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FELA KUTI

Fela Kuti

Expensive Shit - 50th Anniversary Edition

On 'Expensive Shit', Fela chronicles a failed attempt to imprison him for possession of weed in 1974. At this time, Nigeria was under a military dictatorship that had declared a war on indecency. Fela’s insubordination infuriated the government, and they repeatedly raided his compound, Kalakuta.

During one of the raids, an officer produced a joint from his own pocket and attempted to plant it on Fela, which Fela then swallowed. He was immediately taken to prison, where the police waited three days for him to “produce” an incriminating sample. When the time came, police took Fela’s sample for analysis and found nothing. Each night, Fela and his cellmates had swapped their slop buckets around, allowing Fela to relieve himself without the authorities realizing it. By the time of the public shit, there was no marijuana left in his system. The police had no choice but to let him go.

This 50th Anniversary edition is pressed on gold nugget vinyl, packaged in a trifold jacket that features elements of the original vinyl packaging alongside newly licensed images, a dossier envelope with poster, print, and newspaper clipping, wrapped with a metallic gold foil band.


TRACK LISTING

1. Expensive Shit
2. Water No Get Enemy

Captain Yossarian

Fela Kuti In Dub

Fela Kuti in Dub is a showcase album containing four essential songs by Fela Kuti in the style of a Jamaican Discomix, evolving from an instrumental cover version to a dub version, celebrating the musical heritage of Nigeria and Jamaica likewise.

Please understand this work as a hommage to both musical cultures.

The four tracks were chosen because they are a timeless witness to the political potential of music, that being proofed by their actuality. The songs feature essential dub effects like echoes, reverb and filtering but also feature analogue sound effects underlining and sonically illustrating the missing lyrical content. These vary from thundery spring reverbs and percussion instruments imitating the pouring rain on "Water No Get Enemy" to marching soldiers and shot gun like reverbs on „Zombie“. From a cash register on "Expensive Shit" to the dub sirens created live on a Korg MS10 on "Everything Scatter".

Only analogue instruments, sounds and dub effects were used on this recording. Mixing, dubs and arrangements were done live in consecutive sessions. The premaster was done by Sodi Marciszewer at Zarma Studios (Fela Kuti, Femi Kuti, Seun Kuti, Damian Marley) on the original Decca desk used by Fela Kuti in Lagos. Fela Kuti In Dub was conceived and produced by Cpt. Yossarian alias Manuel da Coll musician, producer and soundman from Munich/Germany. His last work "Bob Marley In Dub" (2021, Echobeach) attained a lot of critical acclaim and was featured by Don Letts on BBC6, the Riddim Magazine and Helmut Phillips book "DUB - The Sound Of Surprise" amongst others.

TRACK LISTING

01: Zombie in Dub
02: Water No Get Enemy in Dub
03: Everything Scatter in Dub
04: Expensive Shit in Dub

Fela Kuti

The Best Of The Black President

'The Best of the Black President' is the 13 track guide to Fela Kuti’s massive and manifold creative career. Fela was a musician, arranger, producer, political radical, outlaw and the originator of Afrobeat. This is the first time the complete compilation is available on vinyl. It is a 4 LP set, with updated cover art in a hardbound book jacket and printed inner sleeves. The individual LPs are pressed on red (sides A/B), green (sides C/D), blue (sides E/F) and yellow (sides G/H) vinyl. This edition features a Ludo game board as the back cover and comes with a perforated set of game pieces, dice, and instructions on how to play. Limited edition of 3000 for the world.

TRACK LISTING

1. Lady
2. Shakara (Oloje)
3. Gentleman
4. Water No Get Enemy
5. Zombie
6. Sorrow Tears And Blood
7. No Agreement
8. Roforofo Fight
9. Shuffering And Shmiling
10. Coffin For Head Of State
11. ITT
12. Army Arrangement
13. O.D.O.O.

Fela Kuti

Alagbon Close - 50th Anniversary Edition

'Alagbon Close' was the first of Fela’s albums to have a sleeve designed by Ghariokwu Lemi, whose artwork fast became an integral part of Fela's catalogue and Afrobeat's message. The disc was named after the headquarters of the Nigerian Criminal Investigation Department in Lagos. The title track concerns two police raids on Fela’s house, in April and May 1974. On the first occasion, they came looking for weed but could not find any. On the second, they attempted to plant a joint on Fela, but he grabbed it and swallowed it. He was detained at Alagbon Close for three days, while the police waited for the evidence to drop into his slop bucket. Fela was locked in a communal cell the prisoners jokingly called Kalakuta Republic (“kalakuta” is Swahili for “rascal”). His cellmates engineered a 'feces switch' and Fela was pronounced innocent. On his release he renamed his house Kalakuta Republic. “Alagbon Close” calls out the Nigerian police’s violence and arrogance and apparent immunity from prosecution. “Nothing special about uniform,” sings Fela. “Uniform na cloth na tailor dey sew am like my dress,” replies the chorus (meaning: just because you are wearing a uniform does not make you above the law). 

TRACK LISTING

1. Alagbon Close
2. I No Get Eye For Back

Fela Kuti

O.D.O.O. (Overtake Don Overtake Overtake) - 2024 Reissue

Overtake Don Overtake Overtake was the penultimate album of newly recorded studio material released by Fela before he passed in 1997. Like its immediate predecessor, Beasts Of No Nation (also 1989), and its followup, Underground System (1992), the album finds Fela continuing to campaign for human rights and social change despite the relentless beatings, jailings and general harassment he had received from successive military regimes since the start of the 1970s.

TRACK LISTING

A1. Overtake Don Overtake Overtake (Part I)
B1. Overtake Don Overtake Overtake (Part II)

Fela Kuti

Original Suffer Head - 2024 Reissue

This edition of Original Sufferhead is a major event. With the release of box set #5, and now on this reissue, the title track of this magnificent album is presented in its full-length, 25 minutes 24 seconds glory. While preparing the master disc for the box set, our engineer Jedi, Colin Young, discovered four minutes of “lost” material on the B-side of the original pressing, including a superb keyboard solo by Fela. This had been omitted from subsequent reissues. The restored version used here starts and finishes with Fela’s keyboard work, a typically venturesome blend of futurism and visceralism. Original Sufferhead was the first album Fela released under Egypt 80’s name (he had disbanded Afrika 70 in 1979).

On the title track, arguing from the personal to the political, Fela describes the inhuman treatment and poor living conditions experienced by working class Nigerians, the people he called sufferheads. In “Power Show,” Fela sings about the two-tier system dividing Nigerian society, in which the rich get treated one way and the poor another.

TRACK LISTING

1. Original Sufferhead
2. Power Show

Fela Kuti

Ikoyi Blindness - 2024 Reissue

Fela used the cover of Ikoyi Blindness to announce his change of middle name from Ransome, which he now considered a slave name, to Anikulapo, which means “he who carries death in his pouch.” The front cover shows Ransome crossed out and Anikulapo added above it. Fela also used the album cover to announce the Africanisation of Africa 70’s name, changing it to Afrika 70. In the title track, Fela draws attention to the economic chasm separating the haves and have-nots of Nigerian society, contrasting the get-rich-at-all-costs mindset of the residents of the prosperous Lagos suburb Ikoyi with the more community-minded attitude of the poor inhabitants of the Mushin, Maroko, Ajegunle and Somolu neighborhoods. Ikoyi residents are blind to the sufferings of less fortunate people, says Fela.

Fela returns to the topic on the second track, “Gba Mi Leti Ki N’Dolowo (Slap Me Make I Get Money).” In Lagos in 1975 and 1976, there had been an upsurge in police and military personnel assaults on people in the street; motorists were commonly pulled out of their vehicles and given a whipping for minor traffic offenses. Scandalously, the police and soldiers were being allowed to get away with corruption in broad daylight. In the lyric, Fela demands that the judiciary administer the law equally, without fear or favor.

TRACK LISTING

A1. Ikoyi Blindness
B1. Gba Mi Leti Ki N'Dolowo (Slap Me Make I Get Money) 

Fela Kuti

Excuse-O - 2024 Reissue

‘Excuse O’ is about natural human reactions to situations we confront in our daily endeavours. If you walk into a bar, ask and pay for a drink and you happen to recognize a friend in the bar, you take time off your table to chat with this friend. While you are at it, another man walks over to your table and drinks your glass of beer, of course you turn round and find him drinking your beer, your reaction will be: ‘Excuse O!’ Same for the person who goes to withdraw five Naira (equivalent of US $5 at that time) from his bank, takes public transport, in the bus the person finds another man trying to pick his pocket, the obvious reaction is: ‘Excuse O!’ For the man who dates a woman for the first time, the situation is even more serious. Particularly since, on their date, he takes the woman to a swimming pool after which they have lunch, from lunch to cinema, from cinema to dinner. After dinner, the man again invites her to have a dance at the Shrine (Fela’s Club). Sitting at a table, after ordering drinks, another man comes to excuse his partner for a dance, he does not object to the first, the second he consents to grudgingly. A third dance? That is enough, Mr! ‘Excuse O!’ will be the reaction from the man.

‘Mr Grammarticalogylisationalism Is The Boss’ is another of Fela’s songs critical of the education system in Africa - which he called a poor imitation of the Western education system. The man who speaks better English gets paid more. Fela sings: “…the better oyinbo you talk! The more bread you get!” The brainwash starts from the ‘Big’ English words used in the newspapers…the oyinbo (English) wey dey inside!, na riddle for labourer man! Inside the paper! Jargonism dey! (meaning there is a lot of jargon). Irrelevant issue that has no bearing towards alleviating the sufferings of the poor man on the street. Then the leaders blame the poor man’s problems on ‘ignorance’ and ‘delinquency’. Fela asks: “…who be delinquent? Na them delinquent! Who be delinquent? The oyinbo talker delinquent…!” Meaning who is delinquent? The Mr English Speaker is the one who is delinquent, referring to the leadership ruling most African countries.


TRACK LISTING

Excuse-O
Mr Grammarticalogylisationalism Is The Boss

Fela Kuti

Kalakuta Show - 2024 Reissue

The ‘Kalakuta Show’ album was Fela Kuti’s undaunted manner of extracting revenge on the military regime that attacked and brutalized him in 1974. The second of such attacks in a space of eight months, ‘Kalakuta Show’ was an attempt by the Nigerian police to influence the cause of justice. After the first police raid on Kalakuta in April 1974, Fela was charged to court for ‘possession of dangerous drugs’, and abduction of ‘minors’. However, the evidence presented by the prosecution was easily explained by the defence, who claimed that the drugs found in the premises belonged to Junction Clinic, a government licensed clinic situated inside Kalakuta Republic and run by Fela’s younger brother, Dr. Beko Ransome Kuti. On the ‘abduction of minors’ charge, all the young girls arrested in Fela’s house denied they were underage, or abducted, and they claimed in court they went to Fela’s house of their own accord. With no substantial evidence to convict Fela in this highly publicized trial, the police chose to raid Fela’s residence a second time, one week before judgment on the case, hoping to find evidence this time around. The result is the narrative of the gruelling and brutal manner the police treated their victims. Fela appearing in court with scalp wounds and a broken arm drew sympathy from the judge. A crowd of more than fifty thousand Lagos youths carried Fela from the court house in the Apapa area of Lagos to Kalakuta Republic - a distance of about six kilometres. During this jubilation, traffic was at a stand-still for several hours in the central part of Lagos mainland. ‘Don’t Make Garan Garan’ - ‘Ganran Ganran’ in Yoruba language means an egoist, full of himself, a self-centred person. The rich and highly placed Nigerians who frequently try to lord it over the poor are being asked to know their limits.

TRACK LISTING

Kalakuta Show
Don't Make Garan Garan

Fela Kuti

Noise For Vendor Mouth - 2024 Reissue

The Nigerian establishment labelled Kalakuta Republic inhabitants as ‘hooligans’, ‘hemp smokers’, etc. ‘Noise For Vendor Mouth’ is Fela’s indifference to that name-calling, because, for him, people in Kalakuta are really a bunch of hard-working citizens, trying to survive in a society riddled with corruption and mismanagement. He adds that the real hooligans are those in authority who resort to political gangsterism, and sometimes military coups, in order to resolve constitutional issues. He considers their criticisms as nothing but the noise made by street vendors to sell their wares.

Fela had been accused by critics of not being concerned about the issue of feminism and the unequal status of the sexes, thus keeping in line with several traditions which they claim he arbitrarily upholds. Several issues, from the African point of view, are counterpoised to the modern Western look. Fela had been criticized for openly endorsing polygamy. How could a man who campaigns against the unequal status of sexes and racism endorse a male domination? Fela’s justification for polygamy, apart from the traditional repopulation from slavery of Africa’s society, is the polygamous nature of man. In Christian societies, where polygamy is not tolerated, men marry officially with one woman but keep mistresses. African men are more honest in their approach - keeping all the women in the know and under one roof in the spirit of family. Songs like ‘Mattress’ may not help change

TRACK LISTING

Noise For Vendor Mouth
Mattress

Fela Kuti

Why Black Man Dey Suffer - 2024 Reissue

‘Why Black Man Dey Suffer’, recorded in 1971, was originally deemed too controversial for release by EMI, his label at the time. Having recently been schooled in the American black power movement and having taken on a new Pan-African worldview, this album served as one of Fela’s first musical soapboxes on which he challenged the colonial injustices and corruption of the ruling elites of his time. The title track, also featuring Ginger Baker, is a history lesson on the oppression of the African man. It details the litany of abuses the black man has suffered - from being taken as slaves, to having an alien people impose a new culture upon them, taking their land, fighting them, and setting them against one another. ‘Ikoyi Mentality’ firmly expresses Fela’s identification with the downtrodden masses and his rejection of the ways of the ruling class inhabitants of the Ikoyi neighbourhood in Lagos.

TRACK LISTING

Why Black Man Dey Suffer
Ikoyi Mentality Vs Mushin Mentality

Fela Kuti

Box Set #6: Curated By Idris Elba

Knitting Factory Records and Partisan Records are proud to release the sixth installment of the much anticipated vinyl reissue box sets from the Fela Kuti catalog.

Vinyl box #6 was curated by actor, producer, DJ, rapper and singer, Idris Elba, aka DJ Big Driis. This edition, out on December 1, features Open & Close, Music of Many Colors, Stalemate, I Go Shout Plenty!!!, Live In Amsterdam, and Opposite People. The artwork for each album has been meticulously recreated from the original vinyl pressings, alongside vintage vinyl label artwork. The box set is a limited edition of 5,000 worldwide. It includes a 24 page booklet featuring lyrics, commentaries by Afrobeat historian Chris May, and never before seen photos; as well as a 16” x 24” poster designed by Lemi Ghariokwu, the creative force behind many of Fela’s album covers. Previous box set curators include Chris Martin, Erykah Badu, Ginger Baker, Brian Eno, and Questlove.



TRACK LISTING

Tracklist:
Open & Close
A1) Open & Close
B1) Swegbe & Pako
B2) Gbagada Gbagada Gbogodo Gbogodo

Music Of Many Colors (Feat. Roy Ayers)
A1) 2000 Blacks Got To Be Free
B1) Africa Centre Of The World

Stalemate
A1) Stalemate
B1) Don't Worry About My Mouth O (African Message)

I Go Shout Plenty!!!
A1) I Go Shout Plenty!!!
B1) Why Black Men Dey Suffer?

Live In Amsterdam
A1) M.O.P. (Movement Of The People) Political Statement Number 1 (Part 1)
B1) M.O.P. (Movement Of The People) Political Statement Number 1 (Part 2)
C1) Custom Check Point
C2) You Gimme Shit I Give You Shit (Part 1)
D1) You Gimme Shit I Give You Shit (Part 2)

Opposite People
A1) O.P. (Opposite People)
B1) Equalisation Of Trouser And Pant

Fela Kuti

Gentleman (50th Anniversary Edition)

Fela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical, outlaw and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.

1973’s Gentleman is the 7th in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this version is available on exclusive colored vinyl (Igbo Smoke) and the LP is wrapped in a gold foil obi strip with a brief essay on the album and Fela's global impact on music. Like Fela's other early 70's releases, he used each side of his LPs to create a deep groove that pulls the listener in and follows with metaphoric lyrics that call out and critique the corrupt hangover of colonialism.

Gentleman is the last of Fela's early 1970s albums recorded with the Africa 70. The title track can be interpreted literally or as a metaphor concerning a wider issue. Fela deftly addresses the colonialism-induced, inferiority complex which led many in Africa's new governing elites to reject African style, concepts of beauty, and modes of behavior in favor of European imports. Gentleman's other tracks, ""Fefe Naa Efe"" and ""Igbe,” have more direct, less metaphorical lyrics. On ""Fefe Naa Efe,” an Ashanti motto from Ghana, Fela tells a woman dumped by her boyfriend that she must get over the heartache and move on. On ""Igbe”, Fela declares that anyone who betrays a friend is shit, and that anybody who lacks self-respect is shit - something you want to expel from your body as soon as possible. He sings the word ""shit"" in several Nigerian languages, so there is no misunderstanding.



Gentleman (50th Anniversary Edition) is out on 23rd June 2023 via Partisan Records.

TRACK LISTING

Side A
01. Gentleman

Side B
01. Igbe (Na Shit)
02. Fe Fe Ne Eye Fe

Fela Kuti

Shakara - 50th Anniversary Edition

Fela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical, outlaw and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.

“Shakara” is the 6th in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this version will be on colour vinyl and the LP will be wrapped in a gold foil obi strip with a brief essay on the album and Fela's global impact on music. Like Fela's other early 70's releases, he used each side of his LPs to create a deep groove that pulls the listener in and follows with metaphoric lyrics that call out and critique the corrupt hangover of colonialism.

The album is the sound of Afrobeat's maturation as a global music. Fela's Pidgin English lyrics extend his music's audience beyond Yoruba speakers and make his words understandable across the Anglophone world. In "Lady," Fela highlights the adoption of European social habits to the detriment of African culture. "Shakara" is a mainly instrumental track, with a brief lyric, sung in Yoruba, warning against boasters and braggarts. The song pacing is festive and typically up tempo, with boisterous horn arrangements, with strong solos from Fela on keyboards and the fearsome Igo Chico on tenor saxophone.

TRACK LISTING

LP SIDE A:
1. Lady
LP SIDE B:
1. Shakara

7" SIDE A:
1. Lady (Ezra Collective Remix)
7" SIDE B:
1. Shakara (Ezra Collective Remix)

Fela Kuti

Afrodisiac - 50th Anniversary Edition

Fela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical, outlaw and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.

Afrodisiac is the fifth in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this double LP edition is on color vinyl; LP 1 is green marble and LP 2 is on red marble. The album will be wrapped in a gold foil OBI strip with a brief essay on the album and Fela's global impact on music. The songs on Afrodisiac were tracks that Fela and the Nigeria 70 (Later Africa 70) re-recorded at Abbey Road Studios in 1972 after they had become hits in Nigeria. The best known song on the album, 'Jeun Ko Ku’, is listed by its Pidgin title ‘Chop and Quench’ on this album. It’s a satire about gluttony and Fela's first major hit across West Africa. ‘Chop and Quench’ means ""eat and die"" in Standard English.

Afrodisiac was first reissued on vinyl in 2014 as part of the Fela Box Set #3 curated by Brian Eno. Eno played Afrodisiac for David Byrne and it was a huge influence on Talking Heads when they recorded Remain In Light - there is a bonus track called ‘Fela's Riff’ that nods heavily to the influence of hearing Afrodisiac and Fela's music for the first time.

TRACK LISTING

SIDE A:
1. Alu Jon Jonki Jon
SIDE B:
1. Chop And Quench
SIDE C:
1. Eko Ile
SIDE D:
1. Je'nwi Temi (Don't Gag Me)

Fela Kuti

Roforofo Fight - 50th Anniversary Edition

By 1972, when Music of Fela: Roforofo Fight was originally released (on two vinyl albums, Music of Fela Volume One and Volume Two), Fela was becoming one of the most avidly followed musicians in West Africa. His audience came from among the region's urban poor, the "sufferheads" living in the shanty towns around the major cities, along with growing numbers of students and political dissenters. Fela championed, and sang about the problems of, oppressed and exploited people and denounced the ruling elites lording it over them, with their seemingly endemic corruption and their ready use of violence to crush dissent. Because he generally sang in Broken English rather than Yoruba, and adopted an increasingly pan-Africanist outlook, his message resonated throughout Anglophone Africa.

The 50th-anniversary reissue of Roforofo Fight is pressed on double yellow & green vinyl. Side D features singles "Shenshema" and "Ariya" on vinyl for the first time. The two tracks were originally released as a 7" single in 1972 and later featured in the CD reissue of "Roforofo Fight / The Fela Singles".

TRACK LISTING

SIDE A:
1. Roforofo Fight

SIDE B:
1. Go Slow

SIDE C:
1. Question Jam Answer
2. Trouble Sleep Yanga Wake Am

SIDE D:
1. Shenshema
2. Ariya

Fela Kuti

Underground System

By the time of these recordings Fela Kuti was HIV positive, drug addicted and had been brutalised by continual imprisonments and beatings at the hands of the Nigerian authorities. Over a fifteen year period he had sung about injustice, persecution, the downtrodden and the poor. He championed everyman's right to a decent life, decent education and freedom from intolerance. He had his all too obvious faults but his music remains a testimony to a performer justifiably known as the 'King of Afro-beat'. The last album of newly recorded material to be released during Fela’s lifetime, 1992’s ‘Underground System’ is an outstanding swansong. While Fela’s recorded output slowed up as the 1980s progressed - largely as a result of ongoing arrests, beatings and jailings - his final years of recording produced some of his strongest work, notably ‘Teacher Don’t Teach Me Nonsense’ (1986), ‘Beasts Of No Nation’ (1989), ‘Overtake Don Overtake Overtake’ (1990) and ‘Underground System’.

TRACK LISTING

Underground System
Pansa Pansa

"Army Arrangement" comes from 1985 and is co-produced by Bill Laswell (Material) with the likes of Bernie Worrell (P-Funk) and Sly Dunbar guesting, giving the tracks an extra electronic edge. The LP is a critique of Nigeria's attempt at democracy. Mired as the army-led government was in political corruption, it came as no surprise that this LP cemented Fela's reputation as an anti-government subversive and continued the spiral of arrests, beatings and imprisonments that marred his life.

TRACK LISTING

Army Arrangement (Part 1)
Army Arrangement (Part 2)

Fela Kuti

Johnny Just Drop (J.J.D.)

Originally released in 1977, ‘Johnny Just Drop (J.J.D.)’ features Fela lampooning Nigeria’s ‘beentos’, people who had been to Europe or America to work or study and then returned (dropped) home with European social pretensions and an inferiority complex about African culture. The reissue features original album artwork designed by Lemi Ghariokwu, who created the cover art for around half of Fela’s albums.

TRACK LISTING

Johnny Just Drop (J.J.D.) (Part 1)
Johnny Just Drop (J.J.D.) (Part 2)

Fela Kuti

No Agreement

‘No Agreement’ is sometimes overlooked among Fela’s 1977 releases, eclipsed by albums such as ‘Johnny Just Drop (J.J.D.)’ and ‘Sorrow Tears and Blood’, yet it is among his best albums of the period. It includes an outstanding Afrika 70 instrumental, ‘Dog Eat Dog’. The track includes a solo by the American trumpeter Lester Bowie of the Art Ensemble of Chicago, who was then staying with Fela in Lagos.

TRACK LISTING

No Agreement
Dog Eat Dog (Instrumental)

Fela Kuti

V.I.P. (Vagabonds In Power)

‘V.I.P.’ (Vagabonds In Power) was recorded live at the Berlin Jazz Festival in Autumn 1978 and released the following year. It is a ferocious and lyrically exalted attack on the abuse of state power. The festival straddled the cusp of the break-up of Afrika 70 and the formation of Egypt 80 in Spring 1979 and ‘V.I.P.’ was the last album Fela made with the drummer Tony Allen, who had been with him since 1964 and acted as Afrika 70’s bandleader.

TRACK LISTING

V.I.P. (Part 1)
V.I.P. (Part 2)

Fela Kuti And Roy Ayers

Music Of Many Colours

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 13th ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON. IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 12.01AM SATURDAY APRIL 20th.

Knitting Factory Records is proud to reissue Music of Many Colours on limited edition rainbow starburst vinyl, exclusive to Record Store Day. This is the first pressing of the album since the late 80’s. Music of Many Colours is a joint album between Roy Ayers and Fela Kuti, recorded after a three week tour of Nigeria’s major cities in 1979, during which Roy Ayers performed as the opening act for Fela’s band. The two artists decided to record the album as a round-up to the tour. Roy Ayers describes the experience saying, “I met Fela Kuti in Nigeria in 1979, and we fell into a great relationship, good personal and music vibes, and we recorded that album together. Fela also came to USA in the eighties and we performed at NYC's Madison Square Garden. Amazingly energetic, Fela Kuti had a very original concept that was called Afro Beat – a genre with a very unique identity and exceptional music. One of Fela Kuti's most impressive qualities was that he was undeniably a brilliant show man, as a musician and as a huge dancer as well. His African concept was truly original… The tour was about two black men together coming together, one from Africa and other from USA, a very exciting collaboration." Knitting Factory Records is proud to reissue Music of Many Colours on limited edition rainbow starburst vinyl, exclusive to Record Store Day. This is the first pressing of the album since the late 80’s. Music of Many Colours is a joint album between Roy Ayers and Fela Kuti, recorded after a three week tour of Nigeria’s major cities in 1979, during which Roy Ayers performed as the opening act for Fela’s band. The two artists decided to record the album as a round-up to the tour. Roy Ayers describes the experience saying, “I met Fela Kuti in Nigeria in 1979, and we fell into a great relationship, good personal and music vibes, and we recorded that album together. Fela also came to USA in the eighties and we performed at NYC's Madison Square Garden. Amazingly energetic, Fela Kuti had a very original concept that was called Afro Beat – a genre with a very unique identity and exceptional music. One of Fela Kuti's most impressive qualities was that he was undeniably a brilliant show man, as a musician and as a huge dancer as well. His African concept was truly original… The tour was about two black men together coming together, one from Africa and other from USA, a very exciting collaboration." Knitting Factory Records is proud to reissue Music of Many Colours on limited edition rainbow starburst vinyl, exclusive to Record Store Day. This is the first pressing of the album since the late 80’s. Music of Many Colours is a joint album between Roy Ayers and Fela Kuti, recorded after a three week tour of Nigeria’s major cities in 1979, during which Roy Ayers performed as the opening act for Fela’s band. The two artists decided to record the album as a round-up to the tour. Roy Ayers describes the experience saying, “I met Fela Kuti in Nigeria in 1979, and we fell into a great relationship, good personal and music vibes, and we recorded that album together. Fela also came to USA in the eighties and we performed at NYC's Madison Square Garden. Amazingly energetic, Fela Kuti had a very original concept that was called Afro Beat – a genre with a very unique identity and exceptional music. One of Fela Kuti's most impressive qualities was that he was undeniably a brilliant show man, as a musician and as a huge dancer as well. His African concept was truly original… The tour was about two black men together coming together, one from Africa and other from USA, a very exciting collaboration."

Fela Kuti

Zombie

On the title track Fela and the backup singers ridicule the mindset of men in uniform over an urgent, quick-march accompaniment from Afrika 70. The album was a scathing attack on Nigerian soldiers using the zombie metaphor to describe the methods of the Nigerian military. ‘Zombie’ was a smash hit with the people and infuriated the government, setting off a vicious attack against the Kalakuta Republic (a commune that Fela had established in Nigeria). Fela was badly beaten, sustaining a fractured skull and several broken bones. His mother, then aged 77, was thrown out of a window, fracturing a leg and suffering deep trauma. The army then set fire to the compound. The blaze gutted the premises, destroying six Afrika 70 vehicles, all Fela’s master tapes and band equipment and a four-track recording studio. 

Fela Kuti

Ikoyi Blindness / Kalakuta Show

This CD reissue combines two 1976 releases, Ikoyi Blindness and Kalakuta Show, on one disc. Ikoyi Blindness was a middle-of-the-pack release in a sea of mid-'70s Fela records that featured two songs and about a half-hour's worth of music. The rhythms were a little tighter and more highlife-influenced than they had been on albums from earlier in the decade. "Ikoyi Blindness" itself was pretty typical of Fela efforts from the period, both in its structure that built up to a call-and-response vocal and in its taut two-chord melodic base. "Gba Mi Leti Ki N'Dolowo (Slap Me Make I Get Money)" is a little more interesting due to its choppier rhythms, more vibrant percussion, stuttering low guitar riff, and extended haunting electric keyboard lines. By the time of 1976's Kalakuta Show, Fela's releases were starting to seem not so much like records as ongoing installments in one long jam documenting the state of mind of Nigeria's leading contemporary musician and ideological/political dissenter.

Fela Kuti

VIP / Authority Stealing

This CD really consists of two lengthy songs. The first half of the CD consists of a live performance from Berlin in 1979, 'VIP' (Vagabonds in Power). This concert was important in its own right, as Fela was finally able to perform after being banned (officially or unofficially) from performing in a number of African nations due to his inflammatory lyrics. 'Authority Stealing' was recorded a couple of years prior. This album was actually inflammatory enough to initiate another round of beatings to Fela from the hands of government thugs, this time nearly killing him.

Fela Kuti

Shakara / London Scene

Fela's London Scene was one of the first recordings made by Fela and his newly named Nigeria 70, with recordings at Abbey Road and gigs scheduled around the album by Cream's Ginger Baker (who is said to have some uncredited time on the album). It is some of the earliest notions of Afro-beat. Fela is shaking off the highlife forms that he had been entertaining and moving to a deeper, more simmering groove. It also marks the beginning of a bit of his social commentary. He exhorts his fellow Africans to purchase African goods in "Buy Africa" and puts out a call to the Pan-African counterculture in "J'EHIN J'EHIN" and "Egbe Mi O." What one notices in this section of the album is a stripped-down groove that simmers until Fela finally breaks it out into a fully grown work of funk. In the Shakara section (with some 50 bare-breasted women on the cover helping sell the album), one finds fun (and perhaps shame) pointed at the westernizing African woman in "Lady" (espousing feminism, she believes herself equal to men, and espousing westernism, she takes on a delicate/weak form as a lady). In the title track the fun is poked instead at braggarts who don't back up their bravado. The main focus of this album, though, is to provide a good, danceable groove. This is exactly what Fela does. Pick it up as a landmark and a dance album together, but more importantly as a fan of Fela.

Fela Kuti

Confusion

Fela Kuti's 1975 "Confusion" shows him and Africa 70 at the heights of instrumental prowess and ambiguous jibes (the stabs are about to get a bit more direct and heated with 1977's "Zombie"). "Confusion" begins with an unusual free jazz interplay between Fela on organ and drummer Tony Allen that has the presence of 2001: A Space Odyssey in its omnipresent drama. Then the group falls into a lengthily mid-tempo Afro-funk that plays with a sureness that only comes from skilled musicians and a dictator-like leader; here is the formula that had made Fela a genius: Once he has the listener (or the crowd - as all of his songs were originally meant to entertain and educate his audiences at the Shrine) entranced in his complex (and at the same time, deceptively simple) arrangements of danceable grooves, he hits them with what he wants to say. "Confusion" is a comment on the general condition of urban Nigeria (Lagos, in particular). Fela uses traffic jams, no fewer than three dialects, and a multitude of currencies that make trading difficult to complete the allusion to the general post-colonial confusion of a Nigeria lacking in infrastructure and proper leadership. "Confusion" is a highly recommended 25-minute Afro-beat epic.

Gummy Soul's Amerigo Gazway mixes tracks from Afro-beat legend Fela Kuti with acapellas from hip hop pioneers De La Soul to killer effect. A 33 minute long journey into the world of Afro-beat rhythms, funky horn riffs, and classic hip-hop gems. Eight tracks in total, including mash-ups of "Stakes Is High", "Trouble In The Water", "Itsoweezee" and Gorillaz track "Feel Good Inc".

Gazway says; 'I came up with the concept for this project in fall of 2010. I wanted to follow through with it not only because it was a great mash-up title and good idea, but because of the powerful impact both these artists have had on me and my music. Afro-beat, jazz, funk, and hip-hop are already so interconnected, and I always thought it would be exciting to work on a project that combined all of these elements together.'


STAFF COMMENTS

Matt says: Don't sleep on this much needed repress of this Amerigo Gazaway classic. Exactly the same formula as his other imperative works only with Fela Kuti & De La Soul as the source material! There's even a Gorillaz track mashed up for good measure!

TRACK LISTING

Stakes Is High (5:44)
Trouble In The Water (4:43)
Oooh (feat Redman) (4:02)
Rock Co. Kane Flow (feat Mf Doom) (2:23)
Itsoweezee (3:54)
Interlude (0:24)
Much More (3:46)
Breakadawn (3:36)
Feel Good Inc. (feat Gorillaz) (4:11)
Still Ego Trippin' (bonus Track) (5:10)

Fela Kuti And Egypt 80

Army Arrangement

"Army Arrangement" comes from 1985 and is co-produced by Bill Laswell (Material) with the likes of Bernie Worrell (P-Funk) and Sly Dunbar guesting, giving the tracks an extra electronic edge. The LP is a critique of Nigeria's attempt at democracy. Mired as the army-led government was in political corruption, it came as no surprise that this LP cemented Fela's reputation as an anti-government subversive and continued the spiral of arrests, beatings and imprisonments that marred his life.


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