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TAD

TAD

Inhaler - 2024 Reissue

    Inhaler is the third studio album by American rock band TAD, originally released on October 19, 1993. It was the band’s major label debut after two albums and an EP released by Sub Pop, and it was also their first album with drummer Josh Sinder, formerly of The Accüsed. Producer J. Mascis (Dinosaur Jr.) gave TAD a more focused and driven sound on this record. He can also be heard playing the piano on “Luminol”. The song “Grease Box” was played during the end credits of the 1994 movie Brainscan. Inhaler is easily their best and most consistent album to date and obtained positive critical reception upon release. Fortunately, the group has lost none of the grit that marked them as the grungiest of the Seattle scene. To promote Inhaler TAD did a big tour with their friends of Soundgarden.

    TRACK LISTING

    SIDE A
    1. Grease Box
    2. Throat Locust
    3. Leafy Incline
    4. Luminol
    5. Ulcer

    SIDE B
    1. Lycanthrope
    2. Just Bought The Farm
    3. Rotor
    4. Paregoric
    5. Pansy
    6. Gouge

    TAD

    Salt Lick

      TAD was a mighty force in the late-‘80s/early-‘90s Seattle scene. Their heavy, churning rock/metal/punk buzz was a crucial part of Sub Pop’s early years, and, along with peers like Mudhoney, Nirvana, and Soundgarden, they defined the sound that reinvigorated the rock world in the early ‘90s. TAD was led by the physically imposing yet incredibly sweet singer/guitarist TAD Doyle, with bassist Kurt Danielson (ex-Bundle of Hiss), drummer Steve Wied, and guitarist Gary Thorstensen. With an image that sometimes cast the band as deranged lumberjacks, and influence from Head of David and Killdozer, TAD put a uniquely rain-and-fog-coated Northwest spin on ‘80s underground rock. The band released two albums and a few EPs on Sub Pop between 1988 and 1991, all of which are now lovingly remastered by the band’s friend and engineer Jack Endino (Soundgarden, Nirvana, Mudhoney, Screaming Trees) and repackaged with bonus tracks and expansive liner notes.  

      After their 1989 debut album, God’s Balls, TAD continued to write and record, releasing a string of singles and the Salt Lick EP between 1989 and 1990. Salt Lick features the single “Wood Goblins,” the video for which MTV banned because it was, to the delicate eyes of MTV programmers, “too ugly.” The sounds of Salt Lick are, indeed, wonderfully ugly, thanks in part to the involvement of noise-rock technician Steve Albini (Big Black, Shellac, Nirvana, The Jesus Lizard), who recorded the EP. The band continued to release singles and gain momentum in the press. As TAD himself puts it: “Lyrically we had a lot of subject matter that was meant to be tongue in cheek from the beginning but had been presented by Sub Pop and ourselves as true-to-life. As a result, the press had taken it all seriously and began to feed on and ravenously devour the mythology that we had created.”  

      This reissue of Salt Lick includes tracks from the “Wood Goblins” single, a split 7” with Pussy Galore, and the “Loser” 7”. This material has been out of print on vinyl/CD for many years, and this is its first digital release.

      TAD

      8-Way Santa

        TAD was a mighty force in the late-‘80s/early-‘90s Seattle scene. Their heavy, churning rock/metal/punk buzz was a crucial part of Sub Pop’s early years, and, along with peers like Mudhoney, Nirvana, and Soundgarden, they defined the sound that reinvigorated the rock world in the early ‘90s. TAD was led by the physically imposing yet incredibly sweet singer/guitarist TAD Doyle, with bassist Kurt Danielson (ex-Bundle of Hiss), drummer Steve Wied, and guitarist Gary Thorstensen. With an image that sometimes cast the band as deranged lumberjacks, and influence from Head of David and Killdozer, TAD put a uniquely rain-and-fog-coated Northwest spin on ‘80s underground rock. The band released two albums and a few EPs on Sub Pop between 1988 and 1991, all of which are now lovingly remastered by the band’s friend and engineer Jack Endino (Soundgarden, Nirvana, Mudhoney, Screaming Trees) and repackaged with bonus tracks and expansive liner notes.

        In 1991, after tens of thousands of miles on the road in support of God’s Balls, and a run of powerful EPs/singles, TAD released their second full-length album, 8-Way Santa. Recorded at Smart Studios in Madison, Wisconsin with Butch Vig, whose work with Killdozer the band admired, 8-Way Santa finds TAD pushing their sound in new directions. Not a band to rest on its laurels, TAD began to add melodic touches to their sound, as evidenced by the lead single, “Jinx.” Many touring dates and shows followed the record, and a pair of copyright-infringement brouhahas occurred over the original album cover – which was quickly pulled from stores when the couple portrayed in the cover photo objected – and the corporate-beverage-offending art for a 1990 EP. 8-Way Santa was the last record with the original TAD lineup, and their last album for Sub Pop before jumping to a major label.  

        This reissue of 8-Way Santa includes tracks from the “Jinx” single, a 1990 EP, and a handful of unreleased album demos recorded by Jack Endino. This material has been out of print on vinyl/CD for many years, and this is the first digital release for the bonus content.


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