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Maximo Park

Nature Always Wins - Bands FC Print Edition

    An album of our times, Newcastle band Maximo Park return with their seventh record Nature Always Wins

    The album arrives as something of an examination, zeroing in on the notion of the self, identity as a band, and that of humanity as a whole. The album’s title nods to the famous Nature vs Nurture debate. Discussing whether change is capable under the influence of time, perspective, environment or if we are destined to be bound by our own genetics, it asks, “who are we, and who do we want to be, and do we have any control over it?”.

    “I'm so happy we were able to make this album during lockdown, as it's been a challenging time for everyone. After almost 4 years since Risk To Exist, we wanted to explore new musical territory (for us) without sacrificing our trademark melodic twists and heartfelt lyrics. As always, the passing of time looms large, although the songs contain more affection for the past than before, and there are occasional hints of the fractious, divided time that we live in” – frontman Paul Smith

    Produced by Atlanta-based Grammy-winning producer Ben Allen (Animal Collective, Deerhunter), who afforded the band freedom to play and create. What wasn’t anticipated was how that freedom would be soon be stripped, as lockdown restrictions left the band recording remotely across Newcastle, Liverpool and Atlanta with audio files bounced back and forth, 4000 miles across the world!

    TRACK LISTING

    Partly Of My Making
    Versions Of You
    Baby, Sleep
    Placeholder
    All Of Me
    Ardour
    Meeting Up
    Why Must A Building Burn?
    I Don’t Know What I’m Doing
    The Acid Remark
    Feelings I’m Supposed To Feel
    Child Of The Flatlands

    Maximo Park

    Nature Always Wins

      An album of our times, Newcastle band Maximo Park return with their seventh record Nature Always Wins

      The album arrives as something of an examination, zeroing in on the notion of the self, identity as a band, and that of humanity as a whole. The album’s title nods to the famous Nature vs Nurture debate. Discussing whether change is capable under the influence of time, perspective, environment or if we are destined to be bound by our own genetics, it asks, “who are we, and who do we want to be, and do we have any control over it?”.

      “I'm so happy we were able to make this album during lockdown, as it's been a challenging time for everyone. After almost 4 years since Risk To Exist, we wanted to explore new musical territory (for us) without sacrificing our trademark melodic twists and heartfelt lyrics. As always, the passing of time looms large, although the songs contain more affection for the past than before, and there are occasional hints of the fractious, divided time that we live in” – frontman Paul Smith

      Produced by Atlanta-based Grammy-winning producer Ben Allen (Animal Collective, Deerhunter), who afforded the band freedom to play and create. What wasn’t anticipated was how that freedom would be soon be stripped, as lockdown restrictions left the band recording remotely across Newcastle, Liverpool and Atlanta with audio files bounced back and forth, 4000 miles across the world!

      STAFF COMMENTS

      Barry says: Nature Always Wins sees Maximo Park in fine form within a familiar but gradually perfected arena, mixing bombastic hooks and those unmistakeable vocals high in the mix. Propulsive and beautifully produced, this may be their finest outing yet.

      TRACK LISTING

      Partly Of My Making
      Versions Of You
      Baby, Sleep
      Placeholder
      All Of Me
      Ardour
      Meeting Up
      Why Must A Building Burn?
      I Don’t Know What I’m Doing
      The Acid Remark
      Feelings I’m Supposed To Feel
      Child Of The Flatlands

      Goldhawks

      Trick Of Light

        It only takes a few bars of Keep The Fire, the first single to be released from the album, to tell you that you are in the presence of Big Music. This west London five-piece are not in the business of half measures, not interested in anxious, apologetic, half-baked landfill indie. Goldhawks make their ambitions clear from the start.

        Two years ago, under his own name Bobby was releasing a single, Deja Vu, whose sweeping strings and acoustic shuffle saw him quickly bracketed alongside the likes of Laura Marling, Jamie T and Mumford and Sons on the dawning London skewed-folk scene. Already, people whose curiosity had been aroused by Deja Vu’s gentle acoustica found themselves faced with a very different prospect live. “The songs were getting much heavier,” Bobby remembers. “On the one hand, I was drawing on a passion for Ryan Adams. But then I’d find myself being inspired by filmic and more textured music. And it was obvious to everyone that this big, majestic sound wasn’t just down to me.”

        Listen to tracks like Where In the World and Running Away and it isn’t difficult to see why people emerge from the band’s shows in a state a euphoria. More like revivalist meetings than gigs, Goldhawks’ live performances have reminded older hands of the zealotry and ferment of Echo & The Bunnymen. To their own generation, Goldhawks represent something that can often seem like it’s in very short supply indeed: music that has nothing to do with striking attitudes or ticking commercial boxes, and everything to do with what Bobby calls his only reason for making music in the first place: because he has to, he’s “got no choice”.

        TRACK LISTING

        1. Everytime I See You Cry
        2. Running Away
        3. Keep The Fire
        4. Where In The World
        5. Secrets
        6. Higher Ground
        7. Trick Of Light
        8. Up On The Altar
        9. Daybreak
        10. This Time Next Year
        11. Satellites

        The Servant

        Orchestra

          Three track EP from this hotly tipped band who combine the traditional rock line up of guitar, bass and drums with clever electronics.


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