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Holden

The Illuminations

    Another handy 12” of DJ tools, de- and re-constructed from the raw materials of James Holden’s ‘The Inheritors’ album and thoroughly road-tested in his own DJ sets. This time it is the turn of trippy instrumental album interlude ‘The Illuminations’.

    In its ‘12” Version’ club incarnation, Holden’s mystical cascading arpeggios are juxtaposed with a skittering Detroitian thump to cater for a multitude of bewilderment-inducing dancefloor moments the world over.

    The ‘Drumsolo’ strips things back to functional old school techno basics as we get to eavesdrop on Holden jamming with his modified DR-110 drum machine.

    Finally, the extended ‘Arpsolo’ draws out the melodies of the original into a dreamy Boards Of Canada-esque bonus indulgence.

    Holden

    The Inheritors

      ‘The Inheritors’ is the eagerly awaited follow-up to James Holden’s rightfully acclaimed ‘The Idiots Are Winning’ milestone of 2006: a whole new world and complete mythology in album form, which stretches way beyond the traditional confines of ‘dance’ music.

      Holden has woven a rich aural tapestry that treads a singular path. Bold, epic and psychedelic, striking a delicate balance between weighty tome and transformative trip, and with a production aesthetic that is all his own, Holden is certain that this is the album he has always wanted to make.

      ‘The Inheritors’ is an album that fully immerses you in a timeless space with abundant hidden depths.

      Nathan Fake

      Paean - Inc. Lone / Lukid Remixes

        Fake’s ‘Steam Days’ album opener ‘Paean’ gets the remix treatment from two of Nathan’s favourite young British electronica upstarts: sometime Werk Discs brethren Lone, and Lukid.

        Recent R&S album recruit Lone takes the Fake original and makes it very much his own, as 'Paean’s wistful strains slot seamlessly into Lone's seductive wobbly, wonky, early Nineties retro-futurist world view.

        Fresh from 'Lonely At The Top' album duty, Lukid’s rework is a more transformative affair, sprinkling his trademark bass heavy hypnotic drum mantras with a suitably warped smattering of Fake’s mystical twinkles.

        Finally, Fake’s own bonus contemplative ‘Coda’ version wrings every last ambient drop out of his utopian original.

        The ultra-collectable 10” vinyl edition (with artwork by Jack Featherstone) is strictly limited to just 500 copies.


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