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Jesse Garon & The Desperadoes

Janice Long Session 11.11.86

    Began in 1985 in the febrile, incestuous world of Edinburgh’s emerging indie
    community, Jesse Garon & the Desperadoes achieved almost legendary
    status in the burgeoning Scottish music scene of the time.

    Their first new release for more than 35 years arrives via the group’s sole
    BBC radio session, recorded for the much-missed Janice Long and now
    let loose upon the world again as part of the acclaimed Precious Recordings
    of London series.

    Named after Elvis Presley’s stillborn twin brother and a throwaway line
    from The Young Ones – “I’m a fugitive, a desperado!” – the Desperadoes
    released their earliest singles, produced by Douglas Hart of the Jesus and
    Mary Chain, on the nascent Narodnik label, run by Eddie Connelly of Meat
    Whiplash.

    Throughout 1986 the Desperadoes toured extensively with the Shop
    Assistants – singer Alex Taylor was a big early supporter – joining them on
    their first nationwide tour. It was during this quixotic adventure that the
    Desperadoes stopped off at the BBC Maida Vale studios in October ’86 to
    record their one and only radio session.

    Brilliantly capturing the spirit of the indie times, this ‘four songs in under
    ten minutes’ effort was best remembered for two reasons – production
    duties being dextrously handled once again by Douglas Hart (much against
    BBC policy), and the deployment of the name of a much-loved children’s
    TV presenter as the punchline of a rather laboured joke.

    Released on ten-inch vinyl and featuring a host of unseen images, the
    Janice Long session represents Jesse Garon & the Desperadoes in their
    first flush of youth, debut single ‘Splashing Along’ just released, well before
    their debut album A Cabinet of Curiosities. As a later single would so elegantly articulate, 'You'll never Be That Young Again!'

    TRACK LISTING

    1. Laughing, Smiling And Falling Again (BBC Session Version)
    2. Leave You Behind (BBC Session Version)
    3. Up On The Big Wheel (BBC Session Version)
    4. Hank Williams Is Dead (BBC Session Version)

    Saloon

    Peel Sessions 21.08.01 : 16.04.03

      Peel favourites Saloon were a Reading-based folktronica/dreampop band active between 1998 and 2003.

      After watching Austin Powers in a Reading cinema in 1997, university friends Adam Cresswell and Michel Smoughton conspired to form a band together. Wanting to do something in the spirit of bands such as Broadcast, Air and the Velvet Underground, the original criteria for Saloon was that its members had to look good in a roll-neck jumper.

      The line-up was completed in 1998, with Cresswell and Smoughton being joined by Amanda Gomez on vocals, Alison Cotton on viola and Matt Ashton on guitar.

      Saloon quickly became darlings of fanzine writers, with their distinctive and languid lo-fi sound being described as like “Belle and Sebastian in space”. After a run of 7-inch singles on a series of indie labels, they were invited to record their first session for the legendary John Peel in 2001. It was an utterly alien experience for the band, who were most used to recording on four-track tape machines in their bedrooms.

      Saloon went on to record a total of three sessions for the BBC (the second was a live session; the other two are collected here). The band also featured in Peel’s Festive 50, including the No.1 in 2002 with the single ‘Girls Are The New Boys’.

      Throughout five and a half years together, Saloon gigged relentlessly, travelling up and down the UK in a converted post van (and money pit) named Dave. They played with indie royalty including Laika, Electrelane, Of Montreal, Movietone, Quickspace, Sea Power and American Analog Set – plus the band they were most often compared to, Stereolab.

      Saloon released two studio albums on Darla Records in the US and Track and Field in the UK and Europe. The debut (This Is) What We Call Progress (2002) was listed in the Sunday Times albums of the year; the follow-up If We Meet in the Future (2003) received 8/10 in NME. Saloon called it a day in 2004. This Peel Sessions release for Precious Recordings of London is the first Saloon output since the singles compilation Lo-Fi Sounds, Hi-Fi Heart in 2006.

      TRACK LISTING

      1. Spacer (session) 03:49
      2. Bicycle Thieves (session) 05:16
      3. Make It Soft (session) 04:31
      4. Girls Are The New Boys (session) 05:24
      5. Vesuvius (session) 03:17
      6. Kaspian (session) 04:21
      7. Happy Robots (session) 04:13
      8. I Could Have Loved A Tyrant (session) 05:59

      The Green Telescopes

      Andy Kershaw Session 23.01.86

        Forerunners to The Thanes, The Green Telescope started out in 1981 as ardent ambassadors for 60s-style psychedelic sounds, soon becoming well known around Edinburgh for putting together exotic-sounding shows featuring freak-out style lights.

        A couple of line-up changes later, they took fresh inspiration from the British beat group era plus the US/European teen garage-punk explosion – think ‘Nuggets’ and ‘Pebbles’.

        There were only two singles – including the much-sought-after ‘Face In A Crowd’ seven-inch – so this, their only BBC session from 1986, is a proper one-off, capturing the spirit and sound of the times via a swirling organ, a psych heart and three totally unreleased tracks. Plus one that was recorded only 20 years later in a different version by the Thanes.

        … and don’t miss their inimitable cover of the Driving Stupid’s ‘Horror Asparagus Stories’!

        TRACK LISTING

        Who Knows?
        X+Y=13
        Try To
        Horror Asparagus Stories

        The Loft

        Dr. Clarke / Got A Job

          Creation Records legends The Loft release their first new songs for nearly 40 years in the shape of the single ‘Dr. Clarke’. Available on limited edition seven-inch vinyl on Precious Recordings of London.

          Taken from the forthcoming album ‘Everything Changes Everything Stays The Same’ on Tapete Records, ‘Dr. Clarke’ is backed with an exclusive B-side ‘Got A Job’, available only on the vinyl single.

          The Loft notched up an impressive list of firsts for Creation label artists back in the mid-80s. First Creation band on TV, first to hit the top of the indie singles chart, first to be invited on to a major UK tour and first Creation band to record a coveted BBC radio session – for Janice Long’s Radio 1 show in 1984. Then, on the verge of biog-time indie greatness, they split up. And how they split up: mid-song, amid bitterness and acrimony, onstage at the Hammersmith Palais in front of 3,000 people.

          Now the band has reunited, their status as one of the UK’s most influential guitar bands of the 1980s only growing through the intervening years Last year, after a sell-out show at London’s MOTH club and their heralded appearance at the Glas-Goes Pop festival, the group was invited by BBC 6 Music’s Riley & Coe to record their fourth BBC session at Maida Vale’s famous Studio 4. Within six months the session was rush-released by Precious Recordings of London on glorious ten-inch vinyl.

          Precious is now proud to release ‘Dr. Clarke’ as a taster to their debut album ‘Everything Changes Everything Stays The Same’, released by Hamburg-based Tapete (tapeterecords.de) on March 14, 2025. Single and album were recorded in Hackney in August and produced by Dexys’ Sean Read with the original Loft line-up of Pete Astor (guitar/vocals) Andy Strickland (guitar), Bill Prince (bass) and Dave Morgan (drums).

          TRACK LISTING

          Dr. Clarke
          Got A Job

          Blueboy

          Deux

            Blueboy continue their extraordinary re-emergence after 20 years of separation with a magnificent new single that hits you in the solar plexus and then forces you to sing along.

            Darkness, light and shade, melancholy and euphoria, sadness and joy are Blueboy's natural territory; in ‘Deux’, an anthemic chorus is juxtaposed with quietly spoken verses, mood and emotion driven by ever-present guitar.

            Blueboy first got together in the early 1990s and went on to build a global following, touring Europe and Japan and featuring regularly in the UK independent charts with a series of acclaimed singles and well regarded albums.

            At various times, their guitar-led sound has been described as having echoes of bands like The Smiths, Slowdive, Lush and The Cocteau Twins.

            Having reformed in 2024, founder member Paul Stewart was joined by Gemma Malley (now on vocals) to play in London, Cologne and Paris; their comeback single ‘One’ was launched at a triumphant full band show in London where drummer Martin Rose and bassist Mark Cousens rejoined the team from the 1990s line-up.



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