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TOMMY MCCOOK

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, 'The Rhythm Master', is finally given a legitimate release.

The original title for this long playing release was initially advertised on the label of the seven inch release of 'Determination Skank' as 'The Sannic Sounds Tommy McCook', however the album was released in Kingston in 1974 in very limited quantities on a white label in a plain recycled cover rubber-stamped 'Tommy McCook Dub'. Three years later the set was released through Grounation in London, once again on a white label and without a cover, where it was known as 'Horny Dub'. It gave music lovers a fascinating opportunity to compare and contrast the work of Tommy McCook, one of the architects and builders of the Jamaican sound, with Glen Brown's role in taking and breaking it into pieces...;

Dub Store Records is the Ska, Rocksteady, Reggae, Roots and Dancehall reissue label run by the eponymous Tokyo based record store. The label aims at accurately covering the 50-plus years of Jamaican music, and pass on many rare and magnificent recordings, which are non-commercial and highly artistic. Carefully handing down the tradition of reggae music, Dub Store Records has so far issued recordings from labels and artists such as Studio One, Federal Records (Federal, Kentone, Merritone), Bunny Wailer's Solomonic, Familyman's Fam's, Jammys, King Tubby's Firehouse, Derrick Harriott, Kiddus I, Redman International, BMN and much more to come.

TRACK LISTING

1. Determination Skank
2. South Side
3. When I Fall In Love
4. Funky Reggae
5. It Ain't Who You Know
6. More Music
7. Brand New Man
8. Dirty Harry
9. Flute Instrumental
10. When Something Is Wrong
11. Scatterlight Rock

Tommy McCook

The Rooster / The Saint

    These two tracks were initially released on separate singles, “The Rooster” was released on Duke (a Trojan sublabel) in 1970 whilst “The Saint” was released on Trojan the same year in 1970. This is the first time these two MCCook’s Boss tracks are released together and it is also the first re-release on 7inch vinyl single of these two rare and in demand hits. Cuban born Tommy moved to Jamaica when he was a little boy and became a pupil at the Kingston’s Alpha School where he took up tenor saxophone at the tender age of 11. The Alpha School was run by Catholic nuns and renowned for its outstanding musical education. After a stint in the US where he discovered the sounds of Coltrane, he went on to form the Skatalites in 1964 with Rolando Alphonso, Johnny Moore, Lester Sterling, Don Drummond, Lloyd Knibb, Lloyd Brevett, Jerry Haynes, and Jackie Mittoo. McCook, Drummond, Moore and Sterling were all students from the Alpha School. The Skatalites played their last show in August 1965 after Don Drummond's imprisonment for the murder of his girlfriend, Margarita. The break-up resulted in the formation of two studio bands, Rolando Alphonso & The Studio One Orchestra and… Tommy McCook & The Supersonics. The Supersonics were the house band for Arthur "Duke" Reids' label Treasure Isle. Its members came from The Skatalites with the addition of top new musicians. They were one of Jamaica's most talented and productive bands and covered successfully many genres from Ska and Rocksteady to Reggae and Dub.

    STAFF COMMENTS

    Matt says: Boss tracks from Tommy McCook. Taken from his 1970 catalogue, "The Rooster" and "The Saint" have never been released on 7" before, or together for that matter; making this double header of a 7" a lovely addition to any burgeoning reggae collection.

    TRACK LISTING

    The Rooster
    The Saint

    Bunny Lee & King Tubby Present Tommy McCook & The Aggrovators

    Brass Rockers

      King Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a ‘serious joke’ they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard...the Remix / Version cuts to an existing vocal tune. Sit back and enjoy this historic set of sounds. These releases were the first to carry the name of King Tubby and the first to credit the great musicians that contributed so much to the rhythms that made these albums possible.



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