Catching up with Thee Sinseers ahead of their new Colemine Records release, 'Love Stories', one thing becomes abundantly clear: this is not an LP that explores a neat and tidy love story. It isn't interested in the happy ending. It's interested in everything that comes before it, after it, and in spite of it.
On this LP, the band leaned into earthier instrumentation — standup bass, guitars run through amplifiers for a warmer sixties-adjacent tone — pulling inspiration from wherever it presented itself, even the most unlikely of places. It's that cross-genre thinking that Quiñones sees as the record's defining quality. "It didn't feel like we were making soul music at any point," he says. "It felt like we were making our music."
The band sought to capture something more honest than a highlight reel — showcasing the highs and lows of romantic relationships while expanding the frame to include the familial, the complicated, and the unresolved. The band's parents appear in the album art, their own love stories folded into the record's visual identity, some of those stories still standing, others not. As Manjarrez puts it: "Every single song title directs you down a different road of love — whether you win or lose." Quiñones wanted listeners to sit with that ambiguity. "Love is never-ending," he says. "It stretches beyond lifetimes. I want people to still be confused — I want it to be left like an open book."
Yet one thing remains constant throughout: Thee Sinseers' commitment to where they come from. That East LA identity doesn't announce itself — it simply exists, woven into the fabric of the music without being worn as a badge. There's no performance of heartbreak here, just the real thing. Like an unsent love letter finally delivered, 'Love Stories' carries the weight of everything that was felt but never quite said. The universality of that feeling is perhaps best captured in Quiñones's own words: "It's never too late to change. It's never too late to tell a person you love that you love them."
On this LP, the band leaned into earthier instrumentation — standup bass, guitars run through amplifiers for a warmer sixties-adjacent tone — pulling inspiration from wherever it presented itself, even the most unlikely of places. It's that cross-genre thinking that Quiñones sees as the record's defining quality. "It didn't feel like we were making soul music at any point," he says. "It felt like we were making our music."
The band sought to capture something more honest than a highlight reel — showcasing the highs and lows of romantic relationships while expanding the frame to include the familial, the complicated, and the unresolved. The band's parents appear in the album art, their own love stories folded into the record's visual identity, some of those stories still standing, others not. As Manjarrez puts it: "Every single song title directs you down a different road of love — whether you win or lose." Quiñones wanted listeners to sit with that ambiguity. "Love is never-ending," he says. "It stretches beyond lifetimes. I want people to still be confused — I want it to be left like an open book."
Yet one thing remains constant throughout: Thee Sinseers' commitment to where they come from. That East LA identity doesn't announce itself — it simply exists, woven into the fabric of the music without being worn as a badge. There's no performance of heartbreak here, just the real thing. Like an unsent love letter finally delivered, 'Love Stories' carries the weight of everything that was felt but never quite said. The universality of that feeling is perhaps best captured in Quiñones's own words: "It's never too late to change. It's never too late to tell a person you love that you love them."
TRACK LISTING
1. Oh Love
2. Did Ya Know?
3. Let’s Fall In Love (Again)
4. There She Goes
5. Let ‘Em Shine
6. How Lonely Is Lonely
7. What Can I Do?
8. Cry Baby
9. Minute By Minute
10. She Was In Love
11. While You Were Sleeping
