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OUTER TIME INNER SPACE

Following on from OTIS002, Jon & Hugh's "Another View" come one half of the production duo and OTIS label boss Hugh B. Stepping out on his own for OTIS003. "Floating On a Trippy Biscuit" is a 4 track excursion through deep textures, roaming drum machines, sliced breaks and dub echoes. With a nod to early jungle, a psychedelic love letter to UK Broken Beat, a remix from OTIS family member Sean Thomas that pays respect to the UK deep scene of the late 90s and a submerged, valium-laced house groove designed for post-rave reflection. OTIS003 is a dreamy meditation amidst the occasional chaos of the rave, a blissful trip through the various styles of 'dance music' this label holds dear.

Early support from: Ben Fester, Simon Caldwell, Adi Toohey and a load of other selectors that are keeping it deep in twenty seventeen…


STAFF COMMENTS

Matt says: Here's some more lo-fi jungle folks, backed with three cutting edge tracks that straddle the house music cannon. 2018 just keeps on givin dunt it?! Hot shit is this!

After kicking things off with Sean Thomas’ (Cop Envy) The Weigh, Sydney’s Outer Time Inner Space return with a collaborative EP from Jon Watts, the kind-hearted, go-to sound engineer of the Sydney club and experimental music scene and OTIS label owner, Hugh Burridge (AKA Hubert Clarke Jr). As resident DJs for OTIS’ Sweet Echoes parties and guests for some of Sydney’s more open-minded club promoters, Jon & Hugh have developed their own style of warm up set, largely unrestrained by genre. "Another View" is just an extension of this open approach to club music. There’s an obvious ode to Bukem’s "Good Looking Records", a lopsided MPC jam that could have been written by a drunk Ron Trent, a club roller with UK broken beat at it’s heart and a spaced out, dream-scape dub from Melbourne mate, Rings Around Saturn (Dan White) to round out the EP. The common thread, they’re keeping it deep.

Early support from: Ben Fester, Simon Caldwell, Adi Toohey and a load of other selectors that are keeping it deep in twenty seventeen…




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