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WINSPEAR RECORDS

Lutalo

The Academy

RIYL: King Krule, Interpol, The Smile, Amen Dunes, TV On The Radio, Nick Hakim, Yves Tumor, Rotsam, Nilüfer Yanya, Bon Iver.

Lutalo’s highly visceral folk goes electric on The Academy, the Vermont multi-instrumentalist, songwriter and producer’s debut LP. Recorded in January 2024 at the storied Sonic Ranch and self-produced along with Jake Aron (Snail Mail, Protomartyr, L’Rain), The Academy feels like watching the best underground film you’ve seen in years; establishing Lutalo as a singular voice of this generation of indie rock. Lutalo describes The Academy as their “first chapter” a time capsule of the lessons they’ve learned in their 20-something years of life. “This record is exactly that: a ‘record’ of my early life,” they say of their debut album, out via Winspear. “The experiences, thoughts and feelings I was holding at those times and am currently processing. To me, this is the first big stamp of my existence I’m sharing.”

While Lutalo’s 2022 EP Once Now, Then Again introduced them as a lo-fi acoustic guitar wunderkind, The Academy is bigger and bolder without compromising Lutalo’s inviting sense of emotional intimacy, inspired by alt-rock veterans like Thom Yorke and Rob Crow as well as electronic greats like Aphex Twin and Bowery Electric. The Academy’s grander arrangements are heard in the biting adrenaline rush of “Ocean Swallows Him Whole,” or the anti-war jangle of album closer “The Bed.” Their lyrics are often deeply intuitive, flowing as a stream of consciousness, albeit with weighty meanings. With their unique baritone and finesse for lyrical world building, Lutalo cuts to the bone while only just beginning to reveal the depth of their artistry and vision.

TRACK LISTING

Side A:
1. Summit Hill
2. Ganon
3. Ocean Swallows Him Whole
4. Broken Twin
5. Big Brother
6. Caster

Side B:
7. 3
8. Oh Well
9. About (Hall Of Egrees)
10. Haha Halo
11. Lightning Strike
12. The Bed

Video Age

Away From The Castle

RIYL: TOPS, Andy Shauf, Tennis, Drugdealer, Jay Som, Real Estate, Faye Webster, Crumb.

Video Age make breezy and timeless songs that are so ine­able, they can only be the result of a decades-long friendship and songwriting partnership. Across four albums, Ross Farbe and Ray Micarelli have gleefully worn their influences on their sleeve, writing inviting tunes that reference sounds ranging from disco to pop and indie rock. On their latest LP, Away From The Castle, the New Orleans duo have strayed from nostalgia and instead have honed their own unique musicality, making songs that sound like themselves with a taste of inspiration from classic singer-song writers of the 60s and 70s. The album is a testament to the possibilities that come from getting out of your comfort zone, the freedom of writing vulnerably and unselfconsciously, and the joys of getting to work with your closest companions.

After releasing and eventually touring their critically-acclaimed third album Pleasure Line in 2020, Farbe and Micarelli sought inspiration for their next project through collaboration. They worked with Drugdealer on his album Hiding In Plain Sight, Micarelli gigged throughout New Orleans' jazz and blues scenes, and Farbe recorded local artists at his home studio, most recently producing Esther Rose's new album Safe to Run. Feeling refreshed, they rented a cabin in Eunice, Louisiana with touring members Nick Corson and Duncan Troast, where they spent eight days in August 2022 jamming, cooking and writing together.

Through this process, Video Age have made their best collection of tracks to date by perfectly alchemizing their influences and experiences into a record still tinged with nostalgia, but moving towards a more succinct and authentic voice. Away From The Castle is a document of a band having fun and rediscovering their love for making music together, but it’s also their most honest and personal work yet–Video Age distilled to its purest form.

TRACK LISTING

Ready To Stay
Better Than Ever
Away From The Castle
Adrian
In The Breaks
How Long's Eternity?
Just Think
Anything For You
A Knight Shining With No Armor
Is It Really Over?
Golden Sun

Various Artists

Winspear Volume 01

A label sampler showcasing the best of Winspear’s releases from its early days to the present day.

The sampler features cuts from Barrie, Divino Niño, Slow Pulp, Video Age, and more.

Digital download included with the LP includes never before heard b-sides and rarities from across the label roster.

Winspear Volume 01 is a label sampler from Winspear. It’s a collection of standout songs from the label’s catalog, spanning from their early years to the present day. Featuring tracks by Barrie, Divino Niño, Slow Pulp, Video Age, and more. The digital version of the label sampler (including the digital download that comes with each physical album purchase), will include never before heard demos, b-sides, and rarities from across the label roster. The release of the sampler will be celebrated at a label showcase at Thalia Hall in Chicago.

The event, Winspear Review, is happening for the 4th time in the label’s history.

TRACK LISTING

1A. Barrie “Frankie”
2A. The Convenience “Kiss Me In Heaven”
3A. Slow Pulp “Falling Apart”
4A. Video Age “Aerostar”
5A. Divino Niño “Quiero”
6A. Major Murphy “One Day”
1B. Amy O “Sunday Meal”
2B. Majetic “Moonlight”
3B. PARTS “Flowers”
4B. Brenda’s Friend “House Down”
5B. Kevin Krauter “Lazy River”
6B. Thunder Dreamer “Now We Know”

Barrie

Barbara

RIYL: Japanese Breakfast, Clairo, Perfume Genius, Sufjan Stevens.

On Barbara, the sophomore album from Brooklyn-based songwriter and producer Barrie, she battles the loss of a parent, the start of a new relationship, and the impulse to separate herself from her music. This result is a beautifully peculiar, and quietly ambitious collection of synth-pop, art-pop, indie rock and folk songs that reflect a new willing- ness to let listeners into her world.

Two events redefined Barrie Lindsay’s life and shaped the direction of Barbara. In the summer of 2019, she met her now-wife, the musician Gabby Smith. Simultaneously, Lindsay’s father learned that his lung cancer had worsened. In January of 2020, she moved home to Ipswich to spend time with family and begin work on her album. Three months became nine, thanks to the pandemic. Lindsay wrote Barbara while quarantining with Smith in Maine, while her father was dying, and while she was falling in love.

Lindsay finds catharsis from the ambivalent desperation of losing a parent on the album’s centerpiece, “Dig.” You can hear her newfound boldness as she wails the song’s central refrain, giving herself over to emotion: “I can’t get enough of you / Where did you come from?” Despite the grief, personal and collective on Lindsay’s mind while making Barbara, she often pauses to embrace joy. “Jenny,” is a simple, acoustic guitar ode to meeting Smith. Similarly, her fantasy of a roman- tic but bloodied afternoon, “Quarry,” sounds eerie and aque- ous, before erupting into a euphoric geyser of synth and drums.

“Barbara isn’t an album specifically about grief or love. It’s just an album where I let myself actually feel my emotions,” Lind- say says. “That was something I’d never done before in music.”

TRACK LISTING

A Side
01. Jersey
02. Frankie
03. Jenny
04. Concrete
05. Dig
06. Bully
B Side
07. Harp 2 Interlude
08. Harp 2
09. Quarry
10. Basketball
11. Bloodline

The Convenience

Accelerator

"It really was super natural”, laughs Duncan Troast, explaining how he and Nick Corson came to form The Convenience, and though he means it was as organic as breathing, the music these two conjure is from an alternate reality. Pulling from a pastiche of 80’s sounds and their own rolodex of future pop flourishes, their new album Accelerator sounds like a late-night disco party on a distant outpost, a sea of dancing bodies illuminated by an alien moon.

The two met at New Orleans’ Loyola University, where they eventually joined the rising pop group Video Age, and before long, were spending the downtime between tours exploring what their own music could sound like. Their early efforts showed promise, but when held next to the iridescent glow of their new material, it’s clear there was a fundamental shift.

“There was a disconnect from the music that we were making, and the breadth of the music that we loved”, explains Corson, “I was relearning how to write songs.” The two went back to the music that made them truly feel alive, pouring over records by Stevie Wonder, Prince, NSYNC, “trying to figure out why it felt so good”.

The result of those efforts is a singular album packed with visceral, immediate pleasure; body music for a plastic pop future. “I had a hard time learning how to do things the right way, and just wanted to make a mess”, says Corson, thinking back on his earliest experiments with songwriting and production. You can hear that spirit in the brief snippets of noise that dot the record, but the immaculate pop songs here make it clear - whatever they’re doing is working. At its core, Accelerator is a celebration of friendship, and the transportative power of music. It’s an ode to the joy of dancing, of loving just to have loved, and becoming who you are.

TRACK LISTING

A Side
01. Accelerator (Pts I + II)
02. Kiss Me In Heaven
03. The Flame
04. Saturday’s Child
05. Fake Roses

B Side
06.
07. True Fascination
08. Luxe
09. Telephone Number

Video Age

Pleasure Line

RIYL: David Bowie, Prince, Paul McCartney. Restlessness is the first step towards pleasure. We make comfort out of discomfort, pleasure out of pain. That journey isn’t always a straight line, but at least we’re going somewhere real. “I had to move, Lord I couldn’t be still” is the unsettled way that Video Age’s new album and title track, Pleasure Line, begins. But as the song unfolds, it uplifts us into a romantic space of possibility and love. Just as “love” is both a noun and a verb, Pleasure Line is both a road to be traveled and the act of crossing that road.

Video Age’s first two albums were about loneliness and discovering oneself, but Pleasure Line takes on a whole new attitude, considering songwriting partners Ross Farbe and Ray Micarelli are both getting married this year (just a few weeks apart from each other, too). But these songs aren’t expressions of one-dimensional puppy love—this is euphoria with depth, ecstasy with complications. Video Age’s third album, due out from Winspear on August 7, 2020, pairs neon-bright 80s pop melodies with a vast range of influences (including Janet Jackson, David Bowie, and Paul McCartney) to create an optimistic sound all their own. The influences vary song to song, but they’re all tinted with the same rosy hue. These are catchy, memorable songs that radiate big “glass-half full” energy. Pleasure Line is a salve that protects against cynicism—listening to this album, you can’t help but feel the world around you is full of romantic potential. 

TRACK LISTING

01 Pleasure Line
02 Maybe Just Once
03 Blushing
04 Aerostar
05 Comic Relief
06 Sweet Marie
07 Shadow On The Wall
08 That Can't Be
09 Meet Me In My Heart
10 Good To Be Back 


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