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MARINE

The limited 7" edition of Marine Eyes' latest full-length ambient record 'To Belong' hears a distilling of the original fourteen-track record down to just four selections. Though every track on the digital version of the album works in its own right, the choice on offer here - 'Hushed', 'Of The West', 'Bluest' and 'Call & Answer' - are particularly deserving of the study on wax. Something static, nigh time-crystalline is achieved on the B2, with its held root note evincing something of the quality of an infinite dream; the A1 recalls some mix of DJ Healer, Malibu or David Motion with its three note tenor-pad lilt; the A2 gets at the best of both worlds, sounding like a paradisiacal bathhouse vision set in slow motion; the B1 is the tensest, opting for a moodier key, but its reversed guitar taps and sustained choir-synth working in a no less lachrymose aesthetic.

TRACK LISTING

Hushed
Of The West
Bluest
Call & Answer

What does it mean To Belong? Cynthia Bernard aka. Marine Eyes only begins to scratch the surface of this question on her latest ambient record (yet leaps a great deal forward in wrestling with it nonetheless), following up her prior effort 'Chamomile' with a distinctly beauteous fortnight of forenoon drones, all of which spur the realization that "belonging is everywhere and nowhere". Belonging is indeed a kind of ephemeral longing of being that can only ever be partly grasped, attained. Through its looping washes of warmed, brackish, padded backwash - not to mention its many bass-undergirded angel choirs - the likes of 'Timeshifting', 'Bridges' and 'Mended Own' stand out as such revelatory highlights, all contributing to an incredible album of sonic diaristic reflection, in which every sound sticks out clearly yet plays its proper part in a humble, rose-smelling gestalt.

TRACK LISTING

To Belong
Hushed
Timeshifting
Bridges
Cemented
Of The West
Suddenly Green
Mended Own
All You Give (For Ash)
Bluest
Night Palms Sway
In The Spaces
To Belong (Reprise)
Call & Answer

Nick Walters

Marine Moods

    Trumpeter, composer and bandleader Nick Walters returns to his D.O.T. Records imprint with his majestic new album, Marine Moods. The album revives his sextet, who last appeared together on his 2019 album 'Active Imagination'. This stellar collection of musicians picks things up where they left off, delivering an exquisite suite of contemporary jazz-fusion, gleaning the very best elements from afro, modal and spiritual jazz.

    ‘Marine Moods’ is a collection of compositions inspired by the sea. The compositions are designed to allow space and creative freedom for all the musicians to express themselves and interact with one another. Much like the oceans which have inspired the album, the pieces take the listener through a range of moods - from the energetic optimism of ‘Gulf Stream’, through the darker hypnotic groove of ‘Hydrothermal’, to the stillness and peacefulness of the raga-inspired ‘Journey for Joan’. Recorded in one summer's day in a roasting hot North London studio, ‘Marine Moods’ is a document of six musicians and friends coming together to improvise, interact and collaborate to create something new.

    The album artwork features another stunning original oil painting by Lorna Robertson, a still life of a trumpet, plant and goldfish bowl in her signature semi-abstract style. Inspired by the iconic Henri Matisse painting 'Goldfish' from 1912, the painting is about the experience of inspiration during creativity. In the imagined scene, Nick is in a blue apartment day dreaming while looking at goldfish swimming around, as he contemplates writing new music inspired by the sea.

    ‘Challenger Deep’ kicks things off in an infectious groove-laden fashion. Walters leads his band through an epic Coltrane-esque intro, that breaks into a snappy drum groove and catchy lead line. Rebecca Nash takes over on piano with her distinctive voicings, setting the scene for an epic flute solo from Tenderlonious. ‘Challenger Deep’ is named after the deepest point of the seabed, found in the Mariana Trench at a depth of over 10 km.

    ‘Gulf Stream’ kicks off in Walters’ familiar amiable style. A joyful, summery horn line leads the way, succeeded by a glorious trumpet solo from the man himself. Tenderlonious takes over with a thrilling soprano solo, matched by some masterful drum work from Laurie Lowe. That melodious lead line comes back, gradually bringing the sundown on another memorable track for the album. ‘Gulf Stream’ is named after the ocean current which flows across the Atlantic ocean, bringing warm water and weather to the shores of Western Europe.

    ‘Wine-Dark Sea’ is a reference to the phrase used multiple times by Homer in The Iliad and The Odyssey, often to describe rough, stormy seas. This track was a studio jam built around another catchy hook. Kudjovi Kush leads the way on percussion, before solos from Walters on trumpet and Tenderlonious on flute.

    ‘Hydrothermal’ is another stand out track on the album. Again, another memorable lead line lays the foundations for some more stellar solo work from Walters, Nash and Tenderlonious. Nim Sadot comes to the fore on this one, leading the rhythm section with some slick bass work that underpins the track. ‘Hydrothermal’ is named after the deep sea hydrothermal vents found in volcanically active regions, home to diverse simple life forms and bacteria, and hypothesised to have been the origin of all life on Earth.

    ‘Journey for Joan’ a ballad written in tribute to Nick’s granny, Joan Walters. A deep, spiritual offering capturing melancholy and joy. A fitting way to end what is another great album from Nick Walters. 

    TRACK LISTING

    1. Challenger Deep
    2. Gulf Stream
    3. Wine-Dark Sea
    4. Hydrothermal
    5. Journey For Joan

    Marine Kulture

    Born Of Flowers

      Minimal 80s synth with vocals reminiscent of Ian Curtis. Marine Kulture are Marc Costello (lead vocals, keyboards, drums) and Marcelo Borgeggers (bass).

      TRACK LISTING

      SIDE A
      1 Born Of Flowers
      2 Conclusion If
      3 For Days
      4 Looking Into It
      5 Making Of A Dream

      Side B
      6 Will You Stay
      7 Replaying Our World
      8 Runs Deep
      9 Worthwhile Day
      10 Streets Of Your Beliefs
      11 Your Fine

      Marine Research

      John Peel Session 18​.​05​.​99

        This is the only BBC session ever recorded by the wonderful Marine Research, the group formed by members of Sarah legends Heavenly following the death of Mathew Fletcher. Gatefold double 7” vinyl has four songs, among them the gorgeous ‘Angel In The Snow’ and previously unreleased ‘Bad Dreams’, featuring David Gedge of the Wedding Present) plus ‘Capital L', which would probably have been a single if the band hadn’t split up. Package includes a set of postcards with previously unseen pics, download codes and informative sleeve notes from Amelia Fletcher. As an added extra freebie on the download, you also get a live show from BBC Sound City in Liverpool in October 1999 - introduced by Peel himself.

        TRACK LISTING

        1. I Confess (Peel Session) 03:25
        2. Angel In The Snow (Peel Session) 04:18
        3. Bad Dreams (Peel Session) 04:16
        4. Capital L (Peel Session) 04:55

        Marine

        Fable Electric

          Marine make music that bridges the gaps between spectral pop, dreamy grunge and ambient folk, whilst lyrically exploring ancient tales of mythology and the underworld.

          Since forming in 2014, the band - made up of Cara Sebastian (lead vocals, guitar and ‘Fable Electric’ artwork), Ruby Jack (lead vocals and guitar), Beth Dariti (bass) and Kaja Magsam (drums) - have been running their own show in their own way, touring across Europe and the UK and quickly building a cult following in both Berlin and London, whilst racking up support from tastemakers at 6Music and across the blogosphere.

          TRACK LISTING

          Sirens
          Mount Olympus
          Rapunzel
          Selkie
          Ariel Avengers
          Big Dog
          Kraken
          Kitsune
          Anima
          Aesop

          Various Artists

          D-Funk - Funk, Disco & Boogie Grooves From Germany 1972 - 2002

            "D-Funk" presents 18 block-rocking and distinctively eclectic funk, disco and boogie nuggets from Germany that range from sweaty JB-styled grooves, cooking fusion gems, up-tight post-punk funk, to slick urban disco anthems. Some Krauts certainly knew how to cook up a serious groove and put the D into funk. Just take The Poets Of Rhythm and The Whitefield Brothers, two groups from Munich that immerged themselves so deep into the rare grooves of James Brown's People label catalogue that it became part of their DNA. The discofied side of funk is represented by Ganymed's spacy seven minute magnum opus "Future World" and the incredibly switched-on "Stop Talking Bull", a rocking collaboration between Discotizer and Supermax. Disco overlord Giorgio Moroder makes a laid-back appearance with his one-off project Stolen Property with a slow burnin, super-kool cover of War\'s "Low Rider". Even Boney M. got funky once. Their completely unknown and completely atypical B-side "Dancing In The Streets" sounds as good as any Miami funk tune. Old school bandleaders also infused their sound with a dose of FUNK. The sophisticated fusion sound of James Last's "Bolero '75" could give Deodato a serious run for his money. Bert Kaempfert's long-time collaborator Herbert Rehbeinis is the man behind Su Kramer's totally unique space boogie "Magic Dance". Lovers of deep P-Funk will be delighted by the contributions of Cheeseslider and Montana Chromeboy, pure uncut funk nuggets full of Larry Graham-styled slap bass and mad vocals beamed in straight from the mothership.


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