'Planet Heaven' is a beautifully crafted physical release that reflects the intimacy and detail of the music within. Though recorded DIY across home studios using a modest setup, the album was professionally mixed to ensure a rich, immersive listening experience that captures every nuance — from the warmth of analogue instrumentation to the soft rustle of field recordings.

Tuplin’s fifth album sees a shift toward deeply personal songwriting, moving away from character-driven narratives and focusing on the ephemeral nature of life and the quiet wonder of our planet. Framed by his signature fascination with space and philosophy, 'Planet Heaven' is both a love letter to Earth and a meditation on human fragility. Contributions from a circle of collaborators — including Kerry Devine (The Baby Seals), Dana Gavanski, and Adrian Crowley — add texture and depth to an already expansive soundscape.

Combining poetic lyricism with ambient field recordings and psychedelic flourishes, this is Tuplin’s most emotionally resonant work to date — honest, unvarnished, and full of heart.

TRACK LISTING

1. Old House & The Waves
2. Passing Through The Western Lagoon
3. Late To The Party
4. Pigeon Song Feat. Kerry Devine
5. Angelsad Feat. Heka
6. Black Out {interlude}
7. Transformer Feat. Dominic Silvani
8. The Planets Temporary
9. Stranger In The Garden Feat. Dana Gavanski
10. Moon Song
11. A Cosmic Joke Feat. Adrian Crowley

Welcome to Orville’s Discotheque: a synth-drenched concept album brought to you by indie singer-songwriter from Somerset, Jeremy Tuplin.

Set in a world slightly left of reality, the record tells the story of a flawed disco-enthused antihero and his romantic travails. The album charts the stumble and fall of a self-obsessed dancing antihero and his romantic travails. The single sets the scene of the first time the album’s protagonist, Orville, sees his new romantic interest, Eugenie, whilst performing in a disco club night; fascinated by her dance moves that include “hula hoop hips”, “loose helicopter arms”, and whatever else. The lyricism blends self-deprecating humour with poetry, whilst the sound marks another step in the continued evolution of Tuplin’s musical vision, incorporating his lyrical songwriting and intricate storytelling within a loosely defined genre of “indie disco” - or even “dark disco” and “devilish disco” that he references in the song itself. The track was recorded with Tuplin's band, The Sad & Lonely Disco Band at Marketstall Recording Studio in Star Lane, East London. It features Mark Estall on bass, Samuel Nicholson on lead guitar, and Jason Ribeiro on drums, with Tuplin on vocals, synthesizers and rhythm guitar.

"This is the first song I started writing after finishing recording Violet Waves, just after the whole lockdown/global pandemic thing hit." Tuplin explains. "Just chugging away at these chords with no real intention or rush to write or think about the words or what the song could be about, just letting the vocal melody swim over it with word-less sounds." He continues to say "The notion to start writing about dancing and “disco”, possibly arose out of some kind of subconscious desire to return to being able to do that kind of thing. Which is interesting because I now see myself as a bit of a recluse." Jeremy Tuplin is an indie singer-songwriter from Somerset. Lyrical and genre-bending, his music blends alt-folk, indie rock and synth pop with the occasional psychedelic soundscape thrown in for taste. 

TRACK LISTING

1. It's A Real World
2. Dancing (On Your Own)
3. Eugenie
4. Idiot Love
5. L.O.V.E.
6. Love Town
7. Wonderful Time
8. Futureman
9. Better Man
10. Why'd You Go And Look At Me Like That
11. Devil Dances
12. The Mirrorball
13. A Dancer Must Die
14. Dance On 

Tuplin describes ‘Pink Mirror’ as a “jovial sojourn through some of human nature's so-called dark sides. It's a satirical look at representations of love, desire, vanity, society, the internet and more in the modern world. For Tuplin, the pink mirror represents the rose-tinted spectacles through which we often view our world and/or our own places within it. The album was recorded at Marketstall Recording Studio in South Bermondsey with Mark Estall, the sound-engineer and co-producer who worked on Tuplin’s acclaimed first album, ‘I Dreamt I Was An Astronaut’.

Clash Music described ‘I Dreamt I Was An Astronaut’ as a “cosmic gem”; Tom Robinson of BBC 6 Music called it “unconventional, conversational and intimate”. Tuplin was subsequently compared to such legends as Leonard Cohen, Bill Callahan, Nick Drake and ‘Space Oddity’-era Bowie. Boomtown Fair music festival hailed him as “one of the founding fathers of the lesser known genre of space-folk.” ‘Pink Mirror’ brings it all back to earth, adding soundscapes and swells – and more guitar. During this year’s record-breaking summer, Tuplin released one-off track ‘Long Hot Summer’ to raise money for Friends of the Earth. Through this he caught the attention of independent label Trapped Animal Records as an exciting artist with a social conscience. Album teaser track ‘Just Cos Ur Handsome’ was made available as a limited-edition free download through Bandcamp received radio play from Amazing Radio.

The track was described by ComeHereFloyd blog as “what you want in a drizzly life that needs a dose of bright sunshine of reality.” First single ‘Bad Lover’, released in November 2018, went down a storm, thanks no doubt to the accompanying video of Tuplin performing with a backing band of ironically-yawning hipsters. For The Rabbits said of the track, “Jaunty guitars, group backing vocals so wonderful the Ronettes would be proud of them, and rolling basslines; it’s Jeremy Tuplin sure, but as we’ve never seen him before.”