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FORTH WANDERERS

Forth Wanderers

The Longer This Goes On

There’s one thing Forth Wanderers want to make clear as they prepare to release their third album 'The Longer This Goes On': “We’re not back,” guitarist Ben Guterl says emphatically. It’s perhaps an unexpected sentiment to pair with the band’s first album since they parted ways seven years ago, but the band insists it’s an honest answer—they came together to record the ten intricately constructed gems that make up this new record, and they’re still figuring out what being in Forth Wanderers means to them. Listening to these songs, each a glittering celebration of vocalist Ava Trilling’s urgent and intuitive lyrics and the band’s natural musical chemistry, though, it’s hard to feel like there’s much of anything left unsaid. Filled with spit-shined melodies, chiming vocal harmonies, and slinky, slanted rhythms, the album is more expansive than just a return to form. The band isn’t afraid to take the scenic route to a hook, layering instrumental flourishes to fill in the empty spaces, creating room for Trilling’s haunting range, or repeating a riff or a lyric until it becomes a Zen koan. On 'The Longer This Goes On', Forth Wanderers sound more self-aware and self-assured than ever before. Just don’t call it a comeback.

The road to 'The Longer This Goes On' began in a Brooklyn coffee shop in the summer of 2021. There, Guterl and Trilling met for the first time since Forth Wanderers’ dissolution in 2018. The three years they’d been apart had deflated some of the pressures the band felt when they were touring their previous music: “We all felt free to mess around and have fun,” Guterl says. Reconnecting with bassist Noah Schifrin, guitarist Duke Greene, and drummer Zach Lorelli made playing feel “the best it had between us since we had started the band. It felt like we were in high school again.”

The band reimagined the way they were used to working. “This is the first time where a lot of the music was formed organically,” Schifrin explained. “All five of us really contributed to the writing process in ways that we hadn’t before in the past,” Guterl added. The resulting album, produced under the watchful eye of Dan Howard, captures the band at their most present and unburdened, creating their sound in real time for the very first time. The lyrics are packed with confessionals broad enough to make anyone lost in the mess of an uncertain romantic limbo feel understood, yet so precisely written that it must have clearly come from lived experience. This is exactly what made Forth Wanderers both so universally relatable and specifically felt. On 'The Longer This Goes On', they’ve deepened that ability to pull at potent threads of romantic ennui with minimalist lyrics and lush instrumentation.

Forth Wanderers aren’t sure what’s next—they’re not sure if they’ll continue to record new music or if they’ll ever perform these songs live. These recordings, then, are ten fleeting yet invaluable impressions of the time spent as a band; rekindling of friendships between high school buddies whose dreams catapulted them into the spotlight before they were old enough to drive; songs that capture the uncertainty of the future as much as their music cements their own self-confidence in the present. On 'The Longer This Goes On', Forth Wanderers are making music on their own terms.

TRACK LISTING

1. To Know Me/To Love Me
2. Call You Back
3. Honey
4. 7 Months
5. Spit
6. Springboard
7. Make Me
8. Barnard
9. Bluff
10. Don’t Go Looking

Forth Wanderers

Forth Wanderers

Forth Wanderers employ a tin-can-telephone style of composition which they use even when living in the same area code. Since first collaborating in 2013 as Montclair, New Jersey high schoolers, guitarist and songwriter Ben Guterl and vocalist Ava Trilling have passed songs back and forth like pen pals. Guterl will devise an instrumental skeleton before sending it to vocalist Ava Trilling who pens the lyrics based off the melody. The duo then gather alongside guitarist Duke Greene, bassist Noah Schifrin, and drummer Zach Lorelli to expand upon the demo. It’s a patient and practiced writing system that has carried the quintet through two EPs (2013’s Mahogany and 2016’s Slop) and one LP (2014’s Tough Love). Forth Wanderers, the group’s sophomore record and Sub Pop debut, is the groups’ most comprehensive and assured statement yet.

Now living in Ohio and New York respectively, Guterl and Trilling have evolved their separate but collaborative writing process. “The only way I can really write is by myself in my room with a notebook, listening to the song over and over again,” Trilling says. “I’ve never sat down to write a story, I write the song as it unfolds.” Since her lyrics are often embedded with intimate truths from her life, the private writing experience often leads to intense self-reflection.

On Forth Wanderers these introspections include meditations on relationships, discovery, and finding oneself adrift. Despite the inherent heaviness of those themes, Forth Wanderers feels joyous, a rock record bursting with heart. Take “Not for Me,” a romping track about “the ambivalence of love.” Trilling’s confession of “I can’t feel the earth beneath my feet/Flowers bloom but not for me” resists feeling like a dreary, pitying complaint; instead, as her bandmates bolster her melancholy with interlocking harmonic intricacies, she soars with self-actualization. Opener “Nevermine,” is a surge of confidence inspired by an ex-lover who is still captivated by her image. “I don’t think I know who you are anymore/And I think I knew who I was before,” she jabs with relish. On “Ages Ago” Trilling paints the image of a constantly-shifting enigmatic lover. “I wasn’t sure who they were, they changed constantly (hence the metaphor describing the “grey coat” and cutting their hair just to “stay afloat”),” she says. “I wasn’t going to wait any longer to find out.”

Recorded over five days by friend and audio engineer Cameron Konner at his Philadelphia home studio, Forth Wanderers amplifies the heartfelt sentiments of their earlier works into massive anthems. Guterl and Greene’s guitars have never sounded sharper, Schifrin and Lorelli’s terse rhythm section is restless, and Trilling sounds more self-assured than ever. These are exuberant, profound songs driven by tightly bound melodies and a loving attention to detail.

STAFF COMMENTS

Barry says: Encompassing the spirit of languid college-rock, laid back and full of mellow guitar strums and cleverly penned rhythmic flourishes and those stunning harmonies make this an enthralling and rewarding whole. A superb debut.

TRACK LISTING

1. Nevermine
2. Company
3. Ages Ago
4. Taste
5. Not For Me
6. Be My Baby
7. New Face
8. Saunter
9. Tired Games
10. Temporary


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