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THE ROLLING STONES
Formed in London after a fortuitous meeting between Mick Jagger and Keith Richards on a railway platform at Dartford train station, The Rolling Stones, one of the greatest rock’n’roll bands of all time, released in 1970 a record that is often described as one of the greatest live albums of all time. An exceptional document of the group’s North American tour of November 1969, largely taken from two storming nights at New York City’s Madison Square Garden, Get Yer Ya-Ya’s Out! features a set of Stones classics, among them the opening statement of intent, ‘Jumpin’ Jack Flash’, as well as ‘Sympathy For the Devil’, ‘Honky Tonk Women’, a nine-minute ‘Midnight Rambler’ and the high-octane closer, ‘Street Fighting Man’.
Powered by the classic rhythm section of Charlie Watts and Bill Wyman (with Ian Stewart assisting on piano), and with Keith Richards and Mick Taylor trading guitar licks, and Mick Jagger whipping the crowd into a frenzy, Get Yer Ya-Ya’s Out! shows just what a tight outfit the Stones had become as they entered the new decade. Following their cover of Chuck Berry’s ‘Little Queenie’, Jagger declares, “Charlie’s good tonight, innee?”, and it is the late drummer who, along with a donkey named Jack, features on the album’s front cover, shot by legendary rock photographer David Bailey. Following its release in September 1970, Get Yer Ya-Ya’s Out! would be the first live album to hit No.1 on the UK charts, and to this day it remains one of the most influential live recordings of all time.
Reissued on 180g coloured vinyl for National Album Day, this pressing of the album Includes an archival lithograph print featuring film strips from the concert.
Powered by the classic rhythm section of Charlie Watts and Bill Wyman (with Ian Stewart assisting on piano), and with Keith Richards and Mick Taylor trading guitar licks, and Mick Jagger whipping the crowd into a frenzy, Get Yer Ya-Ya’s Out! shows just what a tight outfit the Stones had become as they entered the new decade. Following their cover of Chuck Berry’s ‘Little Queenie’, Jagger declares, “Charlie’s good tonight, innee?”, and it is the late drummer who, along with a donkey named Jack, features on the album’s front cover, shot by legendary rock photographer David Bailey. Following its release in September 1970, Get Yer Ya-Ya’s Out! would be the first live album to hit No.1 on the UK charts, and to this day it remains one of the most influential live recordings of all time.
Reissued on 180g coloured vinyl for National Album Day, this pressing of the album Includes an archival lithograph print featuring film strips from the concert.
TRACK LISTING
1. Jumpin' Jack Flash
2. Carol
3. Stray Cat Blues
4. Love In Vain
5. Midnight Rambler
6. Sympathy For The Devil
7. Live With Me
8. Little Queenie
9. Honky Tonk Women
10. Street Fighting Man
A new red & yellow coloured vinyl edition of Voodoo Lounge to celebrate 30 years since its original release. This album features the singles 'Love Is Strong', 'You Got Me Rocking', 'Out Of Tears' and 'I Go Wild.'
TRACK LISTING
Love Is Strong
You Got Me Rocking
Sparks Will Fly
The Worst
New Faces
Moon Is Up
Out Of Tears
I Go Wild
Brand New Car
Sweethearts Together
Suck On The Jugular
Blinded By Rainbows
Baby Break It Down
Thru And Thru
Mean Disposition
THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
Recorded live at Racket, NYC on October 19th 2023. Previously only available as a bonus disc on the 2CD version of Hackney Diamonds, the band's first studio album since 2005. Heavyweight solid white vinyl.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.
Recorded live at Racket, NYC on October 19th 2023. Previously only available as a bonus disc on the 2CD version of Hackney Diamonds, the band's first studio album since 2005. Heavyweight solid white vinyl.
The Rolling Stones embarked on the Licks World Tour in 2002 & 2003 to celebrate their 40th anniversary, featuring the band performing in arenas and stadiums, in addition to the occasional theater. In November 2002, the Stones arrived in Los Angeles to perform at a packed Wiltern Theatre, treating fans to a set heavy on rarities which feel right at home in such an intimate setting. While some of the hits are performed, this night at the Wiltern is for the rarely played classics, including “Stray Cat Blues”, “No Expectations” and a cover of “Everybody Needs Somebody To Love” featuring a guest spot by the legendary Solomon Burke, who opened the show that night.
TRACK LISTING
3LP Tracklisting:
Side A:
Jumpin’ Jack Flash
Live With Me
Neighbours
Hand Of Fate
Side B:
No Expectations
Beast Of Burden
Stray Cat Blues
Side C:
Dance, Part 1
Everybody Needs Somebody To Love (with Solomon Burke)
That’s How Strong My Love Is
Going To A Go-Go
Side D:
Thru And Thru
You Don’t Have To Mean It
Can’t You Hear Me Knocking
Side E:
Rock Me Baby
Bitch
Honky Tonk Women
Start Me Up
Side F:
Brown Sugar
Tumbling Dice
2CD Tracklisting:
CD1:
Jumpin’ Jack Flash
Live With Me
Neighbours
Hand Of Fate
No Expectations
Beast Of Burden
Stray Cat Blues
Dance, Part 1
Everybody Needs Somebody To Love (with Solomon Burke)
That’s How Strong My Love Is
Going To A Go-Go
Band Introductions
CD2:
Thru And Thru
You Don’t Have To Mean It
Can’t You Hear Me Knocking
Rock Me Baby
Bitch
Honky Tonk Women
Start Me Up
Brown Sugar
Tumbling Dice
A stunning, limited-edition, bespoke box set featuring authentic reproductions of The Rolling Stones original London and Decca labels singles and E.P.s, as released in the 1960s and 1970s. Featuring original packaging, including coveted picture sleeves. Contains the original mono and stereo single mixes. Includes ten Top Ten hits and five number ones across both UK and US Charts, including Paint It, Black, Have You Seen Your Mother, Baby, Standing In The Shadow?, Let’s Spend The Night Together, Jumpin’ Jack Flash, Street Fighting Man, Honky Tonk Women, Brown Sugar, and many other classics. Also features Mick Jagger’s Memo From Turner and Ry Cooder’s instrumental Natural Magic both taken from the film ‘Performance,’ the rare 1971 Decca Street Fighting Man maxi-single, and the Neptunes and FatBoy Slim remixes of Sympathy For The Devil.
Rare Non-LP B-sides included in this package:
Long Long While, flip of Paint It, Black UK Single
Who’s Driving Your Plane? flip of Have You Seen Your Mother, Baby, Standing In The Shadow?
Child Of The Moon, flip of Jumpin’ Jack Flash
Features mono mixes of We Love You and Dandelion, which are exclusive to the single release. Both contain a reprise at the end of each track with an ode to the other sides.
18 black, high-quality vinyl 7” singles in full colour picture sleeves (where applicable).
32-page book with extensive liner notes by Rolling Stones authority Nigel Williamson alongside rare photos and ephemera.
A set of five photo cards and a full colour poster, all housed in a hard-shell ‘lift-off-lid’ box.
Rare Non-LP B-sides included in this package:
Long Long While, flip of Paint It, Black UK Single
Who’s Driving Your Plane? flip of Have You Seen Your Mother, Baby, Standing In The Shadow?
Child Of The Moon, flip of Jumpin’ Jack Flash
Features mono mixes of We Love You and Dandelion, which are exclusive to the single release. Both contain a reprise at the end of each track with an ode to the other sides.
18 black, high-quality vinyl 7” singles in full colour picture sleeves (where applicable).
32-page book with extensive liner notes by Rolling Stones authority Nigel Williamson alongside rare photos and ephemera.
A set of five photo cards and a full colour poster, all housed in a hard-shell ‘lift-off-lid’ box.
TRACK LISTING
7" 1 - Paint It, Black / Stupid Girl
Paint It, Black
Stupid Girl
7" 2 - Paint It, Black / Long Long While
Paint It, Black
Long Long While
7" 3 - Mother's Little Helper / Lady Jane
Mother's Little Helper
Lady Jane
7" 4 - Have You Seen Your Mother, Baby, Standing In The Shadow? / Who’s Driving Your Plane
Have You Seen Your Mother, Baby, Standing In The Shadow?
Who's Driving Your Plane?
7" 5 - Let's Spend The Night Together / Ruby Tuesday
Let's Spend The Night Together
Ruby Tuesday
7" 6 - We Love You / Dandelion
We Love You
Dandelion
7" 7 - She's A Rainbow / 2000 Light Years From Home
She's A Rainbow
2000 Light Years From Home
7" 8 - In Another Land / The Lantern
In Another Land
The Lanter
7" 9 - Jumpin' Jack Flash / Child Of The Moon
Jumpin' Jack Flash
Child Of The Moon
7" 10 - Street Fighting Man / No Expectations
Street Fighting Man
No Expectations
7" 11 - Honky Tonk Women / You Can’t Always Get What You Want
Honky Tonk Women
You Can't Always Get What You Want
7" 12 - Memo From Turner (Mick Jagger) / Natural Magic (Ry Cooder Inst. From The Film ‘Performance’)
Memo From Turner
Natural Magic
7" 13 - Street Fighting Man / Surprise Surprise / Everybody Needs Somebody To Love
Street Fighting Man
Surprise, Surprise
Everybody Needs Somebody To Love
7" 14 - Brown Sugar / Wild Horses
Brown Sugar
Wild Horses
7" 15 - I Don't Know Why / Try A Little Harder
I Don't Know Why
Try A Little Harder
7" 16 - Out Of Time / Jiving Sister Fanny
Out Of Time
Jiving Sister Fanny
7" 17 - Honky Tonk Women / Sympathy For The Devil
Honky Tonk Women
Sympathy For The Devil
7" 18 - Sympathy For The Devil (The Neptunes Remix) [Radio Edit] / Sympathy For The Devil (Fat Boy Slim) [Radio Edit]
Sympathy For The Devil (Neptunes Radio Edit)
Sympathy For The Devil (Fatboy Slim Radio Mix)
Hackney Diamonds, the hugely anticipated new album by The Rolling Stones, is released on October 20th on Polydor Records. Following the release of 2016's Grammy Award winning Blue & Lonesome, which featured brilliant versions of blues tracks that helped shape their sound, Hackney Diamonds marks the band’s first studio album of original material since 2005's A Bigger Bang.
Late drummer Charlie Watts features on two tracks, ‘Mess It Up’ and ‘Live By The Sword’. ‘Live By The Sword’ additionally features bass from former Stones bassist Bill Wyman. ‘Sweet Sounds Of Heaven’ featuring vocals from Lady Gaga and keys & piano from Stevie Wonder, ‘Bite My Head Off’ with bass from Paul McCartney, and ‘Get Close’ and ‘Live By The Sword’ with piano from Elton John.
Late drummer Charlie Watts features on two tracks, ‘Mess It Up’ and ‘Live By The Sword’. ‘Live By The Sword’ additionally features bass from former Stones bassist Bill Wyman. ‘Sweet Sounds Of Heaven’ featuring vocals from Lady Gaga and keys & piano from Stevie Wonder, ‘Bite My Head Off’ with bass from Paul McCartney, and ‘Get Close’ and ‘Live By The Sword’ with piano from Elton John.
STAFF COMMENTS
Barry says: I mean, it's the Rolling Stones man, you know what you're getting. The lads are getting on a bit, admittedly, but that doesn't dampen any of the furious rock and / or roll spirit and pure musicianship oozing out of the speakers.TRACK LISTING
1. Angry
2. Get Close
3. Depending On You
4. Bite My Head Off
5. Whole Wide World
6. Dreamy Skies
7. Mess It Up
8. Live By The Sword
9. Driving Me Too Hard
10. Tell Me Straight
11. Sweet Sounds Of Heaven (Feat. Lady Gaga)
12. Rolling Stone Blues
From 1968, one of the most innovative albums of the sixties including two of the group’s best and most provocative songs– ‘Street Fighting Man’, reflecting the political troubles of the late sixties and ‘Sympathy For The Devil’ with its extraordinary rhythmic pulse and explicit satanic lyrics.
US compilation Flowers features tracks from the UK versions of Aftermath and Between The Buttons, plus 1966-1967 singles and out-takes including the double-A sided Let’s Spend The Night Together / Ruby Tuesday.
The album contains more classic Jagger / Richards titles: Have You Seen Your Mother, Baby, Standing In The Shadow?, making its first album appearance, is the early Stones at their most surrealistic and angst-ridden. Also includes the acoustic, pensively sardonic Sittin’ On A Fence, and the baroque charm of Lady Jane.
Standard black vinyl edition.
The album contains more classic Jagger / Richards titles: Have You Seen Your Mother, Baby, Standing In The Shadow?, making its first album appearance, is the early Stones at their most surrealistic and angst-ridden. Also includes the acoustic, pensively sardonic Sittin’ On A Fence, and the baroque charm of Lady Jane.
Standard black vinyl edition.
The first official Rolling Stones’ rarities collection, Metamorphosis, was originally released in June 1975.
The album combines legendary out-takes and rarities as well as the wealth of demos that Mick Jagger and Keith Richards composed for other artists, which were subsequently re-recorded by the Stones themselves.
Features the heavily orchestrated version of ‘Out Of Time’ featured in Quentin Tarantino’s Once Upon a Time in Hollywood, ‘Memo From Turner’ from the film Performance (starring Mick Jagger). Also includes Bill Wyman’s ‘Downtown Suzie’ and a cover of Stevie Wonder’s ‘I Don’t Know Why’.
Standard black vinyl edition.
The album combines legendary out-takes and rarities as well as the wealth of demos that Mick Jagger and Keith Richards composed for other artists, which were subsequently re-recorded by the Stones themselves.
Features the heavily orchestrated version of ‘Out Of Time’ featured in Quentin Tarantino’s Once Upon a Time in Hollywood, ‘Memo From Turner’ from the film Performance (starring Mick Jagger). Also includes Bill Wyman’s ‘Downtown Suzie’ and a cover of Stevie Wonder’s ‘I Don’t Know Why’.
Standard black vinyl edition.
'Released in April 1966 by Decca Records, Aftermath was the Rolling Stones’ fourth British studio album. It was issued by London Records in the US in June 1966. Recorded at the RCA Studios in California, it was their first album released in true stereo.
It is also one of the first ‘popular’ albums to eclipse the 50-minute mark, and contains one of the earliest rock songs to exceed 10 minutes (the blues jam Goin’ Home). The album’s release was briefly delayed by controversy over the original packaging idea and title – Could You Walk on the Water? – due to London Record’s fear of offending Christians in the US.
The album was considered an artistic breakthrough for the band, being the first to consist entirely of Jagger–Richards compositions, (after their maverick young manager, Andrew Loog Oldham, had shut them in the kitchen of their flat until they had written some more original songs!)
It also featured strongly the immaculate guitar work of Brian Jones and the remarkably wry, observant song-writing of Jagger–Richards Jones played a variety of instruments not usually associated with their music, including sitar, dulcimer, marimbas and Japanese koto, as well as guitar, harmonica and keyboards, though much of the music is still rooted in Chicago electric blues.
Other classics included the jazzy Under My Thumb, where Jones added exotic accents with vibes, and the delicate Elizabethan ballad Lady Jane, with distinctive dulcimer, the wry observational Mother’s Little Helper with its unashamed lyrical drug references, and the overlooked gem – the brooding, meditative I Am Waiting.
It is also one of the first ‘popular’ albums to eclipse the 50-minute mark, and contains one of the earliest rock songs to exceed 10 minutes (the blues jam Goin’ Home). The album’s release was briefly delayed by controversy over the original packaging idea and title – Could You Walk on the Water? – due to London Record’s fear of offending Christians in the US.
The album was considered an artistic breakthrough for the band, being the first to consist entirely of Jagger–Richards compositions, (after their maverick young manager, Andrew Loog Oldham, had shut them in the kitchen of their flat until they had written some more original songs!)
It also featured strongly the immaculate guitar work of Brian Jones and the remarkably wry, observant song-writing of Jagger–Richards Jones played a variety of instruments not usually associated with their music, including sitar, dulcimer, marimbas and Japanese koto, as well as guitar, harmonica and keyboards, though much of the music is still rooted in Chicago electric blues.
Other classics included the jazzy Under My Thumb, where Jones added exotic accents with vibes, and the delicate Elizabethan ballad Lady Jane, with distinctive dulcimer, the wry observational Mother’s Little Helper with its unashamed lyrical drug references, and the overlooked gem – the brooding, meditative I Am Waiting.
Released in April 1966 by Decca Records, Aftermath was the Rolling Stones’ fourth British studio album. It was issued by London Records in the US in June 1966. Recorded at the RCA Studios in California, it was their first album released in true stereo.
It is also one of the first ‘popular’ albums to eclipse the 50-minute mark, and contains one of the earliest rock songs to exceed 10 minutes (the blues jam Goin’ Home). The album’s release was briefly delayed by controversy over the original packaging idea and title – Could You Walk on the Water? – due to London Reocord’s fear of offending Christians in the US.
The album was considered an artistic breakthrough for the band, being the first to consist entirely of Jagger–Richards compositions, (after their maverick young manager, Andrew Loog Oldham, had shut them in the kitchen of their flat until they had written some more original songs!).
It also featured strongly the immaculate guitar work of Brian Jones and the remarkably wry, observant song-writing of Jagger–Richards Jones played a variety of instruments not usually associated with their music, including sitar, dulcimer, marimbas and Japanese koto, as well as guitar, harmonica and keyboards, though much of the music is still rooted in Chicago electric blues. The burgeoning influences of psychedelia, Bob Dylan and the tensions around the world, are evident in classics like Paint It Black, an eerily insistent number one hit, available on the US version of the LP.
Other classics included the jazzy Under My Thumb, where Jones added exotic accents with vibes, and the delicate Elizabethan ballad Lady Jane, with distinctive dulcimer, the wry observational Mother’s Little Helper with its unashamed lyrical drug references, and the overlooked gem – the brooding, meditative I Am Waiting.
The American edition was issued with a shorter track listing, substituting the single Paint It Black in place of four of the British version’s songs, in keeping with the industry preference for shorter LPs in the US market at the time.
It is also one of the first ‘popular’ albums to eclipse the 50-minute mark, and contains one of the earliest rock songs to exceed 10 minutes (the blues jam Goin’ Home). The album’s release was briefly delayed by controversy over the original packaging idea and title – Could You Walk on the Water? – due to London Reocord’s fear of offending Christians in the US.
The album was considered an artistic breakthrough for the band, being the first to consist entirely of Jagger–Richards compositions, (after their maverick young manager, Andrew Loog Oldham, had shut them in the kitchen of their flat until they had written some more original songs!).
It also featured strongly the immaculate guitar work of Brian Jones and the remarkably wry, observant song-writing of Jagger–Richards Jones played a variety of instruments not usually associated with their music, including sitar, dulcimer, marimbas and Japanese koto, as well as guitar, harmonica and keyboards, though much of the music is still rooted in Chicago electric blues. The burgeoning influences of psychedelia, Bob Dylan and the tensions around the world, are evident in classics like Paint It Black, an eerily insistent number one hit, available on the US version of the LP.
Other classics included the jazzy Under My Thumb, where Jones added exotic accents with vibes, and the delicate Elizabethan ballad Lady Jane, with distinctive dulcimer, the wry observational Mother’s Little Helper with its unashamed lyrical drug references, and the overlooked gem – the brooding, meditative I Am Waiting.
The American edition was issued with a shorter track listing, substituting the single Paint It Black in place of four of the British version’s songs, in keeping with the industry preference for shorter LPs in the US market at the time.
Released in the UK in January 1967 by Decca Records and February by London Records in the US – Between The Buttons was the Stones’ fifth British and seventh US studio album. Released as the follow-up to Aftermath, this album marked a high point in the band’s career, continuing their ventures into psychedelia and baroque pop balladry, it is among the band’s most musically eclectic works. Brian Jones sidelined his guitar on much of the album, instead playing a wide variety of other instruments including organ, marimba, vibraphone, and kazoo. Piano contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor and studio legend Jack Nitzsche. It was the last album produced by Andrew Loog Oldham, the band’s manager and producer of all of their albums to this point.
The album has one of the most striking sleeves of the period, featuring a classic Gered Mankowitz image on the cover. The photo shoot took place at 5:30 in the morning following an all-night recording session at Olympic Studios. Using a home-made camera filter constructed of black card, glass and Vaseline, Mankowitz created the effect of the Stones dissolving into their surroundings – according to Mankowitz… "to capture the ethereal, druggy feel of the time; that feeling at the end of the night when dawn was breaking and they’d been up all night making music, stoned.”
The songs continued Aftermath’s lyrics of acute social observation and savage insight, their earlier raw, rootsy power enhanced by other influences of the period – notably The Beatles, The Kinks, and again Dylan. It is one of their strongest, most varied LPs, with many great songs that remain unknown to all but Stones devotees.
The inventive arrangements and innovative instrumentation on brooding near-classics like All Sold Out, My Obsession and Yesterday’s Papers brought a new dimension to the music. She Smiled Sweetly shows their hidden romantic side at its best, Connection is one of the record’s few pieces of more conventional driving rock and album closer Something Happened To Me Yesterday includes Keith’s first solo vocal.
The album has one of the most striking sleeves of the period, featuring a classic Gered Mankowitz image on the cover. The photo shoot took place at 5:30 in the morning following an all-night recording session at Olympic Studios. Using a home-made camera filter constructed of black card, glass and Vaseline, Mankowitz created the effect of the Stones dissolving into their surroundings – according to Mankowitz… "to capture the ethereal, druggy feel of the time; that feeling at the end of the night when dawn was breaking and they’d been up all night making music, stoned.”
The songs continued Aftermath’s lyrics of acute social observation and savage insight, their earlier raw, rootsy power enhanced by other influences of the period – notably The Beatles, The Kinks, and again Dylan. It is one of their strongest, most varied LPs, with many great songs that remain unknown to all but Stones devotees.
The inventive arrangements and innovative instrumentation on brooding near-classics like All Sold Out, My Obsession and Yesterday’s Papers brought a new dimension to the music. She Smiled Sweetly shows their hidden romantic side at its best, Connection is one of the record’s few pieces of more conventional driving rock and album closer Something Happened To Me Yesterday includes Keith’s first solo vocal.
Released in the UK in January 1967 by Decca Records and February by London Records in the US – Between The Buttons was the Stones’ fifth British and seventh US studio album. Released as the follow-up to Aftermath, this album marked a high point in the band’s career, continuing their ventures into psychedelia and baroque pop balladry, it is among the band’s most musically eclectic works. Brian Jones sidelined his guitar on much of the album, instead playing a wide variety of other instruments including organ, marimba, vibraphone, and kazoo. Piano contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor and studio legend Jack Nitzsche. It was the last album produced by Andrew Loog Oldham, the band’s manager and producer of all of their albums to this point.
The album has one of the most striking sleeves of the period, featuring a classic Gered Mankowitz image on the cover. The photo shoot took place at 5:30 in the morning following an all-night recording session at Olympic Studios. Using a home-made camera filter constructed of black card, glass and Vaseline, Mankowitz created the effect of the Stones dissolving into their surroundings – according to Mankowitz… "to capture the ethereal, druggy feel of the time; that feeling at the end of the night when dawn was breaking and they’d been up all night making music, stoned.”
The songs continued Aftermath’s lyrics of acute social observation and savage insight, their earlier raw, rootsy power enhanced by other influences of the period – notably The Beatles, The Kinks, and again Dylan. It is one of their strongest, most varied LPs, with many great songs that remain unknown to all but Stones devotees.
The inventive arrangements and innovative instrumentation on brooding near-classics like All Sold Out, My Obsession and Yesterday’s Papers brought a new dimension to the music. She Smiled Sweetly shows their hidden romantic side at its best, Connection is one of the record’s few pieces of more conventional driving rock and album closer Something Happened To Me Yesterday includes Keith’s first solo vocal.
The US version includes contemporaneous hits – the two songs that gave the group a double-sided number one in early 1967: the shameless and controversial Let’s Spend The Night Together and the beautiful, melancholy Ruby Tuesday.
The album has one of the most striking sleeves of the period, featuring a classic Gered Mankowitz image on the cover. The photo shoot took place at 5:30 in the morning following an all-night recording session at Olympic Studios. Using a home-made camera filter constructed of black card, glass and Vaseline, Mankowitz created the effect of the Stones dissolving into their surroundings – according to Mankowitz… "to capture the ethereal, druggy feel of the time; that feeling at the end of the night when dawn was breaking and they’d been up all night making music, stoned.”
The songs continued Aftermath’s lyrics of acute social observation and savage insight, their earlier raw, rootsy power enhanced by other influences of the period – notably The Beatles, The Kinks, and again Dylan. It is one of their strongest, most varied LPs, with many great songs that remain unknown to all but Stones devotees.
The inventive arrangements and innovative instrumentation on brooding near-classics like All Sold Out, My Obsession and Yesterday’s Papers brought a new dimension to the music. She Smiled Sweetly shows their hidden romantic side at its best, Connection is one of the record’s few pieces of more conventional driving rock and album closer Something Happened To Me Yesterday includes Keith’s first solo vocal.
The US version includes contemporaneous hits – the two songs that gave the group a double-sided number one in early 1967: the shameless and controversial Let’s Spend The Night Together and the beautiful, melancholy Ruby Tuesday.
Mercury Studios is pleased to announce a new title from the Rolling Stones archive, Licked Live in NYC. This show from New York’s Madison Square Garden in January 2003 was one of 117 shows on the band’s 40th anniversary tour, which played in stadiums, arenas and theaters around the world between 2002 and 2003.
A stunning, limited-edition, bespoke box set featuring authentic reproductions of The Rolling Stones original London and Decca labels singles and E.P.s, as released in the 1960s. Featuring original packaging, including coveted picture sleeves.
Includes three early, multi-track E.P.s: The Rolling Stones E.P, Five By Five and Got Live If You Want It!
Non-studio album tracks featured on the first two Decca singles: Come On / I Want To Be Loved (UK 1963) and I Wanna Be Your Man / Stoned (UK 1964).
Rare non-LP B-side track – Sad Day, flip of 19th Nervous Breakdown.
(I Can’t Get No) Satisfaction and Get Off Of My Cloud, each with alternate London and Decca B-sides (one US, one UK). The lesser-known organ intro version of Time Is On My Side is a featured London US A-side.
18 black high-quality vinyl 7” singles in full-colour picture sleeves.
32-page book with extensive liner notes by Rolling Stones authority Nigel Williamson alongside rare photos and ephemera.
A set of five photo cards and a full-colour poster, all housed in a hard-shell ‘lift-off lid box.
This is the first time the early Rolling Stones catalogue has been collected on 18 vinyl 45 RPM 7” singles. Volume one of two limited edition box sets (Volume Two will follow soon) that are a comprehensive chronological overview of The Rolling Stones early career as pop chart hitmakers.
Includes three early, multi-track E.P.s: The Rolling Stones E.P, Five By Five and Got Live If You Want It!
Non-studio album tracks featured on the first two Decca singles: Come On / I Want To Be Loved (UK 1963) and I Wanna Be Your Man / Stoned (UK 1964).
Rare non-LP B-side track – Sad Day, flip of 19th Nervous Breakdown.
(I Can’t Get No) Satisfaction and Get Off Of My Cloud, each with alternate London and Decca B-sides (one US, one UK). The lesser-known organ intro version of Time Is On My Side is a featured London US A-side.
18 black high-quality vinyl 7” singles in full-colour picture sleeves.
32-page book with extensive liner notes by Rolling Stones authority Nigel Williamson alongside rare photos and ephemera.
A set of five photo cards and a full-colour poster, all housed in a hard-shell ‘lift-off lid box.
This is the first time the early Rolling Stones catalogue has been collected on 18 vinyl 45 RPM 7” singles. Volume one of two limited edition box sets (Volume Two will follow soon) that are a comprehensive chronological overview of The Rolling Stones early career as pop chart hitmakers.
TRACK LISTING
Come On / I Want To Be Loved (UK 1963) [ 7"1 ]
Come On
I Want To Be Loved
I Wanna Be Your Man / Stoned (UK 1963 / US 1964) [ 7" 2 ]
I Wanna Be Your Man
Stoned
The Rolling Stones EP – Bye Bye Johnny / Money / You Better Move On / Poison Ivy (UK 1964) [ 7" 3 ]
Bye Bye Johnny
Money
You Better Move On
Poison Ivy
Not Fade Away / Little By Little - UK B-side (UK 1964) (US 1964 B-side Was I Wanna Be Your Man) [ 7" 4 ]
Not Fade Away
Little By Little
Tell Me / I Just Want To Make Love To You (US 1964) [ 7" 5 ]
Tell Me
I Just Want To Make Love To You
It's All Over Now / Good Times, Bad Times (UK 1964 / US 1964) [ 7" 6 ]
It's All Over Now
Good Times, Bad Times
Five X Five EP - If You Need Me / Empty Heart / 2120 South Michigan
Avenue / Confessin’ The Blues / Around & Around (UK 1964) [ 7" 7 ]
If You Need Me
Empty Heart
2120 South Michigan Avenue
Confessin’ The Blues
Around & Around
Time Is On My Side / Congratulations (US 1964) [ 7" 8 ]
Time Is On My Side
Congratulations
Little Red Rooster / Off The Hook (UK 1964) [ 7" 9 ]
Little Red Rooster
Off The Hook
Heart Of Stone / What A Shame (US 1964) [ 7" 10 ]
Heart Of Stone
What A Shame
The Last Time / Play With Fire (UK 1965 / US 1965) [ 7" 11 ]
The Last Time
Play With Fire
Got Live If You Want It! EP – (UK June 1965) We Want The Stones / Everybody Needs Somebody To Love/Pain In My Heart / Route 66 / I'm
Moving On / I'm Alright [ 7" 12 ]
We Want The Stones
Everybody Needs Somebody To Love
Pain In My Heart
Route 66
I'm Moving On
I'm Alright
(I Can't Get No) Satisfaction / The Under Assistant West Coast Promotion Man – US B-side (US 1965) [ 7" 13 ]
(I Can't Get No) Satisfaction
The Under Assistant West Coast Promotion Man
(I Can't Get No) Satisfaction / The Spider And The Fly – UK B-side (UK 1965) [ 7" 14 ]
(I Can't Get No) Satisfaction
The Spider And The Fly
Get Off My Cloud / I’m Free – US B-side (US 1965) [ 7" 15 ]
Get Off My Cloud
I’m Free
Get Off My Cloud / The Singer Not The Song - UK B-side (UK 1965) [ 7" 16 ]
Get Off My Cloud
The Singer Not The Song
As Tears Go By / Gotta Get Away (US 1965) [ 7" 17 ]
As Tears Go By
Gotta Get Away
19th Nervous Breakdown / Sad Day - US B-side (US 1966) [ 7" 18 ]
19th Nervous Breakdown
Sad Day - US B-side
A legendary event in the incredible 60-year history of the Rolling Stones is being released in full for the first time on Friday, April 29th. Live At The El Mocambo marks the first official appearance of the group's two famous secret concerts at the 300-capacity Toronto club in March 1977.
It features the Stones' full set from the March 5 show, plus three bonus tracks from the March 4 gig, newly mixed by Bob Clearmountain. Only four of the performances found their way onto the Love You Live album that followed in September 1977, which was dominated by tracks captured on the band's 1975 and '76 tours, with the full set having never been heard before.
As the Stones took to the stage of the “El Mo,” a fixture of the Toronto music scene since the 1940s, punk and disco were both rearing into full view, supposedly ready to see off a band who had already been at the top of their game for 15 years. Over two nights, in an intimate space in one of their favourite cities, they were about to make that prognosis look foolish indeed.
The gigs became reality after the El Mocambo was identified as the potential home for a secret booking. A radio contest was organised in which the prize was tickets to see Canadian rock heroes April Wine, supported by an unknown band called the Cockroaches. Guess who they turned out to be...
On the nights, naturally, April Wine were themselves the opening act, and so it was that the Stones rolled back the years to the exhilarating club incarnation of their early years. Against all the odds, the band produced two nights of exhilarating music that they still talk about in Toronto, and in Rolling Stones legend, to this day.
It was a setlist for all seasons, from Muddy Waters' 'Mannish Boy' and Bo Diddley's 'Crackin' Up' to staples such as 'Let's Spend The Night Together' and 'Tumbling Dice,' and back to the blues with Big Maceo's 'Worried Life Blues' and Willie Dixon's 'Little Red Rooster.' There was the live debut of 'Worried About You,' not heard in studio form until 1981's Tattoo You, and more highlights from 'Honky Tonk Woman' to 'Hot Stuff.' Forty-five years on, this is a trip back to the intensity of the Crawdaddy Club in the Stones' earliest days, as revisited by the greatest rock 'n' roll band in the world.
It features the Stones' full set from the March 5 show, plus three bonus tracks from the March 4 gig, newly mixed by Bob Clearmountain. Only four of the performances found their way onto the Love You Live album that followed in September 1977, which was dominated by tracks captured on the band's 1975 and '76 tours, with the full set having never been heard before.
As the Stones took to the stage of the “El Mo,” a fixture of the Toronto music scene since the 1940s, punk and disco were both rearing into full view, supposedly ready to see off a band who had already been at the top of their game for 15 years. Over two nights, in an intimate space in one of their favourite cities, they were about to make that prognosis look foolish indeed.
The gigs became reality after the El Mocambo was identified as the potential home for a secret booking. A radio contest was organised in which the prize was tickets to see Canadian rock heroes April Wine, supported by an unknown band called the Cockroaches. Guess who they turned out to be...
On the nights, naturally, April Wine were themselves the opening act, and so it was that the Stones rolled back the years to the exhilarating club incarnation of their early years. Against all the odds, the band produced two nights of exhilarating music that they still talk about in Toronto, and in Rolling Stones legend, to this day.
It was a setlist for all seasons, from Muddy Waters' 'Mannish Boy' and Bo Diddley's 'Crackin' Up' to staples such as 'Let's Spend The Night Together' and 'Tumbling Dice,' and back to the blues with Big Maceo's 'Worried Life Blues' and Willie Dixon's 'Little Red Rooster.' There was the live debut of 'Worried About You,' not heard in studio form until 1981's Tattoo You, and more highlights from 'Honky Tonk Woman' to 'Hot Stuff.' Forty-five years on, this is a trip back to the intensity of the Crawdaddy Club in the Stones' earliest days, as revisited by the greatest rock 'n' roll band in the world.
Lucinda Williams
Lu's Jukebox Vol. 6: You Are Cordially Invited... A Tribute To The Rolling Stones
Highway 20 Records
Lu's Jukebox is a six-volume series of mostly full-band performances recorded live at Ray Kennedy's Room & Board Studio in Nashville, TN. Each volume features a themed set of songs by other artists curated by the multi-Grammy award winner, Lucinda Williams. The series aired as ticketed shows through Mandolin in late 2020 with a portion of ticket sales benefitting independent music venues struggling to get by through the pandemic. Like thousands of artists, Williams cut her teeth and developed her craft by playing in small, medium and large clubs throughout the country, and the world. These venues are vital to the development of artists and their music. Williams has never forgotten her roots, and often performs special shows in some of her favorite halls.
TRACK LISTING
1. Street Fighting Man
2. The Last Time
3. Get Off My Cloud
4. Paint It Black
5. Play With Fire
6. No Expectations
7. Dead Flowers
8. Salt Of The Earth
9. You Gotta Move
10. Moonlight Mile
11. Time Waits For No One
12. Sway
13. Doo Doo Doo Doo Doo (Heartbreaker)
14. (I Can't Get No) Satisfaction
15. Sympathy For The Devil
16. You Can't Always Get What You Want
Their 11th UK studio album, recorded in Jamaica, Los Angeles and London as their last collaboration with producer Jimmy Miller, Goats Head Soup came in the wake of the Stones' landmark 1972 double album Exile On Main St. The new set was introduced by the single that became one of their most exalted ballads, the endlessly elegant “Angie”, completed by Mick Jagger and Keith Richards during a songwriting sojourn in Switzerland.
The timeless love song, showcasing Jagger's yearning lead vocal and Nicky Hopkins' beautiful piano motif, topped the charts in the US, where it was certified platinum, and went to No. 1 across Europe, Australia and beyond. “We decided to do something different, and it worked,” Richards told Rolling Stone of “Angie”. “Maybe a lot of people bought it that would never buy a Stones LP.” Interestingly in a recent interview with The New York Times, Bob Dylan chose “Angie” as one of three Rolling Stones songs he wished he had written.
Goats Head Soup, with its famous David Bailey sleeve, featured the Stones' vintage 1969-1974 line-up of Jagger, Richards, Mick Taylor, Bill Wyman and Charlie Watts, with the addition of some essential collaborators. On an album on which their trademark rocking sound was often augmented by more low-key, reflective material, there were no fewer than four featured piano players: Hopkins, Billy Preston, Ian 'Stu' Stewart and Jagger himself.
“Angie” was the only single to be released from the LP in the UK, where it spent two weeks at No. 5 in September. In the US, the exhilaratingly funky, horn-filled “Doo Doo Doo Doo Doo (Heartbreaker)”, featuring Mick Taylor's wah-wah lead guitar, followed it into the top 20 in February 1974.
The many other highlights of the album included the majestically brooding opener “Dancing With Mr. D”, the lithely strutting “100 Years Ago” and “Star Star” and the graceful “Winter”. Richards' rueful lead vocal on “Coming Down Again” featured another Stones stalwart, saxophonist Bobby Keys. “Silver Train”, the b-side of “Angie”, would be revived after a gap of some 40 years, during the Stones' 14 On Fire tour of 2014, when Mick Taylor reprised his original guitar part in shows in Tokyo and Brisbane.
When the album was first released, reviewers lined up to sing its praises. “This is music which could only come from good musicians who know each other really well,” ruled the late and esteemed writer-broadcaster Charlie Gillett in Let It Rock. “The Stones succeed because they rarely forget their purpose — the creation of rock & roll drama,” said Bud Scoppa in Rolling Stone. “It’s deepening and unfolding over the coming months will no doubt rate as one of the year's richest musical experiences.”
The timeless love song, showcasing Jagger's yearning lead vocal and Nicky Hopkins' beautiful piano motif, topped the charts in the US, where it was certified platinum, and went to No. 1 across Europe, Australia and beyond. “We decided to do something different, and it worked,” Richards told Rolling Stone of “Angie”. “Maybe a lot of people bought it that would never buy a Stones LP.” Interestingly in a recent interview with The New York Times, Bob Dylan chose “Angie” as one of three Rolling Stones songs he wished he had written.
Goats Head Soup, with its famous David Bailey sleeve, featured the Stones' vintage 1969-1974 line-up of Jagger, Richards, Mick Taylor, Bill Wyman and Charlie Watts, with the addition of some essential collaborators. On an album on which their trademark rocking sound was often augmented by more low-key, reflective material, there were no fewer than four featured piano players: Hopkins, Billy Preston, Ian 'Stu' Stewart and Jagger himself.
“Angie” was the only single to be released from the LP in the UK, where it spent two weeks at No. 5 in September. In the US, the exhilaratingly funky, horn-filled “Doo Doo Doo Doo Doo (Heartbreaker)”, featuring Mick Taylor's wah-wah lead guitar, followed it into the top 20 in February 1974.
The many other highlights of the album included the majestically brooding opener “Dancing With Mr. D”, the lithely strutting “100 Years Ago” and “Star Star” and the graceful “Winter”. Richards' rueful lead vocal on “Coming Down Again” featured another Stones stalwart, saxophonist Bobby Keys. “Silver Train”, the b-side of “Angie”, would be revived after a gap of some 40 years, during the Stones' 14 On Fire tour of 2014, when Mick Taylor reprised his original guitar part in shows in Tokyo and Brisbane.
When the album was first released, reviewers lined up to sing its praises. “This is music which could only come from good musicians who know each other really well,” ruled the late and esteemed writer-broadcaster Charlie Gillett in Let It Rock. “The Stones succeed because they rarely forget their purpose — the creation of rock & roll drama,” said Bud Scoppa in Rolling Stone. “It’s deepening and unfolding over the coming months will no doubt rate as one of the year's richest musical experiences.”
TRACK LISTING
2020 Stereo Mix (Standard Vinyl)
SIDE A
1. Dancing With Mr D
2. 100 Years Ago
3. Coming Down Again
4. Doo Doo Doo Doo Doo (Heartbreaker)
5. Angie
SIDE B
6. Silver Train
7. Hide Your Love
8. Winter
9. Can You Hear The Music
10. Star Star
2020 Stereo Mix (Deluxe 2xLP)
SIDE A
1. Dancing With Mr D
2. 100 Years Ago
3. Coming Down Again
4. Doo Doo Doo Doo Doo (Heartbreaker)
5. Angie
SIDE B
6. Silver Train
7. Hide Your Love
8. Winter
9. Can You Hear The Music
10. Star Star
SIDE C
1. Scarlet
2. All The Rage
3. Criss Cross
4. 100 Years Ago (Piano Demo)
5. Dancing With Mr D (Instrumental)
SIDE D
6. Heartbreaker (Instrumental)
7. Hide Your Love (Alternative Mix)
8. Dancing With Mr D (Glyn Johns 1973 Mix)
9. Doo Doo Doo Doo Doo (Heartbreaker) – (Glyn Johns 1973 Mix)
10. Silver Train (Glyn Johns 1973 Mix)
Break-outs of individual LPs from the half-speed master boxset “Studio Albums Vinyl Collection 1971-2016”.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
‘Sticky Fingers’ was recorded in Muscle Shoals, Alabama, Stargroves, Mick’s country home and Olympic Studios in London and produced by regular confidant Jimmy Miller, ‘Sticky Fingers’ was released shortly after the Stones became exiled in the south of France, leaving Britain after a sensational farewell tour. It also featured some of the most ground breaking artwork in rock history by Andy Warhol with its famous working zip on the front cover. (Recreated in the Super Deluxe and Double Vinyl Deluxe Editions of the new package.)
‘Sticky Fingers’ has been repeatedly hailed as one of the Stones’ all-time great albums, capturing their trademark combination of swagger and tenderness in a superb collection. It continued the incredible outpouring of creative energy that had produced 1968’s ‘Beggars Banquet’ and ‘Let It Bleed’ in 1969. After ‘Sticky Fingers’, the Stones’ relocation to the south of France led to the double album masterpiece ‘Exile On Main St.’ The highly acclaimed ‘Sticky Fingers’ showcased the ever more inventive song writing of Mick Jagger and Keith Richards and formidable guitar licks from Mick Taylor.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
‘Sticky Fingers’ was recorded in Muscle Shoals, Alabama, Stargroves, Mick’s country home and Olympic Studios in London and produced by regular confidant Jimmy Miller, ‘Sticky Fingers’ was released shortly after the Stones became exiled in the south of France, leaving Britain after a sensational farewell tour. It also featured some of the most ground breaking artwork in rock history by Andy Warhol with its famous working zip on the front cover. (Recreated in the Super Deluxe and Double Vinyl Deluxe Editions of the new package.)
‘Sticky Fingers’ has been repeatedly hailed as one of the Stones’ all-time great albums, capturing their trademark combination of swagger and tenderness in a superb collection. It continued the incredible outpouring of creative energy that had produced 1968’s ‘Beggars Banquet’ and ‘Let It Bleed’ in 1969. After ‘Sticky Fingers’, the Stones’ relocation to the south of France led to the double album masterpiece ‘Exile On Main St.’ The highly acclaimed ‘Sticky Fingers’ showcased the ever more inventive song writing of Mick Jagger and Keith Richards and formidable guitar licks from Mick Taylor.
TRACK LISTING
Side A
1. Brown Sugar
2. Sway
3. Wild Horses
4. Can't You Hear Me Knocking
5. You Gotta Move
Side B
6. Bitch
7. I Got The Blues
8. Sister Morphine
9. Dead Flowers
10. Moonlight Mile
Break-outs of individual LPs from the half-speed master boxset “Studio Albums Vinyl Collection 1971-2016”.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1980, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Upon its release more than three decades ago, 'Exile On Main Street' innovatively wove varying musical genres, instruments and even artists into a compelling rhythmic masterpiece.
The original 18-track double-album was recorded in various stages at multiple locations, including Olympic Studios in London, Keith Richard’s mansion Nellcote in France, and in Los Angeles where the literal “Main Street” influenced the album title. These atypical circumstances surrounding the recording process greatly affected the album’s outcome which was highly reflective and influenced by the sociopolitical turbulence that marked the late `60s and early `70s. The Stones nixed the influences of a flower-child era and directed their creative process with the edgier, excessive, “more is more” approach of the `70s. Exile reveals a sprawling mix of genres with undertones of blues, country, R&B and gospel mixed with lyrics that fervently demand for release and liberation.
The album pulled together an electric array of talent including Dr. John, the late Billy Preston and pianist Nicky Hopkins. Guitarist Mick Taylor, who replaced Brian Jones in the band shortly before Jones died in 1969, is a magnificent blues player who brought an intensity and elegance to these epic tracks. At times, these musicians and others lived on the recording studio premises with the band creating an extremely open and creative collaboration for the album.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1980, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Upon its release more than three decades ago, 'Exile On Main Street' innovatively wove varying musical genres, instruments and even artists into a compelling rhythmic masterpiece.
The original 18-track double-album was recorded in various stages at multiple locations, including Olympic Studios in London, Keith Richard’s mansion Nellcote in France, and in Los Angeles where the literal “Main Street” influenced the album title. These atypical circumstances surrounding the recording process greatly affected the album’s outcome which was highly reflective and influenced by the sociopolitical turbulence that marked the late `60s and early `70s. The Stones nixed the influences of a flower-child era and directed their creative process with the edgier, excessive, “more is more” approach of the `70s. Exile reveals a sprawling mix of genres with undertones of blues, country, R&B and gospel mixed with lyrics that fervently demand for release and liberation.
The album pulled together an electric array of talent including Dr. John, the late Billy Preston and pianist Nicky Hopkins. Guitarist Mick Taylor, who replaced Brian Jones in the band shortly before Jones died in 1969, is a magnificent blues player who brought an intensity and elegance to these epic tracks. At times, these musicians and others lived on the recording studio premises with the band creating an extremely open and creative collaboration for the album.
TRACK LISTING
1. Rocks Off
2. Rip This Joint
3. Shake Your Hips
4. Casino Boogie
5. Tumbling Dice
6. Sweet Virginia
7. Torn And Frayed
8. Sweet Black Angel
9. Loving Cup
10. Happy
11. Turd On The Run
12. Ventilator Blues
13. I Just Want To See His Face
14. Let It Loose
15. All Down The Line
16. Stop Breaking Down
17. Shine A Light
18. Soul Survivor
Break-outs of individual LPs from the half-speed master boxset “Studio Albums Vinyl Collection 1971-2016”.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1974, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl, this album features the singles ‘It’s Only Rock ‘N’ Roll (But I Like It)’ and ‘Ain’t Too Proud To Beg’.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1974, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl, this album features the singles ‘It’s Only Rock ‘N’ Roll (But I Like It)’ and ‘Ain’t Too Proud To Beg’.
TRACK LISTING
Side A
If You Can't Rock Me
Ain't Too Proud To Beg
It's Only Rock 'n' Roll (But I Like It)
Till The Next Goodbye
Time Waits For No One
Side B
Luxury
Dance Little Sister
If You Really Want To Be My Friend
Short And Curlies
Fingerprint File
Break-outs of individual LPs from the half-speed master boxset “Studio Albums Vinyl Collection 1971-2016”.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1976, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl with gatefold packaging, this album features the singles ‘Fool To Cry’ and ‘Hot Stuff’.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1976, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl with gatefold packaging, this album features the singles ‘Fool To Cry’ and ‘Hot Stuff’.
TRACK LISTING
Side A
Hot Stuff
Hand Of Fate
Cherry Oh Baby
Memory Motel
Side B
Hey Negrita
Melody
Fool To Cry
Crazy Mama
Break-outs of individual LPs from the half-speed master boxset “Studio Albums Vinyl Collection 1971-2016”.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1983, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl and including a double-sided insert, this album features the singles ‘Undercover Of The Night’, ‘She Was Hot’ and ‘Too Much Blood’.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1983, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl and including a double-sided insert, this album features the singles ‘Undercover Of The Night’, ‘She Was Hot’ and ‘Too Much Blood’.
TRACK LISTING
Side A
Undercover Of The Night
She Was Hot
Tie You Up (The Pain Of Love)
Wanna Hold You
Feel On Baby
Side B
Too Much Blood
Pretty Beat Up
Too Tough
All The Way Down
It Must Be Hell
Break-outs of individual LPs from the half-speed master boxset “Studio Albums Vinyl Collection 1971-2016”.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1986, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl, this album features the singles ‘Harlem Shuffle’ and ‘One Hit (To The Body)”.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1986, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl, this album features the singles ‘Harlem Shuffle’ and ‘One Hit (To The Body)”.
TRACK LISTING
Side A
One Hit (To The Body)
Fight
Harlem Shuffle
Hold Back
Too Rude
Side B
Winning Ugly
Back To Zero
Dirty Work
Had It With You
Sleep Tonight
Key To The Highway
Break-outs of individual LPs from the half-speed master boxset “Studio Albums Vinyl Collection 1971-2016”.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1989, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl, this album features the singles ‘Mixed Emotions’, ‘Rock And A Hard Place’, ‘Almost Hear You Sigh’ and ‘Terrifying’.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1989, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Pressed on heavyweight 180g black vinyl, this album features the singles ‘Mixed Emotions’, ‘Rock And A Hard Place’, ‘Almost Hear You Sigh’ and ‘Terrifying’.
TRACK LISTING
Side A
Sad Sad Sad
Mixed Emotions
Terrifying
Hold On To Your Hat
Hearts For Sale
Blinded By Love
Side B
Rock And A Hard Place
Can't Be Seen
Almost Hear You Sigh
Continental Drift
Break The Spell
Slipping Away
Break-outs of individual LPs from the half-speed master boxset “Studio Albums Vinyl Collection 1971-2016”.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1980, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Packaging has been simplified from the originals in the box set.
Every album was remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Each album is pressed on heavyweight 180-gram black vinyl.
Originally released in 1980, now remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format.
Honk collects 36 essential Stones’ tracks – including eight Top 10 singles, “Brown Sugar”, “Tumbling Dice”, “Angie”, “It’s Only Rock And Roll (But I Like It)”, “Fool To Cry”, “Miss You”, “Emotional Rescue” and “Start Me Up”. Bringing the band’s story up to date, Honk also contains hit single “Doom & Gloom” – recorded in 2012 – as well as “Just Your Fool”, “Ride ‘Em Down” and “Hate To See You Go” from the band’s 2016’s Grammy Award-winning, No 1 album, Blue & Lonesome.
The Rolling Stones are set to release a new album, ‘On Air’, a selection of BBC recordings from the 60’s. The track-listing will comprise of original Stones tracks along with some covers. The audio has gone through an extensive process called ‘Audio Source Separation’ at Abbey Road. In short, it means a de-mix process ahead of a traditional multi track remix and master.
‘Sticky Fingers’ was recorded in Muscle Shoals, Alabama, Stargroves, Mick’s country home and Olympic Studios in London and produced by regular confidant Jimmy Miller, ‘Sticky Fingers’ was released shortly after the Stones became exiled in the south of France, leaving Britain after a sensational farewell tour. It also featured some of the most ground breaking artwork in rock history by Andy Warhol with its famous working zip on the front cover. (Recreated in the Super Deluxe and Double Vinyl Deluxe Editions of the new package.)
‘Sticky Fingers’ has been repeatedly hailed as one of the Stones’ all-time great albums, capturing their trademark combination of swagger and tenderness in a superb collection. It continued the incredible outpouring of creative energy that had produced 1968’s ‘Beggars Banquet’ and ‘Let It Bleed’ in 1969. After ‘Sticky Fingers’, the Stones’ relocation to the south of France led to the double album masterpiece ‘Exile On Main St.’ The highly acclaimed ‘Sticky Fingers’ showcased the ever more inventive song writing of Mick Jagger and Keith Richards and formidable guitar licks from Mick Taylor.
‘Sticky Fingers’ has been repeatedly hailed as one of the Stones’ all-time great albums, capturing their trademark combination of swagger and tenderness in a superb collection. It continued the incredible outpouring of creative energy that had produced 1968’s ‘Beggars Banquet’ and ‘Let It Bleed’ in 1969. After ‘Sticky Fingers’, the Stones’ relocation to the south of France led to the double album masterpiece ‘Exile On Main St.’ The highly acclaimed ‘Sticky Fingers’ showcased the ever more inventive song writing of Mick Jagger and Keith Richards and formidable guitar licks from Mick Taylor.
TRACK LISTING
CD1
1. Brown Sugar
2. Sway
3. Wild Horses
4. Can't You Hear Me Knocking
5. You Gotta Move
6. Bitch
7. I Got The Blues
8. Sister Morphine
9. Dead Flowers
10. Moonlight Mile
CD2
1. Brown Sugar (Alternate Version With Eric Clapton)
2. Wild Horses (Acoustic Version)
3. Can't You Hear Me Knocking (Alternate Version)
4. Bitch (Extended Version)
5. Dead Flowers (Alternate Version)
6. Live With Me (Live At The Roundhouse, 1971)
7. Stray Cat Blues (Live At The Roundhouse, 1971)
8. Love In Vain (Live At The Roundhouse, 1971)
9. Midnight Rambler (Live At The Roundhouse, 1971)
10. Honky Tonk Women (Live The Roundhouse, 1971
1. DVD
2. Midnight Rambler (Live At The Marquee, 1971)
3. Bitch (Live At The Marquee, 1971)
Upon its release more than three decades ago, 'Exile On Main Street' innovatively wove varying musical genres, instruments and even artists into a compelling rhythmic masterpiece.
The original 18-track double-album was recorded in various stages at multiple locations, including Olympic Studios in London, Keith Richard’s mansion Nellcote in France, and in Los Angeles where the literal “Main Street” influenced the album title. These atypical circumstances surrounding the recording process greatly affected the album’s outcome which was highly reflective and influenced by the sociopolitical turbulence that marked the late `60s and early `70s. The Stones nixed the influences of a flower-child era and directed their creative process with the edgier, excessive, “more is more” approach of the `70s. Exile reveals a sprawling mix of genres with undertones of blues, country, R&B and gospel mixed with lyrics that fervently demand for release and liberation.
The album pulled together an electric array of talent including Dr. John, the late Billy Preston and pianist Nicky Hopkins. Guitarist Mick Taylor, who replaced Brian Jones in the band shortly before Jones died in 1969, is a magnificent blues player who brought an intensity and elegance to these epic tracks. At times, these musicians and others lived on the recording studio premises with the band creating an extremely open and creative collaboration for the album.
The original 18-track double-album was recorded in various stages at multiple locations, including Olympic Studios in London, Keith Richard’s mansion Nellcote in France, and in Los Angeles where the literal “Main Street” influenced the album title. These atypical circumstances surrounding the recording process greatly affected the album’s outcome which was highly reflective and influenced by the sociopolitical turbulence that marked the late `60s and early `70s. The Stones nixed the influences of a flower-child era and directed their creative process with the edgier, excessive, “more is more” approach of the `70s. Exile reveals a sprawling mix of genres with undertones of blues, country, R&B and gospel mixed with lyrics that fervently demand for release and liberation.
The album pulled together an electric array of talent including Dr. John, the late Billy Preston and pianist Nicky Hopkins. Guitarist Mick Taylor, who replaced Brian Jones in the band shortly before Jones died in 1969, is a magnificent blues player who brought an intensity and elegance to these epic tracks. At times, these musicians and others lived on the recording studio premises with the band creating an extremely open and creative collaboration for the album.
TRACK LISTING
1. Rocks Off
2. Rip This Joint
3. Shake Your Hips
4. Casino Boogie
5. Tumbling Dice
6. Sweet Virginia
7. Torn And Frayed
8. Sweet Black Angel
9. Loving Cup
10. Happy
11. Turd On The Run
12. Ventilator Blues
13. I Just Want To See His Face
14. Let It Loose
15. All Down The Line
16. Stop Breaking Down
17. Shine A Light
18. Soul Survivor