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BODUF SONGS

Southern Records is the fitting new home for the brand new Boduf Songs album, an adventurous, unpredictable and exceptional piece of music, which marks the evolution of Mat Sweet’s sound from the minimalist acoustic approach he has previously taken on his four albums for the Kranky label, to a more adventurous and experimental treatment of his songs. Burnt Up On Re-Entry is a piece - an infinite space - where dark psychedelics are crafted using a combination of raw electronics, manipulated samples and heavy rock guitar.

Where once other instruments were rare interludes betwixt brooding vocals and carefully plucked guitar, now they have a much bigger part to play, shaping entire songs into an animated whole. The songcraft on Burnt Up On Re-Entry remains centered around a heavy melodic and melancholic core, which has been prevalent across the entire Boduf Songs canon. ‘Fiery The Angels Fell’, the album opener, is a fine example of this bold exploration into an even more dynamic form of composition. it begins with Mat Sweet’s hushed, mournful vocals and gentle string picks, but quickly picks up the tempo, pushes the electric guitar to escape velocity and lurches out of its gravitational field. ‘Vermin Rend Thy Garments’ and ‘Drexelious Sick Man Quarles Emblemes Closed Heaven’ shift the planet on its axis yet again, the latter morphing into pulsing electronic tones with unearthly vocals and haunting synthesesed dark matter. ‘Everyone Will Let You Down In The End’ appears provide a warm familiarity, but eventually a disturbance occurs within its uniformly rotating mass, before erupting in a supernova explosion. And when the album draws to a close with ‘Oh My Overlord’ we are left hurtling through blackness, as bleeping radio transmissions face in and out amidst epic, otherworldly instrumental soundscapes - we are lost in space, the place that Boduf Songs masterfully forges and envelopes the listener in. Burnt Up On Re-Entry is very much another galaxy for Boduf Songs, allowing Mathew Sweet to explore new black holes and interstellar clouds, resulting in expanding sounds that interact powerfully with his finely honed songwriting, and presenting new hypothesis of the universe. Grab your telescope and join him.

File Under: Rock For Fans of: Benoît Pioulard, Rivulets, Gravenhurst, Matt Elliott, Six Organs Of Admittance.


Boduf Songs

How Shadows Chase The Balance

    The second full length release from this UK resident follows his "Lion Devours The Sun" album from late 2006 on Kranky. A lot of artists are described as 'outsiders' or 'underground', but with Mathew Sweet this is actually an apt description as he belongs to no 'scene' and is working on the farthest fringes of the 'music business'. On his second full length release, "How The Shadows Chase The Balance", Mathew Sweet uses the same formula that he has employed previously; one microphone, one acoustic guitar, a few random instruments, a couple of field recordings, and a deft, understated touch with the mixing process. He locked himself away in his home studio (to be honest, his bedroom) and no one else heard a single note until he was finished. Musically the album is akin to Iron & Wine / M Ward with the themes of death, alienation, fear, hatred and isolation that are his forte, as well as his affinity for gothic imagery. If you listen closely you can hear small bits of rain hitting the window, and cars sliding by on wet roads. The final result is one of the most unassuming, and engaging recordings of the year. It is intimate, extremely personal, and spectral in presence.


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