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SOUTH OF NORTH

Kim David Bots

Instrumental Romance

In 2023, k.d.b lived in a crumbling farmhouse on the edge of the River Maas. Each morning, he’d wake at 6:00 and walk along the river’s bank with his dogfriend Miemel, pausing at sunrise for a cup of coffee.

It’s 6:34, and a thick rug of mist rolls out across the river. It’s so dense that k.d.b can’t see the water beneath it. Then comes the sun: a single ray cutting through the mist like a tube of light, landing on Miemel’s face. In her mouth is a CD she’s picked up, and on the CD is the title Instrumental Romance.

'What is Instrumental Romance?' thinks k.d.b. 'Romantic instrumentals? Or a romance used instrumentally? As in, a romance used to get something—like love?'

Miemel drops the CD and turns her attention to a stray purple grape on the path. Grapes are poisonous to dogs, and as she bends toward it, k.d.b. shouts, “NO!” At that precise moment, a large fish rises from the mist. It launches into the air, mouth wide open, and hangs there above the clouds. His shout, having traveled across the river, bounces back towards k.d.b with a “NO,” and in perfect synchrony, it appears the fish is also shouting at Miemel. The timing is so perfect, they can’t be sure it isn’t.

The fish falls back down, entering its watery world with an eerie, splashless silence, leaving k.d.b and Miemel standing open-mouthed on the bank. Before they can register the perfection of this duet, another fish (or maybe the same one again) rises from the mist in the exact same spot and launches into the air. Without thinking, k.d.b shouts again. The word “ROMANCE” comes out. This time, however, he is slightly too late, and the word is too long, so “ROMANCE” lingers on after the fish has already fallen back down.

'What even is romance?' thinks k.d.b. 'The construction of mystery or excitement with dead red flowers and timing?'

A foghorn sounds behind him, and k.d.b turns 180 degrees to see a boat moving freight, right to left, along the River Maas. 'That’s strange', he thinks. 'If the river is there, then what’s that behind me, below the mist?'

Staring at the boat and its shipping containers as they float out of sight, k.d.b imagines a man. The man is standing at the bottom of a small valley, holding a fish. 'Who is this man, and what does he want?'

- Jacob Dwyer

Beguiling / batshit slice of pastoral and experiemtal sound collage / folktronica that seems to nod to Lemonjelly, The KLF's "Chill Out", The Orb, Woo, Natiional Bedtime etc. Very nice! 

STAFF COMMENTS

Matt says: Beguiling / batshit slice of pastoral and experiemtal sound collage / folktronica that seems to nod to Lemonjelly, The KLF's "Chill Out", The Orb, Woo, Natiional Bedtime etc. Very nice!

TRACK LISTING

A Side
1 - In Need
2 - Riding My Bike Across The Lake In Wintertime
3 - Sorry Jack
4 - Step Man/Stat Man/Scat Man
5 - Breate Yes. Breathe No.

B Side:
1 - This Used To Not Be This Way, Or If So I Cannot Remember
2 - Are We Sorry?
3 - Reasonable Prices
4 - Coffee Coin
5 - We Did It
6 - Clap

La Rat steps up to the center circle with a collection of funk and soul-soaked loops and bars, soundtracks for a late night drive through a rainy city. The La Rat aesthetic weaves wider than a drunken cyclist on a busy gracht, delivering ripostes to the status quo across eight tracks, with nods to psych and blues, jazz and latin. The resulting beat collages then laid the foundations for a flurry of outer-limits raps, beamed in from the mind of a cut ‘n’ paste lyricist. The collaborative duo take inspiration from such varying sources as Georgia O’Keeffe, MC Hellshit and DJ Carhouse, Pauline Oliveros, and Rammellzee, and end up reclaiming a slice of hip-hop’s supercharged universe for themselves.

STAFF COMMENTS

Matt says: A heady brew of benzo-rap, old school head nodders and really experimental sound design stirred in a pot of red lined analogue production and tape saturation. Fronted by an MC who sounds like the female version of Wiki (Ratking), only even more opiated and scuzzed up. An incredible and singular slice of leftfield hip-hop. If Shit & Shine made a hip-hop LP it'd probably sound like this!

TRACK LISTING

La Rat
Crab Dish
Rodent Scavenger
Problems
Dribble
Metal
Puppet Show
New Suns

It got away! The hounds are back on the leash for another session, as Montel makes a bid for better days with this all-out charm offensive of serenades, blissed up patter and emotional blackmail, Palmer-style.

The result is 12 tracks steeped in mind games, romance power plays and neurotoxin rollercoasters, with additional bonus strategies to dissociate with minimum dignity.
Big up Kiwi’s Kiosk..

Seriously wacked-out musica! RIYL: Dean Blunt / Hype Williams, James Ferraro, Sun Araw, Michael J Blood, Durutii Column. 

STAFF COMMENTS

Matt says: A truly singular piece of outsider electronica and druggy downbeat that should appeal to fans of Relaxin Records (Lolina, Inga Copeland etc) and the aforementioned Dean Blunt / Michael J Blood axis. Truly breathtaking mutant musicia!

TRACK LISTING

Love Getaway
Just What You Do
Get Into It
Monopoly
Talk To Me
Cant Walk Straight
Time To Get Up
Told You Not To
Mermaid Wolf Whistle
Western Break Apple Turnover
Questions Looking For Solutions
Tears Of Pure Joy

Maria is a trio from Holland and the Czech Republic, who have been producing their own unique post-religious cabaret since 2016. Lyckle, Katerina and Bjorn have amassed seven albums of outsider pop and improvised mayhem over the years. This collection of tracks were mostly made on a farm over a two year period and you can tell the fresh air had a conducive effect on their collective songwriting. A classic sound of drum machines, synth bass, and keyboards holds up Katerina and Lyckle’s vocal interplay alongside Bjorn’s guitars. When the three find their sweet spot, they can conjure up fine slices of whimsical, bleary-eyed pop music that isn’t afraid to smile once in a while and dream big.

STAFF COMMENTS

Barry says: Woozy electronica, shimmering guitars and swooning reverbed vocals, brittle melodies and chaotic lo-fi punk, in fact I could probably put at least one of the songs on Maria's brilliant and baffling Best Of in every genre in the shop. Superb, off-piste electronic indie business all round.

TRACK LISTING

Ghost In White Clothes Demo
Nine Nine Nine
Dream Of Bad Mood
Single Guy Dishwasher Song
Intermezzo
Small Question
Problem We Share
Spirit Of Money
Skyscraper
House Royal In Den Haag
Ghost In White Clothes
Memories In Cells
Humanity
No Need To Go There
Monday To Friday
Church Of Maria
Time To Get Smaller Quickly
Calling
Vampire

In its original form 'Bij Annie Op Bezoek' was a pretty avant affair involving dubby desk experiments spilling into snippets of folk and spoken word. Here South Of North enlist a trio of full time experimentalists to turn everyone's brains upside down. First up, Robert Bergman, whose released on LIES and BAKK were previous Piccadilly faves recasts TV Orangje as a twisted industrial chugger - slow, low and dripping with high grade narcotics. Next up, Planet Rescue alum Peter Graf York goes IN on his "Voor etc" remix, turning out a leftfield techno wonk machine, which he reprises on the B2 in utterly spangled techno fashion. The B1 belongs to Monty DJ who hooks us up with a rattling, polyrhythmic excursion into woodland house - it's up there with the best early Sueds!


TRACK LISTING

A1. TV Oranje (Robert Bergman Mix)
A2. Voor Een Flat In De Merenwijk (Peter Graf York Mix)
B1. Trappenhuis (Monty DJ Mix)
B2. Voor Een Flat In De Merenwijk (Peter Graf York Pakje Sap Mix)

German multi-instrumentalist and production whizz CV Vision drops a third release in quick succession, once again furnishing South Of North with some superior psychedelic sounds. Where 'Tropical' pushed a futuristic psych exotic style, this one's as classic as they come, vocals fuzzed to fuck and slathered in tape delay, americana guitars and fat drum breaks. If you dig on the old Tame Impala sound or the likes of the Allah Lahs, you'll find plenty to love about this one.


TRACK LISTING

A1. Should I Tame My Endless Mind
A2. I Will Be Gone
A3. A Sparrow
A4. My Autumn Has Come
B1. 123
B2. Emit Ni
B3. In Time


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