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MESH

"Feeling Is Structure" explores the relationship between physical form and human emotion.

Across 10 spatial audio-visual works, Cooper examines how structure in sound, architecture, biology and art, shapes the way we feel.

The album is built on the idea that our inner emotional lives are profoundly connected from our lived environment. Developed from a commission to create a live show for London’s Royal Albert Hall, expanding on this idea, Max explains:

“I’m fascinated by architects who can imbue brutalist buildings with humanity, or artists who can paint a block of colour representing their soul.” says Cooper. “We have this remarkable capacity to spill ourselves into the world through form. When I began working on a show for the Royal Albert Hall, that connection between large-scale physical structures and feeling took over, and this album emerged from that process.”

Musically, "Feeling Is Structure" leans into Cooper’s more intricate and deliberate compositional side. Rather than improvisation, the record focuses on carefully designed systems and processes that build evolving sonic architectures. Precise at the micro level, but deeply emotive in impact.

STAFF COMMENTS

Matt says: Another arresting excursion from Max Cooper who's masterful harnessing of machines is truly evident here as he showcases his singular, wide-screen, full-frontal electronica.

TRACK LISTING

A1. Pattern Index
A2. Becoming
B1. The Shape Of Memory
B2. Splintered Air Between Us
C1. Obsessive Compulsive Order
C2. Bass Mosaic
D1. This Is A Bridge (with Sorcery)
E1. Four Tones Reflected
F1. Ebb And Flow
F2. Chrysalis

Jinje & A. Montane

Neon Gardens EP

Mesh-mainstay Jinjé teams up with A. Montane for a collaborative EP born out of live improvised sessions, and composed over the period of a year.

Taking a slowed approach to the production of 'Neon Gardens EP, the two hardware aficionados met sporadically for live jam sessions - an homage to the importance of not rushing the process, and letting ideas build over time. Each session consisted of an intense burst of musical propositions followed by a careful editing framework, giving space for each moment to flourish. Oscillating between moments of catharsis and intense rhythmic play, the EP merges disparate musical sources into exciting new structures.

‘Ikeya Seki’ launches with glistening arpeggiations and subaquatic frequencies that interact over UKG-adjacent drums. ‘Vrem’ marches to a slow-stepping half time beat, building through yearning vocals before breaking down into a storm of pointillistic percussion. On ‘Yū’, rich melodies and bouncy, bass-led rhythms dance below chopped up vocals. Closing things off, ‘Velvet People’ builds a spatial setting with bells ricocheting through malfunctioning flutters.

A nod to the joys of improvisation, 'Neon Gardens EP' takes the spirit of spontaneity and lays out new structures for its ideas to grow.

STAFF COMMENTS

Matt says: This is very good. Like Boards Of Canada meets Rustie or Hudson Mohawk. Cerebral in parts, body gurning in others, with perfectly balanced weight and rhythm. Jinje & A. Montane certainly know their onions!

TRACK LISTING

A1. Ikeya Seki
A2. Vrem
B1. Yǔ
B2. Velvet People


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