Search Results for:

O'DEATH

Sudden Death Of Stars

All Unrevealed Parts Of The Unknown

    If you imagine a group walked from Brittany to the Isle of Wight along to Cornwall to the end of Scotland, to America and the Americas, taking in all influence of music along the way, then you’d get somewhere to knowing what is hidden in the foothills of this album.

    Sudden Death of Stars are from the medieval city of Rennes, France, which may explain why they sound like monks playing modern day Velvet Underground, Os Mutantes and Pentangle. Formed in 2010, they were complete as a band when they happened upon the only sitarist west of Paris.

    James Endeacott A&R guru who signed The Strokes & The Libertines says: “garage, Nuggets, mushroom tea and a head full of dreams - heaven.”

    Death Vessel

    Island Intervals

      The fact that Joel Thibodeau’s slender, winsome voice is at once so comforting and so unsettling might be the greatest of his many strengths. Reed-thin but sturdy, youthful but somehow ageless, its deep benevolence is also slightly eerie, and the way he gently walks the line between intense feeling and contemplative remove lets him sing from a timeless place where he evokes the beauty of vanished people and places, sweetness too profound for words, loss too great for tears.

      Like Nico’s, Jimmy Scott’s, or Phil Elverum’s, Joel’s is a voice that demands its own sonic and lyrical world, and with ‘Island Intervals’, his third record as Death Vessel (and second for Sub Pop), we're treated to the sound of him finding a rich and strange new home among new friends in Iceland who probably saw him as a long-lost relative.

      For his first album since 2008’s acclaimed ‘Nothing Is Precious Enough For Us’, Joel traveled to Reykjavík on an invitation from Sigur Rós singer Jónsi and producer Alex Somers, where they spent three months together conjuring an album that’s both a song cycle and a window into a mysterious and singular landscape.

      ‘Island Intervals’ wraps Joel’s voice and furtive guitar in sounds that evoke not so much a band playing as elemental forces of earth and water; Pete Donnelly (The Figgs, NRBQ), Samuli Kosminen (Múm) and Thorvaldur ‘Doddi’ Thorvaldsson assist Somers in creating a rich and multi-layered world that sounds, at times, like a well-tuned forest sighing and bending in a gale, or the deep cracks and booms of a glacier calving its way to the sea. Jónsi also joins Joel on vocals for the track ‘Ilsa Drown’.

      ‘Island Intervals’ lives in the spaces between running away and letting go, and finds its author embracing a life whose most solid, real moments loom and vanish, like a range of mountains that emerges from a bank of low clouds, and just as suddenly slips away.

      TRACK LISTING

      Ejecta
      Velvet Antlers
      Triangulated Heart
      Mercury Dime
      Ilsa Drown (ft Jónsi)
      Island Vapors
      We Agreed
      Loom

      Milk Music 'Beyond Living'. Wild prayers of humanity that blur the line between Hardcore and Rock. The new Vibe for the new era. Slow crashing waves of low tones that shiver across your being. Om Mani Padme. Bright beams of sound. Alien Abductions. You are far above what you thought was your body, but you can still smoke weed. You are receiving it now. God's Radio. You are receiving it now. It jams in the space behind your face. Beyond Living. greatest hits. 6 tracks. For people and dogs of Earth. Made in the USA. 45RPM.

      Ejecta

      Dominae

        First release on new London label Happy Death.

        Ejecta are Leanne Macomber - of Neon Indian fame - and Joel Ford - formally known as GAMES with Daniel Lopatin (Oneohtrix Point Never).

        Produced by Ford, whose credits include Autre Ne Veux, Oneohtrix Point Never and Ford + Lopatin.

        Macomber describes Ejecta as a character, one which conceptually represents her inner struggles and also as a way to deflect them.

        Unrequited love, failed attempts at adulthood and the death of a close friend are the key themes explored lyrically.

        Ejecta’s electronic pop sound hints of quintessential early 4AD releases like Cocteau Twins and This Mortal Coil, but feels fresh in a Kavinsky and Chromatics kind of way.

        Five years after its completion, Munster is very proud to present the third and final full length by Danny & The Nightmares, described by Daniel Johnston as his "best album ever!"

        It had been close to a year since they had gotten together to play music. The Nightmares set up in Danny's garage and pressed record. Danny had a couple of ideas for songs. After those were played through, a few more songs came forth. When the music was over and they listened to play-back, they realized they had recorded a core of songs to constitute a new album. Never knowing which end of the compass they might bend in any particular night of playing, Danny and the Nightmares recorded everything. Over the years they recorded on micro-cassettes, reel to reel, boom boxes, and a four track recorder. This time they had recorded on a digital machine. Over those years they had kept it close. They played and recorded at the Haunted House, or in Danny's garage. With snickers and grins, they knew they had a strong enough set of songs to elaborate on what they had recorded. They toted the machine to a string quartet. As they stood outside, they smiled while listening to the strings layering the songs.

        Danny and the Nightmares then returned to a couple of unfinished songs that weren't sitting still in the balance when they had submitted what was to become "Freak Brain". With the capacities of the new machine, they also decided to rework a couple of songs that had already been released, and struck in the excitement, recorded a couple more new numbers. In more spells of revelry came another album, the "Death of Satan".

        It has been five years since the album was completed. Daniel has mentioned it in interviews while promoting his solo career, stoking the curiosity of some his fans. The distracters claim that Danny and the Nightmares are not good for Daniel's image. Conversely, some fans have claimed that what he does with Danny and the Nightmares is like an 'alter ego' to his other work. It is tough to argue with his lyrics, "My friends really are the best in me." That is pretty much what it is, three friends that Rock 'N' Rolled when they could. If the album is good enough for them, well, they are obliged to share it. Danny and the Nightmares is "dead". The Death of Satan is their third and final full length album

        Composed by Justin Greaves (Crippled Black Phoenix).
        All new cover art from Jay Shaw.
        Sleeve notes from director Sean Hogan, composer Justin Greaves & artist Jay Shaw.

        A first for Death Waltz as this will be the labels first foray into new contemporary film music.

        The Devil’s Business was released to theaters and DVD in 2012 with a USA release happening late 2013 , The film is a gritty low budget satanic gangster film that shares its DNA with Ben Wheatly’s Kill List.

        The score by Justin Greaves the main protagonist of Crippled Black Phoenix is a beautiful eerie listen, minimal yet epic and soaked in a smokey atmosphere that fits perfectly alongside the other releases in the Death Waltz Cannon.

        TRACK LISTING

        Side 1:
        My Enemies I Fear Not, But Protect Me From My Friends

        The Hit

        The Telling

        Losing

        The Whistler

        Side 2:
        Losing (spooky Version)

        A Lesson In Dilemma

        Business Is Good

        The Hit (Alternate Version)
        A Lesson In Dilemma (Full Edit)

        The White Stripes

        Handsprings / Red Death At 6.14

          Black vinyl edition of the White Stripes “Hand Springs” and “Red Death at 6:14”, two songs that have been out of print on vinyl for over ten years.

          Continuing in the mission of reissuing the nuggets of the White Stripes’ back catalog, Third Man plays Dr. Frankenstein/matchmaker to two stand-alone songs from the high time of the year 2000. “Handsprings” was originally released as a split-single with the Dirtbombs and included free in issue #19 of Multiball magazine. “Red Death at 6:14” was initially released on the Jack White-produced compilation “Sympathetic Sounds of Detroit” and was later made available as a one-sided single from the folks at MOJO magazine. Both songs are quintessential White Stripes jams and finally pairing them together here makes (arguably) one of the best Stripes singles ever.

          Petra Jean Phillipson

          Notes On: Death

            After her collaboration with David Holmes fronting the Free Association, a string of session singing for the likes of Marianne Faithful and Martina Topley-Bird and film work such as ‘Analyse That’, Petra Jean is now finally in her element. Citing influences such as William Blake, Elizabeth I, Josh T. Pearson, Cindy Sherman, Sister Rosetta Tharpe, My Brightest Diamond, Syd Barrett, William Turner, Led Zeppelin, The 13 Grandmothers, Matthew Barney, Siouxsie Sioux, Sound Healing, foraging and jam making, we’re in no doubt you’re in for an extraordinary treat.

            “Notes on: Death” is the second album in her conceptual ‘Notes:’ trilogy. It is a dark bewitching piece that follows on from her critically acclaimed debut album ‘Notes on: Love’, released in 2005. After that success Petra retreated from the lime light to the French countryside to write & develop her work.

            On asking Petra Jean what she has been doing for the last 5 years, she replies “I have been learning about who I am and what I really want. I have been learning how to be a woman.”

            Through ‘Notes on: Death’ Petra Jean takes on the mantle of the strong female, the Virgin Queen, the woman wedded to her art and her creative soul. Following in the footsteps of her great grandmother Francis Phillipson who chained herself to Durham town hall to win women’s right to vote, her grandmother Ivy Street who was a forewoman in the shell factory in the war, Petra feels there has to be other women out there projecting a positive image of woman. She expresses the desire to move away from the “over-sexualisation of female artists” (Richard Russell of XL Recordings) by the music industry, music with substance, integrity & heart being in the forefront of her thinking. So Elizabeth-like, Petra Jean takes to the stage.

            Here in this stunning double LP, her recordings are divided into black and white sides. ‘Noir’ counter-balanced by ‘Blanc’. We experience the spiralling soundscapes of Dante’s inferno in “Underworld Tubeophany” set against the ascending scales of “Imaginary Gentle Place” in ‘Blanc’. Petra has an ability to transport us from the spine-chilling Kurt Weill-esque humour in ‘Noir’ to the beguiling angelic choirs of ‘Blanc’.


            “She purrs like Billie Holiday back from the grave.” – NME

            TRACK LISTING

            Disc 1 ‘Noir’:
            1. Underworld Tubeophany
            2. City Of Lost Angels
            3. Ire In June
            4. My Love Resides In The Garden
            5. You Asked For It
            6. Kill You Drink You
            7. 3 Men, 3 Mothers Dead
            8. Pyrite

            Disc 2 ‘Blanc’:
            1. Imaginary Gentle Place
            2. Victorian Worship Song
            3. And Lilith Said Unto Adam
            4. Dark Nights Of The Soul
            5. All At Sea
            6. Sissy’s Miracle
            7. Ask The Gods To Pull Down The Sky

            Blackout Beach

            F*ck Death

              “The record is a sibling to the last Blackout Beach record, ‘Skin Of Evil’. But the longing in ‘F*ck Death’ is not romantic; these are deserter’s songs, coward’s songs […] I recorded ‘F*ck Death’ myself, which might be a 2011 thing to do; by that I mean that this record could not have been made with anyone else, anywhere else. I used three synthesizers (two mono, one poly), two drum machines, and one guitar amplifier. Megan Boddy sings with me on most of the songs. I thank her for that.” - Carey Mercer, Blackout Beach

              With the help of producer Billy Pavone (The Fall, Asobi Seksu, White Rabbits), the latest O’Death opus, Outside, is their subtlest work by far, but also the most impressive of the band's career. This is a record that lives up to its name with spacious and cinematic arrangements, layers of subtle percussion, and at times an impenetrable wall of found sound.

              O'Death recorded the album over a two-month period, easily the longest they've ever spent on a production. The extended recording time allowed the band to write in studio, as well as cultivate the organic noise for the record in an intimate setting. As Pavone observed, "Creating the album in the recording, and not in the mix, was a leap of faith for me. It was challenging to let go and allow the album to breathe a bit, and be its own creation– unique and very different from some of the sounds we hear so often in the world of digital manipulation.

              The result is a record that is both the most subtle and massive accomplishment of the band's career, a darkly triumphant and free-flowing album that represents exactly where the songwriters have found themselves in this moment. As Pycior notes, "I love the dynamic disparity in the album: the fragile parts of ‘Bugs,’ ‘Ourselves,’ and ‘Don't Come Back...,’ the huge endings in ‘Alamar,’ ‘Look at the Sun,’ and ‘Pushing Out.’ I know we have the right sequence this time around… and I love ending on a different and demented tone with ‘The Lake Departed.’”

              TRACK LISTING

              1. Bugs
              2. Ghost Head
              3. Alamar
              4. Black Dress
              5 . Ourselves
              6. Look At The Sun
              7. Howling Through
              8. Don’t Come Back
              9. Pushing Out
              10. Back Of The Garden
              11. The Lake Departed

              Death To The Strange

              Closer / Drink & The Devil

              Death to the Strange are a Salford (Manchester) based five piece, fusing lyric-driven, folk-inspired songs with ambient electronic sounds and an amplified rhythm section. With instrumentation tailored to each tune, the band are looking to take in and build on all interesting music out there. In recent months things have been moving more and more quickly for Death to the Strange, with headlining slots at acclaimed Salford and Manchester venues, more high profile supports (Gomez) and a growing repertoire of radio and press coverage. In the words of one Salford City Radio DJ: 'check them out or look proper daft in a year or so!'

              Sudden Weather Change

              Stop! Handgrenade In The Name Of Crib Death 'nderstand?

              Sudden Weather Change are a five-piece rock band from Reykjavík. Their sound has been likened to the sound of bands like Sonic Youth, Pavement, Polvo and countless other 90s alt-rock bands from the US, "Stop! Handgrenade..." is their first full length album and contains 13 juicy, guitar heavy songs.
              'Sudden Weather Change recall the prime of Sunny Day Real Estate or Cap'n Jazz' - Pitchfork.com
              'Our favourite band at the Iceland Airwaves festival, Sudden's youthful verve and fine taste for the bizarre ("Oh my God, I hate Nicholas Cage") have kept us listening a month later.' - guardian.co.uk

              "Give It Up" is the opening salvo from the forthcoming new Datarock album, "Red". It's typical Datarock - a brilliant slice of 80s-inspired disco-not-disco / punk-funk pop (complete with typically witty and surreal lyrics) that hooks you in on first listen. It's a short sharp shock that is reminiscent of the post-punk musicality of acts such as The Associates and achieves the fine balancing act of sounding both current and retro. Remixes on this 12" come from Kissy Sell Out (funky discoid electro), Fan Death (speedy indie-electrodisco collision) and Chateau Marmont (electrohouse). I copy found!

              Death

              ... For The Whole World To See

                "… For The Whole World To See", a fresh and inspired early entry in the category of punk rock, is the first full-length release ever for Death. The band only released one 7" single, "Politicians In My Eyes"/"Keep On Knocking", which now sells for $1000 a copy. Inspired by some of classic rock's heroes, Death riff-rocked with minimal leads at maximum heat, a la Fred 'Sonic' Smith or MC5. Following their 1974 demo Death were given an audition with Don Davis, whose chart-topping work with Stax acts Johnnie Taylor and The Dramatics had made him a local celebrity. Davis booked the band into his United Sound Recording Studio, one of Detroit's main destinations for aspiring blues, R&B and soul musicians, and they recorded the tracks that make up this album with engineer Jim Vitti, whose work with Parliament / Funkadelic seemed to inform his decision to record Death in raw fashion with little polish, showcasing the organic power relationships within the trio.

                Death Cab For Cutie

                Something About Airplanes

                  Death Cab For Cutie's first 'proper' album was originally released in 1998. It features five re-recorded versions of tracks from their "You Can Play These Songs With Chords" demo along with five new tracks.

                  O'Death

                  Broken Hymns, Limbs And Skin

                  New York quintet O'Death's third album, "Broken Hymns, Limbs And Skin", feels like a giddy junkyard hoedown, from the panicked fiddle screeches of opener "Lowtide" to the celebratory gallop of closer "Lean-To". At times it sounds morose or contemplative, but underneath the melancholy is a gospel fervour — bashed from paint buckets, banjos, guitars and anything else in kicking distance — that defines their sound. Since 2007's "Head Home", the band have evolved the possessed Americana-meets-gypsy-punk of recent years into a more urgent, unrelenting celebration of life, death and everything in between. They've grown up a little, but haven't lost the underlying longing or the unruly jubilation in their songs.

                  Death Cab For Cutie

                  Narrow Stairs

                    "Narrow Stairs" follows 2005's Grammy Award-nominated Platinum album "Plans". It is produced by the band's own Chris Walla, who has produced Death Cab's past five albums.

                    Rafter

                    Sex Death Cassette

                      Inspired by influences as diverse as Guided By Voices, R Stevie Moore, Fela Kuti, Lightning Bolt, Fushitsusha, Stevie Wonder, Paul Simon, and Cody Chestnutt, "Sex Death Cassette" is an album full of hope, determination and chaos. It'll leave you with sweat dripping down your face onto your swelled lip; fresh, liquid salt, the quintessential flavour of late night post-disco parties and booty slinging good times. After dancing to this album, you're heavy with it, like too much cough syrup on a stomach full of hi-quality sushi. Rafter executes the helter-skelter boogie-down production so gracefully that it is no mystery why those in-the-know recruit him, including the likes of Fiery Furnaces, The Rapture, Arab on Radar, The Album Leaf, Rocket from the Crypt, Danielson, Black Heart Procession, The Peppermints, Hot Snakes, his own band Bunky, and fellow Asthmatic Kitty artists (Castanets, Liz Janes, and Sufjan Stevens).

                      Death Of London / Dobermann

                      Split 7"

                        Death of London – So you want to know about the sceptic's phenomenon know as Death of London eh? Well, they still are mighty young in band terms. Initially conceived at a Methodist Centre gig in September 2006, the tangible form transpired in February 2007 to unleash the dreamt about potential and here it now is. Wow! Aren't figures and facts great? Five or six practices later they only went and recorded "a pound. a bite." at dub:rek studios in derby. Not only did it sound good, field records wanted to put it out on the streets. Dobermann – A fissiped mammal with non-retractable claws squeezed into a 3 piece rock beat combo, have pinned firmly to the mast their riff based wizardry. No spell to difficult cast, no voyage too treacherous to undertake, these men are hell bent on delivering the finest quality riffage this fair and pleasant land can offer. With an unlikely background in Martial arts and Military service, Dobermann create what can be described as 'rock' music, the way it should be, without a can of hairspray, or sniff of spandex in sight. Beware you have been warned.

                        CSS

                        Let's Make Love And Listen To Death From Above / Alala - Bonde Do Role Remix

                          Unadulterated disco-not-disco brilliance, undisputed dancefloor juggernaut and surely, SURELY, a summer anthem in the making (OK, so it's an anthem already, but just wait 'til festival season!), "Let's Make Love And Listen To Death From Above" gets another outing after originally being quietly released on Sub Pop back in August 2006. This CD single also includes the baile funk remix from fellow Sao Paulo residents Bonde Do Role (originally on the Sub Pop 12" import).

                          Pony Pants

                          Till Death Do Us Party

                            "Till Death Do Us Party" explodes out of the package with eight tight, fresh tracks sure to shake up dance parties, boom boxes, car stereos and basement shows across the land. Full of hope, heat, and a sense of urgency, the songs offer a vision of the world where pleasure and politics are one in the same. In the universe of Pony Pants, radical bedroom romps, volatile social disobedience, and courageous utopian dreams occupy the same plane of resistance and deviance. Pony Pants has shared he stage with such acts as Parts & Labor, Veronica Lipgloss & the Evil Eyes, Hott Beat, nO things, Fur Cups For Teeth, Genghis Tron, Shellshag, and Rah Brahs. RIYL Le Tigre, Erase Errata and Numbers.

                            Billy Ruffian

                            Death Of A Band

                              Debut EP from this Manchester based five piece who've been peddling their own brand of dandy-rock across the city since the start of 2006. The EP features four tracks: the title track is an insight into the chaos of a band hurtling towards destruction, "Preensters" rails against the shallowness and desperation of figures that writhe in the darkness around them, "Leaving Soon" is a heartfelt plea from a character who is trapped in the daily grind of 9 to 5, and the EP finishes with the leftfield pop of "(My Girlfriend Is Like A) Trojan Horse".

                              Hazel Winter

                              Death Row Bride

                                She's been described by Q magazine as 'West Country's first lady of noirsh guitar blues', and who are we to argue with that!!!

                                DOA

                                Anarchy In Canada

                                  Fifteen tracks of never before released studio material from 1981 to 1984, arguably the band's finest, most productive years. Bonuses include the previously lost track "They Saved Hitler's Brain" from '81 and "Kill Kill This Is Pop" from 1979's super rare "Vancouver Compilation" LP.

                                  Various Artists

                                  Death Before Disco

                                    Great compilation to help kick start new San Francisco label Prince House, a real genre-defining punk funk comp of sorts, combining both dance and electronics with punk rock. From San Francisco's minimal techno funk artists Broker/Dealer to the trashy rock and roll of the Pattern. 15 tracks, including soon to be classics by Paradise Boys, Adult, Numbers, Gogogoairheart, A Tension, Hint Hint, Ghost Orchids, the Vanishing, the Pleased (like a West Coast Interpol), the Lovemakers, Dance Disaster Movement,and I Am Spoonbender.

                                    Hoods

                                    Pray For Death

                                      This is going to be seen as one of THE hardcore albums of 2003. The hardest bonecrunching, head numbing, streetwise hardcore album in the last six years from the label that defined the genre - Victory Records. Cover art by famous New York Hardcore art icon Sean Taggart.

                                      Death Threat / Over My Dead Body

                                      Split

                                        This CDEP features two great hardcore bands from their own respective sides of the US. Death Threat are a hardcore band from Connecticut who have toured with Agnostic Front, Hatebreed and others. Over My Dead Body are a straight edge hardcore band from San Diego California. A cover version and two new originals of totally in yer face hardcore.

                                        Engrave

                                        Stealing From Death

                                          Vocals that drip acid, guitar and drums that bludgeon the listener into submission - Engrave are back with a new album that creates an aural Hell on Earth! A hybrid of hectic breaks, mania beats and noise attacks exploding from each song combined with innovation and technical skill like that found in bands like Converge, Cave In, Botch or Grade.

                                          Slapshot

                                          Sudden Death Overtime

                                            Slapshot are one of the best bands to emerge from the hardcore scene around Boston, and "Sudden Death Overtime" is one of the albums that affirmed their position. These guys know how to play (listen to their heavy version of the Jefferson Airplane's "White Rabbit" for proof) and are suprisingly melodic at times. Features two extra live tracks.

                                            Larry Wallis

                                            Death In The Guitarfternoon

                                              Larry Wallis ex of the classic period Pink Fairies returns with a guitar driven album with tracks dwelling on sci-fi, The Fairies, hippies and tribal gatherings, with Mick Farren supplying some of the lyrics. Larry Wallis was once described as 'like Hank Marvin on acid' and this album amply supports this theory. Also included is a rerecording of his classic "I'm A Police Car" where he really lets loose for nearly eight minutes.

                                              Death Threat

                                              For God & Government

                                                Death Threat are well pissed off with 'the System' and they're pretty angry with everyone else too. This is brutal hardcore that has that new American Nightmare, Buried Alive heaviness. Formed by former members of Hatebreed and His Hero Is Gone.

                                                Himsa

                                                Death Is Infinite

                                                  "Death Is Infinite" shows Himsa have progressed into an original metal-hybrid band that has it's roots firmly planted in the hardcore scene. The combination of speed and technical precision in their music leads to mind-numbing changes and hints of harmonic thrash metal not seen before from a band in this genre.

                                                  Death On Wednesday

                                                  Buying The Lie

                                                    Typical pop-punk from the West Coast, Death On Wednesday cite influences as diverse as The Beatles and Elvis to The Cult. They couple pulverizing guitar riffs with a solid rhythmic backbone and add a Morrissey soundalike on vocals.

                                                    Cadillac Blindside

                                                    The Allegory Of Death And Fame

                                                      Cadillac Blindside, on a first listen may resemble an early Get Up Kids when they were rocking and less heart broken and this new six song EP is full of good songs delivered with an energy and assurance that leaves you a-raving!


                                                      Latest Pre-Sales

                                                      186 NEW ITEMS

                                                      E-newsletter —
                                                      Sign up
                                                      Back to top