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NATHAN FAKE

Nathan Fake has grown from his beginnings as an undeniably skilled, but relatively inoffensive purveyor of twee IDM (see the cutesy electronic rhythms and circuit-bent melodies of 'Drowning In A Sea Of Love') into a powerhouse of challenging electronics and innovative melodic constructions.

The brash and stomping 'Feelings 1' could easily be stretched into a 6-minute long OPN track from his early catalog, but retains its impact and drive in part due to it's brevity, letting up after only a couple short minutes with a thematic segue into the thumping title track. Utilising his tried-and-tested technique of a filtered-out beginning into a revisitation of that theme, but injected with fiery percussion and swooning synthplay, Fake constructs a towering wall of chaotic arps and fizzling saturation, underpinned by distorted kick drums and dusty pads.

'HoursDaysMonthsSeasons' is much more along the lines of Border Community heavy-hitters Holden or Luke Abbott, pitching tweeting modulars and syncopated throbs against a droning foundation of fire and brimstone. As with all of Fake's more recent work, this is a deep and rewarding experience, but gives as much as you do, revealing it's complexities through patence and perserverance. 

Moving further along (we have convered the towering 'DEGREELESSNESS elsewhere), we move into ambient territory with 'SmallCityLights' which is a relaxing and much-needed respite (make use of it while you can) before the thudding dystopian sidechained duality of 'Radio Spiritworld'. Like a pack of robots fizzing and staggering towards a neon sun, we get chillwave guitars, industrial hammering and crackling electronic connections, coming together into a bracing mix of rampant retro-futurism and forward-thinking outsider 'tron.

Providence is as contrary and (I imagine) divisive as anything Fake has accomplished thus far, founded upon his considerable talent for writing a dancefloor stomper, but abstracted into the outer realms of melodicism and rhythm. A challenging, towering behemoth of an album, that will confound and amaze in equal measure. 

STAFF COMMENTS

Barry says: Nathan Fake does OPN. Shimmering synths, soul-shaking drone and abstracted rhythms mashed together (amazingly) into a brittle and brutal amalgamation of conceptual genius and technical mastery. A++, Will listen again.

TRACK LISTING

Feelings 1
PROVIDENCE
HoursDaysMonthsSeasons
DEGREELESSNESS (ft Prurient)
The Equator & I unen
SmallCityLights
Radio Spiritworld
CONNECTIVITY
RVK (ft Raphaelle)
REMAIN
Feelings 2

Nathan Fake

Paean - Inc. Lone / Lukid Remixes

    Fake’s ‘Steam Days’ album opener ‘Paean’ gets the remix treatment from two of Nathan’s favourite young British electronica upstarts: sometime Werk Discs brethren Lone, and Lukid.

    Recent R&S album recruit Lone takes the Fake original and makes it very much his own, as 'Paean’s wistful strains slot seamlessly into Lone's seductive wobbly, wonky, early Nineties retro-futurist world view.

    Fresh from 'Lonely At The Top' album duty, Lukid’s rework is a more transformative affair, sprinkling his trademark bass heavy hypnotic drum mantras with a suitably warped smattering of Fake’s mystical twinkles.

    Finally, Fake’s own bonus contemplative ‘Coda’ version wrings every last ambient drop out of his utopian original.

    The ultra-collectable 10” vinyl edition (with artwork by Jack Featherstone) is strictly limited to just 500 copies.

    Nathan Fake

    Hard Islands

      "Hard Islands" showcases a tougher, more grown-up sound than Nathan Fake's hugely successful "Drowning In A Sea Of Love" debut, as the producer continues to mature in perfect step with Britain's youthful new wave of danceable electronica. The album edges towards the tougher end of electronica occupied by Warp and Rephlex stalwarts Clark and Aphex Twin, where spine-tingling melody meets Fake's acute awareness of what works on the dancefloor.


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