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    Electronic are proud to present the release of their self-titled album. Pressed on 180g black vinyl, this reissue features the black cover on vinyl for the very first time, which was first used on the CD version released in 1994.

    Electronic were the coming together of Bernard Sumner and Johnny Marr in 1987. This was the year of the sudden and wholly unexpected demise of The Smiths, who imploded in July after Marr left the group. Two months later, midway through a North American tour, Bernard Sumner shocked his bandmates by announcing that he planned to take time out from New Order.

    Marr and Sumner had met in 1984 when Marr added guitar to Atom Rock by Quando Quango, an electro-dance track co-produced by Sumner. Marr sums up their coming together for Electronic; ‘We were two musicians who wanted to get away from the suffocating politics of the band. At the same time, it was OK for duos and DJs and non-groups to make records, and that really appealed to Bernard and me.”

    The project was a joyous Venn Diagram of Sumner and Marr’s influences. Although ostensibly coming from different disciplines, the experimental dance-pop of New Order and the fullbodied jangle of The Smiths, their common interests were many: dance music, a good tune and pushing musical boundaries. At the time of release (May 1991), ‘Electronic’ was met with huge acclaim and stands up as one of the most important electronica albums of all time.

    Stiff Little Fingers

    Inflammable Material - Vinyl Reissue

      Stiff Little Fingers are proud to release Inflammable Material. Originally released in 1979, this seminal record, printed on black vinyl, explores themes of teenage boredom and sectarian violence with an underlying insight into Northern Irish life during the peak of the tensions.

      Their punk rock aesthetic is authentic, with raw lyricism and harsh instrumentation. Containing the anthemic track ‘Alternative Ulster’, Stiff Little Fingers promote the ‘grab it and change it’ narrative. 


      Ltd LP Info: 180 gram black vinyl edition.

      The eighth album from Muse, ‘Simulation Theory’, features eleven tracks and was produced by the band, along with several award-winning producers, including Rich Costey, Mike Elizondo, Shellback and Timbaland.

      ‘Simulation Theory’ follows ‘Drones’, released in 2015. Since then the internationally acclaimed three piece: Matt Bellamy, Dominic Howard and Chris Wolstenholme, have toured extensively, taking the ground breaking ‘Drones World Tour’ to fans across the globe. 


      Deluxe CD Info: As Standard CD plus:
      Algorithm (Alternate Reality Version)
      The Dark Side (Alternate Reality Version)
      Propaganda (Acoustic)
      Something Human (Acoustic)
      Dig Down (Acoustic Gospel Version)

      David Bowie

      Loving The Alien 1983 - 1988 (BOX SET)

        The follow-up to the awarding winning and critically acclaimed DAVID BOWIE ‘FIVE YEARS (1969 – 1973)’ and DAVID BOWIE ‘A NEW CAREER IN A NEW TOWN (1977 – 1982)’ will be released on 12th October.

        The box contains newly remastered versions of David’s most commercially successful period ‘LET’S DANCE’, ‘TONIGHT’, ‘NEVER LET ME DOWN (ORIGINAL and 2018 VERSIONS)’, the live album ‘GLASS SPIDER (Live Montreal ’87)’, the previously unreleased ‘SERIOUS MOONLIGHT’ live album, a collection of original remixes entitled ‘DANCE’ and the non-album / alternate version / b-sides and soundtrack music compilation RE:CALL 4.

        The highlight of this latest box is the brand new production of the 1987 album ‘NEVER LET ME DOWN’ by Bowie producer / engineer Mario McNulty with new instrumentation by Bowie collaborators Reeves Gabrels (guitar), David Torn (guitar), Sterling Campbell (drums), Tim Lefebvre (bass) as well as string quartet with arrangements by Nico Muhly and a guest cameo by Laurie Anderson on ‘Shining Star (Makin’ My Love)’.
        The seeds of this new reimagining of the albums were first sown in 2008 when David asked Mario McNulty to remix the track ‘Time Will Crawl’ and record new drums by longtime Bowie drummer, Sterling Campbell along with strings. The track was issued on the iSelect compilation to much acclaim, and in the notes, for that record, David remarked ‘Oh, to redo the rest of that album’.
        The new re-workings have revealed ‘Never Let Me Down’ as a very strong collection of songs with a dark thematic thread running through them. Fans listening to ‘NEVER LET ME DOWN (2018)’ would be forgiven for thinking that they were listening to a brand new ‘lost’ Bowie record.

        Also in each box is the never before released ‘SERIOUS MOONLIGHT’ live album recorded in Montreal in 1983. Originally mixed at the time by Bob Clearmountain, the double album captures Bowie on what at that time was his most successful tour. The artwork features shots taken by photographer Denis O’Regan.

        Exclusive to each box is ‘RE:CALL 4’ and ‘DANCE’. The former a new compilation featuring remastered contemporary single versions, non-album singles, album edits, b-sides and songs featured on soundtracks such as Labyrinth, Absolute Beginners and When The Wind Blows. ‘DANCE’ features 12 contemporaneous remixes some of which are appearing on CD and vinyl for the first time and is named after an unreleased Bowie remix album that was originally slated for release in November 1985.

        The box set’s accompanying 84 page book features rarely seen and previously unpublished photos by photographers including Denis O’Regan, Greg Gorman, Herb Ritts and many others as well as historical press reviews and technical notes about the albums from producers/engineers Nile Rodgers, Hugh Padgham, Mario McNulty and Justin Shirley-Smith. 


        LP Box Set Info: 88 Page hardback book
        Let’s Dance (remastered) (1LP)
        Serious Moonlight (Live ’83) (previously unreleased) (2LP)*
        Tonight (remastered) (1LP)
        Never Let Me Down (remastered) (1LP)
        Never Let Me Down (2018) (previously unreleased) (2LP - side 4 is etched)*
        Glass Spider (Live Montreal ’87) (previously unreleased on vinyl) (3LP)*
        Dance (2LP)*
        Re:Call 4 (non-album singles, edits, single versions, b-sides and soundtrack music) (remastered) (3LP)*

        FREE SHIPPING This item has FREE UK shipping!

        This raw, intimate recording, which took place at the start of Prince’s career right before he achieved international stardom, is similar in format to the Piano & A Microphone Tour that he ended his career with in 2016. The nine track, 35-minute album features a previously unreleased home studio cassette recording of Prince at his piano captured in 1983.

        The private rehearsal provides a rare, intimate glimpse into Prince’s creative process as he worked through songs which include “17 Days” and “Purple Rain” (neither of which would be released until 1984), a cover of Joni Mitchell’s “A Case Of You”, “Strange Relationship” (not released until 1987 on his critically acclaimed Sign O’ The Times album), and “International Lover”.

        The album also includes a rare recording of the 19th Century spiritual “Mary Don’t You Weep” which was used to spine-tingling effect during the end credits of Spike Lee’s BlacKkKlansman in theatres August 2018.


        Patrick says: There's never really been any doubt about Prince's genius, but this previously unreleased set sees the Purple legend sweep through a handful of his many many classics, along with a couple of stunning covers, arranged/improvised for piano and voice. Intimate, expressive and unfeasibly funky, this is pretty much as good as it gets.


        Deluxe LP Info: The Deluxe CD + audiophile vinyl LP format includes a 12” booklet featuring brand new liner notes written by Prince’s then engineer Don Batts, as well as candid shots of Prince including never before seen photos.

        David Bowie

        Zeroes (2018) / Beat Of Your Drum (2018)

          This special limited edition DAVID BOWIE 7" picture disc, is a double A-side of the radio edits of 2018 versions of ZEROES and BEAT OF YOUR DRUM. Both tracks are from NEVER LET ME DOWN (2018), a new version of the 1987 album featured in the forthcoming boxset LOVING THE ALIEN (1983-1988) which is released on 12th October.

          NEVER LET ME DOWN (2018), is a new production of Bowie’s final ‘solo’ album of the ‘80s. Producer Mario McNulty worked on the tracks at Electric Lady Studios in New York with longtime Bowie musicians Sterling Campbell (Black Tie White Noise, Outside, ‘hours…’, Heathen, Reality and The Next Day) on drums, Reeves Gabrels (Tin Machine, Black Tie White Noise, Outside, Earthling and ‘hours...') & David Torn (Heathen, Reality and The Next Day) on guitars and Tim Lefebvre (Blackstar) on bass.

          ZEROES, the lyrics of which reference Prince’s Little Red Corvette was Bowie’s salute to the ‘60s. He described it as “The ultimate happy-go-lucky rock tune, based in the nonsensical period of psychedelia”. Mario McNulty commented, "Stripping this song down to its core revealed a track that could have been right at home on Hunky Dory, I kept Peter Frampton’s sitar (which was originally owned by Jimi Hendrix) as it still fits against the new guitars from Reeves Gabrels”.

          Of BEAT OF YOUR DRUM Mario McNulty says, “David Torn’s ambient guitars start the song that now lead into a much darker world than its shiny predecessor. David sang all the backing vocals on this which I have kept.”


          Ltd 7" Info: Double A Side Limited Edition 7" Picture Disc.

          Dan Auerbach/ Robert Finley / Sonny Smith

          Good Sound Comes Back Around Vol. 1

            Eight-time GRAMMY–­winner, Dan Auerbach, announces a 7” Easy Eye Sound sampler, Good Sound Comes Back Around Vol. 1, which will be released as part of Record Store Day’s Black Friday initiative. The new 7” is a preview of upcoming releases on Auerbach’s label and features ‘Cellophane Angel’, an exclusive and unreleased track Auerbach recorded with the Preservation Hall Band, on Side A, and Robert Finley's ‘Medicine Woman’ – the first single on his new album Goin’ Platinum! due December 8 – and Sonny Smith's ‘Pictures of You’ on Side B

            Green Day

            Revolution Radio

            Produced by Green Day and recorded in Oakland, ‘Revolution Radio’ is a potent 12-track blitz of angst-ridden anthems that unites Green Day's fully formed stylistic approach with lyrical themes that address the complexities and uncertainties of modern day existence. Musically, the album is raw, visceral, and fearless -- solidifying the band's reign as one of the leading voices in rock music. The first single, ‘Bang Bang’, released today and inspired by recent events, marks a welcome return from a band with more to say than ever.

            "Of course the world has lost its collective mind… and me, Mike and Tré are lost souls too,” said Green Day frontman Billie Joe Armstrong. “Revolution Radio is a movement for lost souls to come together… dance together… sing together... and most of all, find each other. That's what the spirit of Green Day has been about since day one."

            Neil Young

            Time Fades Away - Mastered From Original Source

              Neil Young has said that "Heart Of Gold", 'put me in the middle of the road. travelling there became a bore, so i headed for the ditch.'

              "Timefades Away" was Young's first installment of what would later become known to his fans as his "Dirt" trilogy. Released in 1973 straight after the success of "Harvest", it was almost a double f-you to record company and audience, from a success weary artist who wanted to be just that: a proper artist, free to release whatever he liked, unburdened by any showbizness hoop-jumping.

              Recorded live on the tour which followed the hippyish and mellow biggest record of his career this was genuinely shocking in its brutal heavyiosity. Tequila soaked, beligerent and dark, here Neil stood, naked and honest. One diamond in this mire was the heartbrakingly beautiful "The Bridge". One of the best tracks Neil Young ever wrote.


              LP Info: 1 x 140 gram Black vinyl disc

              The Flaming Lips

              Bad Days EP


                2015 marks the 20th anniversary of the critically worshiped Clouds Taste Metallic, The Flaming Lips 7th studio album originally released in 1995. THE LIPS love RSD and to celebrate, they offer a series three Limited Edition 10” EPs on different colored vinyl that contain tracks previously released on only CD overseas…until now. These rarities will now become available for the first time EVER in any format in the US. Later in the year the band will be releasing expanded anniversary editions of Clouds Taste Metallic with previously unreleased recordings from the sessions including demos, outtakes, radio sessions, live performances and more. Further details to be announced soon.

                Mica Levi is best known for her work as part of the experimental pop group Micachu & The Shapes, but her prolific, maverick creativity is not restrained to just one project. Levi has worked across manifold genres; she has been an artist in residence at the South Bank Centre, written experimental music for the London Philharmonic Orchestra and collaborated with the likes of Kwes and Ghostpoet.

                As with many great film scores, the brilliance of this soundtrack lies in its simplicity. Three notes - just three - lie at the core of the soundtrack, united in one chromatic motif which snakes its way up and down your spine as Johansson’s alien seduces her prey. A great majority of the film is spent immersed in the diagetic silence of the white van, so when Levi’s uncompromising rhythmic thumps break the muted atmosphere, your heart really starts testing the limits of your ribcage. The piercingly high strings, with their sinister glissando, dissolve the Cinema around you, sucking you in as the alien’s victims drown in blackness.

                It isn’t all that dark, though. We do see some meaningful interpersonal connections develop as the film progresses, and the score effortlessly adapts to this shift in mood. Levi sticks to strings throughout, playing the classic tropes of the Hollywood soundtrack off against each other. Strings for horror. Strings for passion. The warm but disjointed swells in “Bedroom” capture the pleasant confusion of the alien who, having benefited from the kindness of a stranger, stares perplexedly at her own body (Johansson also does an excellent job of appearing bemused by her own sexiness). “Love” also plays with sliding, pitch-bending strings, just as the earlier themes do - this time evoking the rising thrill of attraction.

                The Under the Skin score matches Glazer’s understated, minimal aesthetic scene for scene. Never does the music outweigh the carefully constructed silences and – as all good film music must – it only ever adds to the potent illusion of a twisted, heart-rending reality. - The Line Of Best Fit

                The Yardbirds

                Little Games


                  Splatter coloured vinyl, limited to 400 copies.

                  The Everly Brothers



                    180g vinyl limited to 500 copies.

                    There was so much excitement and expectation around The Smiths' debut in early 1984. They were only two singles in but had already made a massive media splash with Morrissey's hilariously arrogant interviews. There'd been BBC Sessions and fans already knew all the words, riotously passionate gigs and much talk of the band coming to SAVE POP MUSIC from plastic, vacuous Eighties glitz; an Us and Them climate where you were either a disciple or not! In the midst of all this the actual record got lost somewhat, but three quarters of it is still outstanding. Nowhere else will you find "Miserable Lie", "I Don't Owe You Anything", "The Hand That Rocks The Cradle" or "Suffer Little Children", but in "Reel Around the Fountain", "Hand in Glove", "Still Ill" and "What Difference does it Make" the band crafted classics that would last forever.

                    FORMAT INFORMATION

                    LP Info: 180 gram vinyl.

                    The Smiths

                    Rank - Remastered

                      This was a live album recorded in London on "The Queen Is Dead" tour, around the time that the "Ask" single was released in the autumn of 1986. The rockier version of that song here makes amends for the jangle-lite softness of the original. Elsewhere, Elvis's "His Latest Flame" segues into "Rusholme Ruffians" and "What She Said" spills into the outro of "Rubber Ring". Oddities aside, this album captures The Smiths during the 6 months when Craig Gannon was in the band as an extra guitarist. This allowed Johnny Marr to rock out and relax: something you wouldn't really associate The Smiths with. But here's the proof. Live, they were an explosion, a raucous celebration, and certainly (whisper it: FUN!) There was very little time for navel-gazing at a Smiths gig. This album captures that. With some aplomb. Rock on!

                      FORMAT INFORMATION

                      2xLP Info: 180 gram vinyl.

                      Only a year after their debut, 1985's follow-up was a huge leap forward for The Smiths. Soundwise, definitely: tighter, louder, clearer, more rocking, and in opener "The Headmaster Ritual", and weepie "That Joke Isn't Funny Anymore" they had two more top draw classics to add to their canon. There were different types of song on display here, whether it's the Elvis-cribbing, super atmospheric, cyclical scene setter of "Rusholme Ruffians", the rock overloaded hurtle of "What She Said" or the churning, jarring horror of the title track, here was a completely unique band expanding their template.

                      FORMAT INFORMATION

                      LP Info: 180 gram vinyl.

                      The Smiths

                      The World Won't Listen - Remastered

                        This is 1987's sibling to 84's "Hatful Of Hollow" with 14 tracks from non-album singles compiled with one brand new song. "You just Haven't Earnt It Yet, Baby" was another sparkling jangler that was pressed as a single then pulled, whilst the other 2 curios are a new and superior version of "Stretch Out And Wait" and the original, foggier mix of "The Boy With The Thorn In His Side" which has much more charm (recorded in Chorlton!) than the "Queen Is Dead" version. Album singles are still featured on this comp. though, and that diluted its impact somewhat rendering "TWWL" not quite as pure an artistic statement as its sister record. Hey: still superb though!

                        FORMAT INFORMATION

                        2xLP Info: 180 gram vinyl.

                        Whilst nearly all of The Smiths themselves cite this as their favourite album, in reality it couldn't quite match the splendour and indeed songs, of "The Queen Is Dead". It has a subdued, more mysterious and rock-classicist flavour and again introduces song types not to be found elsewhere: they seldom repeated themselves The Smiths. The enormo anthem here is the heartrending, absolutely beautiful "Last Night I Dreamt That Somebody Loved Me", but the whole record flows in an utterly compelling way. There's only one weakish track ("Death At One's Elbow" is intentionally daft and trashy) and when that's followed by the gorgeous "I Won't Share You" well you'd be a fool to complain. This was their final album together. The spell was broken. The dream was over!

                        FORMAT INFORMATION

                        LP Info: 180 gram vinyl.

                        The Smiths

                        Hatful Of Hollow - Remastered

                          You'll know that The Smiths were prolific: all 4 of their proper albums were released in successive calendar years. But one thing that might have got lost with time is just how many non-album singles (with brand new b-sides too) they released. A mere month after each of their first 3 albums came out, there was a one-off single already heralding the new! With "Hatful Of Hollow" (Autumn 1984) there had been 2 twelve-inches (5 brand new tracks) since the debut album in March and the idea was to put these and the much loved BBC Sessions songs on one cheaply priced record. As some fans (and Morrissey too) had misgivings about the production of the debut, this was a good way to let people hear what many consider to be better versions. One of these songs was the incredible "This Night Has Opened My Eyes" which was never properly recorded by the band and is only available on this disc.

                          STAFF COMMENTS

                          Andy says: The dream has gone but the music is real!!

                          FORMAT INFORMATION

                          LP Info: 180 gram vinyl.

                          The Smiths

                          Louder Than Bombs - Remastered

                            This was initially an America-only release, combining all the non-album singles The Smiths had released up until that point. It's "Hatful Of Hollow" (without the BBC stuff) and "The World Won't Listen" combined and beautifully sequenced onto what was originally a lovely double album. There was one new 3 track twelve-inch released after "World" in England though: "Sheila Take A Bow" and its superior b-sides "Is It Really So Strange?" and "Sweet And Tender Hooligan" are on "Louder Than Bombs", as is an ever so slightly different mix of "You Just Haven't Earnt It Yet, Baby". U.K fans didn't need this record, but we all bought it anyway, for the sleeve and the sequencing. Sad but true!

                            STAFF COMMENTS

                            Andy says: The sun shines out of their behinds!

                            FORMAT INFORMATION

                            2xLP Info: 180 gram vinyl.

                            One of the greatest albums of all time, but then you don't need me to tell you that! Again there were surprises: the sprawling power of the title track, the vaudevillian jokiness and throwaway lightness of "Frankly Mr. Shankly" and "Vicar In a Tutu" respectively, the swaying poise and drama of "I Know It's Over" and the murky psychedelia of "Never Had No-one Never". These tunes rung the changes but the remaining 5 were world classics: "Bigmouth Strikes Again", "Cemetry Gates", "The Boy with the Thorn in his Side", "Some Girls Are Bigger Than Others" and, of course "There is a Light That Never Goes Out". The whole thing was perfectly sequenced to take you on a proper musical journey. A truly beautiful record.

                            FORMAT INFORMATION

                            LP Info: 180 gram vinyl.

                            The Flaming Lips

                            Hit To Death In The Future Head - Vinyl Edition

                            1992's 'Hit To Death In The Future Head' is The Flaming Lips' fifth full-length and first for Warner Bros. Bridging the gap between the band's noisier indie fare and the atmospheric cosmic pop explored on subsequent releases, the 10-song set is masterfully indulgent in both camps while standing on its own as an imaginative and unique work worth its weight in The Flaming Lips ever evolving catalogue. While awaiting a nearly year long release delay for clearance to use a sample from Michael Kamen's score for the film Brazil on the track "You Have to Be Joking (Autopsy of the Devil's Brain)," the band underwent further transition as Nathan Roberts and Jonathan Donahue left the band and were replaced by Steven Drozd and Ronald Jones.


                            Trans Europe Express - 2009 Digital Remaster

                            Kraftwerk celebrate Europe's romantic past and shimmering future with a glistening panorama of elegance and decadence, travel and technology. The infinite vistas of "Europe Endless" and "Endless Endless" bookend the album, which includes the unsettling Kafka-esque fable "The Hall Of Mirrors" and the hilarious "Showroom Dummies" - Kraftwerk's elegantly ironic reply to critiques of their deadpan manner. But it is the streamlined rhythmic locomotive of "Trans Europe Express" which dominates with its doppler-effect melodic swerves and hypnotic, pneumatic, piston-pumping rhythm. Along with its sister track, "Metal On Metal" which New York DJ Afrika Bambaataa would re-construct five years later for his own seminal "Planet Rock", this milestone in avant-pop modernism later becomes a crucial influence on the early pioneers of hip-hop & sampling, electro and industrial music. Poetry in motion.

                            FORMAT INFORMATION

                            LP Info: Heavyweight vinyl LP.

                            Esser's remarkable first foray into the world of the longplayer with "Braveface" is a looking like a step closer to owning one of this years most rewarding and eclectic debut albums. Mixing ska-influenced electro pop with wry and interesting lyrics, this is a confident and fun record from a multi-talented performer. Includes the single "Satisfied".

                            This album is a compilation released after Ian Curtis's death and it's an odds'n'sods affair featuring outtakes, live tracks and b-sides. The unreleased songs are of their early, punkish variety: edgy, fractured and intense. But it's the live album which makes this special. This is the band's last ever gig at Birmingham University and whilst there's some punkish mistakes and wonky sound, Joy Division's power is undeniable. This is the only place you can hear their version of what would become New Order's debut (and greatest?) single, too: "Ceremony", though hindered by a dozy soundman, proves that this band were going to mix awesome rock songs with the more refined splendour of "Closer's" new, calm, keyboard-ghostliness. Their scope was breathtaking. But two weeks later, Ian Curtis was dead.

                            FORMAT INFORMATION

                            2xCD Info: A double remastered CD, housed in plastic O-card. The bonus CD features 14 tracks recorded live at High Wycombe 20th Feb 1980.

                            It's been four years since their last effort, "Get Ready", and "Waiting For The Sirens Call", finds New Order in familiar territory. Hookey's comforting high end bass still brings a smile to all thirty-somethings faces, Stephen Morris' drums still clatter along with steely drum machine efficency and Barneys' lyrics are still reassuringly crap (but would you want it any other way!!). Now featuring the full-time talents of guitarist Phil Cunningham, the 'living legends' are still here with enough pop nuggets to keep fans old and new happy.

                            Flaming Lips

                            Yoshimi Battles The Pink Robots

                            Oh joy. It's just as inventive, creative, unpredictable, refreshing and downright beautiful as "The Soft Bulletin". But! Hooray, it's poppier. It loses nothing but gains everything! (Also including a chunkier, tastier bottom end). It's so hard to review - it's just absolutely BRILLIANT. To put on your headphones and play and play and play again. All summer! Forever!!

                            Red Hot Chili Peppers

                            By The Way

                            The follow-up to 1999s "Californication". Sixteen songs, over an hour's worth of music.

                            Linkin Park


                            FORMAT INFORMATION

                            CDS Info: Enhanced CD includes backstage video footage.

                            DVD Info: Strictly limited numbered edition DVD, includes multiple camera angle version of the video and loads of other bits and pieces.

                            Latest Pre-Sales

                            82 NEW ITEMS

                            In other news we are now on @mixcloud and in the coming weeks we’ll be bringing you staff mixes and Friends of Picc…
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