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SEEFEEL

Seefeel

Sol.Hz

Seefeel return with their first full-length album in fifteen years – a beautiful, hazy and blissed out collection of fractured melodies and vaporous textures.

In some ways, this can be regarded as Seefeel’s ‘dub’ album – the deceptively cloud-like arrangements of Mark Clifford are somewhat ambient adjacent at low volume, but blasting out of a proper sound system, the cavernous bass undertow and skilful employment of effects are more apparent, messing with the listener’s perception of time and audio placement. As always with Seefeel though, it never drifts too far into cold experimentalism or synthetic texture, the heavily manipulated vocals of Sarah Peacock lending the tracks a vital human element, with processed guitar loops allowing slivers of melody to drift through the trails of delay.

The longtime perception of the band as sitting at the overlap point between electronic music and experimental guitar music meant that they were often overlooked during their original lifespan, not making music that was instantly recognisable to either scene. Over the years though, this blurring of genre lines increasingly looks prescient of where music was headed, steadily building a catalogue of music that hasn’t aged in quite the same way as some of their contemporaries. Their influence has been cited by a new generation of artists such as Maria Somerville and Yu Su, and they return in 2026 with 'Sol.Hz', a collection of new tracks that further reinforce the idea that Seefeel’s time has finally come.

TRACK LISTING

1. Brazen Haze
2. Everydays
3. Ever No Way
4. Humidity Switch
5. Behind The Seen
6. AM Flares
7. Falling First
8. Until Now
9. Scrambler

Seefeel

Pure, Impure - 2025 Reissue

Seefeel are a pioneering, experimental electronic band. Formed in London in the early 1990s, they emerged as one of the most innovative bands bridging shoegaze and electronic music, known for their textured soundscapes, minimalist rhythms and ambient sensibilities.

This new, expanded version of 'Pure, Impure' brings together Seefeel’s three classic EPs; 'More Like Space', 'Plainsong', and 'Time to Find Me', and includes Aphex Twin mixes and a previously unreleased demo of 'Moodswing'. Remastered by Geoff Pesche at Abbey Road Studios, this 11-track collection also features newly reimagined artwork.

Their 1993 EP 'Pure, Impure', released on Too Pure, marked a pivotal moment in their evolution, offering a more stripped-down, hypnotic approach than their debut Quique. The EP’s tracks explore loop-based structures, subtle melodic shifts and the fusion of organic guitar tones with machine-like precision. 'Pure, Impure' reflects the band's growing interest in dub, ambient techno, and post-rock aesthetics. The EP served as a blueprint for their future work, signaling a deeper dive into electronic experimentation. With its understated beauty and genre-defying sound, the EP remains a key release in Seefeel’s catalogue.

TRACK LISTING

1. More Like Space
2. Time To Find Me (Come Inside)
3. Come Alive
4. Blue Easy Sleep
5. Plainsong
6. Moodswing
7. Minky Starshine
8. Time To Find Me - AFX Fast Mix
9. Time To Find Me - AFX Slow Mix
10. Plainsong - Sine Bubble Embossed Dub
11. Moodswing - Demo

Seefeel

Quique - 2025 Reissue

Seefeel's 'Quique' emerged in 1993 on the Too Pure label, blending elements of shoegaze, ambient, and electronic music into an innovative and genre-defying sound. The record’s complex textures, pulsating rhythms, and ethereal melodies create an immersive listening experience, with tracks like “Climactic Phase #3” and “Industrious” showcasing the band's pioneering approach. Mark Clifford's intricate production, combined with Sarah Peacock’s delicate vocals, crafts a dreamlike atmosphere. 'Quique' was a trailblazer for the fusion of organic and digital soundscapes.

TRACK LISTING

1. Climactic Phase #3
2. Polyfusion
3. Industrious
4. Imperial
5. Plainsong
6. Charlotte's Mouth
7. Through You
8. Filter Dub
9. Signals

Seefeel

Everything Squared

After critically acclaimed reissues of their mid-90s material, Seefeel return with their first new music since 2011. Everything Squared is a one-off 6-track mini-album which presents a contemporary evolution of their trademark sound. Mainly composed and performed by the core duo of Mark Clifford and Sarah Peacock, with bass on two tracks from Shigeru Ishihara. Mastered by Berlin-based engineer Stefan Betke aka Pole at Scape Mastering, and designed by Ian Anderson at The Designers Republic.

TRACK LISTING

A1. Sky Hooks
A2. Multifolds
A3. Lose The Minus
B1. Antiskeptic
B2. Hooked Paw
B3. End Of Here

Seefeel

Succour - 2021 Reissue

Seefeel’s second studio album and their debut for Warp. This expanded 3LP edition is the first time it has been available on vinyl since original release and adds an extra LP of bonus material, mastered from original DAT transfers by Stefan Betke aka Pole.

“On Seefeel’s 1993 debut album, Quique, the British quartet navigated a course between shoegaze and ambient dub—but by 1995, the electronic undercurrents of their sound had carried them to a very different place. Maybe it was the influence of Aphex Twin, whose remixes had honed in on the clean-lined rhythmic skeleton lurking beneath the group’s atmospheric swirl: The rolling, distorted drums of Succour’s “Fracture” and “Vex” are straight out of his playbook, and the beatless, bookending tracks “Meol” and “Utreat” both evoke Selected Ambient Works Vol. II at its most ethereal.

While the album’s textures and titles are often reminiscent of Autechre’s Amber, which came out the year before on Warp, Seefeel never entirely cast off their post-rock roots; squint through the fog of songs like “Extract” and “Cut,” and you can just barely pick out the familiar silhouettes of guitar, bass, drums, and microphone against the murk. Still, there’s no mistaking the common cause they make with the era’s knob-twisters and brain-dancers. Despite the echoes of other touchstones of the time (“Gatha” sounds like Massive Attack being dragged deep into an underwater cavern), it’s a singular album that has no equivalent—a sound so elemental, it’s no wonder the Designers Republic chose the cover they did.” – Philip Sherburne (#30 in the Pitchfork list of 50 greatest IDM albums)

“Driving electronic percussion, dubby basslines and obtuse, paranoid guitar melodies abound. Sarah's voice sounds synthetic and almost alien in the barren, lunar atmosphere's that 'Succour' evokes.” – Resident Advisor


TRACK LISTING

A1. Meol
A2. Extract D1. Cut
B1. When Face Was Face
B2. Fracture
B3. Gatha E1. As One
C1. Ruby-Ha
C2. Rupt
C3. Vex F1. Meol 2
D2. Utreat
D3. Tempean
E2. As If
E3. As Well
E4. As Track
E5. As Link
E6. As Such
F2. Rupt (Cut Mix)
F3. Fractions 2
F4. Meol 3
F5. Monastic
F6. Burned

Seefeel

(Ch-Vox) Redux - 2021 Reissue

Seefeel’s third studio album was recorded for Richard D James and Grant Wilson-Claridge’s Rephlex label, as as a return favour for two remixes Aphex Twin (a huge fan of the group) did in their Too Pure period. This is the first time it has been available on vinyl since 1996 and adds an extra LP of bonus material, mastered from original DAT transfers by Stefan Betke aka Pole. Comes housed in a new gatefold sleeve by the Designers Republic.

“Mark Clifford and his mates have moved through labels like Astralwerks and Warp before landing at the front door of the Richard James label Rephlex, and along the way they have scattered some wonderful pearls. For (CH-VOX), it's an especially lush match of aesthetics -- sort of a condensed version of the Aphex Twin landmark record, Selected Ambient Works II. Picking up at the tail end of Seefeel's last album, Succour, we once again hear "Utreat," a dark meditation of phrases that makes Darren Seymour's bass sound like an electric piano, or is it Clifford's electric piano that sounds like a bass? Sarah Peacock's dreamy vocals hover almost out of earshot, and possibly her guitar is plugged in somewhere, too.

It's difficult to say with many of their songs what instrument we're hearing, since treatments and effects play such a major role in production. The song "E-HIX2" breathes like a cluster of bleak skyscrapers with an extremely ambient take on feedback, and the title cut, "CH-VOX," is stark, patient, and ominous -- an abandoned submarine frozen in ice. "Hive" (with wonderful vocal loop effects) has Clifford revisiting his somewhat limited palette of percussion -- a piece that teeters between beauty and agitation, and an unfortunate weak spot for the album. The album closes with "Net," which is nothing short of masterpiece -- a journey, a drive through wet streets at midnight, and a finale so captivating you'll want to hear it twice -- somewhat postponing the disappointment that the album is only 33 minutes long.” 


TRACK LISTING

A1. Utreat (Complete)
A2. E-hix²
A3. Ch-vox C1. E-hix 5

B1. Hive
B2. Ashdecon
B3. Net D1. Avatar

C2. E-hix 4
C3. Evio

D2. E-hix 3
D3. Ashime 

Seefeel

St / Fr / Sp - 2021 Reissue

"St / Fr / Sp" compiles two non-album EPs that Seefeel recorded for Warp in 1994, "Starethrough" and "Fracture / Tied", alongside a rare Autechre remix of “Spangle” and the unreleased Transition Mix of “Starethrough”. Housed in a gatefold sleeve conceived by The Designers Republic.

'Seefeel's output on Warp delved more into abstraction; often containing a pervading dark and oppressive atmosphere. Although featuring these menacing sensibilities, 1994's "Starethrough EP" retained some of the astral lightheartedness of "Quique"; a track like "Spangle" could be called anything but menacing with it's twinkling coruscations of melody and Sarah's ethereal vocal contribution. The EP to follow, "Fracture / Tied", was almost entirely beat-driven with only rudimentary hints of melody.' - Resident Advisor


TRACK LISTING

A1. Starethrough
A2. Air Eyes

B1. Spangle
B2. Lux1 D1. Spangle (Autechre Remix)

C1. Fracture (EP Version)
C2. Tied

D2. Starethrough (Transition Mix) 


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