightly darker topics of lethargy, depression and estrangement, highlighting Bowie's overcoming of his cocaine addiction. Over on Side B the album's true colours really come through - four ambient tracks, originally rejected for the soundtrack to "The Man Who Fell To Earth" (the source of Low's iconic cover image), which see Bowie pay homage to Can, Neu! and Eno himself. The word 'timeless' was invented for such moments as these.
The powerful reach of Bowie's masterpiece, the first part of the much feted 'Berlin Trilogy' created with the aid of Brian Eno, is still being felt strongly almost 30 years on. Air's wonderful four hour Essential Mix began with this album's opener "Speed of Life", Q Magazine rated the album #14 in it's Greatest British Albums Ever, and Pitchfork, the New Testament for the New Indie generation, recently decreed "Low" as the #1 album of the 1970's. Side A (or tracks 1-7 for those more familiar with the CD format) are classic Bowie ("Sound and Vision", "Be My Wife"), although dealing with the unfamiliar and slightly darker topics of lethargy, depression and estrangement, highlighting Bowie's overcoming of his cocaine addiction. Over on Side B the album's true colours really come through - four ambient tracks, originally rejected for the soundtrack to "The Man Who Fell To Earth" (the source of Low's iconic cover image), which see Bowie pay homage to Can, Neu! and Eno himself. The word 'timeless' was invented for such moments as these.
Limited to 350 numbered copies on mint coloured vinyl.
TRACK LISTING
Side 1
1. "Changes" (2:50)
2. "Rebel Rebel" (3:10)
3. "Ashes To Ashes" (4:53)
4. "Starman" (3:46)
5. "Fashion" (4:57)
Side 2
1. "Sound & Vision" (3:34)
2. "Ziggy Stardust" (3:44)
3. "Heroes" (4:40)
4. "The Jean Genie/Gloria" (8:08)
It seems improbable that these classics can really be improved upon, but it would seem that with this latest remaster, they have done exactly that.
What can be said about Diamond Dogs that hasn't already? It's an Orwellian odyssey of Bowian proportians.
Beginning with the freaky scene-setting dystopian flanged monologue of 'Future Legends' which sets the scene nicely for the eponymous follower. 'Diamond Dogs' is essentially a blues riff but twisted into a snarling glamorous rock and roll number.
You might be forgiven for thinking that 'Sweet Thing' is not playing properly, but then it grows ever so slowly into a gloomy sounding detuned refrain, complete with harmonised 'ooh's' and 'aah's' before giving the man himself a stage to pull out his legendary vocal flare. When the unison of 'Boys, it's a sweet thing' comes around, you have no doubt that it really is a sweet thing.
'Rebel, Rebel' is probably one of the most recognisable riffs of all time, and when that kicks in, you know you've landed. Rocking, psychedelic and triumphantly anthemic.
It's rarely that an album has quite such a high killer/filler ratio, and most of them are by David Bowie. This is no exception.
What can be said about Diamond Dogs that hasn't already? It's an Orwellian odyssey of Bowian proportians.
Beginning with the freaky scene-setting dystopian flanged monologue of 'Future Legends' which sets the scene nicely for the eponymous follower. 'Diamond Dogs' is essentially a blues riff but twisted into a snarling glamorous rock and roll number.
You might be forgiven for thinking that 'Sweet Thing' is not playing properly, but then it grows ever so slowly into a gloomy sounding detuned refrain, complete with harmonised 'ooh's' and 'aah's' before giving the man himself a stage to pull out his legendary vocal flare. When the unison of 'Boys, it's a sweet thing' comes around, you have no doubt that it really is a sweet thing.
'Rebel, Rebel' is probably one of the most recognisable riffs of all time, and when that kicks in, you know you've landed. Rocking, psychedelic and triumphantly anthemic.
It's rarely that an album has quite such a high killer/filler ratio, and most of them are by David Bowie. This is no exception.
STAFF COMMENTS
Barry says: 'Rebel, Rebel', 'We Are The Dead', 'Sweet Thing', an absolute plethora of seminal anthems on here, conceptually impeccable, beautifully produced and written and essential in more ways than one.
The zenith of David Bowie's flat-pack soul period, 1975's "Young Americans" is an incredible and frequently overlooked record. No other Bowie album had spelled out its market so cleanly and crisply in its title. This was an album to be bought at a time when young Americans, after years of mobilising, now had a little disposable income and were ready to party. It was all, supposedly, about 'emotional drive'. But the album came to represent so much more than that. It is an indirect product of many factors; soul music; politics, both personal and public; sex, drugs and dancing; of downtown New York and uptown Philadelphia.
STAFF COMMENTS
Barry says: What a beginning! 'Young Americans' really sets the scene for the rest of the album, swooning into the Pre-Balearic charms of 'Win' and the horny brilliance of 'Somebody up There Likes Me'. Dynamic, exciting and criminally overlooked, this is one of the greatest Bowie albums there is, and this is the essential version. Music achieved.
Recorded live at the Nassau Coliseum Uniondale, NY, U.S.A., 23rd March, 1976, the album is the official document of the Isolar/Station To Station tour.
Known to fans for many years as the Thin White Duke double album bootleg (among various other titles), the record didn’t get an official release for over thirty years, when it was finally issued as part of the Station To Station deluxe set in September, 2010.
It is now finally available a vinyl album in it's own right.
Known to fans for many years as the Thin White Duke double album bootleg (among various other titles), the record didn’t get an official release for over thirty years, when it was finally issued as part of the Station To Station deluxe set in September, 2010.
It is now finally available a vinyl album in it's own right.
TRACK LISTING
Station To Station
Suffragette City
Fame
Word On A Wing
Stay
Waiting For The Man
Queen Bitch
Life On Mars?
Five Years
Panic In Detroit
Changes
TVC15
Diamond Dogs
Rebel Rebel
The Jean Genie
"Taking the detached plastic soul of Young Americans to an elegant, robotic extreme, Station to Station is a transitional album that creates its own distinctive style. Abandoning any pretense of being a soulman, yet keeping rhythmic elements of soul, David Bowie positions himself as a cold, clinical crooner and explores a variety of styles. Everything from epic ballads and disco to synthesized avant pop is present on Station to Station, but what ties it together is Bowie's cocaine-induced paranoia and detached musical persona. At its heart, Station to Station is an avant-garde art-rock album, most explicitly on "TVC 15" and the epic sprawl of the title track, but also on the cool crooning of "Wild Is the Wind" and "Word on a Wing," as well as the disco stylings of "Golden Years." It's not an easy album to warm to, but its epic structure and clinical sound were an impressive, individualistic achievement, as well as a style that would prove enormously influential on post-punk" - Allmusic.
This live album, was recorded during the Diamond Dogs tour. Although drawing of mostly Ziggy era songs, stylistically it sees Bowie moving from glam rock into a new Philly soul influenced direction.
TRACK LISTING
1 1984
2 Rebel Rebel
3 Moonage Daydream
4 Sweet Thing/Candidate/Sweet Thing
5 Changes
6 Suffragette City
7 Aladdin Sane
8 All The Young Dudes
9 Cracked Actor
10 Rock 'N' Roll With Me
11 Watch That Man
12 Knock On Wood
13 Here Today Gone Tomorrow
14 Space Oddity
15 Diamond Dogs
16 Panic In Detroit
17 Big Brother
18 Time
19 The Width Of A Circle
20 The Jean Genie
21 Rock 'N' Roll Suicide
Recorded from Bowie's first live American broadcast, this October 20, 1972 concert catches Bowie at the height of his powers, shortly after the release of Ziggy Stardust. Highlights includes supberb live versions of "Jean Genie" and "Rock and Roll Suicide", and a nod to Lou Reed's influence on him with a cover of "Waiting For The Man".
The album, produced by Tony Visconti (bar "Space Oddity" itself which was produced by the late Gus Dudgeon), was a giant leap forward in terms of songwriting for Bowie compared to his eponymous debut, and can be considered as the first truly essential David Bowie album. Noted for a list of collaborators, including session players Herbie Flowers, Tim Renwick, Terry Cox and Rick Wakeman, the album delves into psychedelic folk-rock, as well as prog, with its genre-defying template creating a blueprint of what would become over the next decade and more, one of the most inimitable British artists.
TRACK LISTING
1 Space Oddity 5:11
2 Unwashed And Somewhat Slightly Dazed 6:12
3 (Don’t Sit Down) 0:44
4 Letter To Hermione 2:36
5 Cygnet Committee 9:35
6 Janine 3:25
7 An Occasional Dream 3:01
8 The Wild Eyed Boy From Freecloud 4:52
9 God Knows I’m Good 3:21
10 Memory Of A Free Festival 7:10
"After the freakish hard rock of The Man Who Sold the World, David Bowie returned to singer/songwriter territory on Hunky Dory. Not only did the album boast more folky songs ("Song for Bob Dylan," "The Bewlay Brothers"), but he again flirted with Anthony Newley-esque dancehall music ("Kooks," "Fill Your Heart"), seemingly leaving heavy metal behind. As a result, Hunky Dory is a kaleidoscopic array of pop styles, tied together only by Bowie's sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class. Mick Ronson's guitar is pushed to the back, leaving Rick Wakeman's cabaret piano to dominate the sound of the album. The subdued support accentuates the depth of Bowie's material, whether it's the revamped Tin Pan Alley of "Changes," the Neil Young homage "Quicksand," the soaring "Life on Mars?," the rolling, vaguely homosexual anthem "Oh! You Pretty Things," or the dark acoustic rocker "Andy Warhol." On the surface, such a wide range of styles and sounds would make an album incoherent, but Bowie's improved songwriting and determined sense of style instead made Hunky Dory a touchstone for reinterpreting pop's traditions into fresh, postmodern pop music." - Allmusic.
TRACK LISTING
1 Changes 3:30
2 Oh! You Pretty Things 3:12
3 Eight Line Poem 2:56
4 Life On Mars? 3:51
5 Kooks 2:50
6 Quicksand 5:07
7 Fill Your Heart 3:07
8 Andy Warhol 3:57
9 Song For Bob Dylan 4:12
10 Queen Bitch 3:19
11 The Bewlay Brothers 5:22
"Even though it contained no hits, The Man Who Sold the World, for most intents and purposes, is the beginning of David Bowie's classic period. Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen. The mix is off-center, with the fuzz-bass dominating the compressed, razor-thin guitars and Bowie's strangled, affected voice. The sound of The Man Who Sold the World is odd, but the music is bizarre itself, with Bowie's bizarre, paranoid futuristic tales melded to Ronson's riffing and the band's relentless attack. Musically, there isn't much innovation on The Man Who Sold the World - it is almost all hard blues-rock or psychedelic folk-rock - but there's an unsettling edge to the band's performance, which makes the record one of Bowie's best albums." - Allmusic.
TRACK LISTING
The Width Of A Circle 8:07
All The Madmen 5:38
Black Country Rock 3:33
After All 3:52
Running Gun Blues 3:12
Saviour Machine 4:27
She Shook Me Cold 4:13
The Man Who Sold The World 3:58
The Supermen 3:39
David Bowie's seventh album was his last to feature the famous "Spiders From Mars" band. It originally came out in November 1973 and is unique in that it is made up entirely of cover versions. In the original liner notes Bowie wrote that the original songs carried the flavour of "64 to '67 London" when he was first getting his band together. As such, it really does feel like a labour of love. Apart from enormo stars Pink Floyd, The Kinks and The Who, he also mastered tracks by The Merseys, Pretty Things and Easybeats. In short, a fine collection of classic songs given that indefatigable Bowie stamp.
TRACK LISTING
1. Rosalyn
2. Here Comes The Night
3. I Wish You Would
4. See Emily Play
5. Everything's Alright
6. I Can't Explain
7. Friday On My Mind
8. Sorrow
9. Don't Bring Me Down
10. Shapes Of Things
11. Anyway, Anyhow, Anywhere
12. Where Have All The Good Times Gone
David Bowie
The Rise And Fall Of Ziggy Stardust And The Spiders From Mars - 180 Gram Vinyl Edition
Parlophone
Originally released through RCA Victor on 6th June 1972, Ziggy Stardust was David Bowie’s fifth album, co-produced by Bowie and Ken Scott. Incredibly, the album was written whilst Bowie was recording 1971’s Hunky Dory album, with recording beginning a couple of months before that album’s release. It was recorded at Trident Studios, London between 8th November 1971 and 4th February 1972, with the line up: Mick Ronson (guitar, piano, backing vocals, string arrangements), Trevor Bolder (bass), Mick Woodmansey (drums), Rick Wakeman (keyboards) and backing vocals on ‘It Ain’t Easy’ by Dana Gillespie. As well as performing vocals, Bowie also played acoustic guitar, saxophone and harpsichord on the album and was involved in the arrangements too.
The album eventually peaked at #5 on the UK Album Chart on 22nd July having entered the chart at #15 on 1st July. Key to the album’s rise in the UK were the two TV performances of “Starman” on Granada TV’s Lift Off With Ayshea and nationally on the BBC’s Top Of The Pops. The album’s influence is immeasurable – it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particular those who were involved in the punk movement – musicians, artists, designers – and the subsequent re-birth of rock and pop.
Famously Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973, though Ziggy Stardust’s influence was to redefine popular culture forever: pop music was never the same again.
The album eventually peaked at #5 on the UK Album Chart on 22nd July having entered the chart at #15 on 1st July. Key to the album’s rise in the UK were the two TV performances of “Starman” on Granada TV’s Lift Off With Ayshea and nationally on the BBC’s Top Of The Pops. The album’s influence is immeasurable – it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particular those who were involved in the punk movement – musicians, artists, designers – and the subsequent re-birth of rock and pop.
Famously Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973, though Ziggy Stardust’s influence was to redefine popular culture forever: pop music was never the same again.
"Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. Bowie abandons his futuristic obsessions to concentrate on the detached cool of New York and London hipsters, as on the compressed rockers "Watch That Man," "Cracked Actor," and "The Jean Genie." Bowie follows the hard stuff with the jazzy, dissonant sprawls of "Lady Grinning Soul," "Aladdin Sane," and "Time," all of which manage to be both campy and avant-garde simultaneously, while the sweepingly cinematic "Drive-In Saturday" is a soaring fusion of sci-fi doo wop and melodramatic teenage glam. He lets his paranoia slip through in the clenched rhythms of "Panic in Detroit," as well as on his oddly clueless cover of "Let's Spend the Night Together." For all the pleasures on Aladdin Sane, there's no distinctive sound or theme to make the album cohesive; it's Bowie riding the wake of Ziggy Stardust, which means there's a wealth of classic material here, but not enough focus to make the album itself a classic." - AllMusic.