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The Chemical Brothers

No Reason

    The Chemical Brothers - one of the most successful bands in the history of electronic music - return with a new single. ‘No Reason’ has been played in their live shows and DJ sets for this past year to an immense crowd response.

    The Chemical Brothers

    Dig Your Own Hole - Vinyl Edition

      Ok, onto the second release of the Chemical Brothers life changing discography and it was this one that really set the world on fire. "Dig Your Own Hole" saw the pair hit the mainstream - mainly due to the extensive licensing for advertising the album saw - forcing the pair to address the issue in interviews at the time (underground dance music doesn't belong on adverts - said the critics...). But for the less elitist this didn't bother us, it actually shone a light on this incredible act OUTSIDE of the club (remember, I was only 13 years old at the time!) meaning a whole generation of teenagers suddenly started listening to dance music and reading Ministry / Mixmag - even though we were too young to go to any of the clubs! Such was the mystic power of the Chems. Tracks off this album need little introduction. "Block Rockin' Beats" - you know that one. "Where Do I Begin" - saw the return of the fragile, Elf-like beauty that is Beth Orton on vocals and became a comedown anthem of the times. "The Private Psychedelic Reel" showed that they could do epic, festival pleasing songs - earning them regular appearance at Glastonbury and the multitude of outdoor raves up and down the country. Then there's fuckin NOEL GALLAGHER (!!!) on "Setting Sun" - instantly aligning the baggy, floppy haired duo with the massive, fledging Brit Pop scene. The rest, as they say, is history - the Chems became a global act; they headlined the Pyramid Stage about 5 years on the trot, James Holroyd (Piccadilly customer and Bugged Out! resident) became their tour DJ, again, cementing their credentials with the dance music aficionados of the day. Nine more albums were to emanate from the pair, with countless remixes and singles to boot. But to me, the first trilogy of albums, with "Surrender" following in 2001, where the absolute zenith for me, and iconic slices of UK dance music heritage that should be displayed with pride at any instance. A classic.

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