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Vox Populi!

Half Dead Ganga Music - 2024 Reissue

So-called 'ethno-industrialists' and Paris-based outliers Vox Populi are next in the spotlight for Platform 23 Records as it continues on its mission to unearth archival treasures both known and unknown. Half Dead Ganga Music is widely thought to be one of the group's most cohesive records as it meanders through lo-fi drones, muggy ambient and voodoo ritualism. Founder Axel Kyrou and partner Mythra who provides the ghostly vocals cook up alluring yet oddball sounds with obscured bass, rich layers of tape processing and weirdly uplifting gloominess. A superb album that sounds as new and innovative now as it did when it was first released all those decades ago.

TRACK LISTING

Schmacht
Gole Mariam
Da Ma
Golnessar
De La Cohorte Mystique
Freaking At Ffm
Perse Voir La Lumiere
Fassle
Taghmanantes - Gin Gina - Un Jour

Platform 23 reunites once more with Vox Man Records to dig deep into their archives and shine a new light on. In the past they have done some mega well loved Alternative Funk compilations which got the label off to a fine start and now they dig into an array of cult cassette releases to bring us treasure from Audiologie N-4 - The Independant Psychedelic Trip and Audiologie 5 et 6 - Ethniques Urbaines. This is music from the avant-garde and post punk scenes that draws on wave, spoken word, dark dub and industrial for its eerie yet alluring charms, all with a real edge. Ethnic, idiosyncratic and psyched out, this is another great overview.

TRACK LISTING

Side 1
1. Donald Campau - Welcome To The Needle
2. Laurent Pernice - Plan De Coupe
3. Brian Ladd - Brian Song
4. Pacific 231 - Eve Very Nice
5. Jacki Moreau - Knossos
6. Sound Color - Wandering Soul

Side 2
1. Vox Populi! - Micro Climax
2. Mistery Plane - Disturbing
3. Sound Color - The Unconquered Sun
4. Jacki Moreau - Paris-Pop
5. Dreaming With Vox Populi! - Infusion
6. Jean Cocteau - Les Enfants Terribles

De Fabriek

Music For Hippies - Incl. Dunkeltier / Khidja Remixes

    Platform 23's latest release sees them offer up a partial reissue of 'Music For Hippies', an impossible-to-find 1988 cassette from Dutch experimentalists De Fabriek. What's an offer is a mix of original tracks and fresh remixes. In the former category you'll find 'Lullabye', a spacey, dubbed-out chunk of new wave/post-punk/cosmic funk fusion full of intergalactic synth sounds, rubbery bass, bluesy guitar solos and trippy vocals, and an edited version of the epic 'Come Down', a more atmospheric, but no less dubbed-out affair that combines layered ambient noise, rocket-launch sonics and a hushed, hypnotic groove. Bahnstag 23 contributor Dunkeltier provides two takes on 'Lullabye', a throbbing, druggy new wave mix and a total re-make. Completing the package is a fiendishly low-slung, dark and mind-altering '5am Mix' of 'Come Down' courtesy of Khidja.

    TRACK LISTING

    Side 1
    1. "Lullabye"

    Side 2
    1. "Lullabye" (Dunkeltier 'Hey Robot' Mix)
    2. Dunkeltier - "Tik Tok Goes The Clock"

    Side 3
    1. "Come Down"

    Side 4
    1. "Come Down" (Khidja 5AM Mix)

    Holly Herndon

    Platform

      4AD release ‘Platform’, the new album by American artist Holly Herndon.

      Holly Herndon has become a leading light in contemporary alternative and electronic music by fearlessly experimenting within the outer reaches of dance music and pop songwriting structures.

      A galvanizing statement, ‘Platform’ cements Herndon’s reputation as a unique musician with a singular voice. Born in Tennessee but reared on music abroad, Herndon broke out from her formative years in Berlin’s minimal techno scene to repatriate to San Francisco, where she currently lives and studies as a doctoral candidate at Stanford’s Center For Computer Research In Music And Acoustics (CCRMA).

      To achieve ‘Platform’, Herndon has opened up her process to vital artists and thinkers from her creative circle, including radical Dutch design studio Metahaven and digital DIY artist Mat Dryhurst, leading by example to tackle a host of topics ranging from systemic inequality, surveillance states, and neofeudalism. ‘Platform’ underscores the need for new fantasies and strategic collective action.

      Herndon’s debut album ‘Movement’, released in 2012, showcased her fascination with trance and the disjunctive sampling techniques pioneered by avant-garde composition. Subsequent singles ‘Chorus’ and ‘Home’ (rolled out in advance of ‘Platform’) humanized the laptop by celebrating its capacity for memory storage and lamenting its vulnerability in light of revelations of mass surveillance.

      Offering what Herndon describes as “a rupture, a paradisic gesture,” ‘Platform’ is an optimistic breakthrough for Herndon, an appeal for progress and a step toward new ways to love.


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