Rainy Miller is at the forefront of UK electronic music and loosely spinning around the axis of storied Salford club The White Hotel.
Having established himself at the forefront of the new sound of the UK, spearheading the boundary-less scene of alternative music, and gaining continued critical acclaim over the past few years, Rainy Miller presents his most personal project, the culmination of five years of work. The release follows on from his breakout album 'Desquamation' (2022) and follow up, collaborative full-length 'A Grisaille Wedding' (2023).
Initially inspired by the 2003 documentary ‘Searching for the Wrong-Eyed Jesus’, an exploration of the intersection between Christianity and country music in the American South, Rainy became entrenched in the parallel similarities between the stories in the film to the stark realities of his own surroundings, the North of England.
Internalizing these connections, and reflecting on his own lived experiences, Rainy created ‘Joseph’ in an aesthetic he coins the Northern Gothic, a quasi anthropological British pastiche of the American Southern Gothic realm of the early 20th century.
Visually, the project references the forgotten notion of storytelling and the feeling of community that is prevalent amongst everyday life in the post-industrial North of England. In its bleak and often antiquated surroundings, Rainy explores the inherited pragmatism and resilience of its inhabitants, interjecting his own struggles and conciliations.
Having established himself at the forefront of the new sound of the UK, spearheading the boundary-less scene of alternative music, and gaining continued critical acclaim over the past few years, Rainy Miller presents his most personal project, the culmination of five years of work. The release follows on from his breakout album 'Desquamation' (2022) and follow up, collaborative full-length 'A Grisaille Wedding' (2023).
Initially inspired by the 2003 documentary ‘Searching for the Wrong-Eyed Jesus’, an exploration of the intersection between Christianity and country music in the American South, Rainy became entrenched in the parallel similarities between the stories in the film to the stark realities of his own surroundings, the North of England.
Internalizing these connections, and reflecting on his own lived experiences, Rainy created ‘Joseph’ in an aesthetic he coins the Northern Gothic, a quasi anthropological British pastiche of the American Southern Gothic realm of the early 20th century.
Visually, the project references the forgotten notion of storytelling and the feeling of community that is prevalent amongst everyday life in the post-industrial North of England. In its bleak and often antiquated surroundings, Rainy explores the inherited pragmatism and resilience of its inhabitants, interjecting his own struggles and conciliations.
TRACK LISTING
1. Mud In My Mouth. (Predetermined Definitions)
2. Toddbrook Dam, 2019.
3. An Obsidian Lake Spews Out Of Me.
4. Vengeance.
5. Marked, 2020.
6. An Angel! This Way Comes,
7. Then Casts Shadows, From Afar (A6 - Pendleton).
8. Please, Don't Walk Away Too Fast.
9. Chrome, Hallowed Be.
10. To Grieve A Man, Is To Grieve A Man Twice.
11. Mary Magdalene, As A Home.
12. The Fable / The Release.
13. Joseph, What Have You Done?