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PLANK

Plank

Living Versions From The Nature Trilogy (2012 - 2023)

Plank are a Todmorden via Manchester based kraut/prog band. Formed in 2009 and releasing their first kraut inspired album 'Animalism' on Akoustik Anarkhy records in 2012, followed by the heavier sounds of 'Hivemind' in 2014. Then followed a gap until 2023 when they dropped the sprawling, ocean themed 'Future of the Sea' on Golden Lion Sounds Records.

Just before christmas 2023, Plank went into 80 Hertz studios, Manchester to record a retrospective set live to tape, looking back over the 'Nature Trilogy' of their first three albums. This was all filmed with live visuals by Joe Oxley, aka TVAM. The artwork on the LP is also done by Joe. This is the first release on Plank's own label 'Plank Audio Library' and is limited to 100 copies. 

STAFF COMMENTS

Barry says: I have 'Hivemind' at home, and it's a regular to this day on the stereo. It's superb to hear Plank's unique brand of mathy angular post-rock in the live environment brought to vinyl. Great band, and a great listen.

TRACK LISTING

1. Dying For Pigs (Live At 80 Hertz) 04:55
2. Self Harm (Live At 80 Hertz) 05:49
3. Grasshoppers From Mars (Live At 80 Hertz) 06:41
4. Swarm Behaviour (Live At 80 Hertz) 04:20
5. Longshore Drift (Live At 80 Hertz) 04:15
6. Volta Do Mar (Live At 80 Hertz) 04:46

Duke Ellington & His Orchestra

The Conny Plank Session

A previously unreleased Duke Ellington session, recorded by producer genius Conny Plank at Rhenus Studio in Cologne in 1970.

One session, two songs: three takes each of “Alerado” and “Afrique.”

They weren’t just alternate takes, like you often get on reissues of jazz classics; you can really hear Ellington working. He’s not just looking for the best take to get something clearly defined, he’s experimenting.

The tempi change, solo instruments are switched around, and, on the last take of “Afrique,” you can even hear soprano vocals.

“Alerado” is a straightforward swing number, it features Wild Bill Davis on the organ, and, most notably, Cat Anderson on the trumpet, who provide a foundation for striking concepts of sonority and solo performance. The musical approach to “Afrique” is freer and more avant-garde; the foundation of the piece is a tom-tom based beat that is sustained throughout and layered with improvisations and arranged segments.

In addition to the musical aspects, this recording also documents a special moment: an American jazz legend in the twilight of his life encounters a young sound engineer and producer who is preparing to give pop a new sound.

‘Drifter’s Temple’ is Plankton Wat (aka Dewey Mahood)’s second album for Thrill Jockey, following last year’s ‘Spirits’.

Mahood utilized 6 and 12 string guitars, lap steel, bass, organ, and synth to realize these richly detailed songs. ‘Drifter’s Temple’ harkens back to Mahood’s childhood in Northern California, both sonically and conceptually. A loose narrative is woven through these ten instrumental tracks, touching on the Gold Country and Mt. Shasta that populate his native countryside.

The album unfolds with the grace and contour of the landscape that inspired it, with fingerpicked melodies slowly growing to gigantic peaks of lysergic bliss. His guitar style is as far reaching as ever on ‘Drifter’s Temple’, which shows him seamlessly integrating his love of the Appalacian folk music of Dock Boggs and Roscoe Holcomb into the subtle Grateful Dead-isms, nods to 70s cosmic music, and overt Crazy Horse moves he has explored on recent releases.

‘Drifter’s Temple’ features contributions from Dustin Dybvig (Horse Feathers and Edibles), Matt McDowell (Sagas) and John Rau (Royal Baths and Edibles).

Dewey Mahood was a founding member of Eternal Tapestry and has performed in Gärden Söund (with Barn Owl), Edibles, Bloodbiker, and Jackie-O Motherfucker.

TRACK LISTING

Toward The Golden City
Changing Winds
Klamath At Dusk
Nightfall
Empire Mines
Hash Smuggler’s Blues
Dance Of Lumeria
Western Lament
Bread Of Dreams
Siskiyou Caverns


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