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THE PARROTS

The Parrots

Dos

    Rolling in on an unbreakable motorik groove, The Parrots second album - Dos - starts very much on the front foot. You Work All Day And Then You Die is a bold statement of intent, a signpost at the side of the road that tells you straight about the futility of our modern lives spent chained to the work station. As the chant-along chorus goes, “It’s hard to find some peace of mind” - a line that feels like a reaction to the last year and half on planet Earth.

    From You Work All Day And Then You Die’s relentless pulse to closer Romance’s end of the night celebration of friendship and survival, Dos is an all consuming, life-affirming joyous noise. Where The Parrots debut - Los Niños Sin Miedo - howled and rattled like the garage bands that had inspired them in their formative years in Madrid, Dos was conceived by Diego Garcia (guitar, vocals) and Alex de Lucas (bass) as a chance to showcase their wider ambitions. That desire to expand the band’s sound led them to working with producer Tom Furse from The Horrors.

    Fans of The Parrots previous records and their life-enhancing live shows needn’t worry that things have changed too much. Dos is still very much a garage rock record, only one now painted in brighter, bolder, more psychedelic colours. Just Hold On is a summery late ’60s West Coast stomp while Nadie Dijo Que Fuera Fácil (translation - Nobody Said It Would Be Easy) and Amigos recall modern psychedelic voyagers such as Spacemen 3 and Super Furry Animals - bands who effortlessly combined drones with celestial melody. Elsewhere, It’s Too Late To Go To Bed sounds like something released on Ze Records in the early ’80s. When you spend some time with Dos - the riotous and addictive second Parrots album - you’ll realise it’d be wise not to wear your best clothes the next time they roll in to town as you’ll invariably be going home drenched, ecstatic and covered in footprints. Bring it on.

    The Parrots talk about the new record by saying: “Most of the album was recorded in Wilton Way Studios in Hackney in periods between summer 2019 and the start of 2020. Because of lockdown, it ended up getting finished in Madrid with Harto Rodriguez. Recording at home was really nice because it meant we could call on some of our very talented friends to join us in the studio. Most of the record was written before the lockdown but that unexpected pause in all of our lives made us rethink some of it and finish bits off in a different way. Also, when we knew we couldn’t go back to London to finish it, we decided to invite a lot of our friends back home to the studio. That made recording feel almost like a celebration. Everyone we knew was fine; even with the global pause we could still find the bright spots and stay together.”

    “Even though garage rock is kind of the core of all our influences, in the last few years we’ve been listening to lots of stuff that we’d kind of relegated to a second position. We rediscovered a lot of artists that we listened back when we first fell in love with music - bands like LCD Soundsystem and Gang of Four, lots of mutant disco. Tom really helped us there, he made sense out of the chaotic mashup of influences that we brought into the studio. And because we’ve always loved hip hop, we followed a different approach to putting songs together, using samples and sampling ourselves a lot. Beastie Boys, ESG, Devo, Los Zombies (the Spanish band) were all a very big influence on the tone of the record. Also the Spanish music scene has been changing a lot in the last years and listening to a lot of new Spanish artists has helped us break down some walls and made us create music in a more free way.”

    ‘Dos’ is the follow up to the Madrid duo’s (Diego García & Alex de Lucas) acclaimed 2016 debut ‘Los Niños Sin Miedo’ and shows the band taking an evolutionary step that finds them sounding stronger and more realized than ever before, from their original characteristics of stripped-down melodic garage rock to a fresh sonic perspective. Produced by Tom Furse (The Horrors) and mixed by Claudius Mittendorfer (Parquet Courts, Weezer, Panic! At The Disco, Temples), the Parrots find themselves experimenting with more modern production soundscapes and electronic grooves.


    TRACK LISTING

    1. You Work All Day And Then You Die
    2. Just Hold On
    3. Maldito (feat C. Tangana)
    4. Lo Dejaría Todo
    5. Don’t Cry
    6. It's Too Late To Go To Bed
    7. Nadie Dijo Que Fuera Fácil
    8. Fuego
    9. Amigos
    10. How Not To Be Seen
    11. Romance (feat Los Nastys)

    The Parrots

    Los Niños Sin Miedo

      Oh Dios mio! Madrid racket-makers The Parrots have announced their debut album 'Los Ninos Sin Miedo'. With an album title that roughly translates as 'Children Without Fear,' the band's first full-length comes out via Heavenly Recordings.

      The Parrots - Diego García (vocals / guitar), Alex de Lucas (bass) and Larry Balboa (drums) - are a loose-hipped, primordial rock ‘n’ roll band from Madrid who met at university in the city and evolved from the same firmament of like-minded artists, photographers, DJs and musicians that recently spawned the acclaimed band Hinds. (The Parrots’ Diego produced Hinds’ recently released acclaimed album ‘Leave Me Alone’.) 

      The band recorded ‘Los Niños Sin Miedo’ in one week last September down by the sea in Cádiz at the studios of much-loved Spanish sound engineer Paco Loco. An idyllic setting conducive to the recording of the album, Paco’s infectious enthusiasm and artistic insight made the process even easier.

      TRACK LISTING

      1. Too High To Die
      2. Let's Do It Again
      3. No Me Gustas Te Quiero
      4. A Thousand Ways
      5. Jame Gumb
      6. Casper
      7. EA Presley
      8. The Road That Brings You Home
      9. Windows 98
      10. Los Niños Sin Miedo


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