The Pool represents Apta's most focused and compelling release to date. Based on the transformative plunge of a psychedelic experience, it maps both tentative footsteps into the unknown and euphoric, melodic bliss. Recorded using a combination of modular synthesis, Arp Odyssey, bass, guitar, Elektron grooveboxes and (for the first time in Apta's recorded history) a hint of vocals. There are wisps of melody from the outset, woven through skittering modular synths and saturated bass guitar. But it's on the post-rock indebted 'Shiver' and follower 'Awash' that Apta's distinctive mix of ambient music and flourishing melody take the fore. We also get some more off-piste excursions, widening the boundaries of Apta's already diverse sound and resulting in an album that falls somewhere in the middle ground between post-rock, pop ambient and kosmische. Though there are definitely echoes of that pristine production aesthetic that has defined Apta's sound to date, there are a lot more layers involved, with both gritty percussion and analogue distortion playing a much more significant role, echoing the waves of emotion involved in the tryptamine plunge, and resulting in a stylistically varied, but familiar experience. 'The Pool' is both surprising and intriguing, richly layered but undeniably melodic, and has found it's perfect home on Castles In Space.
Barry Smethurst expands: "The Pool' to me feels like the sort of album that epitomises what I'm trying to do with my music, influenced by melody-laiden electronica and guitar-led post rock while sounding like neither. I've always felt that it would be nice to have another layer to my compositions (a minor key here or there) and some less upbeat pieces, and I think the theme of the LP works perfectly as a parallel, with both moments of sublime joy and flickers of the intimidating unknown coming together. The album was 'Finished' just before I got the Arp Odyssey, so was originally a lot less Arp heavy, but because the noise oscillator mix of the synth works perfectly with the saturated haze of the LP as a whole, I went back and recorded a load of tracks to add it in."
Castles in Space are delighted to be releasing this beautiful and euphoric album as their first release of 2025.
Barry Smethurst expands: "The Pool' to me feels like the sort of album that epitomises what I'm trying to do with my music, influenced by melody-laiden electronica and guitar-led post rock while sounding like neither. I've always felt that it would be nice to have another layer to my compositions (a minor key here or there) and some less upbeat pieces, and I think the theme of the LP works perfectly as a parallel, with both moments of sublime joy and flickers of the intimidating unknown coming together. The album was 'Finished' just before I got the Arp Odyssey, so was originally a lot less Arp heavy, but because the noise oscillator mix of the synth works perfectly with the saturated haze of the LP as a whole, I went back and recorded a load of tracks to add it in."
Castles in Space are delighted to be releasing this beautiful and euphoric album as their first release of 2025.
STAFF COMMENTS
Matt says: From the very first droplets of sound it’s obvious that Apta’s moved onto a new and possibly undiscovered sonic world, more languid and paradisiacal than earth. The digital utopias of previous albums have been warmed up with flourishes of guitar and Apta’s own voice; assuring us of the friendliness of the new environment we find ourselves relishing in. Metaphors aside, his synthesis and song writing continue to come on leaps and bounds; and there’s very few artists out there that sound like our Apta. Another triumph!TRACK LISTING
1. Sink
2. Shivers
3. Awash
4. One Foot
5. MLT
6. Meniscus
7. Dive
8. The Depths
9. Emerge
10. Breathe