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HEAVY METAL

King Garbage

Heavy Metal Greasy Love

    King Garbage, with their contemporary take on American Soul, return with a new album, ‘Heavy Metal Greasy Love’, released via Ipecac Recordings.

    Long-time friends and GRAMMY Award-nominated producers Zach Cooper and Vic Dimotsis have quietly impacted pop, R&B and hiphop with production credits for everyone from The Weeknd and SZA to Ellie Goulding, Gallant and Billy Porter.

    In 2021, Vic and Zach co-wrote ‘Sing’ for Jon Batiste’s ‘We Are’. It gathered eight GRAMMY Award nominations, including Album Of The Year. They also penned ‘Sweeter’ (featuring Terrace Martin) on Leon Bridges’ ‘Gold-Diggers Sound’, which notched a GRAMMY nod in the category of Best R&B Album.

    It’s a taste of retro without being a reproduction. The music is crispy, searing, spacious, sandy and welded with perfect dimes at the seams.

    Breaking from the ‘rough and ruddy’ vibe of their first record, ‘Make It Sweat’, King Garbage incorporated a rock ‘n’ roll spirit within this soul sphere. They teased the album with ‘Piper’ and ‘Peanut Butter Kisses’ before revealing the single ‘Busy On A Saturday Night’. On the track, vocals hum barely above a whisper as clean guitar wraps around horns before the high register hook takes hold. It ends on a crescendo straight out of a Sixties cop show.

    Bass-y piano revs up ‘Monster Truck’, which Zach calls “somewhere between musical theater and classic rock.”

    Meanwhile, ‘Checkmate’ moves ice cold vocals and boisterous horns across the board. Saxophone, flute, and clarinet soundtrack a ‘Fargolike tale’ on ‘Snow’, unfolding “like what a big band should play in a strip club.” In the end, ‘Heavy Metal Greasy Love’ is as smooth as King Garbage are.

    For fans of The Black Pumas, Alabama Shakes, Daptone Records.

    TRACK LISTING

    Checkmate
    Let Em Talk
    I Miss Mistakes
    Snow
    Busy On A Saturday Night
    Monster Truck
    Never Die
    Piper
    Peanut Butter Kisses

    Hapshash & The Coloured Coat

    Featuring The Human Host And The Heavy Metal Kids

      Hapshash & The Coloured Coat released this debut in 1968 and it's something of an electric mayhem and freeform psychedelic freakout. Art designers Michael English and Nigel Weymouth, whose striking graphics were seen on many bright and trippy posters for psychedelic clubs like the UFO and Middle Earth in London, were the creative talent behind this band along with DJ and manager Guy Stevens. They incorporated flower power, love, peace and acid into a psychedelic rock lifestyle. Could only have been recorded and released in the late 60s.


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