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Bromide

I Woke Up

    In 2015 London-based Bromide got their electric shoes back on with new bass player Hugo Wilkinson joining long-term collaborators, singer-guitarist Simon Berridge and drummer Ed Lush. The resulting album ‘I Remember’ was described by Vive Le Rock as mixing “the best bits of The Lemonheads and Dinosaur Jr replete with melancholic melodies and J Mascis-ish guitar lines" and won news fans including Gideon Coe on BBC6 who dubbed their single ‘Mr. Ciccone’s Daughter’ “Fantastic !” and played it for several months at the end of 2016. Another vital piece of the puzzle had also fallen into place as they’d found producer Brian O’Shaughnessy at Bark Studios who seamlessly welded their pop onto their rock and last year the band returned to Bark to record their sixth album ‘I Woke Up’. Again stuffed full of pop delights struggling to reach the 3 minute mark such as ‘Two Song Slot’, the story of a disastrous open-mic encounter turning into a last minute victory and ‘Tale To Tell’ a conscience-pricked near perfect example of the Bromide sound written in the studio while recording, the album also sees the band begin to stretch their wings a bit. ‘Magic Coins’ has an unexpected almost drum and bass inspired rhythm track while album closer and title track ‘I Woke Up’ is a 6 minute Doorsian odyssey. The song began life as a response to the biopic ‘Mr. Turner’ and in particular the scene in the film where the painter is tied to a mast in order to experience the full force of a nocturnal storm. Starting with Berridge’s Glenn Branca inspired intro Lush and Wilkinson then latch on a full-on krautrock groove to build the track through to an epic conclusion complete with thunder, rain and anything else lying round the studio. Elsewhere Patti Smith’s ‘Dancing Barefoot’ is given a thorough work out plus there are contributions from the rhythm section with Lush writing the music for both ‘I’ll Never Learn’ and ‘Always Now’ while Wilkinson provides a breath of fresh air in proceedings with the instrumental ‘Futurist Shore Leave’. With ‘I Woke Up’ Bromide have firmly fixed the songwriter onto the band and vice-a-versa. As one recent twitter live review summed up “They rock hard but the tunes come first: like Elvis Costello fronting Dinosaur Jr” Ain’t gonna argue with that.

    Matthew Neel

    New Maps Of Hell

    The inside cover of this CD reveals a post-apocalyptic Trafalgar Square complete with burning buses, a can-opened National Gallery and Nelson’s Column snaking off in collapsed sections towards The Strand. For such a seemingly gentlemanly acoustic album this might appear incongruous - the first song sounds like it was recorded at a cocktail party at the Savoy sometime in the 1930s - but closer inspection of Matthew Neel’s world reveals a catalogue of current psychological ills, from the inevitable environmental to more straightforward existential woes. "Well Anyway" sums up the landscape - 'We are the beaten generation, black-and-blue and godforsaken. But don’t start thinking that we’re easy prey cos we’ll never give an inch and we’ll dig our teeth in', while "First World Blues" resonates with a deep sense of the impending (producers of Panorama looking for a title for their next climate-change special take note). Elsewhere, "Hey Citizen" finds our hero back at the Savoy for a light supper whilst all around genuine pop moments are surfing away happily on top of the angst. often this is due to the deft guitar playing of cohort Luke Brighty - particularly "Emily" with it’s lilting beat and pay-off line 'well I want you for your mind although you’ve got a great behind'. Likewise "Wise Up", complete with Nick Cave cowboy-choir backing vocals and "We Will Be Dreaming"'s instantly familiar 'smiles on our faces' refrain. "New Maps Of Hell" is an accomplished debut, a roadmap for our times and an album that soothes as much as it pricks. like emily, it’s got the lot..


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