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FOODMAN

Foodman

HIKARIGASASHIKOMU

'HIKARIGASASHIKOMU' translates as ‘Light Shines In’, a Japanese phrase conveying a sense of hope in a difficult place. Opening new creative possibilities for Foodman, this astonishing album is an introspective yet hyperactive body of work, representing the clarity and light found after a period of self-exploration. While this is a deeply personal record, it also captures the now-universal sound of a brain stretched between 500 open tabs, multitasking into oblivion in a world in which attention deficit is a global media environment, not merely a privatized psychological malaise.Focusing more on the use of voice, the album incorporates Foodman’s own looped vocals, singing elements of Japanese children’s songs and playground rhymes, and his everyday thoughts. Despite its charm and innocence, this soundworld leaps around manically, fractures and dissolves. Foodman’s voice repeats, disassembles, speeds up and down and is bounced around deliriously, as sound elements call and respond around him.Structurally and vocally, influences are drawn from footwork, ghetto house, and baile funk, all of which are maximally abstracted into bursts of spiralling psychedelic effects.

TRACK LISTING

1. Nakamamo
2. Hikariga
3. Omoi
4. Kabe
5. Hard Reclining
6. Horomiro
7. Hoso Michi
8. Okazu Marunomi
9. Nukumori
10. Crystal Style
11. Face to Voice
12. Hitorigoto
13. Kokizami
14. Totemo

Foodman is Takahide Higuchi, from Nagoya, in central Japan. After remixing Jessy Lanza’s ‘Alexander’ last year, ‘Yasuragi Land’ is his first release for Hyperdub, alive with Footwork-inspired musical freedom and the sense that everything is a rhythm.Unusually, ‘Yasuragi Land’ has no bass. Instead, the album is breezy and refined; hyper-rhythmic music, made with a few simple tools, dances around your head. ‘Yasuragi’ and ‘Parking Area’ feel like gently deconstructed acoustic jazz, while ‘Ari Ari’ is deep house splattered with a cartoonish hiccup.

‘Hoshikzu Tenboudai’ and ‘Shiboritate’ bounce around the speakers like trance-inducing polyrhythmic updates of the New York minimalists, programmed past human limits. ‘Food Court’ is busy with mechanical rhythm and naive melodies, ‘Gallery Café’ pairs a cute wooden flute melody with micro edited wooden drums, ‘Michi No Eki’ is like a digital take on Magma's complex rock, and ‘Sanbashi’ indirectly approximates 80s R&B. The album ends on ‘Misyuku’, with a treated guitar lick sounding like it was stolen from Daft Punk, woven into dense interlacing drums.

TRACK LISTING

A1. Omiyage
A2. Yasuragi
A3. Michi No Eki Ft Taigen Kawabe
A4. Ari Ari
A5. Shiboritate
A6. Hoshikuzu Tenboudai
A7. Shikaku No Sekai
B1. Food Court
B2. Gallery Café
B3. Numachi
B4. Parking Area
B5. Iriguchi
B6. Aji Fly
B7. Sanbashi Ft Cotto Center
B8. Minsyuku


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