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BUNNY LEE

Various Artists

Soul Jazz Records Presents ‘Bunny Lee: Dreads Enter The Gates With Praise’

    Soul Jazz Records presents this new collection featuring the heavy 70s roots reggae of Bunny Lee - a living legend, one of the last of the great Jamaican record producers who helped shape and define reggae music in the 1970s from a small island sound into an internationally successful musical genre.

    From teenage fan to young record plugger for Duke Reid, Sir Coxsone and other early pioneering Jamaican musical entrepreneurs, Lee has spent his whole professional life inside the Kingston music industry. In the 1970s he rose up to become one of the major record producers in Jamaica alongside Lee ‘Scratch’ Perry and the other ‘small axe’ producers who broke the dominance of the ‘big tree’ producers that had ruled Jamaican music in the 1960s.

    Featuring some of the heaviest Jamaican artists, including Johnny Clarke, King Tubby, Dillinger, Prince Jazzbo, Tommy McCook, The legendary Aggrovators (featuring Sly and Robbie), The Mighty Diamonds and more, the album is a rollercoaster ride of rare, deep and classic 1970s roots, dub and DJ sounds.

    During this era, ‘flying cymbals’, crashing reverbs, dark echoing thunderclap gunshots and other ‘implements of sound’ filled his record productions as Bunny Lee explored the outer limits of dub with his friend King Tubby in the mix on wild versions that accompanied any 45. A Bunny Lee record provides a creative and mysterious hidden guide to reggae music itself, a double-sided three-minute intangible history lesson etched in wax.

    Bunny Lee was one of the first Jamaican producers to travel to England in the late 1960s, at the beginning of the nascent British reggae music industry as record companies such as Trojan, Pama and others began licensing Jamaican music in the UK to supply the expanding West Indian communities living up and down England. Lee encouraged other Jamaican producers to do the same, including Lee Perry, Harry J and Niney The Observer and also became a conduit between the British music industry and numerous younger Island-based producers - a frequent flyer reggae ambassador, a musical courier exchanging tapes for royalties.

    Bunny Lee’s first recordings in the late 1960s were mainly rock steady but as the 70s approached the music soon began to mutate and slow down into ‘reggae’ as the sound became heavier, more rootsy and the sound itself began to change with the explosion of dub.

    Lee was at the forefront to this dramatic musical shift into roots reggae and by this time had become a major producer, capable of working with whoever he chose as world-famous singers, DJs and musicians lined up to work with the charismatic man. Lee also employed a fluid but stable set of crack session musicians who he named The Aggrovators.

    Most of the recordings featured here come from the mid 70s, a time when Bunny Lee was definitely in the zone, releasing heavyweight singles at an almost unstoppable rate. Bunny Lee’s career stretches over five decades and he has upwards of 2,000 production credits on vinyl.

    This album comes with extensive sleevenotes, an interview with Bunny Lee and exclusive photography.

    STAFF COMMENTS

    Matt says: The 'flying cymbals' pioneer gets properly exhibited by the Soul Jazz firm here - possibly the most in-depth, all inclusive collection to date of this skilled dub creative.

    TRACK LISTING

    Johnny Clarke - Enter Into His Gates With Praise
    King Tubby Meets Tommy McCook and The Aggrovators - The Dub Station
    Gene Rondo - Why You Do That
    Vin Gordon & The Aggrovators - Magnum Force
    Jackie Edwards - So Jah Seh
    The Aggrovators - So Jah Seh Dub
    Jah Youth - Principle And Dignity
    King Tubby Meets Tommy McCook and The Aggrovators - King Tubby Dub
    Jah Stitch - Real Born African
    The Aggrovators - African Love Call
    Gene Rondo - A Land Far Away
    The Uniques - Queen Majesty
    Johnny Clarke - Time Will Tell
    The Aggrovators - Drums Of Africa
    Winston Wright - Marvelous Rocker
    The Mighty Diamonds - You Should Be Thankful
    King Tubby, Prince Jammy And The Aggrovators - A Thankful Version
    Dillinger - Check Sister Jane
    Prince Jazzbo - The Wormer
    The Uniques - You Don't Care For Me
    Shorty The President - Natty
    Dread Have Ambition
    King Tubby And The Aggrovators -
    This A The Hardest Version

    Lee Perry Vs Bunny Striker Lee

    Dub Soundclash

      What two great producers other then Lee Perry and Bunny Lee would be best suited for a Dub Soundclash. Both producers were integral at the birth of Dub music and would share many rhythms and sessions, their musical paths would cross all through their careers.

      It was in fact Bunny Lee’s rhythm that provided the back drop to Lee Perry’s ‘Shocks of Mighty cut. Jobs were passed from one to the other, Bunny Lee taking over Lee Perry’s position at Wirl records. Yes two producers whose paths always seemed to cross as it does with this release.

      We have selected some of Lee Perry’s rhythms, side one of this set, against some Bunny Lee rhythm on side two.You can hear the distinctive sound of Lee Perry’s Black Ark studio with his echo-plex giving his trademark whirling sound against Bunny Lee’s rhythms cut at many different studios. The winner of the Soundclash? We will leave that decision up to you the listener…..

      But in this Dub session there is no loser…

      ALL KILLER ..NO FILLER…ENJOY…

      TRACK LISTING

      Track 1 WAR INNA DUB Source:war Inna Babylon Rhythm
      Track 2 VAMPIRE DUB Source:vampire Rhythm
      Track 3 CURLY DUB Source:curly Locks Rhythm
      Track 4 WORDS DUB Source:words Rhythm
      Track 5 JUDGEMENT DUB Source:judgement Day Rhythm
      Track 6 PRAISING DUB DUB Source:thanks And Praise Rhythm
      Track 7 FIXING DUB Source:mr Fix It Rhythm
      Track 8 EVERY TRICK DUBWISE Source:every Trick In The Book Rhythm
      Track 9 PROMOTING DUB Source:everybody Need Promotion Rhythm
      Track 10 A HEAVENLY DUB Source:heaven Less Rhythm
      Track 11 M16 DUB STYLE Source:m16 Rhythm
      Track 12 A REAL ROCKING DUB Source:real Rock Rhythm
      Track 13 A DRIFTING WOOD Source:drifting Rhythm
      Track 14 SOLOMON WISE DUB*source:soloman Was A Wise Man Rhythm
      Track 15 SCRATCH CREATION DUB*source:scratch Creation Rhythm
      Track 16 BRUSH ME DUB* Source:sweaty Come Brush Me Rhythm
      *CD Bonus Tracks

      Bunny "Striker" Lee

      Strikes Back- The Sound Of Studio One

        The Sound of Studio One can be identified by the great singers that it cultivated along the many great songs that these singers released. But as studio 1’s dominance was slowly pulled away by the up and coming new breed of producers many of the artists would inevitably end up working for these new camps and so the songs and singers found a new audience. The reggae sound of the Studio 1 would make a great combination and the man to pull this was together Bunny Lee.

        The 1960’s in Jamaica was run by two main factions, Coxsonne’s Studio 1 and Duke Reid’s Treasure Isle. These two leading protagonists saw what some of the other great Sound System men like ‘ Tom The Great Sebastian’ had not taken onboard, that when the tunes they imported began to dry up from the USA, their future lied in producing music. Tunes that suited the musical styles that the people of Jamaica still enjoyed. By the late 1960’s thse supremacy was being challenged by the up and coming new producers on the scene, Lee Perry being one, and the other being ‘Ghost of the Studios’ himself, Bunny Lee. Bunny ‘Striker’ Lee may have inherited the moniker ‘Striker’ from his liking of a particular TV show called ‘The Hitch-Hiker’, but it would soon stand also for the considerable hits he would obtain as he was declared producer of the year in Jamaica in 1969, 1970,1971 and 1972.
        For this release, we have compiled many of the great Studio hits that Bunny Lee recorded with the singers that had originally cut at the famed Studio 1. Bunny Lee’s sprinkling of magic over some classic tunes….the sound of Studio 1 backed up this time Bunny ‘Striker’ Lee’s set of star musicians The Aggravators. Proving you can’t keep a good tune down, or a great producer pushing forward…..Bunny Lee strikes back….
        Hope you enjoy the set…..


        Various Artists

        Bunny Lee Presents - Jamaican Rockers 1975-1979

          Maximum iration on this latest compilation from Kingston Sounds, which shines a spotlight on the Rockers Sound (aka Steppas),whic was created during  mid 70’s sessions by The Revolutionaires band at Channel 1.  
          Drummer Sly Dunbar came up with a new ‘Militant’ style double drumming on the snare drum that seemed to add some credence to the political /Rasta based lyrics that were so prominent around this time. For this compilation, Kingston Sounds have pulled together some of the best cuts from this period when producer Bunny Lee was on the top of his game and the sound in town to get on board with was ‘Rockers’... So sit back and enjoy another period in Reggae’s history that still sounds as good as when it was created way back when... EVERYTHING ROCKERS....

          Bunny Lee

          Bunny Lee's Kingston Flying Cymbals

            Bunny Lee’s "flying cymbals" or "flyers rhythms" dominated the dancehalls and the charts during 1974 and 1975. The style, based on Philadelphia disco or the "Philly Bump", the sound of an open and closed hi-hat was not necessarily novel but Striker’s innovations of bringing a number of different elements into play most certainly was. Johnny Clarke’s interpretation of Earl Zero’s ‘None Shall Escape the Judgement’ not only opens this set but also opened the floodgates for the flyers style.

            The story had begun the previous year with Lowell ’Sly’ Dunbar: "Sly played the flying cymbals first... I said to him that he played it on the Delroy Wilson tune for Channel One named ‘It’s a Shame’ and he also played it before that with Skin, Flesh & Bones on ‘Here I am Baby Come And Take Me’ the Al Green tune, when Al Brown sung it for Dickie Wong with the ‘tsk, tsk, tsk’ sound on the hi-hat. I named it "flyers" but they didn’t know what flyers was!!!” - Bunny Striker Lee

            Before too long ”Every tune we put out we put the rhythm behind it” says Lee, and every Kingston producer followed suit with their own variation of Striker’s Flying Cymbals rhythm.


            Bunny Lee

            Creation Of Dub

              King Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of dub music. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard; remix or version cuts to an existing vocal tune. The pairs work together is celebrated on "Creation Of Dub", another landmark album from the Tubby-Lee reggae axis. If you loved Jamaican Recordings King Tubby reissue LPs, then this should be on your shopping list too!


              Bunny Lee & King Tubby Present Tommy McCook & The Aggrovators

              Brass Rockers

                King Tubby and Producer Bunny ‘Striker’ Lee are intertwined in the birth of Dub Music. After discovering a mistake that made a ‘serious joke’ they went on to release the first pressings of this new musical genre namely ‘Dub Music’. Tubby’s vast knowledge of electronics and Bunny’s vast catalogue of rhythms would lay the foundations of what today is taken as a standard...the Remix / Version cuts to an existing vocal tune. Sit back and enjoy this historic set of sounds. These releases were the first to carry the name of King Tubby and the first to credit the great musicians that contributed so much to the rhythms that made these albums possible.



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