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SOUTH OF NORTH

Devon Rexi return with the mini-LP “Biya Ba Man”, a new and improved take on the no wave steppers and post punk grooves of their debut “Tambal EP”.

This leftfield five tracker sees the band expand to a quintet, with originators Nic Mauskovic (drums and vocals) and Nushin Naini (bass and vocals) joined by Tobias Jansen on turntables and production, Lyckle de Jong on synths and effects and Goya van der Heyden on percussion.

The extra players collaborate to send Devon Rexi’s sound in new directions, amplifying the already extra-dimensional vibe. Synths and vinyl manipulation render a trip hop vibe to the post punk brew, reminding of zoned-out jams like Maxinquaye, or those heady early Mo’Wax.

Opening track “Sjikamo” sets the tone at a deconstructed hip-hop tempo, samples spliced up like a classic Celluloid album. “Fargh Nimikoone” ups the pace with a funky 135 bpm lean, and Nushin’s harmonized vocal sounding ever more alien over the conga rhythm. “Marde Pir” closes the first side at another beatdown tempo, the drums flexing like factory pistons.

The B side fires up with “Biya Ba Man Biya” - a proper steppers bounce, Nushin’s farsi singalong chorus is as catchy as it’s ever been. The Mini-LP concludes with “Koja Raftan” bringing plenty of Bomb Squad energy, a crescendo of fine maximal percussive style.

It’s no wave, but not as we know it. With new members bringing effects and collage elements to the spacious minimal wave core, there’s plenty of avenues for future formations of Devon Rexi to explore.

- Liner Notes by Fizzy Veins


TRACK LISTING

Sjikamo
Fargh Nimikoone
Marde Pir
Biya Ba Man Biya
Koja Raftan

Maria is a trio from Holland and the Czech Republic, who have been producing their own unique post-religious cabaret since 2016. Lyckle, Katerina and Bjorn have amassed seven albums of outsider pop and improvised mayhem over the years. This collection of tracks were mostly made on a farm over a two year period and you can tell the fresh air had a conducive effect on their collective songwriting. A classic sound of drum machines, synth bass, and keyboards holds up Katerina and Lyckle’s vocal interplay alongside Bjorn’s guitars. When the three find their sweet spot, they can conjure up fine slices of whimsical, bleary-eyed pop music that isn’t afraid to smile once in a while and dream big.

STAFF COMMENTS

Barry says: Woozy electronica, shimmering guitars and swooning reverbed vocals, brittle melodies and chaotic lo-fi punk, in fact I could probably put at least one of the songs on Maria's brilliant and baffling Best Of in every genre in the shop. Superb, off-piste electronic indie business all round.

TRACK LISTING

Ghost In White Clothes Demo
Nine Nine Nine
Dream Of Bad Mood
Single Guy Dishwasher Song
Intermezzo
Small Question
Problem We Share
Spirit Of Money
Skyscraper
House Royal In Den Haag
Ghost In White Clothes
Memories In Cells
Humanity
No Need To Go There
Monday To Friday
Church Of Maria
Time To Get Smaller Quickly
Calling
Vampire

In its original form 'Bij Annie Op Bezoek' was a pretty avant affair involving dubby desk experiments spilling into snippets of folk and spoken word. Here South Of North enlist a trio of full time experimentalists to turn everyone's brains upside down. First up, Robert Bergman, whose released on LIES and BAKK were previous Piccadilly faves recasts TV Orangje as a twisted industrial chugger - slow, low and dripping with high grade narcotics. Next up, Planet Rescue alum Peter Graf York goes IN on his "Voor etc" remix, turning out a leftfield techno wonk machine, which he reprises on the B2 in utterly spangled techno fashion. The B1 belongs to Monty DJ who hooks us up with a rattling, polyrhythmic excursion into woodland house - it's up there with the best early Sueds!


TRACK LISTING

A1. TV Oranje (Robert Bergman Mix)
A2. Voor Een Flat In De Merenwijk (Peter Graf York Mix)
B1. Trappenhuis (Monty DJ Mix)
B2. Voor Een Flat In De Merenwijk (Peter Graf York Pakje Sap Mix)

German multi-instrumentalist and production whizz CV Vision drops a third release in quick succession, once again furnishing South Of North with some superior psychedelic sounds. Where 'Tropical' pushed a futuristic psych exotic style, this one's as classic as they come, vocals fuzzed to fuck and slathered in tape delay, americana guitars and fat drum breaks. If you dig on the old Tame Impala sound or the likes of the Allah Lahs, you'll find plenty to love about this one.


TRACK LISTING

A1. Should I Tame My Endless Mind
A2. I Will Be Gone
A3. A Sparrow
A4. My Autumn Has Come
B1. 123
B2. Emit Ni
B3. In Time


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