Marsesura opens the set with the polyrhythmic pulse of "Asmoro", a slow and low sway through twisted field recordings, ritualistic sound design and exotic synthesis. Uwalmassa follows suit with the post gamelan clatter of "Untitled 10", an otherworldly assault of rhythmic intricacies, warped mallet sounds and disorienting effects. Staying in the hotseat for the B1, Uwalmassa serves up the stand out cut with "Untitled 6", a shoulder rolling hit of unpredictable rhythms, warped vocal snippets and hallucinatory sound scaping that finds the middle ground between Tolouse Low Trax and Mala. Last up, Wahono weaves a loose, wall melting spell with the gradually unfolding "Pakar Gula Gending", a post-minimal, machine funk freakout which incorporates all the sounds of a traditional Indonesian orchestra into a totally spangled DMT trip.
All of this adds up for the most intriguing listening experience: Strange virtual spaces mixing with all-too-real ones, creating a hyperreal spacial feel in which musical structures unfold in a highly unpredictable and deeply entrancing way!