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MASSIVE ATTACK

Ian Bourland

Massive Attack’s Blue Lines - 33 1/3

    In 1991, a loose-knit collective released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group’s signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky.

    Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release.

    As Blue Lines’s iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.

    All 8 of the Mad Professor remixes included here are previously unreleased and include his dub mixes of 2 tracks not originally featured on "Mezzanine" but from the same period: "Metal Banshee" - a dub version of "Superpredators" which was a cover of Siouxie and the Banshee’s "Metal Postcard"; and Wire, a track they recorded for the soundtrack of the film Welcome to Sarajevo.

    This release is a vinyl accompaniment to the 2CD deluxe version of "Mezzanine" which features these remixes + the original album remastered.

    Sonically it doesn't pull any punches, with Mad Prof's iconic, dub-wise production decorating and galvanizing the original stems with a futurist / psychedelic mentality. Striding confidently into avant-dub territory, you can really get lost in these deep layers of bass & echo. 


    TRACK LISTING

    Side A
    Metal Banshee (Mad Professor Mix 1)
    Angel (Angel Dust)
    Risingson (Setting Sun Dub 2)
    Teardrop (Mazaruni Dub 1)

    Side B
    Inertia Creeps (Floating On Dubwise)
    Exchange (Mountain Steppers Dub)
    Wire (Leaping Dub)
    Group Four (Security Forces Dub)

    Massive Attack

    Mezzanine (2018 Remaster)

      UMC are proud to announce this reissue of Massive Attack’s double platinum (UK) album featuring the original album re-mastered + an album of previously unreleased dub remixes by the Mad Professor. Widely hailed as their masterpiece, and voted 15 in Q Magazine’s 100 Greatest British Albums Ever (2000), Mezzanine saw the band move away from the ‘trip-hop’ sound they had helped define to embrace rock and electronica.

      Mezzanine was remastered by Tim Young at Metropolis who has worked with the band for over twenty years. The Mad Professor remixes were originally intended to be released on a Mad Professor Mezzanine remix album – as the band had done with previous album Protection (No Protection) – yet in the end only a number of his remixes were issued as single b-sides.

      All 8 of the Mad Professor remixes included here are previously unreleased and include his dub mixes of 2 tracks not originally featured on Mezzanine but from the same period – Metal Banshee – a dub version of Superpredators which was a cover of Siouxie and the Banshee’s Metal Postcard – and Wire, a track they recorded for the soundtrack of the film Welcome to Sarajevo.

      Remastered Mezzanine + exclusive Mad Professor dub remixes from original Mezzanine sessions across 2CD Digipack. 4 colour outer, black to reverse / CDs black underside (not silver) / 3 x spot colour on face.

      TRACK LISTING

      Angel (2018 Remaster)
      Risingson (2018 Remaster)
      Teardrop (2018 Remaster)
      Inertia Creeps (2018 Remaster)
      Exchange (2018 Remaster)
      Dissolved Girl (2018 Remaster)
      Man Next Door (2018 Remaster)
      Black Milk (2018 Remaster)
      Mezzanine (2018 Remaster)
      Group Four (2018 Remaster)
      (exchange) (2018 Remaster)
      Metal Banshee (mad Professor Mix 1)
      Angel (angel Dust)
      Risingson (setting Sun Dub 2)
      Teardrop (mazaruni Dub 1)
      Inertia Creeps (floating On Dubwise)
      Exchange (mountain Steppers Dub)
      Wire (leaping Dub)
      Group Four (security Forces Dub)

      Massive Attack

      Protection

        Three years after changing the musical landscape with the stoned and soulful majesty of "Blue Lines", Massive Attack returned to the airwaves and turntables with the afterhours cool of "Protection". A natural successor to their stratospheric debut (even down to the sleeve design), "Protection" finds the group in confident mode, continuing to fuse hip hop, reggae and soul, but adding elements of R&B and chilled out electronica. The LP opens in emotive fashion with Tracey Thorn collaboration "Protection", before the thumping bass and relaxed rhymes of "Karmacoma" begin to test your speakers. The infectious, undulating groove of "Weather Storm" is one of the finest sample flips ever, while the menacing piano and robust breakbeats of "Heat Miser" rival the introspective quality of anything on DJ Shadow's "Endtroducing". Peppered with irresistible melodies and irrepressible rhythms throughout, all the while maintaining a subtle melancholy, "Protection" is the perfect soundtrack to those lonely moments very late in the night.

        TRACK LISTING

        A1. Protection
        A2. Karmacoma
        A3. Three
        A4. Weather Storm
        A5. Spying Glass
        B1. Better Things
        B2. Euro Child
        B3. Sly
        B4. Heat Miser
        B5. Light My Fire (Live)

        Massive Attack

        Blue Lines - 180g Vinyl Reissue

        Recorded in Neneh Cherry's nursery by a group of self-proclaimed "lazy Bristol Twats", 'Blue Lines" took the hip hop rulebook, ripped it up and used it for roaches. Generally considered the first trip hop album, though the term wasn't coined until several years later, "Blue Lines" was a runaway in the United Kingdom, though sales were limited elsewhere. A fusion of electronic music, hip hop, dub, '70s soul and reggae, the album established Massive Attack as one of the innovative British bands of the 1990s and the founder of trip hop's Bristol Sound. Shifting the 'dance-music' focus from the feet to the head, "Blue Lines" saw hip hop beats collide head on with lilting dub grooves, while dusty samples were dexterously chopped and scratched into fresh rhythms. While tracks like "Blue Lines", "Five Man Army" and "Daydreaming" feature free-flowing rhymes from Daddy G, 3D and Tricky in ATCQ style, Massive Attack approached the American-born hip hop movement from an underground British perspective, packing their innovative beats with elements of jazz-funk and dub. Elsewhere, reggae legend Horace Andy lent his unique voice to the revolutionary grooves of "One Love" and "Hymn Of The Big Wheel" (also featuring Neneh Cherry), while Shara Nelson's soulful vocal capped off album standout "Unfinished Sympathy" perfectly. Now back in press on pristine black wax, "Blue Lines" sounds every bit as good today as it did on its release 25 years ago - timeless.


        TRACK LISTING

        A1. Safe From Harm
        A2. One Love
        A3. Blue Lines
        A4. Be Thankful For What You've Got
        A5. Five Man Army
        B1. Unfinished Sympathy
        B2. Daydreaming
        B3. Lately
        B4. Hymn Of The Big Wheel

        Massive Attack

        Mezzanine - 180g Vinyl Edition

        Massive Attack finally returned in 1998 with 'Mezzanine', a record immediately announcing not only that the group was back, but that they'd recorded a set of songs just as singular and revelatory as on their debut, almost a decade back. It all begins with a stunning one-two-three-four punch: "Angel," "Risingson," "Teardrop," and "Inertia Creeps." Augmenting their samples and keyboards with a studio band, Massive Attack open with "Angel," a stark production featuring pointed beats and a distorted bassline that frames the vocal (by group regular Horace Andy) and a two-minute flame-out with raging guitars. "Risingson" is a dense, dark feature for Massive Attack themselves (on production as well as vocals), with a kitchen sink's worth of dubby effects and reverb. "Teardrop" introduces another genius collaboration - with Elizabeth Fraser from Cocteau Twins - from a production unit with a knack for recruiting gifted performers. The blend of earthy with ethereal shouldn't work at all, but Massive Attack pull it off in fine fashion. "Inertia Creeps" could well be the highlight, another feature for just the core threesome. With eerie atmospherics, fuzz-tone guitars, and a wealth of effects, the song could well be the best production from the best team of producers the electronic world had ever seen.

        TRACK LISTING

        1. Angel 6:20
        2. Rising Son 4:59
        3. Teardrop 5:28
        4. Inertia Creeps 5:57
        5. Exchange 4:11
        6. Dissolved Girl 6:07
        7. Man Next Door 5:56
        8. Black Milk 6:22
        9. Mezzanine 5:57
        10. Group Four 8:12
        11. (Exchange) 4:10


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